College news, March 2, 1932

“

The College Ne 7







VOL. XVIII, No. 14°



WAYNE AND BRYN MAWR, PA., WEDNESDAY, MARCH 2, 1932





Price, 10 Cénts





Mr. S. A. King Gives

Shakespearean Recital |’



Traditional Gestures and Pure
Speech Assist Interpree
tation

IN “WITCHES”



CLIMAX



John Drinkwater once said that
statesmen and politicians should read

a little Shakespeare every day. With
May Day so near, this is equally good
advice for Bryn Mawr, and it: was
with this in mind that we heard a
Shakespeare recital by Mr. Samuel Ar-
thur King last Tuesday night. Mr.

ling reminded us that the full effect °
of Shakespeare’s blank verse-can only~

be attained by giving due recognition
to its construction. In reciting the
ten-syllable lines, accented on the sec-
ond, fourth, sixth, eighth and tenth
syllables, one must keep the “impres-
sion of alternate accents,’ and one
must not overlook the legato effect
where certain consonants are slurred
over to the next word. Legato was
used in Mr. King’s first selection—
Buckingham’s Farewell from “Henry
VIII,” the speech which made Forbes-
Robertson famous—and its. impres-
siveness is helped by the extra sylla-
ble at the end of a line being an
emphatic monosyllable.

“The second piece was the descrip-
tion of Queen Mab from “Romeo and
Juliet,” an example of the traditional
rendering of description handed down
from the days of Kemball to Walter
Lacey, the effect lying in the onomat-
apoeia.- For all those who, tired of
the old manner of presentation, are
ever trying to start innovation in the
acting of Shakespeare, Southern once
said that true art is premeditated.
“It does not do to despise tradition,”
and this is “worthy of contemplation
even by born actors.” Mr. King then
recited Clarence’s dream from “Rich-
ard III.” The dream is told to evoke
horror, and in order that -the voice
may achieve this there are great

“numbers of vocal consonants upon

which the voice may linger. From
“As You Like It’ Mr. King did the
seven ages of man, a speech which’
has inspired illustrators of all years.
The scene of the witches from “Mac-
beth” followed—the most interesting
piece on the program, because Mr.
King’s vibration and high pitch of
voice gave it all the eeriness of su-
pernatural beings. Shakespeare. prob-
ably wrote this with full conscious-
ness of its sound effects, for in’ the
first grammar, written by Ben Jon-
son in 1584 and now in the British

Museum, is found a chapter on the

(Continued on Page Five)



Calendar

Sun., March 6—7.30 P. M., Rev.
Richard Gurley, rector of St.
Martin’s Church, Radnor, will
speak in Chapel. 1

-Mon., March 7—3.45 P. M., the
Bryn Mawr College Choir will
broadcast from Station,
WCAU, Philadelphia; 8.15° P.
M., Rev. Dr. Kirsopp Lake
will speak on “The Problems
of the Text.”

Tues.,, March 8—4.30 P.’M., Dr.
Kirsopp Lake will speak on
“Excavations at Samaria” in
the Common Room.

Sat., March 12—8.20 P. M., Glee
Club concert, followed by a
dance in the gymnasium.

Sun., March 13—7.30 P. M., Rev.
Groton will speak in Chapel.

Mon., March 14—8.20 P. M., Dr.

, Eugen Kuehnemann, profes-
sor of philosophy at the Uni-
versity of Breslau, Germany,
will speak on: “Goethe and
the Modern World” in Good-—
hart Auditorium.

Wed., March 16—8.20 P. M.,
Miss Jennie Lee, M.A., LL.B.,
former Labor M. P. from
North Lanark, will lectiire in
Goodhart Hall. Her subject
will be “Is . Westminster
bios" Out?





fly influenced: by the Arab, might still







Dr. Schumann Speaks
on Music of the East



Pentatonic Scale Necessitates
Simplicity of Instruments

Though Music is Varied
TONE VALUES BIG AID





“Oriental amusic from Tunis to
Japan” was the subject.of Dr. Hans
Schumann’s lecture on February 25.
Dr. Schumann, who is Professor of:
Music at the University of: Pennsyl-
vania, was introduced by Miss -Petts.

To us, he said, the music of the
Near- and Far-East seems strange,
far away from our mentality, from
our :emotions and our expression of
them. The Oriental musician does
not, as we do, hear sounds in their
vertical connection; he hears only |
horizontally in a melodic line. Even
when: two melodies. are combined,
there is no accidental chagd structure
as in the polyphonic music of Bach
and Palestrina. What interests the
Oriental are the tone values in them-
selves, not. the intervals, or what is
between. the tones. Emotionally, F
sharp is always the same, although
by pushing higher or lower its treat-
ment is varied. Thus, if there is
“oneness” in the harmonic sense, the
opposite is true in-the dynamic sense.

It is natural that in a musical sys-
tem whose basis is the pentatonic
scale, the instruments will be far sim-
pler than those required by a system
such a8 ours, which adds chromatic
to diatonic usage. As a matter of
fact, most of the instruments now
used in the East have had their pres- ;
ent character for some.3000 years.

But, as Dr. Schumann illustrated
by means of records, there is a great
variety within Oriental music; < its
strangeness augments as we progress
East. Egyptian music, for example,
with its minor melody, though chief-

be heard in Spain and Southern Italy.
The Dervish song, used for religious
dancing, is perhaps the best illustra-
tion of the mentality of Islam as a
whole; the soloist and chorus—the
latter repeat continually—quicken the
tempo of the monotone as the dance
progresses, until it culminates with |
the dancer foaming at the mouth,
and falling to the ground in a faint.
(Continued on Page Four)



Summer School-Positions®' }
Undergraduates interested in |
going to Summer School here
may apply during the next two
weeks. : Two places are reserved
_for Bryn Mawr students, pref-
_erably Sophomores or Juniors,
‘though a member of any class
may be accepted. Application
blanks and further information
may be had from A. Lee Hard-
enbergh, Rockefeller; W. Mc-
Cully, Merion, and V. Butter-
worth, Pembroke West. .













a On



iB. M. Choir to Broadcast

Program of Five Numbers



For the first time, the Bryn Mawr

College Choir will be heard in a

broadcast program over the Columbia
network. This is the sixth of a series
of seven breadeasts by the choirs of
the seven Eastern women’s colleges
and is arranged by the alumnae com-
mittee of the seven colleges and pre-
sented through the co-operation of the
Columbia Broadcasting System.

The choir is under the direction of
I’. H. Ernest Willoughby, A.R.C.M.
The program is as follows:

Palestrina (1525-1594)—
factae sunt.”

Vittoria (1540-1613)
nes,”

com

enebrae
—*Q vos: om-

Byrd ( 1543-1623)—“Looke downe,

O Lorde.’
Bach (1685- 1750)—Chorales
“Christmas Oratorio.’
Morley (1557-1604)
“Arise, get up my dear.”

from
~. Madrigal,

The Bach chorales from “Christmas
Oratorio” sung at this broadcast
formed part of ‘the work the choir
presented with the Philadelphia Or-
chestra under the direction of Leopold
Stokowski at the dedication of Good-
hart Hall at the College, in 1928.



Dr. Rogers in Washington

Dr. Agnes L. Rogers, Professor of
Psychology and Education at Bryn
Mawr, and Head of the Department
of Education, spoke February 23 in
Washington at the Chamber of Com-

merce on English and American Col-

lege Practices. ‘



Editorial: Board Try-Outs

‘The following people have en-
tered the competition for re-
porter’s. position on the Edito-
rial Board of The College News:
E. H. Hannan, N. Hart and C.
Robinson, ’34; A. Denton, M. V.

- V. Hayes, P. Howe, P. Jones,
B. Mather, G. Rhoads, D. Tate-

mena,



Mr. Ernen Willoughby and Biss Mawr College Choir



|Mawr_ father.





Smith and. F. Van Keuren, °35.









Dr. Lake Grants an
Interview to News



After Giving Details of His Life,
Dr. Lake. Told His Bryn
Mawr Impressions

DISCUSSES U. S. COLLEGES





Dr. Lake in. an interview with a
reporter from. the NEWS last week
sketched briefly his personal history.
To those who knew his daughter,
Nan Lake, Bryn Mawr, 1930, and
graduate student here last year, it
may be a surprise to learn that Dr.
Lake is a European by birth and
education. His first visit to America
was his trip to Harvard University,
where he has been teaching ever since.
He was prepared at St. Paul’s School
in England, founded in the year 1509
by John Cabot, for the encouragement
of the study of Greek._Dr,_Lake-ad-
mitted having followed in the foot-
steps of the founder in this respect.
He matriculated to Lincoln College,
éxford, where he remained seven
years after his graduation, acting as
curate in the University Chapel, and
assistant in the Bodleian Library, lec-
turing all the time on the New Festa-
ment.in the- University. For

at the University of Leiden, a co-
educational institution from which
Dr. Lake drew many of his obsérva-
tions on educational methods. He
came directly from Leidén to Har-
vard, and here, as he says, he is.
In answer to our questions Dr. Lake
outlined his principal works; the most
important group in his estimation, is
that of editing of old manuscripts,
of which the most important is the |

“Codex Siniaticus.” +Books on the
New ‘Testament imelude one on
' “Acts,” one on the story of the resur-

rection, and one on the epistles of

Saint Paul, which is of course close-
ly related ‘to his lectures here. His
works on theology in general are,led
by a volume entitled “Religion Yes-
terday and Tomorrow.” He and Dr.
Cadbury, ef-our own faculty, are now
collaborating on an edition of the
“Acts,” of which the last volume is
being finished, and are publishing
with Blake, of Harvard, and Mrs. R.
W. New, a collection of essays on the
New Testament.

