College news, May 3, 1933

The College



©

Ws





VOL. XIX, No. 20

BRYN MAWR AND: WAYNE, PA., WEDNESDAY, MAY 3, 1933

COLLEGE

Copyright BRYN MAWR:
NEWS,

———

PRICE 10 CENTS

1933





oT. S. Eliot Compares :
Poetry to Still Life|



Moderns Lean Away From Free-
dom Toward Revival of

Old Forms
DENIES” OBSCURANTISM

“What I have written seems to be
very simple and straightforward,” as-
serted T. S. Eliot in his lecture on
Moderf? Poetry in Goodhart last. Fri-
day evening. “Only a few minor
things need explanation.” Any preju-
dice about his poetry should -bé re-
moved, Mr. Eliot stated, for this im-
pedes appreciation of it. A poem of
his is like a still-life. One can ex-
plain its planes and colors but not
the feeling produced by it. Although
Mr. Eliot remarks of such a poem as
his Sweeney Among the Nightin-
gales¢-“I-don’t suppose anyone would
call that obscure,” yet he admits that
it “might almost be said to have no
meaning at all.” He is not sure that
poetry needs a meaning or that it is
even supposed to have one.
event, an entirely different meaning
is often conveyed from that which
the poet puts into his work or even
intended to put into it.

His commentators amuse and inter-
est Mr. Eliot, for they read into his
poetry allusions which come as a
complete surprise to him. He has
read very much-— better explanations
of his work than those which he him-
self could have done. The Waste|
Land has been called a great criti-|
cism of society. He himself: terms it
merely a “piece of rhythmical
grouching” as the result of a per-
sonal grouch. Because there was a
“fair amount of borrowing” in The
Waste Land, Mr. Eliot thought it
best to provide the poem with notes.
He has regretted his action since, for
the notes terrified some people and
displeased others who like to work
out the allusions themselves. “It is
always unwise to claim originality,”
he says. Accusations of plagiarism
seem to him ridiculous, since often
the whole meaning of a part of his
poem hinges on the context of a pas-
sage from which he has borrowed
phrases or lines.

Some of T. S. Eliot’s poetry has
been styled automatic writing, but he
himself fears that it is no better
than deliberate. He very definitely
works for precision as, for example,
in his use of proper names, however
irrelevant they may be. These are
to give the reader a feeling that, by
this sort of symbolic memory, the au-
thor is triangulAting the parts of his
composition. If the reader knew any
more about the names than that they
existed, he would. be disturbed and
his attention distracted.

It has been said that the purpose
of poetry is “to*communicate experi-
ences.” This, Mr. Eliot thinks, is but
a theory. The relationship between
experience and poetry is uncertain.
In one of his own poems—which he
personally dislikes—La Figlia Che
Piange, his theme came to him from
the description that his friend had
given him of an Egyptian design of
a weeping girl in the museum at

* Milan. He was unable to find the
design in the museum. The thought
of it, however, lay dormant in his
mind until some six or seven months
later, when he worked back to the

(Continued on Page Three)







Train Schedules

The Pennsylvania Railroad
_has announced the following
changes in its Paoli time-table:

A. train leaves Bryn Mawr
for Philadelphia at 7.21 P. M.
instead of 7.15 P. M.

A train leaves Broad Street
Suburban Station for Bryn
Mawr at 11.42 P. M. instead of
11.26. P.M.

A train leaves Broad Street
Suburban Station at-7.48 A, M.,
thus connecting with the Quak-
er, which arrives ‘from Boston
at 7.48 A. M.







“So Sleep the Brave”

(Class o of 1936 hae to ae Advisors)



Kh







In, any |.















calculably rich deposit of tension, ex-



Tennis Season Opens



The Varsity tennis team won ita| ed in the Comon: Room, April 24, in
first game of the season with the | his first -lecture,» “The Influence of
Philadelphia Cricket Club team" "by a'the Russian Ballet ot Modern Art.”
score of 4-1. In spite of the heat, “The movement which was responsi-
the playing was quite fast and sat-| ble for the ballet was similar to a
isfying to the few spectators.

the ball and sent it mostly into the} ael Angelo, one can elaim for their |
net, thereby losing her first set. to| collaboration, their~synthesis of all
Miss Bergen, 5-7, she rallied to win} the arts, their creative organism for |
the second set, 7- 5, and finally got| human intensity, an example of enor-
into her real stride by winning the | mous importance.”

third’ set and the match, 6-2, on hor! Since many lectures would be_re-
line-chipping serves and easy, well-| quired to trace the origins of the
placed forehands. | ballet, it is necessary to start with

Collier, a Varsity player of two) ‘the end of the nineteenth century in|

seasons. ago, has returned this ~saeeaaea Russia, when a group of male and
and won her first two sets against | female dancers had been trained at
Miss Kurbaugh, 7-5, 7-5. Collier is| the expense of the Czar for his and
extremely quick on her feet and plays his court’s pleasure for nearly two
easily and steadily. She seems to|hundred and fifty years. Imperial |
be fitting very easily into the va-| schools took children of nine years
eancy left. by Hardenburgh. | of age, trained them for seven years, |

Bowditch, Varsity captain, played| ihad them admitted to the stage for,

‘her usual hard-hitting game, win-, ‘fifteen years, and then retired them

ning the first set against. Mrs. Earn-| on a pension. The ballet presented:
shaw, 7-5. In the second set, how- dance interludes in operas, appeared |

ever, she easily outplayed her oppon-; ‘in divertissements at court functions |

ent with her fast serves and long| and at parties, and performed grand|
powerful forehand drives. With a: | mimes and: danced plays. The girls’
little more accuracy on her back-| always wore big white tarletan
hands she should become one of the! skirts, and if the scene were laid in|
most formidable members of the| Scotland, for example, they would)
team. (Continued on Page Six)

Little showed some lack of prac-
tice in her game. with Miss West, but; League Arranges Trip
her main difficulty was lack of con-| to State Penitentiary |
trol. Her form was even better than ,
that of her opponent, but she served
many faults and her drives were ex-
tremely wild, so Miss West took the
match, 6-0, 6-4. As the season ad-
vances, however, she should steady
down to make an excellent number
four man. :

Collier and Faeth seem to work to-
gether in tennis as easily as they did
in basketball, and won the doubles
against ‘Miss Kurbaugh and Miss
West, 6-2, 6-2, in quick time. The
fact that they had played together in
the forward berths on the Varsity
basketball team-was a’ distinct ad-
vantage to them on the tennis court.

