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CONTINUED “Fitba ‘PAGE 1

together in several tooms as-long as they
choose :oumlo so, A’ man is not duty
‘pound t@mve with his wife if she turns
out *to be’ a ‘bore, but should there be
children both parents aré equally respon-

~ sible for their education inthe doctrines

of collectivism, _ Abortions gare legal, and

are not infrequent in. as much ‘as they

avoid a good deal of class war.
Chamberlain Is Ridiculed.

In the matter bof foreign affairs, the
doctrines are. very rigid. Each man is
taught to realize that the state is his and
that anything the state does is done by
him personally. In order to instill this idea

into the mind of the mass, large: public |
festivities are held. The*workers: are given}

a holiday. They all go out into the streets

_ and .are shown Punch and Judy shows

caricaturing Sir Austen Chamberlain
_ (whom they are taught to despise utterly)
- Then the people proceed to the Square,
where all those’ who have died in the serv-
ice of the Third International are buried.
fenin’s tomb-is: situated there, preserved
in a glass case, and is the real.emblem
of collectivism. One of the Communists
then takes his place just in front of
Lenin’s tomb, and all the crowd gathers
around to see a pageant.*This consists
of -a large (everything is enormous to
symbolize the
trolley on which is placed a huge stuffed
doll representing Sir Austen Chamber-

lain, who holds up to the: crowd a note.

saying that England has brokéh off rela-
tions with Russia. Then one of the

* workmen dashes up and smashes the

efigy and the crowd goes wild with ex-
citement. In this way the doctrines are
brought before the masses in a very real
way, for they. not only Witness the Way,
they are a part of it.

Children Instruct Parerits.

In the country the peasants are taught
to-live in-the-collective-in-the- sameway.
Fourteen villages are taken, which~have
not yet been penetrated by. the doctrines
Teachegs are sent out to begin with the
children. The children then educate their
parents. They are taught that if their
parents are, not living the way they

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_ | should, that ‘it is their fault and they are

idea of the collective) {

Afternoon Tea . is
ba. ann Parties by Arrangement. F:

sent out to help them. The peasants: are
taught by moving pictures, of which they]
are very fond. The films are usually)
either Charlie Chaplin or Lillian Gish, in
portrayals of life full of the luxury
which‘the pea hope to have some day
if they stick to,their idea of the cdllec-
tiye. The-'Pictures are especially chosep
to instill in the peasant mind a Teste tse
those luxuries which will make the Rus-
sians see ‘that they have only to “catch
up” with the other countries of the world
in’ order to get them.

The Russians are I6oking over — the
barrier which England has put around
them to the United States, which, they
think, will help ‘them in | their economic
difficulties.

“The Russians areatrc:$:

They say that’ the presence of several]
gods, such as the Mohammedan, _ the
Jewish, and the Chinese, will turn all
their collectivism to nought, for several
gods make for individualism; which is
simply taboo.
@ The reason that we must fear for the
‘stability of the Soviet system, Mrs.
Flemming told us, is their doctrine of
“healthy distrust.” Everyone is regarded,
by his neighbor with suspicion. This
makes somewhat for a lack of cO-opera-
tion and may, im time, undermine the
whole em,

For a fascinating study “of the ideas
underlying the Russian movement Mrs.
Flemming recommended Muller’s’ “The
Mind and Face of Bolshevism.”

°



i)

Bellairs



‘CONTINUED FROM. PAGE 1

public-house keeper, who was really a
triumph of make-up and imitation. But
one soon realized that not all the.make-
up in the world, not all the effort on the
part of the actors (and:they did try hard
to.make it go), could make that play, in
those circumstances, a success.
The actors cannot be held responsible.
The fault lay with the choice of the
play. Mr. ‘Halcott Glover, whoever he
is, certainly ‘never intended his comedy
of manners (and what manners!) to be



college. He meant it to be chuckled over

produced by a‘club of amateurs in a girls’

by tired businessmen,,who, we are told,
need ‘that. sort of thing.

Unpleasant subjects ‘should be treated
with sincerity if at all; mere wit may
relieve, but does not distinguish them.
And a drunken old artist, who, after a
life of philandering, knows no better’ than
to confront his ex-wife with a saloon~
‘keeper’s daughter, is an unpleasant. sub-
ject. ; :
Moreover, Bellairs was manifestly un-
suited to the purpose of Varsity Dra-
matics. -Why choose a play requiring
three old men, all over 50? They are the
most difficult of ‘all parts for girls: to
play; and it is to the everlasting credit
of the actors that not-a ‘single member

wea spot the audience thous! at--of- laughing at]

the mere incongruity of it. Why choose
a play all about sex, equally unsuited to
our means? The only explanation seems
to, be that the committee had:heen read-
ing College Humor, and was fired with
an atfybition to live up to it.

Finally, there was almost no action in |:

the play; it ended substantially where it
began;-and what happened in between
was nothing more than talk,

Having got that off our chest, we’ can
give the actors the commendation they
really deserve. If they had a common
fault it was over-acting, acting which

spent itself in loud voices and gestures, |:
seeming to’ come from the joints rather i,
But Who could put’ her

than the heart.
heart into such disagreeable people?
Mary Drake, as Diana Martin, gave the
most finished performance. She was as
mature and sure of herself as she was
intended to be; and she succeeded in

making a rather shrewish woman at-j

tractive. :

Roberta Yerkes, with a pure “character
part,” succeeded extraordinarily well in
walking, talking and. being like an old
cockney. Betty Perkins made a charm-

ing Dorothy Bellairs, - especially inthe }
less emotional. scenes, and Anabelle
Learned, too, was--charming, perhaps

more of a woman of the world than her
part warranted. Caroline Reiser,’ with
the longest. and: most difficult part we
have ever seen in a Varsity play, worked |



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Tike, a Trojan. She nevér forgot she was |
being an elderly gentleman, and she never’
let the audience miss a word. of her lines
—the fault: again lay with the part, and
perhaps to some extent with the cancep-
tion of the character.. It would be hard
to conceive of a.more repellent person,



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