Having finished the more formal
necessary parts of the interview, we
went on to-question Dr. Lake about
Bryn Mawr and his impression of it.
He is singularly well fitted -to,:.ob-
serve the college, having been both a
Bryn Mawr lecturer and a_ Bryn
We were flattered
when he compared the Bryn Mawr
audience favorably with Harvard’s.
“If you know stupidity, you must lec-
ture before a Women’s Club.” He
went on to make the startling state-
ment. that there is, in his opinion,
not a stupid person in Bryn Mawr.
Some, who appear so, are really only
disinterested. They all can at least

- (Continued on Page™Five)

>

‘clearly the necessity for

ten }.
-years following he was a professor

! The





Dr. Lake Traces New __
Testament’s Evolution



i Revised Version in Modern Use

is Reconstructed Synthesis
of Many Early Texts

TELLS OF NEW WORK

(Specially. Contributed in News
Competition)

On Monday evening Dr. Lake gave
the first half of his lecture on the
study of the text of the New Testa-
ment. His theme was the. evolution
of the text which we now use.

The earliest English translation of
which we know, a Vulgate, is that
of -Wyclif. The Vulgate is a revi-
sion of the New Testament made at
the end of the fourth century by St.
Jerome. Although we do not actual-
ly. possess a Jerome text, we have a
group_of manuscripts.so—close_to his
style that we can easily reconstruct
from them the original, which was
very corrupt because it had passed
through a long period of deteriora-
tion. ied

The first abbot of St: Paul’s mon-
astery, built by Bénedict Biscop, and
a centre of learning as well as of
piety, presented a copy of the New
Testament to the Pope. At first
thought to be written by an English-
man, it. was later proved by an analy-
sis of the printing to have been writ-
ten by .an Italian. In the 9th cen-
tury a partly erased note from this
text. was deciphered, revealing that
the text had been copied from a man-
uscript traced baek to .Naples and
Capua. The Pope gave away many
of his manuscripts, one of which, the
“Acts of the Apostles,’ written in
Sardinia and located in Northumber-
land and Wurzburg, was used by the
“Venerable” Bede and Bishop Laud,

(Continued on Page Two)







February Lantern Review
Given by Miss Buchanan



_ The February issue of The Lantern
opens with an editorial thaf states
preserving
literature in an economic depression. .
But, since the proof of the necessity
for literature has much in common
with the ideals of a college, there
seems to be little need for the state-
ment. of the problem on the Bryn
Mawr campus... ,The defiant tone of
the editorial leads one to suspect that
Lantern ‘has reached its period
of depression and that it is pleading
its cause in-rather sweeping terms.
I’ortunately the contents show little
cause for melancholy on the part of
the editors. They have choseh one
sort of thing that undergraduates can
do, and the knowledge of limitation
makes for more finished work,; ‘The
poetry lacks the completeness of the
prose. Miss Perkins’ “Scholar” will
not bear the pitiless light of experi-
ence, since it is the delight of the
scholar that- his sticks and stones
somehow fit together in the end.
“Void,” by Miss Grant, is not unified
enough to achieve the #orm_ that
places art beyond the immediate emo-
tion. Of Miss Burnett’s two poems
“Doubt” is the best. In spite of, its
commonplace note, it has a certain
simplicity and-concreteness lacking in
the more complicated ‘Theophany.”
The latter- poem shows mastery of
technique, but the double conception
is not fused into a whole, and the
dramatic contrast’’in the specific
statement at the end serves only to
disintegrate the sonnet. The sketches
in The Lantern have more form than
the .poems, and through concrete de-
tails they imply rather than state
conclusions . The note of unreality in
Miss Reinhardt’s “Through the Gate
of Horn” is achieved by the use of
light, shadow and solid color in con-
trast. Its three episodes form a deli-
cate harmony unified by the central
figure of the woman. Only through
the reactions of the two characters
to the external world can-one see the
death of love between them. In “Pre-
lude,” by Miss Lombardi, the most
, (Continued on Page Three)

.














: THE COLLEGE NEWS







| THE COLLEGE NEWS .

(Founded in 1914).

Published aa. during the College Year (excepting during Thanksgiving,
Christmas and Easter Holidays, and during examination weeks) in the interest of
Bryn Mawr College at the Maguire Building, Wayne, Pa., and Bryn Mawr College.









Copy Editor &
Susan Noste, 732

Editor-in-Chief
Rose Hatrievp, 732

Editors
Crara Frances GRANT, '34
SALLIE Jones, "34
Mo tty Nicnots, °34

Leta Crews, °33
Janet MarsHa.t, 733

Business Manager \,
Mo.iy Atmore, °32

Subscription Manager
Yvonne. CAMERON, 732

Assistants
ELEANOR YEAKEL, 733

Canouine Bere, °33
J. ExizapetH Hannan, °34

Maset Meenan, 733



SUBSCRIPTION, $2.50 }
SUBSCRIPTIONS MAY BEGIN AT ANY TIME



Entered as second-class mattér at the Wayne, Pa., Post Office







Kamerad!
As Easter vacation draws nearer we cannot help considering the amount
of work to be done in the next three weeks. For most of us the prospect
is terrifying. On the recommendation of the administration, all reports

‘are to be finished before Easter, and all scheduled quizzes are included in

the pre-Easter period. This means for most of us four quizzes and at least
two reports. Last semester's Thanksgiving-to-Christmas period, dedicated
entirely to reports, is only a pleasant memory. ~~~

' We understand the necessity for having extra time after Easter to work
for May Day. We wonder, however, if there will be anything left of us
to work after carrying out the strenuous program just ahead. There will

' be more students than usual, certainly, | who will find it extremely difficult

to do well: what is required of them in each class when-demands are being

‘| my. little lass, and, you to quote all

MAILING PRICE, $3.00. "i

The Pillar
of Salt







It being spring, we have felt it
might perhaps be apropos and ex-
tremely convenient for the editors
who have just as many reports and
paper flowers on their minds as you,

the poetry we know anent the season;
follows all we and our more intimate
friends can cull.

Er—§$pring—(this is English, verry.)

Er—spring—you perfectly priceless
old thing;

There’s a twang. in the air,
know what I mean,

And the grass, as it were,

_ frightfully green.

There’s’a trend towards burgeoning,
seen ’mongst the leaves—

The bally old sap in the topping old

if you

is’ .So

News of New York Theatres



Texas Guinan, having tried all il-
legitimate rackets, is going to try her
hand at legitimate, or something re-
sembling legitimate, acting. She will

‘make her bow as Aimie Semple Mc-

Pherson in Charles Hopkins’ “Sister
Aimie.” The play deals with the
religious racketeer’s life, and Helen
Rowland will be Aimie the child.
Edith Barrett will portray Aimie the
girl, and then Texas (“Give the Little
Girl a Hand’’) Gifinan will lurch on
as Aimie the woman. This ought to
be good.

Eugene O’Neill, after viewing the
success of “Mourning Becomes Elec-
tra,” has set to work on fhree new
plays covering periods of American
life from 1776 to the present. The
first will open with the Revolution,
the second will deal with the ’40’s,
and the third will be modern. Unless
Mr. O’Neill reforms the morals of
‘his familfes, we doubt if the line will
be extant by the third period,

Robert Sparks’ production of Sam



trees— .
The ripping old lilac and that sort:
of rot,
Well, it rather well cheers a chap wp,|
does. it not? :
We shall soon see the jolly old a
‘on the wing,
Er—spring.

And then it is always cibout sthis

Janney’s detective comedy “Monkey”
| has had its title changed to “Inspector
Henderson.” .The titles are said to
-be synonymous.

The opening of “The Warrior’s
Husband” -has been delayed until
March 14, which is a sign that some-
thing is wrong somewhere. ~The
trotuble seems to be connected with

time of year that the Biolofy students the fact that the lines have a tendency
(and we always manage to have sev- | t© €mulate the back pages of Bally-
eral friends among the Biology stu-' hoo. Some respectable sightseers at-
dents) begin to sit in seats apart at} ‘tended a rehearsal and left in a fury
the table, slink around corners and _—the play is now being fumigated
bathe thoroughly in Ltaterine in the in order to make.a bid for the trade

made upon them by every course at the same time.

likely to result.

Mental panic is hac

We are not suggesting a general plan for the students te get-away wie

‘as little work as possible until Easter.
We hope they will realize that the pressure

gestion lies with our professors.

The solution of this academic con-

of quizzes and reports due simultaneously is extraordinary, and that they

will make:some allowances.

We prophesy that any unfinished work can

be completed in the time between May Day and the beginning of exams,
with more leisure and more chance, of success.

is



Something Burning to Be Said

To everyone, most especially to those who are trying out for The News:

Now that you have heard all the shining platitudes about the. good
things which come from being on The News, we have an admission to make
that is not so dazzling, but much more practicgh,

Gray days come when the doubtful glories of our editorship seem 1: small
beside the tine and drudgery of attéhding, with our notebook, some lecture
on a subject unknown and ‘uninspiring to us, for we have never gone to

lectures, having had by lunch time enough for the day.

Strangely and

contrarily, we have never failed to listen to, enjoy and draw conclusions

from the hated lecture.

However unknown, it has always taught us some-

thing; however uninspiring, it has always stimulated an idea_or_two. ; If
we grudge The News the time it consumes out of our curriculum, we find
ourselves much wiser at the end of the time, with a wisdom which we admit
(to our shame) we would never have sought without coercion.

You know all the fair promises of The News and what you can get
from them; this is its bad one and what you get from it.