The prospects of a good tennis
season can be seen from Saturday’s
matches. May they keep up the ”
work... . >





Under the sponsorship of the Bryn!
Mawr League, twenty-eight students.
visited the new Eastern State Peni-
tentiary on April 24. The prison, lo-
cated on a hill near: Graterford, is in}
sharp contrast to the old- fashioned
penal institutions.

Mr. Fraser, of the Pennsylvania:
Prison Soéiety, and Colonel Thelman,
an ex-Warden, conducted the group
on a tour of inspection.
oners themselves have constructed
most of the buildings, which are very
modern and well-lighted, with run-
ning water in each cell. As a mat-



arrived from the old prison in Phil-
adelphia, the walls were not yet built
and, although the men worked under
(Continued on rage Five)



ee ‘Russian. Ballet is
ee 5: «CLittle Ma
me 6 e M caer eee | Synthesis of Arts

Dr. Evarts B, Greene wil!
speak ‘on “American Horizons Mr. Kirstein Traces Origins
in the Days es a. | Pion: Glavin and Chien.
Goodhart, 8.15 P.M. 1

roun

Sat., May 6: French Oral || tal Background
Examination, 9.00 A. M.

Bryn Mawr Varsity Tennis DIAGHILEV SET STYLE) sx
Team vs. Meri . C., Fe00 |
er tong ic aM “The Russian ballet, a movement, |

We ' Russian in origin, international in

ees It ; ;
Bret Pr ae: dee ap | Sonvednenes, has affected profoundly
G dh t. 8.00 P WM. - Adiniia- | the life of all the arts in our time.

“ $1 00 Reserved seats, || Unfortunately it deposited no Sistine |
$1. 25 at Publication Office. |; Chapel, no Parthenon, and what is|

geal A ‘brightest of what remains is an_in-|

citement and brilliance in the enrich-'

With Varsity Victory | ed mind of everyone who saw it,” said |
| Mr. Lincoln Kirstein, when he talk- |,

|great historical renaissance, and al-|
Although Faeth tended to relapse | though none of the artists connected |
into her old habit of being afraid of | with it possessed the divinity of Mich- |

The pris-.

ter of fact, when the prisoners first ||

| Miss Cannon Discusses
Needs i in Social Service



Miss Antoinette Cannon, speaking
‘in the Common Room last T hursday
}on the opportunities in social service
' work, stressed the need for a mobi-
| lization-of; all the forces in the com-
| munity to accomplish the purpose of
‘jal service work, to make its meth-
sas scientific, and to fill. the actual
available jobs in the world today.

Just as in medicine the goal of pos-
itive health is determined by _ ill-
health, and,‘in its gradual. develop-
ment, practice was first gained. in
highly separate and specific fields—
on the battlefield; among the beggar
classes, in temples, so in the devel-
opment of social science, the many
specific fields of social work have been
only recently utilized to contribute to
a unified science, relating to and not
diverging from psychology, psychi-
atiry,-eeconomies, and—sociology. The
work has become a whole out of these
parts, adapting itself to individual
needs at the same time it is develop-
ing a technical knowledge.

There has recently been recognized
the need for trained social workers:
| consequently, there is less chance now

of serving an apprenticeship to the
| work, Also, private welfare organi-
| zations are becoming a growing prob-
|lem. Every situation is a social prob-
bans with mental and physical aspects
and consequently the best solution
| would be the socialization of all so-
cial organizations and _ institutions,
|e. g., courts and hospitals. Indeed,
within recent years, there has been
| a Yuch higher degree of organiza-
| tion.’ The day of great private foun-
| dations is past, and the new social
; worker is interested in community
| planning, in welfare organization un-
' der federal, state, and city govern-
‘ ment.

So far as present jobs are concern-
'ed, with unemployment, a vast emer-
‘gency relief corps is filled, and fam-
| ily welfare agencies are still open.
| Few jobs are free in the medical field
|and there has been a_ deplorable

slump in settlement and recreational
| leadership work. The child welfare
field is fairly stable, and a hopeful
| tendency is noted’ in the tendency to
centralize organizations for this pur-
| pose. A social worker, trained in
| theory and by practice, after com-

pleting a regular course, ‘should .be
well prepared to direct such commun-
| ity planning as. will mobilize social
| work, and make it a force in com-
| munity life, :

eo



|

| . League Elections

President—Josephine
ermel,

Secretary - Treasurer—Mar-
'| jorie Lee: }

Chairman Bates House Com-
mittee — Margaret Marsh.
*— Chairman of Sunday * Serv- :
ices—Polly Barnitz.

Assistant. Chairman of Sun-
day Services—Sarah Flanders.

Roth-







Dr.Montagu Sees Mind
as Poténtial Energy.