Dr. om Traces New
Testament’s Evolution

(Continued from Page , One)

and now resides at Oxford. By means
of this manuscript, reconstruction is
now being done by the Benedictines
in Rome. The original text has been
changed twice, onee by Sixtus V in
1590, whose translation the College of
Cardinals refused to ratify.
Jerome, in reconstructing his text,
had cértain things on which to go.
His three main manuscripts were the
current Latin text of-the 5th century,



“whith added to the interest of the

revision but not to its clearness, and
which was the ‘basis of his version;

_ older Latin vefsions made in Africa;

and the regtlar Greek text of the
day. Jereme took them, compared
them, and produced “the most beau-
tiful monument of late Latin,” the

- Vulgate. The history of the Greek

text begins with the Reformation,
when Erasmus first began to print
Greek texts, all of which were after-
ward rewritten. From all these num-
erous copies, up to the 19th century,
we have had only one, the “Textus
Receptus,” which is that of Erasmus
with a few variations.

Bentley, the great English classic-
ist, helped to arouse the iriterest of
the people, and a generation arose
which went out to look for new man-
uscripts.
three thousand, from which we can
reconstruct and trace those very steps
by which our text became the Revised

-_ Version. ‘From | the beginning, how-

‘ever, ‘it was obvious that the oldest

8 ~-manuseripts: differed in text from that

of Erasmus. Tischendorff found at

As a result, we now have’



-| Alexandrian and the Western, the
x component — of ‘the ethas Re-
| Weegee 00 on #2,



‘| lecting,- Tischendorff was unable to

carry on the work of editing, a task

which was finally entrusted to three.

Englishmen: Wescott, the philoso-
pher of the group; Halt, the pure
scholar, and Lightfoot, the historian.
They analyzed the Codex and con-
cluded from it that both it and the
Fextus Receptus were a combination
of earlier texts and the Western
Text.

_ At the énd of the last century, two
active English ladies, Mrs. Gibson and
Mrs. Lewis, found a Syriac: manu-
scriptand* discovered that it con-
sisted of two texts, one written over
the erasure of another. They photo-
graphed some of the pages and
brought them to Oxford, where the
form was found to be even older than
that of the text in the British Mus-
eum,

~ At the end of the lecture, Dr. Lake
gave a summary of his own work on
reconstruction. In his first text of
the New Testament, he stated that a
certain group of manuscripts might
be Caesarean, but, urable to prove
his theory, he finally dropped the idea.
A manuscript found some months lat-
er at Tiflis, Georgia, confirmed the
supposition. This Georgian version
was worked on by him in collabora-
tion with Blake and Streeter, and the
result was a treatise on the Caesar-
ean text. On November 19, 1981,
Sir Frederick Kenyon announced that
‘a papyrus of the 3rd century, contain-
ing a Caesarean text of the Gospel
of St. Mark, has been found. ’ “We
are planning now,” concluded Dr.
Lake, “a reconstruction, of the very
earliest text from a comparison of
grouped manuscripts: the Caesarean,

a t



privacy of the wee small hours. Once |
in our early and’ not too inspired |
youth, we can remember having been |
moved to song-on this theme. It went |
something like this: (the tune was |
a merry thing about dreamers, aren’!
we all?) es |

I’m a dog fish, aren’t we all?
Embryonic, mean and small.
In the lab, cruel children jab
With glee; at science’s call.
They’re so hardened; strong, and tall, |
Still my ghost will haunt them alls
When I’m gone, my scent will linger |
on \
I’m a ‘dog-fish, aren’t we all?
(and many of us wondered).

For

All of which btings us to those
Wyndham songs—for it was at Wynd-.;
ham that the little gem above was |
conceived. There was the famous rat
siege, when they died in ,the walls of
the telephone booth, and served to cut
very short all conversations, long-dis-
tance and otherwise. Failing-to rout
us completely, one large and feeble
old rodent, dragged himself into Lib-
by’s bathtub, and breathed his last,
just for spite, curled around the
drain. Oh, the lyrics that burst forth’
after this! The favorite is included

below. |



The Perilous Plumber
(Words Without Song)

Adown the dark and desperate drain,
The perilous plumber ‘peeps in ‘vain
For some rodential remains. od
'And the mild maiden mincing goes, |
Holding her kerchief to her nose.
You need not tell her, for she knows.
’Tis—_plain,—you—ratshave= not peer
trying
To mind old Taylor’s edifying
Tract on the art of Holy Dying.
Else you would quit this life of need
Upon some green and pleasant mead, |
That would be-very nice indeed.
But if you needs must lie in state, |
All creatures do it,.soon or late,
Westminster Abbey, Poet’s Wing,
Was made for just that sort of thing.

|

We think that one more ought to|
just about fill this column, and we
have saved our favorite for the end.
This piece is of unknown origin (we
will, probably be sued for plagiar-
ism), and is sung to a tune, of equal-
ly obscure beginnings.

I’m a simple uni-cellular amoeba:
Compared to me the oyster’d be ,
The queen of Sheba,

And jelly-fishes pass,

As a very brainy class,

And I fear I’ll never hear

: ~ Chorus
I’m a simple uni-cellular niin,
Just an object of, derision,

And nobody’s very kind, —



The words “ich. liebe.” Ah



| of ‘the-W. C, T. U.

“The Terrible Turk,” a play about
|New York and the life of sin the
theatres back;-is now in the hands
of the producers. Jed Harris is the

terrible Turk and is reported to be

pretty pleased with the impression he
has managed to make.
Feeling that what the American

| Chentes needs is- interesting charac-
ters, A. H. Woods-has included in the

' east of “Inside Story” the all-power-
ful monarch of crime; his satellites,
tough and smooth; two reporters, one
who is good and the other who is just
a reporter; a weak Governor; an even
weaker District Attorney; a swindling
political boss; a baby girl, origin un-
known; a heroine, all of’ whose past
is not as an open book. The result
is charming and full of murder, as
might be expected: «



By means of a device perfected by
Frederick G. Ludwig, photographer
for the Sterling Memorial Library at
Yale, photostatic copies of rare books
and manuscripts can now be made on
standard motionpicture film, provid-

‘ing readily available facsimiles for

scholars and small libraries. The
camera used in the apparatus makes
one exposure of each page of the
books to be copied, and 200 feet of
film will record 3200 pages. The com-
|pleted copies are viewed by means

‘of a small projector.

* *

“The record low standard of lan-
guage,” says Dr. Rufus von Klein-
Smid, president of the University of
| Southern California, “has. been reach-
ied on the college campus.” In a re-

cent_address,-D1;-Von-KleinSmid said
that of the 500 to 600 words with

which.common laborers are presumed

to be endowed, about half make up
the college freshman’s vocabulary.

\““The word ‘swell’ alone,” he said, “is

used to describe 4972 situations.”

. * * F 2

The Interfraternity Council at Min-
nesota University recently passed a
resolution requiring a $2 fee of fresh-
men accepting dates during the regu-

jlar winter quarter rushing week. The

measure was designed to help frater-
nities defray the cost of rushees’
meals and to eliminate the entertain-
ment of freshmen who might accept
dates with no intention of becoming
a member of any fraternity.



‘That I only propagate by sub-divi-
sion.

I should like to have a sex,

Gentle misses, .

And what’s more, to explore | gh

Conubial blisses. ‘

And of this famous “it,”

T should like a tiny bit,

And to sweet my bitter cup

+e like some Hanes. :

“And chen ‘the chorus; ad infinitum,







In Philadelphia

Forrest: Queenie Smith in “The
Little Racketeer”—a musical about a
little girl-and a big racket. Has
many good points—very amusing and
nice music.

' Chestnut: “If Booth Had Missed”—
what would have happened if Lincoln
had lived to try his hand at recon-
struction. Well done, but definitely”
serious. eee a3

Coming ‘

Forrest: March 14, Katherine Cor-
nell in “The Barretts of Wimpole
Street.” This needs no introduction—
unreservedly recommended.

Academy of Music:

» Philadelphia Grand Opera Company
presents “Elektra” Thursday evening,
March 3, at 8.15. Mmes. Roselle,
Matzenauer, Boerner, Edel, Eustis,



- Bampton, Kendrick, Diamond, Jepson;

Mm. Korell, Eddy, Vassar,
Robofsky. Conductor, Reiner.

Philadelphia Orchestra, Bernardino
Molinari conducting, Friday after-
noon, March 4, at 2.30, and Saturday
evening, March 5, at 8.30. Program:

Healy,

Over ere re Suite from Opus 5
Respighi. . Metamorphose ou modi XII
aM RRR pray emmerereL RSE aR ATE La Mer
co maeleree attra prem Till Eulenspiegel

‘New York Philharmonic Symphony
Society Monday evening, March 7, at

8.15, Sir Thomas Beecham,...conduc-
tor. ; :
Movies
Mastbaum: Joe E. Brown in “Fire-

man, Save My Child.” The comedian
is a small-town hero who is assistant
fire chief and star pitcher of the local
baseball team—his romantic adven-
tures supply the plot. Well done and
full of swell laughs.

Earle: Local-talent vaudeville is
enough to keep one and all far from
“X Marks the Spot,” with Lew Cody—
the story of a tattling columnist who
gets himself mixed up with murder.

Keith’s: “Ladies*of the Jury,” with
Edna May Oliver and Roscoe Ates.
The tale of a half-and-half. jury that

can’t agree. Very amusing.

Eur ope: Marlene Dietrich in “Three
Loves”—a very upsetting picture be-
cause La Dietrich is not too smooth.
We lost a lot of swell illusions about
beauty being beauty under any cir-
cumstances,

Fox: Thomas Mcihan and Char-
lotte Greenwood in “Cheaters at
Play”—all about a steamer, jewels,
thieves and love. .Not much.

Karlton:» “Tomorrow and Tomor-
row.” Ruth Chatterton is disappoint-
ing as the woman who ignores éoh-
vention for “true love,” played by
Paul Lukas. Not much of a theme,
and true love loses, as usual.

Stanley: “Broken Lullaby,’ with:
‘Lionel Barrymore and Phillips Holmes
—once called “The Man I Killed.”
The story of a.soldier’s post-war re-
morse over killing a German. Very
well done and really moving.

Boyd: George Arliss in “The Man
Who Played God”—a personal tri-
umph for Mr. Arliss, who plays a
famous pianist embittered by deaf-
ness.

Stanton: Bela Lingo in “Murders
in the Rue Morgue”’—just one horror
after another—just the thing to cure
insomnia.

Stanley: Wallace Beery and Clark
Gable “as the’ navy fliers in “Hell
Divers.” Excellent flying, but a good
deal of maudlin sentimentality.

Local Movies

Ardmore: Wednesday and Thurs-
day, Fredric March and Miriam Hop-
kins in “Dr. Jekyll and Mr. Hyde;”
Friday, Lil Dagover: in “The Woman
From Monte Carlo;” Saturday, “Char-
lie Chan’s Chance;” Monday and
Tuesday, “Ladies of the Big House,”
with Sylvia Sidney; Wednesday, Wil-
liam Powell in “High Pressure.”

Seville: Wednesday and Thursday,
“The Secret _Witness;” Friday and
Saturday, Eddie Quillan in “The-Tip-
off;” Monday and Tuesday, “This
Modern Age,” with Joan Crawford;
Wednesday, “The Speckled Band,”
with Raymond Massey.

Wayne: Wednesday and Thursday,
Wheeler and Woolsey in “Peach
o’ Reno;”. Friday and Saturday, Greta
Garbo -in “Mata Hari;” Monday ,and
Tuesday, “Under Eighteen,” with
Marian Marsh; Wednesday and

| Thursday, “Dance Team,” with James

Dunn and Sally Eilers.



Professor John Q. Stewart, of
Princeton University believes that
the first trip to the moon will be.
made within the next century.






5

THE COLLEGE NEWS

Page 3



woe

nL



erin iis



: Foreign Policy Lunch
Discusses New India

S. K. Ratcliffe Upholds British
“Evolution vs. Revolution”
Government in India





The subject of the Foreign Policy
luncheon on last Saturday was “In-
dia, Evolution Versus Revolution;”
_ and the two speakers were Mr. S. K.
Ratcliffe, former editor of the States-
man and now editorial writer of the
New Statesman in London, and Mr.
Haridas T. Muzumdar, author of

“Gandhi the Apostle,” “India’s Non-
Violent Revolution,” and “Men Ver-
sus Machine Guns.”

India would be ready to receive Do-
minion Status or whether she was not
already prepared for her full free-
dom. ;

The first speaker, Mr. Ratcliffe, be-
gan by saying that he was “too old
to begin by defending the British Im-
perialist system.”

Ten years ago the Government of
India Act had provided a new co-
operation between India and the Brit-
ish Government. This was _unsatis-
factory and that meant an advance
toward: the provincial autonomy of
1927, a revision of the act. In 1917
Montague said that full self-govern-
merit was a goal obtained through
autonomy and in 1929, the viceroy,
Lord Irwiny made a supplementary
statement. that India was working for

“Dominion Status, the scheme and
idea of which received great support.
If Lord Irwin’s declaration had been
reaffirmed in England it would have
been a great:gtep toward the solu-
tion of the problem, bringing India
within the scope of a new co-opera-
tion, but. this clear interpretation in
the home country was not possible.
Thus the widespread civil disobedi-
ence and the cause of the two round
table conferences--arose.

The outcome of the first conference
was to unify the demands of all the
parties of India for self-government.
It showed the readiness of the groups
and Indian princes who rule under
the old paternal system to come under
the federal system. The second round’
table conference was not so promi-
nent because of the confused state of
the British politics at the time. The
second round table conference did,
however, bring to light two ques-
tions: Firstly, If the authority of

. a responsible government was trans-
ferred to India ‘what would be the
basis for the new financial system,
and second, Had India faced the ques-
tion of the defense of the country
when responsibility should be in their
own hands? At this conference Gan-
dhi said that he was convinced that
England had no idea of transferring
the army and finance to India, and
since then’ the Indian National Gov-
ernment has never really faced. these
two problems. At the second confer-
ence the Moslems, the 80 million mi-
nority, said through their delegates
that they would accept no terms of
settlement that would not give them
protection from the Hindus. Second-
ly, because of the Gandhi leadership
the depressed classes were inadequate-
ly represented at the conference,
Gandhi said that these classes belong
to the Hindu world, although they
are disinherited religiously and so-
cially and that it will not raise them
to treat them as a minority instead
of as the part of the class, to which
ph i belong.

Mr. Muzumdar opened his discus-
sion by congratulating Mr. Ratcliffe
and saying that his statement was
quite unsatisfactory. The difficulties
arose from the personnel of the round
table conferences. The delegates
from India were all appointed by the
British Government to “take part in
the vaudeville show in St. James’
Palace.” The Indian Nationalist
party, according to Mr. Muzumdar,
‘has the loyalty of all the nations of
India.

Two forces were ‘ca for the
failure of the second round table con«
ference: first, the English press, and
second, the common Englishman who.
believed that one-fifth of his income
was bound up in India. It is the aim
of the Indian revolution to accom-
plish: unity among all, riddance of
untouchability, discouragement of li-
quor and opium trade, home indus-
tries and the participation of women
in the emancipation.

The discussion |
seemed to be a question of how soon



Catherine Rieser Stars
at Hedgerow Theatre

It is certain that no one can ever
accuse the Hedgerow Theatre group
in Rose Valley of being in the dilet-

tante class in the matter of play pro-
duction. Most “little theatre” groups
are well satisfied if they do a half-
dozen plays a season; twelve is con-
sidered a momentous undertaking.

Yet Saturday night the. Hedgerow
Players presented their thirty-eighth
show of their season (which they
date from April 6, 1931, to April 6,
1932) and their thirteenth brand-new
show. If that isn’t an accomplish.
ment suggesting industry, ambition
and a willing spirit, we would like to
know what is.

Their most recent offering was. St.
John Ervine’s “The Ship,” written
about twelve years ago and produced
in England, but never, as far as we
can find out, in this country. It is
one of Mr. Ervine’s more serious ef-
forts and reflects, incidentally, Eng-
land’s post-war bitterness. -Dramat-
ically it falls a good way behind
“John Ferguson,” easily the best of
the author’s plays, and the aforemen-
tioned note of bitterness detracts
somewhat from its artistic balance,
but even at that “The Ship” manages



to be-eonsiderably —better-than-two=

thirds of our contemporary theatrical
output.

The play’s greatest asset is a pow-
erful and moving last act—an act
that works havoc with the emotions
and leaves the auditors limp as the
final curtain falls. This act’s merits
atone to a considerable extent for
the talkiness of the first act and the
irrelevancies of the. second.

The principal characters are old
people; that may account for the fact
that it has never been produced here
professionally. It concerns a promi-
nent shipbuilder in an English sea-
coast town whose whole life centers in
his beloved plant and in the boats
that it turns out. Accordingly, it
amounts to tragedy when his only
son declares in heated and forceful
terms as antipathetic toward ma-
chinery and commerée and expresses
the desire to get back to the soil. He
refuses to work “at the yard” and
chooses to buy a. small farm instead,
aided by a financial contribution from
his elderly grandmother, who under-
stands his feelings.

The father does everptiiing in his
power ‘to ruin this agricultural
scheme; he stoops so low as to try
to bribe the boys’ partner to “throw
him down” deliberately. Failing in
this, he finally prevails on his son to
leave his farm for a few weeks in
order to make the maiden voyage on
the firm’s newest and finest ship, his
plea being based on his own bad
health and his doctor’s refusal to let
him go.

The steamer strikes an iceberg and
goes to the bottom, the son being one
of its many victims. The ship-own-
er’s pretentious and dominating house
of cards comes tumbling*down. He
has lost his two dearest possessions—
his boy ‘and the steamship Magnifi-
cent. His pride and his arrogance

are. cast down. in the dust and -hé is’

even- considering suicide, when his
mother, cool and level-headed auto-
crat of the househeld, gives him wis-
er counsel. He-is to become a grand-
father in the near future, and it is
the advise of this wise matriarch ,of
the Thurlow family that he “carry
on” the famous shipbuilding firm so
that he can hand it down to future

generations.
* * *

The best scenes are those between
Thurlow and his mother; in fact, the
character of the latter really domi-
nates the action. She is played by

Catherine Rieser (Ex-’31, Bryn Mawr

College) and well played,too, al- |] ~

though Miss Rieser is obviously far
too young to assume such a role.
There are times when the thin, high
voice of age which she assumes is in-
elined to artificiality, but her sincer-
ity and her splendid pantomimic skill
overcome these minor handicaps.

Al McGranary, as Thurlow, is also
excellent, especially in the later
scenes. Ferd Nofer gives a good ac-
count of himself as the son’s farming
partner in the second act. The role
of the boy, difficult and not always
sympathetic, is only fairly well filled
by Alfred Rowé. —

Not a great play, “The Ship” is
decidedly worth while. . Mr. Ervine
never writes shoddily or cheaply,

| hellfire and damnation was early set

Religion to Survive Must
Have' Three Prerequisites



ss atate Coxtributed in News
Competition —

“Cultus, creed and conduct are the
psychological and historical elements
necessary to any religion which shall
survive,” declared the Rev. Malcolm
E. Peabody, of Chestnut Hill, speak-
ing in Chapel, February 28. As the
basis for an informal discussion after
the service he gave a short talk on
“How Religion Works.”