Materialist Theory of » Mind”
Simplifies Universe, Aids
Psychologist :



DUALISM — IS - REFUTED



“How to relate the curious domain
of.the psychical to the body,” said
Dr. William Pepperell Montagu,
speaking in the Music Room, Apri¥
24, on “The Materialistic Theory of
Mind,” “is the most challenging, ex-
citing, and momentous question that
the philosophical mind can raise.”
The great desideratum for the mod-
ern materialist is to find something
physical and material in character to
meet..the demand for explaining the
mind better than the atoms. What if
the real seat of the mind is, not the
atoms of the brain, but the etherie
medium in which these atoms are?
What if every mental state denotes
a specific modification in this med-
ium, and our sensations and feelings
are forms of invisible potential en-
ergy in the brain, into which the ki-
netic energy of incoming currents is
transformed?

From 1850 to about 1915, the ma-
terialistic Weltanschauen was strong
and flourishing, but now it has
fallen on evil days. The new physics
of Eddington and Jeans has swung
away from the mechanistic outlook to
one idealistic and cosmological,
while Millikan and the experts on
matter, who have seen it “face to
face,” are disillusioned about its ade-
quacy to explain-the mind. Again
we-are reconsidering the old, old
problem of the relation of mind and
body, a definite and simple question
which comes. before every one of us
at death. Two types of explanation
may be..offered — the materialistic
monist regards mind as. inseparable
from the body and its. motions, the
dualist makes mind a substanttve in
its own right. :

The . stréngth of materialism in
general is its power to verify or re-
fute the-facts by observation. and
measurement. A materialistic analy-
sis supplies a marvelous simplifica-
tion of the universe. It achieves
what all real science attempts, reduc-
ing incommensurable qualities to
commensurable quantities, the hetero-
geneous to the homogeneous, the dis-
continuous to the continuous. *It ex-
plains the changes of state in mat-
ter and of form in chemical com-
pounds on the basis of divorce and
remarriage of the molecules. When
dealing with the mind, it endeavors
to tie up intangible, invisible sensa-
tions with good, solid body mdédve-
ments, for psychology, thus made ob-
jective, can go on. The materialistic
monist finds that the mind varies
with the body in countless ways,
hence he is led to conclude that mind
serves only as a body-function.

The dualist replies with a caution
lest his opponent fall into the “path-~
ological fallacy” of conceiving nature
after the pattern of his own inside
stuff, and objects that his conclusion
is unwarranted from the premise.
From this defense reaction, he ad-
vances to a more positive stand. He
points to certain clear features of
mind, that do not fit as mere adjec-
tival aspects of atoms in motion, for
example, the privacy of mental
states, the purposefulgess with which
the mind. acts for the future, its
meaning-fulness, the unity of ideas in

(Continued on Page Three)



Special Movie Prices
Until otherwise noted, college
students will be charged only
twenty-five cents, instead: of
thirty-five cents, for admission
to the Seville Theatre in Bryn
Mawr andthe Anthony Wayne
Theatre in Wayne. ' Identifica-
tion. tickets, which are obtain-
able at the Publication Office, |"
must be presented to both the
cashier and the doorman at the
‘theatre.














*





Page Two

‘THE COLLEGE NEWS

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THE COLLEGE NEWS

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Entered as setond-class matter at the Wayne, Pa., Post Office

¢







Spring—Bless Its Heart

There is something about spring at Bryn Mawr that makes one
expansive concerning the merits of higher education. We spend the
fall and winter bemoaning the fate that keeps us scurrying from the
halls to Taylor while the heavens pour forth their contents, or creeping
through the black caverns of the library, or panting miserably in an
overheated gymnasium. And we conclude that education is a painful
and a useless process, and that we could spend our, time to greater
advantage cruising the Mediterranean, or even Park Avenue. But let
spring burst upon us, and we undergo a complete change of, heart.

We are notoriously unpoetic, and anything but spiritual, but we
do feel strangely pleased when we look at the campus with its green
grass, maples and Japanese cherry trees, and realize that in one sense
it all belongs to us. We can almost, but not quite, forgive the library
bushes. It is not such an ordeal to become an intelligent citizen of
these our great United States if the process is carried on amid sprout-
ing green things and fluffy feathered friends. And also, the world
cannot be as close to-the brink of destruction as we are told it is, if
Pennsylvania weather, usually so ill-bred, can bloom as it is now bloom-
ing. Spring on the campus is not the cause of attacks of spring fever
as much as of spells of inordinate optimism. The two ailments are
entirely different, although their after effects are practically indis-
tinguishable. :

The reports that we are assigned in the spring never fill us with
the gloom and despair which comes to us with their ancestors of the
first--semester. . We put them off cheerily and make no attempt to
excuse ourselves, nor do we have to indulge in enforced diversions to
keep our minds off that which we should be doing. 4n spring, all we
have to do is desert the library and gravitate to the tennis courts, fire-
escapes, or to any of the numerous hillsides, there to bask in Nature’s
eyes. But in winter, owing to what the geographers describe as “in-
clement weather,” the only refuge from the library or the books we
have bravely taken out of the stacks and which regard us accusingly
from the window-seat, is the bathtub, the closet, or the far corner
under the bed. And even a short time spent in such a retreat warps
the mind, and dulls the spirit of youth, for which we are chiefly
famous. Furthermore, we are willing to accept the eloomiest prophe-
cies of the philosophers, economists, psychologists, historians and erities
as to the future condition of mankind, and we believe hideous things
about the past during the winter simply because_the weather is bad.
It seems quite probable that Cesare Borgia ate little children for din-
ner and that Richard III strangled the little princes himself, when we
sit enveloped in blankets in a half-frozen eondition while the heat
refuses to come on, the windows rattle, and the rain drizzles down
outside, But let anyone try to convince us that Mary, Queen of Scots,
spent her time plotting the death of Good Queen Bess—when it is
spring—and we should laugh in his face.