The interesting fact about Chris-
tianity, he pointed out, is that al-
though in the past its church has of-
ten overemphasized one aspect of re-
ligion at the expense of others, it has
always shown its ability to return to
a proper balance. Today, we are
weakest in cultus, and show an un-
willingness to recognize worship as
the necessary inspiration for a Chris-
tian code of conduct. In remedying
this defect, we should use the experi-
ence of nineteen centuries of Chris-
tianity as the basis of reform.

The savage, desiring to do some-
thing for the superior power of which
he knows nothing, sets aside holy
places to which he brings sacrifices.
Gradually however, (as in the history
of Israel), iricreased knowledge of
God_-results—in—-the-substitution—of—a
pure heart for the sacrifice of mate-
rial treasure, and a code of conduct
is developed reflecting the conception
of God. (The individual, passing
through the same experience, feels
God, finds about Him, and then does
something.) “Not really necessary—
in a chapel write-up. where you want
to cut as much as possible.

In America, the Puritan God of

aside, but the Puritan code of con-
duct persisted unchallenged until af-
ter the war, when an unsuccessful at-
tack first on creed, then on conduct,
resulted only in .a cleaner under-
standing of the necessity for. worship
and prayer.

The discussion in the Common
Room afterward revolved around the



question—“How do you learn to

pray?” Dr. Peabody answered ques- |

tions on the subject, and then offered |
his system, which he uses in confir- |
mation classes and for himself. Be
quiet and somehow get a sense of
God’s presence and what He has |
to say to you, not you 'to Him, Pray-/
ing is made easier by frequent read-
ing of the Bible and by working to}
ally yourself spiritually with God, 30 |
that you can talk to Him. The only
way to be good is to start the day
with prayer, and place yourself at'
one with God.



February Lantern Review
Given by Miss Buchanan |



(Continued from Page One)

precise writing of The Lantern is
done.: Certain of the phrases are per- }
fect in diction and rhythm. The ex-
cellence of “Prelude” consists in its
recognition of the complexity of the
mood of a 15-yéar-old girl—a mood



while the earnestness, of hispurpose-|

and the literary quality of his writ- |
ing are both in evidence in the pres- |
ent instance.

—Arthur B. Waters, Phila. Public |

Ledger.





THE NEW HATS
As Midette Drapes Them

They’re only becoming. if
they’re really well done.

Colors to match any outfit, $3.50
We redrape vour’ old hat for $2.00

MIDETTE DRAPE SHOP

1328 Chestnut St. Suite 509-10





to pass 100%
in hosiery “exams”
ask for the new

rticraf

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HOSIERY

Tall—medium or short, the three

graduating hems with triple lace

Risa leg ‘jonah, Sheerer

because of Magic Twist. |
Stronger Heelseal prevents runs.







At your Favorite Shop

ju)

7
i

nm





that. might have been crudely dis-

posed .of as vanity. Miss Lombardi.

goes too far, perhaps, in giving the
child’s world a design. The young
girl dissects experience, but she rarely
perceives the relation between the |"
parts and their place in a whole. /It
is to Miss Clews’ critical essay on
“Mourning Becomes Electra,” how-
ever, that the highest praise must go.
It is the brilliant contribution to The
Lantern. Miss Clews has a mature
knowledge of what constitutes great
tragedy. She perceives the pretense,
the, senseless repetition, the common-
place exposition | and technique of
O’Neill’s latest play. She has written
not only the best piece of work in
The Lantern, but a criticism that
stands far above most of’ the reviews
by her more famous elders. The long

essay holds one’s attention to the end

by its vigor and — of thought
and expression.

It is this. vigor and vitality that
one misses in the creative work of
The Lantern. If the editors have
reason to be depressed, it is because
the spirit of the writing is as dead
as Miss Reinhardt’s characters. The
contributors are to be praised for
their delicate writing, their sensitive-
ness to the complexity of experience
and their blending of separate parts
into-a- whole. -What-they-have-done;
they have done well. But the noise
of the campus and the joy in the
absurdities of little things are not in
their pages. And, while The Lantern
is to be congratulated on realizing its
limitations and on attempting only
what lies within the range of an un-
dergraduate, it is perhaps to be cen-
sured for making that range too nar-
row, for choosing the path that leads
to decadence rather than to life.

: DOROTHY BUCHANAN.



WM j
Dr. Kuehnemann to Make .
Memorial Address on Goethe

Dr. Eugen Kuehnemann, professor
of philosophy at the University of
Breslau, Germany, will deliver the
centennial address in memory of

Johann Wolfgang von Goethe, great-
est German poet, who died in Weimar
on March 22, 1832. The lecture will
be given in Goodhart Hall on Monday,
March'14, at 8.20 P. M. The topic -
will be “Goethe and the Modern
World.”

The lecture, which is to be given
in English, will be open to all mem-
bers of the College and to the general
public. :

Professor Kuehnemann, who is
touring the United States at the invi-
tation of the Carl Schurz. Memorial
Foundation, ranks as one of the great-
est living Goethe scholars. In his
monu mental two-volume work
“Goethe,” which appeared in 1930, he
takes the drama “Faust” as the basis
for his interpretation of the poet’s
development. He has also written
books on Kant, Herder and Schiller.
His reputation rests equally on his
achievements as a philosopher and as
a literary historian.

Dr. Kuehnemann was appointed as
the _first-rector of _the-_new Royal
Academy at Posen in 1903. He has
been professor of philosophy at the
University of Breslau, Silesia, since
1906. From previous sojourns this
German scholar is well known in the
United States: He was visiting pro-
fessor at Harvard in 1906-07 and
1908-09 and at the University of Wis-
consin in 1912-13 and holds honorary
degrees from both institutions. He
visited America during sthe early
years of the World War. }



















4




b



They'll be thrilled to
néws ... to share the

_ahundred miles away

rt

Now for the call...

“

+ Set your “date” for afte

By making a date the fo



Keep a Regular+
TELEPHONE

Date with Home



ET THE DAY and hour and...
throughout the college year .. .
‘pay Mother and Dad ‘a regular

weekly “voice visit” by telephone.

well. It’s a safe bet you'll enjoy it, too! Make
it a habit’. . . as much as your weekly letter!

The cost is low ... particularly at night. Just
look at these figures! After 8.30 P. M., points

... nearly two hundred miles away for 60c!
And, of course (Dad will O. K. this), you can
always reverse the charge!

FOR THE LOWEST COST
AND GREATEST EASE
vantage of the low Night Rates. (A dollar call is.
60c at night; a 50c call is 35c.) Just give the oper-

ator your home telephone number. If you like,
charges can-be reversed.

you can make a Station to Station call rather
than the more expensive Person to Person call,



>

hear the latest camipus
fun ... to know you’re

can be reached for 35c ee

“

r 8.30 P. M., and take ad-

Iks will be at home. Thus










Page 4 >

®

THE COLLEGE NEWS





Dr. Schumann Speaks
on Music of the East



st (Continued from Page One)

In the Persian folk-song, with its
_ monodic accompaniment of violin and

flute, we find the harmonic simplicity
which, as has been said, is so charac-
teristic of Eastern music. Indian
music, on the other hand, is very chro-
matic and has great variety of
rhythm. Tremendous skill is requir-
ed by the singers, who pass their
knowledge down secretly to each suc-
cessive generation.

We now come to China, and in her
we find the mother of music. There
it was that music first became an art.
While we, just before the time of
Bach, were struggling to produce a
tempered scale, China had made the
discovery some 2000 years before
Christ; there is on record the order
of an emperor to stop the use of hun-
dredth octaves, and return to simple
pentatonic music for the sake of tra-
dition. ‘Today Chinese music is de-
cadent, but we can still see its orig-
inal simplicity; there are no leading-
notes, and the ratio. 3 is the only
one used. The center-tone to which
the- melody always returns is what
provides a great deal of the strange-
ness to our ears, which are accus-



tomed to cadences. In the “Mikado”
and in the transfiguration motif of
Strauss’ “Tod und Verklarung” we

}have an example of center-tone. Thus

Chinese music is balanced iin itself;

any record may be played back-
wards!

Gongs play a large part in this
music. It is also interesting to note
that the songs are intermixed with
dramatic speaking, and that the two
sexes are never combined in one piece.
Modern Chinese drama is very emo-
tional and dynamic.

The Japanese, although they have
received their culture from China
through Korea, have changed the pen-
tatonic system of music by the addi-
tion of half-tones leading “down-
ward. The intonation they have tak-
en over from:the Chinese. Dr. Schu-
mann let us hear a spring song sung
by the women all over Japan at the
time of the cherry blossoms; it says,
“spring itself has come to the plum
tree.. I can already see shadows on
my window.” Then the lady greets
her beloved and offers him some tea.

‘It is in Java that, free from the
disintegrating influence of war, old
Chinese music is preserved in its pur-
est form.
also influenced by Moslem, and even
by European music, as we could see







| Setansarennea ee





The Java song itself is |



by: the excellent flute-playing in one
of the. records.
was typically oriental, his voice being
full of “gurgling-sounds.” —The—re-
ligious ceremonial music of Bali is
very quaint, with long-resounding
tones, though European influence can

be seen in the cadences. The instru-
ments are of metal, with bamboo res-
onators. Especially interesting is the
dance music, which is sung by four
choruses, two older and two younger,
who sit facing each other and sway
to the music, Which ever-increases in
tempo. And so, concluded Dr. Schu-
mafii, we see that if in some ways
Oriental musie is more simple than
ours, in others it is far more com-
plex.



International Labor Office
Issues Ford Wage Report



“An International Enquiry into the
Costs of Living” is the title of the



Phone 570
JEANNETT’S
BRYN MAWR FLOWER
SHOP, Inc.

~“Mrs..N. S. C. Grammer
823 Lancaster Avenue
BRYN MAWR, PA.

210-page report issued last month by

The singer himself |the International Labor Office in Ge-

neva, the so-called Ford wage report.
This is the study made in answer td
the question, “What wage should
workers get in each of the Ford Eu-
ropean factories to let them live. at
a standard equivalent to that of a
$7-a-day man in Detroit?”

When this question was raised early
in 1929 by the head of the Ford Mo-
tor Company in Europe, the Labor

Office undertook to reply, with the
help of a $25,000 fund furnished by
Edward A. Filene, of Boston, and a
two-year study, culminating in the re-
port described above, was the result.
The volume is a mass of statistics,

GUEST ROOMS





from which one must dig out con-
clusions. —-It appears, however, that —
a wage lower than that of Detroit
would permit the Detroit standard of

living in all the fourteen cities in-

vestigated, except Stockholm, where it
would need to be about 4 per cent.
higher... In the other thirteen cities
a wage equivalent to the Detroit
standard would range from as much
as 42 per cent. lower in Barcelona to
7 per cent. lower in Frankfort. Or
expressed somewhat differently, the
Ford standard could be duplicated in
Cork, for example, for 85 per cent.
what it costs in Detroit, in War-
saw for 67 per cent., and in Istanbul
for 65 per cent.
—(NSFA.)



‘COLLEGE INN_AND TEA ROOM

SERVICE 8 A. M. TO'7:30 P. M.
Daily and Sunday

A LA CARTE BREAKFAST

T1INCHEON, AFTERNOON TEA AND DINNER
A LA CARTE AND TABLE D’HOTE

PERMANENT AND TRANSIENT
STUDENTS’ CHARGE ACCOUNTS















‘Td hate to be ca









&







































© 1932, Liccrtt &
Myers Tosacco Co,







THEY'RE

MILDER e@ e@

twmEY’R

E F



bs HAT usually means a girl’s a total loss
in a tete-a-tete ... and takes up
&

‘nature’ as a last resort! But I must con-

fess a liking for hills and forest trees .. .
and all genuine natural things.

*T like the simple sincerity of Chester-
field’s advertising. Have you noticed it?

There’s no extravagance in the claims. Just
everyday facts about the fine tobaccos they
select and the painstaking way they develop

the flavor and aroma.

*T’ve never smoked a milder cigarette!
And I never tire of the flavor: ..a fine

System... 10:30 E.S. T.

‘They satisfy me!”

@ Listen in... Hear Chesterfield’s Radio Program.
Nat Shilkret and his brilliant orchestra. Every
night, except Sunday ...Columbia Broadcasting

natural tobacco taste. They burn evenly,
too. Either they’re rolled more carefully...
or the paper’s better. I feel the greatest con-
‘fidence in Chesterfields.




D.1
Music that satisfies!
“

The"

THE COLLEGE: NEWS

Page 5





Basketball Team Wins
‘Double Victory Again



Unblemished Record Retained
by Good Team-work and
Accurate Shooting

COLLIER AND BOYD STAR

~ (Specially contributed ‘by E. Jackson)

Last Saturday saw both basketball
teams again victorious as they played
their fifth games of the season. With
only three more games to go, we
hope they will keep up their good
playing.

Playing the Buccaneers’ first team,
Varsity showed the cleanesé and fast-
est game of the year, winning 59-32.
Collier and Boyd worked well to-
gether, getting in under the basket
without too many little passes. Boyd
was consistently good, putting in
nearly every try she made. ~She
seems this year to be able to shoot
from practically anywhere and is
therefore a hard person to guard. Al-
though Collier did not seem to get
shooting until the second half, her
passes during the first two ‘periods
were so well placed that Boyd was
able to convert them all to scores.
Goming-back-to-fornr in the last part
of the game, Collier ran up 20 points
while Boyd was making 15, and thus
they pulled Varsity far into the lead.

Longacre and Remington, ‘in. the
‘center, were kept very busy, and both
played.a good game. They do not
seem to’ have as much teamwork as
the others. Longacre has a tendency
to bounce the ball, even when Rem-





ington is free, and, as she quite often}

walks with the ball, it would seem a
good idea for her to pass more. Aside
from this, her playing Saturday was
very good. Remington, given quite
a bit of opposition by Paxson, was
able to outplay her and kept feeding
good passes to the:forwards. So far
this year her deep passes to Collier
under the basket have been working
quite well, and if they continue to do
so ‘the team will be assured of quite
a few goals in every game.

McCully was missing this week, but
her place was ably filled by Bowditch,
who has become much faster this

year, and it is now almost impossible |,

to get the ball past her, especially
on drop passes. Moore showed her
usual. good game. —

The Buccaneers were represented
by three of the All-American hockey
team. Townsend and Cadbury, at
forwards, made quite a few pretty
shots. Once Miss Townsend got her
eye in, she dropped in several from
the farthest corners. Schoff and Pax-
son, in the center, found the Long-
~ acre- Remington opposition rather
strenuous, but they kept them mov-
ing. Both Strebeigh and Church
played nice games at guard.

We hope the team will not let down,
but will wind up the season with a
clean slate. The next three games
should be extremely good, and any-
one who should chance to. see them
will find them worth it. ‘So far the
audiences have been just substitutes.
It seems. time that the rest of the
college turned out.

_ Bryn Mawr Ist Buccaneers Ist

ORE ii eias. forward. .... Cadbury
Bova 3.4. forward.... Townsend
Longacre ..jumpcenter...... Schoff
Remington ..sidecenter..... Paxson
Bowditch ..... QUAI. 5 eo eed Church
MOOK .<°.. 2:4, guard.... Strebeigh

Time—8-minute quarters. Referees

—Miss Allen and Miss MeWilliams.
. Score:

Buccaneers, 32: Cadbury—1, 2, 1,
2, 2, 2, 2, 2, 2,2. Townsend—2, 2, 2,
2, 2.2, 2.

Bryn Mawr College, 59: Boyd—2,
2, 2, 2, 2, 2, 2, 2, 1, 3, 2, 2,92 2 92.
Collier—2, 2, 2, 2, 2, 2,2, 2,2,2,2 2,
a. 2



Second Team Victory

The second team defeated the Buc-
caneers seconds, 60-13. Minus a jump
center and the two regular forwards,
it seemed that the team might not
materialize, but Candee was torn
from her reporting job to play for-
ward and Meirs was converted to a



Meet your friends at the ®

Bryn Mawr Confectionery
(Next to Seville Theater Bldg)
lhe Rendezvous of the College Giris

Tasty Sandwiches. Delicious Sundaes
Superior Soda Rervice

Music—Dancing for girls only



sonly ones who did not move.

' McCormick ...forward....... Aitkin
Candee. 4.444. forward......... Roberts
Meine. 2, jump-center.-... 6.55 Fry
Eye i. side center....... Mutch
ic iis G0Alds iasks Piersol
JOCKBOR§14554:3% QUATA CS: Shelley

Substitutions: Bryn Mawr—Engle

jump, and the game began. Before
it ended. there were many changes,
Jackson and McGormick being the



McCormick did a large part. of. the
scoring for the team. She managed |
to make a goal nearly every time |
she had the ball in position, but some- |
times it took several tries to push it |
up and over the hoop, Candee with- ,
out practice showed* up very well. |
Engle had a few minutes at forward |

and put
there. |
The center got very upturned. |

Meirs, unused to being jump, never- |
theless played a good game and kept
the ball out of her opponents’ hands. |
Kent, substituting for her, did not |
seem to go so well in the center as |"
she did at- guard, where no baskets!
“were made against her.

We hope. that the team will ead
often have to be turned around so.
With the return of Hardenbergh and
Bowditch from high “school confer-



|
| “All the World’s a Stage.”



Haverford. Benefit. : |
The Haverford College News |
announces ‘benefit performances © ||
at the Ardmore Theatre March
7 to/11, inclusive. Tickets may
be secured at 54 Denbigh for

the"fiominal sum of 40 cents.

|







“Romeo and Juliet, Ot 1; Gs 4—|
Description of Queen Mab. —

“Richard III,” Act I, Se. 4—Clar- |

in -several baskets. while | | ence’s Dream.

“As You Like It,” Act II, Se. 7—
“Mecpeuh... Act...1,+: Se: 3.
| Witches, Macbeth and Banquo.
~waenry. ¥, Act. IV; Se.
Morn of Agincourt.
‘Henry IV,” PartII,-Aet~Ill,: Se:
1—Speech on Sleep.

The

2— The |

;out the meet.

Engle and Brice Play i in

Novice Fencing Tourney’



| (Specially Contributed By E. W atts, |
33.)

The lion’s share of the glory was |

;won*by Bryn Mawr in the novice

fencing meet on Thursday. Miss En- |

gle, of Bryn Mawr, won first oe

and Miss Brice, of Bryn Mawr, came |
isecond; Miss Patton, of the Philadel: |
phia Turngemeinde, placed 'third..

The competition was close ES ) Brice beat Patton, 5- is
There were two strips | Mink, 5-1;
‘of six, from each.of which three con-'| Brill, 5-3;

|
|
|



Opportunities inLaw ™
Miss Bertha Rumbaugh, Bryn |
_ Mawr ’97, who is,an attorney in
New .York, will speak on the
opportunities for women in her’
field in the Common Room in
.Goodhart on Thursday, March 3,







at 5. All interested are urged
to come. Tea will be served at
eee as
Brill, 5-8;
Douglas, 5-4; Patton beat
Engle, 5-4; Mink, 5-4;

'testants qualified for the final round. | Douglas beat Patton, 5-4; Mink, 5-3;

first’ and Miss Patton second,
'Miss. Lane and Miss Brill, of the |
Sword Club, and Miss Coxe, of Bryn

|On the first strip Miss Brice was | Brill beat Douglas, 5-3;
and | Brill, 5-3.

+ Mawr, tied for third. Although each rected.