It is optimism and a desire to believe the best of the world and of
the people in it that comes to us with the advent of spring. We cease
to worry about theories of all kinds, and enjoy ourselves. Exams and
reports cease to haunt our sleeping and waking hours, and we worry
much more about our backhand, approach shots, sunburn, or summer
wardrobe. It is no longer possible to throw us into nitiital chaos by
dropping a quiz; we either cut and’play tennis, or write a pretty piece
of prose and hopg it has some connection with the subject in hand. In
other words, when spring comés to the Bryn Mawr campus, we are all
inclined to love life and our work, and take neither very seriously. It
is not that we forget their importance, or that we really care less
about them, it is rather that, after all, it is spring; life obviously goes
on, and we might as well go with it. a

@

7



Six prizes, totaling $300) will be
its given for the three best contribu-

re tions to each anthology.. As _ substi-
etiti for manu- se
ee seen ene see ltute awards for the poetry anthology

scripts to be included in its two an-| the publishers will issue, on a royal-
thologies, The American ‘Short Short ty basis, individual volumes of verse
Story — 1933 and Modern American by the two most outstanding contrib-
Poetry—1933. Short short stories, utors if the winners have enough
‘to be eligible, must be hitherto un- poems of consistent merit. to warrant
published, and may not exceed 1,200 such publication. ‘
and may not exceed 32 lines to each July 1, 1933. All manuscripts and
poem. There is no restriction on sub-jinquiries should be addressed to Mr.
ject matter or presentation other|W. Keene, secretary, in care of the

Literary Prizes
The Galleon Press: announces

than originality of content and force-| Galleon Press, 15 West 24th Street,

- |New “York City.
| =

{

+]

_for contributions. is |

WIT?Ss END
SONNET TO SUNBURN
The sun once turned a vicious eye on
me, es
I sat upon the gym, up on the roof,
From: shade, and creams, and dark
costume aloof,
And now he’s laughed him ‘sick with
‘fiendish glee:
For.now I’m red and raw with Nat-
ure wild,
O! would I could put off this May
day red,





||And be the genteel girl I always said

I’d be—so gentle, meek, and mild.

‘And lily-white like famed Elaine,
and docile.

But no! I am all over badly freckled,

My peeling’ skin has edges sadly
-deckled,

And when I move I crack like
old fossil;

Quick! Venus! Salves and lotions to
keep handy:

I am Untouchable from aping
Gandhi. .

—Unscrambled Egg.

-

“some

SONG-BOOK FOR A GEOLOGY
FIELD-TRIP
I ;

There’s a long, long trail a-winding
to the top of Chestnut Hill,

And they say they’ll see a_ lovely
view, and possibly they will;

But as for me, my breath grows
weak, my knees are failing
fast: :

No peneplanes will comfort me when
I shall breathe my last.

‘>



II
Rock of Ages, cleft by me,
Let me hide this pick in thee;
By that timely loss I may
’Scape two awful fates today:
Ere, worn out or banged, I’ve died,
An unintentional suicide,

III
The bugs crawled in, the bugs crawl-
ed out, :
The bugs crawled all around about;
And all the Middle Devonian bugs
Have left in the shale their funny
mugs.

IV
Star light, star bright,
Grant the wish I wish tonight;
Wish I may, wish I might,
Some day find a trilpbite.

V

O little town of Bethlehem, how still
we see thee lie!

The natives peer as we career melodi-
ously by.

All ears may hear our coming, as
with a pious din

Of Christmas hymn for April’s whim
we enter carolling ini

VI

The animals went in, six by six,
(There’s one more river to ‘eross),
The mouse and the archaeopteryx
(There’s one more river to cross).
One more river—
And that one river is Lehigh;
There’s one more river to cross.

—T lemonopod.



TO BE SUNG TO THE
MAY POLE
To the May pole let us on.
I have three corns and one bun-yon.
Walk, please, to the lower green,
Where your costumes won’t be seen.

These rehearsals, who can amend
them,

Five dollars fine if you don’t attend
them, ;

i
|Round the May pole let us on,
Sure, it’s my foot, but just step on.

\Coming at you! Come, ‘sweet lass,
‘Come and stumble on the grass,
Come and trip me on the greeny. ~-
Where no‘lads will e’er be seen,

here alway, from the break of day,

All those dance’ who cannot pay ($5),
“Keep together!” Hey, sweet: lass,
Must you kick me as we_pass.
—The Sweet Yam Queen.



DISMAY DAY

Now comes the time for sentimental
| Thoughtson_tantrums-tempera-.—
: mental, :
Reminiscences belated,
Of the things we perpetrated,

Just a mere twelvemonth agone
to the May pole«we went on:

oe







lFar removed from Sacrapantics,

| whom lived or are living in our own

All our: routs and rings and roisters,

On the gréen and in the .cloisters,

Woolly sheep. and.snow-white- oxen,

And the needxfor antitoxin

’Gainst the raging red spring fever

That was our beauty sleep’s great
reaver;

Remember flowers real and paper,

Decking each fantastic caper,

Friars in their burlap cassocks,

Stomachs stuffed like outgrown .
hassocks,

Gartered guys and country wenches,

Grouped on grasses, rocks; and
benches,

Early morning dance .rehearsals,

Frantic, rain-enforced dispersals,

Clowns“ and rustics cutting antics

Props and sets and paraphernalia
For a monster Bacchanalia,
Braggart soldiers and pious monks,
Spangled ladies and reeling drunks;
Dramas comic, dramas tragic,
All infused with May day magic—
But there’s no use to rue or rouge it;
Time was swift, and tempus fugit.
—Campusnoop.

Way



Our hairs: are turning to silver
from gold. Of course, it may be just
he -effect of the general lapse from
the géld standard. But now that Be-
Kind-to-Animals Week and Be-Kind-
to-Boys Week have passed (what!
haven’t you noticed?) we’re agitat-
ing for the inauguration of a Be-

Kind-to-Wit’s-End Week, with the

slogan, “Help the MHatter’s fun:

every contribution counts!”
Cheero—

THE MAD HATTER.

LETTERS





(The News is not responsible for
opinions expressed in this column.)
To the Editor of the College News:

.In your editorial, “Let There Be
Light,” I find a certain superficiality
of point of view and certain mis-
statements of fact which I trust you
will not mind my pointing out.

The “mystification” induced by the
modern novel read in Freshman Eng-
lish indicates the difficulty confront-
ing anyone who attempts to give un-
dergraduates any sort of understand-
ing of contemporary literature, let
alone to gratify that desire for a
“thoroughgoing knowledge of mod-
ern literature and‘ literary tenden-
cies.” It is quite possibleto—chart
present day literagure, but the only
person who can understand such a
chart is the person who has read the
charts of previous. literary periods.
The earlier a period the simpler the
chart. ~The study of the present per-
iod is necessarily more complicated
than that of its forerunners, whose
work time has sifted and set in per-
spective. The work of each period,
moreover, is the outgrowth of all that
has gone before, and not until the
student has some conception of the
ebb and flow of literature, the alter-
nating periods of conservatism and
revolt, of emotionalism “and intellect-
ualism, has she any basis on which
to consider seriously modern litera-
ture. The “educative and cultural”
value of a survey of modern litera-
ture would therefore be highly ques: |
tionable. No student of history, to
give an analogy, plunges into the
period of the French Revolution, or
finds it intelligible, without first
studying the ancien regime. It is to
lay the necessary. foundation in the
study of literature that the present
English courses are designed.

In addition to the work included
within the formal ctrriculam other
guidance is given. New Book Room
books are carefully selected by a com-
mittee. and are intended to make sig-
nificant contemporary writing ,avail-
able to interested students; the Eng-
lish department tries to bring as
many outside lecturers on modern.
literature as limited funds allow, and
encourages undergraduate commit-
tees to do likewise. To say that
within the curriculum all work in
English here ends with the mid-nine-
teenth century is absolutely untrue.
If the study of contemporary work
in Freshman English is to be dis-
missed as merely a_ mystification,
there remain other courses such as
there always have been, treating va-
rious aspects of modern literature.
Victoria did not die till 1901, and
there is-a-course in Victorian poetry-}
This ‘course was planned, moreover,
to include the work of Hardy, Rob-
ert Bridges and Housman, all of

(contipuea on Page Five) /







- IN PHILADELPHIA -



Theatres:

‘Garrick: $25 An Hour, a new
comedy dealing with the romantic ad-
ventures of a gigolo, with George
Metaxa, Olga Baclanova and Jean
Arthur. _ We challenge the title —
what with being off the gold stand-
ard, a cocktail and two dollars. is
blue-ribbon pay. =

69th Street Playhouse: The Whole
Town’s Talking, the farce made fam-
ous by Grant Mitchell. Virginia
.Curley and Joe Moran have the leads
—and admission is down to $0.50,

Movies ”
Boyd: Mary Pickford and Leslie
Howard, in Secrets, struggle for sev-
enty years ‘side by side out on the
American frontier. Very sweet and
appealing. re
Fox: A ‘unique love story and real-

™

dly notable photoplay in Zoo in Buda- .

pest, with Gene Raymond and Loret-
ta Young. Love and the animals all
photographed with great skill. See
it by all means. _

Stanton: The eternal wise guy
and American Cervantes, Jimmy
Cagney,-in Picture—Snatcher.__It_con-
cerns a newspaper photographer. who
catches people in their less respect-
able moments. Amusing.

Europa: Mussolini Speaks.. The
venturesome and romantic life of the
dictator from childhood‘to the pres-

ent. Lowell Thomas acts as _ inter-
preter. -
Karlton: The White Sister—Hel-

en Hayes and Clark Gable continue
to love hopelessly amid the most pro-
pitious. Italian scenery.

Earle: A Lady’s Profession —
Impecunious English titles go into.
the American speakeasy racket, and
are an enormous success. Alison
Skipworth, Roland Young and Sari
Maritza are excellent.

Stanley: Maurice Chevalier and
Baby Leroy both wag their lower
lips entrancingly in Bedtime Story-
Has words and music, and is very+
much fun.

Keith’s: The American’ Border
patrol glorified in Soldiers of the
Storm. Anda great deal of vaude-
ville. goes. to complete a worthless
exhibition.

Locust Street ‘Fheatre: The Phan-
tom Broadcast, in which a murder
takes place in a broadcasting station,
dead men speak, and the audience
shudders appropriately. With Ralph
Forbes and Gail Patrick.

Local Movies

Ardmore: Wednesday and Thurs-
day, Mae West in She Done’ Him
Wrong; Friday, Grand Slam, with
Paul Lukas and ‘Loretta Young;
Saturday, James Dunn and Sally Eil-
ers in Sailor’s Luck; Monday and
Tuesday, The Keyhole, with Kay
Francis and George Brent; Wednes-
day and Thursday, Jimmy Durante

and Buster Keaton in What, No
Beer!
Seville: Wednesday and Thurs-

day, 42nd Street, with Warner Bax-
ter, Ruby Keeler and Bebe Daniels;
Friday, Blondie Johnson, with Joan
Blondell and Chester Morris; Satur-
day, Girl Missing, with Ben Lyon
and, Mary Brian; Monday and Tues-
day, Constance Bennett and Joel Mc-
Crea in Rockabye; Wednesday and

Thursday, John Barrymore in
Topaze. a _t
Wayne: Wednesday and Thurs-

day, Whistling in the Dark, with

Ernest Truex and Una~Merkel; Fri-
day and Saturday, State Fair, with
Will Rogers and Janet Gaynor; Mon-
day and Tuesday, Topaze, with John

|Barrymore; Wednesday and Thurs-

day, Secrets of Madame Blanche,
with Lionel Atwill and Irene Dunne.