Mink beat

Fence-off—Engle beat Brice, «5-3.
Mr. Fleer, of the Sword Club, di-
Miss .Brylawski, of the

“Hamlet”—Act II, Sc. 2, the “Nw lof the thee last had won three bouts,| Sword Club; Mr. Kolb and Mr. Ag-

I am alone
Se. 3, the Closet Scene. |

“The Merchant of Venice’ ‘het: 1
Se. 3, Shylock, Bassanio and: Antonio

|
>|

against her, as compared to twenty- |

‘one against Miss Lane and twenty- |
Therefore, |

two against Miss Coxe.

ences and tlie first team, Miss Grant’s | and Act III, Se. 1,’ Shylock, Salanio | Miss Brill qualified.

mind will surely rest a little easier. |

Faeth will be out again this week, and |
we hope her back will be all right, |
for she was playing well when she!
was hurt. With these reinforcements
and a jump center, the second team, |
too, should run_through the-rest of}
the season successfully.

Bryn Mawr 2d Buccaneers 2d

'

fpr Candee, Kent for Meirs, Collins
for Engle and Collins for Kent. Buc-
caneers—Myers, for Aitkin, Randall
for Roberts, Piersol for Mutch and
Mutch for Piersol.

Time—8-minute quarters. Referees !
—Miss Allen and Miss McWilliams. |

Score: ,

Buccaneers, 13: Aitkin—2, 2, 2.
Myers—2, 2. Randall—1, 2.

Bryn Mawr, 60: McCormick—2, :2,
ay 2; 13 2-2; 2,2; 2;-2,-2;-2; 2; 2-2-8;
a 2; Candee—2, 2, 2,°2, 2, 2, 2, 1.
Engle—2, 2, 2, a.



Mr. S. A. King Gives
Shakespearean Recital



(Continued from Page One)

sound of the English ‘language and
observing that“! is almost like a
vowel. Next came the spjrited Morn
of Agincourt speech, from ‘Henry
V,” and, hardest of all to recite, the
slow, sad piece on sleep from “Henry
IV.” Two scenes from “Hamlet’’—
“Now I-am alone” and the closet |
scene—were examples of very subtle |
characterization brought out by Mr.
King’s finely shaded diction without
any illusion of setting. The last two}
were Shylock’s speeches on his “3000 |
ducats” and “Revenge” from “The|
Merchant of Venice.” These, besides |
being studies of character, were ex-|
amples of tradition again, for Shy-
lock does not leave as much.room for
one’s. own interpretation. as..Hamlet=
Shylock, the old actors knew, is cast
in the Machiavellian heroic mold and
cag never be made into a dear, mis-
understood old gentleman.

. Mr. King’s clear dtetet his con-
vincing acting ability, Mis sense of
music, his understanding of character
and of the importance of blank verse
construction. gave us, besides the pure
pleasure of hearing Shakespeare
spoken, an understanding of the inter-
dependence of Shakespeare’s verse
and his subject.

The program:
“Henry VIII,” Act H, Se. 1—Buck-
ingham’s Farewell.

Philip Harrison Store
BRYN MAWR, PA.
Gotham Gold Stripe ©
Silk Hosiery, $1.00

Best Quality Shoes
in Bryn Mawr







‘Qa... .... et te
-_





Next Door to the Movies

=

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Hairdressers
Cosmeticians
Frigidine Permanent Waving

MARCELLING
MANICURING
FINGER WAVING

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Phone 475 Bryn Mawr

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and Salarino. C.-F.

Gi |



Dr. Lake Grants an
Interview to News|





(Continued from Page One)

In the second strip, Miss Engel was |i” College,”
|first, as she won-all her bouts. Miss | Western University freshmen by Prof.

Hayes and Miss Douglas, of Bryn | Franklin

|

” soliloquy, and Act III, | Miss Brill had only twenty points! new, of the Penn Athletic Club, and

Mr. Herben, of the Sw ord Club, judg- °
ed in rotation.



“Fun is the most important thing
was said to the North-
B.

Snyder. Friendship,

Mawr College, and Miss Mink, of the | facts and faith were the other three
Sword Club, each won three bouts. fruits of a college education, as stress-

Miss Hayes lost out because she had, ed by Prof. Snyder,
“| fifteen points against her, and Miss ®S exercising the “muscles of the

He defined “fin”

understand and remember (if they | Douglas and Miss Mink each had | Mind.”

will). The student body,
while inferior in preparation, have |
perhaps a slight advantage over the |
Dutch and German student body in |
intelligence. The American college |
also has the advantage ‘of superior
faculties and equipment.

because of their greater end
they really have
and “if you had ever helped to choose |

for instance, |

Miss Engle tied in bouts for
Although Miss Brice had six- |
{teen points against her, and Miss En- |
‘gle but fifteen, the decision was not_
It is not | wiven on touches, because it was ‘a-
owments; | matter involving place. *Miss E ngle |
intelligent people,| won the fence- off, 5-3. |

place.

| only twelve.

In the final, round Miss Brice and |
first |

The scores were as follows:

a college faculty, you would know | Strip I~Brice beat Lane, 5-1;
that there are not enough intelligent | Brin}, 5-4; Nelson, 5-1; Patton, 5-4;
ones to go around. In fact, if Ameri- | Coxe, 5-3; Patton beat Lane, 5-3;
can educators will only realize that Brill, 5-2; Nelson, 5-1; Coxe, 5-2;
there are some changes that must be Brill beat Nelson, 5-2; Coxe, 5-33.)
made, especially in method, American Lane beat Brill, 5-2; Nelson, 5-4;

Universities have a chance to become | Coxe beat Lane, 5-2; Nelson, 5-4.

the greatest in the world.” In speak-
ing of these changes Dr. Lake noted
the inadequacy of preparation for col- |
lege. The European student begins
college approximately where the
American student ends his sopho-



«Strip Il—Engle beat Curtis,: 5-2;

Douglas, 5-2; Mink, 5-4; Leeders, 5-2;
| Kayes, 5-0; Douglas beat Curtis, 5-0; |
| Leeders, 5-0; Hayes, 5-2;-Mink beat
Curtis,
5-3; Kayes beat Curtis,

5-1;
5-0: Mink, }

more year. Another important change | 5- 3; Leeders, 5-2; Leeders beat\Cur- |
which would follow naturally as a re- | tis, 5-1.

sult of a reform in the school cur- |

ulum. It is typical of American ex- |
travagance that brilliant and capable
professors are used to teach the-ele-
ments of modern languages. Money
is wasted on numerous instructors
who might be doing individual work,
but who do not get the time. The
price is “the relative sterility of Amer- |
ican scholars in outstanding books,” |
and in the difference in theytremen-
dous expense of tuition here com-
pared with that abroad.







|
|
|
|

There may have been an average
drop of 10 per cent. in football at-|

Finals — Engle

; Douglas, 5-25





CHATTER-ON TEA
HOUSE

is to be sold at the end of the
present season for personal rea-
sons. Anyone interested in
purchasing a well-establinshed
business of 8 years’ duration,
see owners at

918 Old Lancaster Rd.









tendance throughout the country this |
year, but not so at the University of
Southern California. Student officials |
have estimated Wat the total receipts |
for the eleven games would reach $1,-
262,000, as against $1,190,000 forsthe
1930 season.







Seems too good to be true! |

MRS. HOLTON

Seamstress
Merion Basement









LUNCHEON, TEA, DINNER
Open Sundays

Chatter-On Tea House
’ 918 Old Lancaster Road
| Telephone: Bryn Mawr 1185











Phone, Ardmore 3074
for appointment

.-Millinery..
Hats Remodeled

“A Hat of Yesterday Designed
Into a Last.Word Creation”

Smart New Hats ie ‘Order
Models..on Display

College Orders at Reduced Price

ELIZABETH M. BROOK
18 School Lane Ardmore, Pa.













vou COLLEGE GIRLS

2
EXPENSIVE.
LUXURIES!

FTEN a serious strain on the pa-
rental pocket-book—not only
while.college is in session but during
the summer. Here's an idea. It’s liter-
ally true this year that you can live in
Europe for less than you can at home.
Plenty of pensions or snug little inns in
fascinating spots in Europe will putyou
with three meals a day for $40 or
$50 a month. With the present rate of
exchange, your American dollar does
wonders. Whynotspendthesummer or
part ofitabroadand actually spend less
than if you wereat home? Anexcellent
opportunitytobrushupon yourFrench
—or your English history, or what not.

Getting over and back is not hard.
Just about $200 in Tourist Class via
White Star and Red Star Lines—on
some of the world’s finest ships. We'll
guarantee you a jolly time. Seems to
us that the summer in Europe might
be the means of a pleasant reduction
of the family budget and a glorious
time for you in the bargain.

If you agree—why not try the family
out on it. If you want more informa-
tion, write us for‘6ur Tousist Booklet
— or see any authorized travel agent.

WHITE STAR LINE
RED STAR LINE

International Mercantile Marine Company
~~ 1620 Walnut-St:, Philadelphia, Pa.




Douglas, 5-3; eneslens.

beat Price, »541; |
riculum is that of the college curric- | Brill, 5-4; Mink, 5-3;

|
|
|
|
|
|
|

|

Cea, att, oti afte afte sti afin ofthe afitite often atin afin Tl



SCHOOL.
Residential Summer School
(co-educational) in the heart of

, mediate, Advanced. Certifi-

cate or College Credit. .French enter-
tainments, sight-seeing, sports, etc.

Re
French Canada. Old-Country
French staff. Only French
Fee $140, Board and. Tuition. June-25-
ey 31. Write for circular to Secretary,

FRENCH SUMMER
spoken. Elementary,. Inter-
Residential French Summer ‘School

McGILL UNIVERSITY
MONTREAL, CANADA

A-

32







~ is less.