Senior Fencing Finals

The College Foils Championship
will be fenced in the Gymnasium,

hursday evening, May 4, at 8
ovlock. All senior fencers, and the
ju&igr champion, and runner-up will
compete. Between the bouts, exhi-
bitions of the three weapons will be
given by different fencers of the
Sword Club and the Penn A. C. These
will include a bout in foil between
Monsieur Fiems, instructor in fenc-
ing, and Mr. Shakespeare, of the
Sword Club; a bout in epee (the duel-
ling sword) between Dr.-Herben and
Mr. Agnew, of/the Sword Club; a __
sabre bout between Monsieur Fiems-—
and Mr. Kolb, of the Penn A. C. All
interested in fencing are cordially
invited.




&
THE -COLLEGE NEWS.

Cd

Page Three



Mrs. Smith Discusses

Inflation _in Chapel!



Bill Before Congress Provides
for Treasury Note Issue,
Silver Coinage



FACILITATES- LOANS



“Inflation,” explained Professor
Marion .P» Smith, in chapel. on Mon-
day morning, “means any’ method--by
which the existing amount of money
is increased without increase in avail-
able goods and services.” The two
methods. of inflation ‘whith are being
most considered today are currency
inflation, by which more money is
made available, and credit inflation,
by which it is made easier to get
loans on smaller collateral.

Both of these methods and some,

provisions which are not even, infla-
tionary are included in the rider
which is attached to the Farm Relief
Bill now under -consideration. in the
House of Representatives. The bill
passed the Senate on last Friday and
is expected to pass the House within
this week. The rider first provides
for an increase in Federal Reserve
credit by as much as $3,000,000,000.
This measure is not really inflation-
ary. The second provision is for an
issue of treasury notes to the value
of $3,000,000,000. These notes wil] be
secured by United States credit and
will be used to pay off Government
bonds. They are like the greenbacks
which were issued during the Civil
War.

In the third place, it is provided
that the gold content of the dollar
may be devaluated by as much as 50
per cent. Since only forty cents
must now stand back of every dollar,
this may be reduced to twenty cents.
Finally, the President is given the
power to fix at his discretion a ratio
between gold and silver to be used
in international coinage. In view of
this provision the price of silver has
risen from nineteen to thirty-five
cents an.ounce.

All inflationary “measures depend
upon the “quantity theory of money,”
which is more or less accepted by all
economists. According to _ this,
“money has no value.except as a
means of exchanging goods and serv-
ices, so the dollar would only be
worth what it could buy at the mo-
ment.” So if money remains fixed
and more goods are put into the mar-
ket, prices must fall, as they have
since 1929. The present “desperate
proposals to start money up” depend
upon keeping the supply of goods
constant and increasing the avail-
able money. Of the three types of
money used today, gold and silver
coins, government notes which repre-
sent actugl gold in the bank, and Fed-
eral Reserve notes, the Federal Re-
serve notes are much the most com-
mon. The twelve Federal Reserve
banks are allowed to issue these notes
with a backing of 40 per cent gold
and the value of the note in commer-
cial paper (usually short term
loans).

On April 6 there was an average
of seventy-three dollars backing each
one hundred dollars in Federal Re-
serve notes and at present there is
sixty-two dollars and seventy cents.
This means that there is an excess
coverage@f 22.7 per cent and, as Sen-
ator Glass pointed out last Friday
in opposition to the present bill, not
only three billions but four billions
of fiat money could be issued within
the present gold coverage. He. failed
to mention, however, that it wag im-
possible for the banks to seture the
necessary commercial. paper to cover
an issue. “At this moment there is
ample Aacility in the country to ex-
tend credit, but the confidence of the
banks is gone, and there have, been
so many failures that strong banks
hesitate to make loans to companies.
At this: moment credit inflation is

“fantastic.” :

We aré-used to checks as“a form
of credit and in fact use forty, dol-
lars of checks for every one dollar
of currency, but we cannot get ‘used
to the idea of not having gold back
of it all. Mrs. Smith did not go
into bi-metallism because, as she ex-
plained, it is a complete ‘lecture in
‘itself. The trouble with people now
is “that they are so unimaginative
that they suppose they have to have
-gold. Index numbers are all that is

necessary, but the publie wants some-|

thing that it can bite.”

°



Compares \Dr. Montagu Sees Mind

T. S. Eliot |
3 Poetry to Still Life as Potential Energy

\





(Continued from Page One) | » (Continued from Page One)

dds
verbal echo of his friend’s words, and |it, above all, its power of “duration,”
wrote the poem. Perhaps, he thinks, | as Bergson named it. |
the impression made on him by the| - The claim that the mind can -have
lull before a thunder-storm or by the) jn jt the past in the present, that
ominous calm of a London dinner- | one configuration
party when an air-raid was expected, | preceding, demands some explanation
found expression in Sweeney Among | from the atomistic materialist. It
the Nightingales (written in 1917). proves impossible for the latter to re-
_7In regard to_, versification, Mr.| fute these objections of the dualist,
Eliot says: ‘The tendency today is| yet the dualist’s victory is-unsatisfac-
away from freedom, towards a newer | tory, for his theory is sterile, and
form or a revival of older forms.” | people prefer the good praetical re-
Ezra Pound, William Butler Yeats, | sults of materialism, though not true.
and Gerard Hopkins, the “three best! The great desideratum for the ra:
modern English poets,”, have especial-' terjalist, who recognizes the weak-
ly influenced ‘versification in recent! nesses of atomic monism, yet wishes
years. “What more influences peo-|
ple is versification rather than mat-|to find. something, physical and ma-
ter.” It was as long ago as 1917) terial, which will meet the demand
that T. S. Eliot and Ezra Pound to-| for explaining the mind better than
gether decided that free verse had) the atoms. Suppose he looks to the
gone too far and that something|component of the material world
must be done about it. This “some-| other Ahan the atoms, the ether in
thing” resulted in “Mr. Eliot’s qua-| which the atoms are, what we may
trains about Sweeney, modeled on| call the field. Perhaps mind congists
Theophile Gautier’s style. really of a series of ane aca,
The verse of Wilfred Owen, a war | paratively permanent modifications
poet, and that of the Jesuit. priest,|in the field, and every mental state
Gerard Hopkins; have played an es-|is a form of potential energy. into
pecially important role in the new); which kinetic energies of incoming
modern metaphorical system. Hop-| nerve currents are transformed.
kins’ poetry has only become popular
in England during the last two or
three years, for Robert Bridges, the
late poet-laureate and the owner of
Hopkins’ manuscripts, refused to let| jn the medium, field, or ether. Each
them be published. Mr. Eliot read! sensory impact leaves such a form
a passage from Hopkins’ The Leaden) jn the brain, and so there grows up
Echo and the Golden Echo. These) an increasingly rich, deep, and com-
lines illustrated the fact that, in| plicated hierarchy: of strains, which

ae eas :
Hopkins case, inventing new forms! accounts for the layers of sensations
was very different from merely cast-! jn the mind.

ins’ |
| ing off old ones. Hopkins’ most ex | Potential energy is the only physi-
treme work has some of the elements, ,. ; : . ,
ste | cal fand material thing that comes up
of Gertrude Stein’s manner or of ie ;
hat we know mind’and conscious-

sige | to w
Joyce’s latest work. The psychologist ; will,

to answer thé dualist’s objections, is



The brain is a species of energy-
trap, retaining infinitesimal parts of
incoming currents of kinetic energy,
which are caught as a form of strain





iness to be.

“There are not very many contem-' however, wish to reverse the physic-
porary poets who much interest me,”' jst’s definition of kinetic ‘and poten-
says Mr. Eliot. He admits the beau-| tial energy, for to the latter, whose
ty. of Yeats’ poetry, especially his| interest is.in external manifestations,
Memorial, Poems and The Tower.| potential appears merely: a corollary
Through his cantos, Yeats affected | of kinetic, whereas, to the former, ki-
Archibald - MacLeish’s generation! neti¢ seems the potentiality of what
“and,” adds Mr. Eliot, “I hope, my-|is really actual, though to outsiders
self.” Young poets are now going] it is nothing but motion. At any
back to earlier English and Scottish| rate, the conception which the mate-
poetry—that of Skelton and Dunbar,! rialist here proposes is materialistic

for example. and quantitative, and explains mind
Mr. Eliot’s ilustrative reading in-| as it is actually found to,be from_in-

cluded a poem of Ezra, Pound’s, in| direct behaviorist study and also

which Pound analyzes himself and | from introspection.

his life in: England. Of his own;

: sano |
- ee read mmeeney| Because of their general disregard
mong the Nightingales, Gerontion,|o¢ a1] rules and because of their

parts two and five of Ash Wednes- ‘general attitude toward upperclass-

day, the first and second parts oft ai » +h ’
: ‘ } e Freshmen at Was
“The Triumphal March” a. a ashington

from the College are deprived for 2

“First Difficulty” of the Difficulties |tne privileges of et anlage. -
of A Statesman, five | short poems |brary from 7 P. M. to 9 P. M. and of
concerned with the study and rela- having any kind of date from 5 P.M.
tionship of human beings and small | to 7 P-a—N, a. 8 AD

domestic animals, and a passage from |
the Fragment of an Agon in Swee-|
ney Agonistes. For these poems he:
admitted borrowing material from!
The Education of Henry Adams, the,
Sermons of Donne and of Launcelot |
Andrews, from Shakespeare’s Meas- |
ure For Measure and Pericles, the}







PHILIP HARRISON STORE
BRYN MAWR, PA.

Gotham Gold Stripe
* Silk Hosiery, $1.00
Best Quality Shoes
in Bryn Mawr * -
NEXT. DOOR TO THE MOVIES





lI ——==
sees

can contain’ the



Summer School

N

selected to attend the Summer
School this year as Bryn
Mawr’s representative in the

group of. undergraduates-who
are chosen annually from lead-
ing colleges to assist the staff.







Reid Hall in Paris
Graduates of Bryn Mawr who hope
to be in Paris this summer or are
planning to, spend some time there
in, study will be interested to know
of: Reid dencé for university women,” “pies;
sitfated. in . Latin

turesquely the

dens, and not far from the Sorbonne.”

Here are the headquarters of the
French Federation of University;
Women and of the American Uni-
versity Women’s Paris Club.

Membership in the Hall, costing
only ten dollars yearly, is restricted
to college graduates, and ensures low-
er rates for room and meals, provides
quiet, comfortable accommodation —
permanently for \you, and temporar-,
ily for your non-college friends—as,
well as affording easy opportunity |
for renting a studio if you so desire. |

The Hall was the gift of Mrs.
Whitelaw Reid to American univer- |
sity women and has been enlarged to |
house sixty residents. Miss M.
Carey Thomas is one of the honorary ,
members. = It in charge of an)
American director, who has lived long
in Paris, and is widely acquainted in|
intellectual and artistic ‘circles in
France. Here, in the courtyard, or |
in the lovely old garden, where tea’!
is served, you may meet your friends, |
or talk with the European university |
women of all nationalities, who: live |
there with you. ‘The Hall and the|
American: University Women’s Paris
Club strive together to keep Ameri- |
can women, resident in Paris; “in|
touch with French life and ‘thought
and in contact with university grad-
uates of France and other nations.” |

For membership in:Reid Hall, ap- |
ply to Miss Virginia Newcomb, sec- |
retary of the Board of Directors, 165 |
West 83rd Street, New York City.
Application for rooms should be sent
to the Director, Reid Hall, 4 rue de;
Chevreuse, Paris, France.

is



‘University College
EXETER, ENGLAND

Residential:. Three men’s and three
women’s hostels. Campus, 140 acres.
American students. accepted for
long or short courses. Three terms
(10 weeks each) in the year. Holi-
day Coyrse for Foreigners, Ist to
25th, August.