Spring and
Sports

So Nedr-at-Hand

Come to Pinehurst,\N. C. for Easter.

Spring has already teed off in Amer-

~

ica’s Headquarters for Golf and the-*°---™"
$ F os) .

“courtry-is-at its loveliest.

Pinehurst is so conveniently located
that you waste none of your \vacation
You can leave \N. Y.

at night and golf next morning in

in traveling.
Pinehurst. The cost of railroad fares
Hotel rates, too, have been
greatly reduced so that your visit will
$9.00 per day and
up, American plan at Carolina Hotel.

$7.00 at the New Holly Inn.

be inexpensive.

Nationally important tournaments are
scheduled for the latter part of March
golf, trap-

shooting, races, horse-show, archery,

and April—for tennis,

‘gymkhana events.

For - reservations or booklet address
General Office, Pinehurst, N. C.





poe




; Page 6

Mr. Warburg Exhibits

THE COLLEGE. NEWS

=





Paul Klee’s Paintings



His Interpretation of Pictures
Emphasizes a Symmetrical
Balance of Form

HUMOR. SOPHISTICATED





Four paintings by Paul Klee~are
now on exhibition in the Common

Room. They were hung Tuesday af-
ternoon when Mr. E. M. M. Warburg
gave a short talk on their author,
Paul Klee, a contemporary German
painter. Klee was one of the leaders
of the movement at the Bauhaus in
Dessau, where modern German ‘paint-
ing is taught. Mr. Warburg told of
his visit to Klee’s home, where he
found the artist playing a Bach vio-
lin solo. Klee did. not greet the vis-
itors until he had finished the selec-
tion. His' love of music’ is manifest
in his works, in which he plays Air
and Variations with form in picto-
graphic paintings.

The American point of view, said
Mr. Warburg, has always been, “Why
not do this or that,” the “Try any-
thing-once”-attitude; while the Euro-
pean point of view is “Why?” The
reverse is now true of these paint-

ings. Herr/Klee has said, “Why not |

paint a picture like the CAT AND
BIRD, the SHEPHERD, the LAST
SNOW, or the DEPARTURE OF
SHIPS?” And we, looking at them
without any attempt at understand-
ing them, say, “Why paint these
meaningless daubings?” This is why
this modern artist does paint in this
manner: an artist has line, color
and mass with which to compose, and
he builds up his composition from
nature. He can paint either objects
of nature or architecture. In the lat-
ter type of painting he builds up his
picture with forms into a kind‘ of
facade. He weights his picture with
symmetry, balancing its component
parts obviously. As we always look
at faces and hands to judge charac-
ter, these most telling features are
most frequently used—to—balance—a
picture. This is one type of architec-
tural painting. Another is the use of
stylized patterns and decorative mo-
tifs. A third is Klee’s type of paint-
ing, the juxtaposition of ideas, with
which. he -builds a mood.

In the CAT AND_ BIRD, the bird
is thought to be between the cat’s
eyes, because the cat is looking at it.
The fascination of a cat watching a
bird is established here; the painting
is symmetrical in design and amusing
in color. Klee has a great sense for
surface texture, and has done this in
plaster. The SHEPHERD is com-
posed of hieroglyphs like the port-
manteau words in ALICE IN WON-
DERLAND. in the verses,

“Twas brillig and the slithey toves
Did gyre and gimble in the wabe;

All mimsey were the borogoves
And the mome rathes outgrabe.”

The ideas in the picture ‘are pulled
together by form, and stay swell -in:
the center of the canvas with no-dan-
ger of their sliding off the canvas, or
even out of balance. The LAST
SNOW is less admirable in ideology,
It is merely a balancing of form,
color and texture in a frame like a
less happy exaggeration of some of
the paintings of Picasso. The DE-
PARTURE OF SHIPS, which is own-
ed by Mr. Warburg, is a delightful
composition. It gives us pleasure be-
cause’ it is built up of little forms
which we recognize, and from this
point we go on to embroider on the



Haverford Pharmacy
HENRY W. PRESS, P. D.
’ Prescriptions, Drugs, Gifts
+ Phone: Ardmore 122
PROMPT DELIVERY SERVICE
Haverford, Pa.









Winfield Donat Cc oO.
OPTICIANS

24 East Lancaster Ave.
ARDMORE

sae. :
1824 CHESTNUT STREET







‘nothing short of it.





theme of the picture in our own

minds. It is’ Romantic because it

pulls us and demands a certain con-
centration, as it is the mental _asso-
ciations suggested by the forms of
the painting which make it a com-
pleted entity.

Klee is a serious painter, but he
has a sense of humor. He is very
fond of cats and one day when one
was walking on one of his drawings
he would ‘not allow it to be shoved
off. “In two hundred years,” he re-
marked, “people will say, ‘How did
he ever get that effect?’” His pic-
tures are simple, but are executed
with sophistication and are complete
entities created with balance of form.
In them he says what he means and
They are not to
be judged with the standards of
Shakespeare, but with. those of
ALICE IN WONDERLAND. If seen
in this light without prejudices, there
is much enjoyment to be derived from
his paintings.

CAROLINE F. BE RG.



Bryn Mawr 675

JOHN J. McDEVITT
PRINTING

Shop: 1145 Lancaster Avenue
Rosemont

P. ©. Address: Bryn Mawr, Pa.



K. Hepburn in New Play



Miss Katherine. H, Hepburn, for-
merly of Hartford, has been cast to

appear in “The Warrior’s Husband,”
the comedy by Julian Thompson, :

sponsored by Harry Moses, which is
going into rehearsal.
is the daughter of Dr. and Mrs.

Thomas N. Hepburn. She _ was
graduated from Bryn Mawr College
in 1928, and shortly after graduation
joined the Knopf Stock Company in
Baltimore, thereafter being seen on
Broadway in “Night Hostess” and
“Art and Mrs. Bottle,” in addition
to. acting as understudy to Hope Wil-
liams throtighout the long run of
“Holiday.” During the summer of
1930 she appeared with the Berkshire
Players in Stockbridge.

Miss Hepburn



Fees Waived by College Club

The College Club, Philadelphia
Branch: of the American Association
of University Women, advises college





0. C. WOODWORTH, Cosmetician
Telephone: Bryn Mawr 809
Bryn Mawr Marinello Salon
841% LANCASTER AVENUE
(Second -Floor)
BRYN MAWR, PA.

Open Tuesday and Friday Eves.
Other Evenings by Appointment
Help the College Budget by
Taking Advantage of our $5.00
Ticket—Worth $6.00 to You







Alumnae that until April 1, 1932, it
has dropped its imitiation fees of
twenty-five and tén dollars.

Housed at 1300 Spruce street, in a
.dignified mansion built in 1822, the
College Club offers excellent meals
and pleasant bedrooms for resting or
over-night. A quiet library and sev-
eral living rooms furnished in an-
tiques provide an intimate background
for entertaining. Men may come to
the Club as guests. Weekly pro-
grams of timely interest are arrang-
ed for Monday afternoon, followed by
a Club tea, also, occasional supper
meetings and evening parties.

College women interested in becom-
ing members are invited to be guests
at a program at three o’clock any
‘Monday. Ask at the desk for a mem-
ber of the Membership Committee,
who will be glad to act as hostess.

One hundred and forty-two gradu-
ates of Bryn Mawr are members of
the\College Club.

The town of Hanover, New Hamp-
shire, requires all eligible Dartmouth
students to vote in order that it may
collect a poll tax from them. In re-
ttaliation, the students attended a town
meeting, where they introduced and
passed two bills, proposing the build-
ing of a wall around the town eight
miles high and the construction of
a city hall one “foot wide and a mile
high. Hanoverians had to take the
affair to Washington to get out of
building the two structures,

* * *

Statistics reveal that sixty former
college athletic heroes are now presi-
dents of colleges and universities in
the United States.



BRYN MAWR CO-OPERATIVE
SOCIETY
TAYLOR HALL
AGENTS FOR
PORTABLE TYPEWRITERS
Have you seen the new noiseless
portable with all the operating
features of the larger machine?
Liberal advance on any _ type-



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FRENCH GROTTO
1309 Walnut Street





DINE and DANCE

Amid Enticing Surroundings
At one of these delightful bright spots

Dinner,and Supper—Dance Music--No Cover Charge
Card Parties May. Be Given with No Extra Charge for Room

Try Our Delicious |
Luncheons with
As You Like Them



Prices
Walnut at Sixteenth





- FRENCH TAVERN |























as golf



THEY'RE DOTTY ABOLT DOTTY

Dorothy Mackaill's great-great
something-or-other was Bobby
burns, the famous Scotch poet, and
she's as popular in Hollywood
-‘nother Scotch import.
Her favorite pet is a Brazilian
monkey. You see the monk in the
new FIRST NATIONAL PICTURE,
“SAFE IN HELL.‘’ Dorothy has
smoked LUCKIES for six years,
and not a cent was paid for her
statement, so we're making a
sweeping bow and saying,
“Thanks, Dorothy Mackaill.””

copr,, 1982, The American Tobacco Co.

“Give me Lucky Strike







every time”

am



“My throat is all important to me. No harsh irritants for
yours truly.Give me LUCKY STRIKE every time. And pat
yourself on the back for your new Cellophane wrapper
with that tab which makes the satay so th Mehall to open.”

It’s sean”

Your Throat Protection —against against irritation—against cough }

asi i Moisture-Proof Cellophane re that “Toasted” Flavor Ever Fresh

TUNE IN ON LUCKY STRIKE— 60 modern minutes with the world’s finest dance orchestras and Walter Winchell, whose gossip
of today becomes the news of tomorrow, every Tuesday, Thursday and Saturday evening over N.B.C. networks.