Apply Registrar, or

INSTITUTE OF
INTERNATIONAL
EDUCATION

2 W. 45th Street, New York, N. Y.

a ee ee ee ee ee ee ee ee eee eS







Good Friday church service, Seneca’s |
Hercules, General Brusseldorf’s mili- |
tary statistics, and the Bible.



FRENCH SUMMER

SCHOOL
Residential Summer School

SaLR@ (co-educational) in the heart of
French Canada. Old-Count
French staff. Only Frenc

spoken. Elementary, Inter-
mediate, Advanced. Certifi-
cate or College Credit. French enter-
tainments, sight-seeing, sports, etc.
Fee $140, Board and Tuition. June 25-
July 31. Write for circular to Secretary,
Residential French Summer School

McGILL UNIVERSITY
MONTREAL, CANADA



are a few persons in the world ‘be-|
lieving college students worry. A'
study by a psychology class at Pur-
due University conducted over.a ‘per-
iod of years revealed that 56 per cent
of the students were worried about
their studies. Furthermore, 40 per
cent of them are reported worried
about money. Family affairs have
21 per cent of the undergraduates
perplexed; social afPAirs, 17 per cent,
and religion, 5 per cent. The report
Shows only 12 per cent of the stu-
dents are worried about affairs of.
the heart.—(N. S, F..A.)

A-32

PANDORA’ WAS NO
CUSTOMER OF
OURS

Gifts worthy of fine packaging
cause the thrill of opening a
MILLER box.

Se



The Country Bookshop
30 Bryn Mawr Avenue









Lending Library— Bryn Mawr. ‘

First Editions ~~ Walter P. Miller Co.

* Incorporate

. 76 452 York Avenue

siecsalet ; Philadelphia
JEANNETT’S .
BRYN MAWR FLOWER — | one np oyne — ——
SHOP, Inc. |

Mrs. N. S. T. Grammer _
823 Lancaster Avenue
BRYN MAWR. PA.

_ Designed for the products they _
. contain ~ -









an.





Esther«Smith,-"34; has been “e]”

Quarter, near the Luxembourg Gar- }.



Campus ‘Notes

The new. College. Calendar of Un-
dergradud@s Courses will be ready
on Saturday. Any student particu-
arly anxious to see the schedule be-
fore then may look at the page proofs
n the.’ Publication Office. :







The third volume of the Collected
Papers of Charles Sanders Pierce,
which Dr. Weiss is editing, will be
published next week. The book will
contain Piercé’s previously published®
contributions to modern logie and to
the foundations’ of mathematics, pre-
‘fixed by an analytic introduction and’,
documented by Dr. Weiss.

Charles Sanders ’ Pierce has been

termed the most original ‘of Ameri-

can philosophers. He was the foun- *
der of Pragmatism, the greatest

American logician, and a laboratory

scientist who made important contri-

butions to physics, chemistry, psy-

chology, and mathematics.

Last year Dr.. Weiss published Vol-
umes One and Two of tMe series, giv-
ing an outline of Pierce’s system ane
a detailed analysis of the methodol-
ogy of science. Volume Four, con-
aining original papers on logic and
mathematics, never before printed,
will appear early this summer, and
Volume Five, on Pragmatism, will be
ssued at the end of the summer. Vol-
ume~ Six, which deals with meta-
physics, is scheduled to appear in the
early fall. There will be ten vol-
umes in all.













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Page Four

v

ae

THE COLLEGE NEWS

)





._ Book Reviews |.







Eimi, by e. e. cummiings (Covici|
scribed as a diary kept for thirty-six |
days by .a poet-painter during his;

spirit-world had its living visitor in
Aeneas; the Chri_tian, in Dante; to-
day, Russia—worshipping science as}
symbolized by.the r-achine—has plac- |
ed “the beyond” at humanity’s dis-
‘ posal; accordircly it isinto, not Tar-|



plunges. Sharing his descent and re-|
turn to life, we exchange the negative |
conflicts of a materialistic epoch for
the positive and timeless faith of art,
by so doing, we directly participate
in one of the most fearless affirma-
tions of spiritual values which litera-
ture can boast.

We-have—just--about. reached. the|_

- Jimit of our patience... Mrs. Isabel)
Paterson, of the New York Tribune
“Books,” has written her third novel,
Never Ask the End (Morrow, $2.50).!
We have attempted to read this well- |
thought-of item and find we can’t get!
beyond page fifty-three. The book is
written in the Virginia Woolf vein
and that explains our trouble.

Michael Arlen’s new book, Man’s
Mortality (Doubleday, Doran, $2.50),
is to be recommended. A story con-|
cerning a future war and the world’s
reaction, it is unlike any of his other
boo&s and not for the person who ex-
pects to find Mr. Arlen’s London life
and doings of smart people:

The brightest event of the spring
came out April 12. Thorne Smith,
that mad hatter, has written Rain in
the Doorway (Doubleday, Doran, $2).
Line forms at: the right. “

Inflections 1931, by James Cleugh, |
author of Ballet For Three Masks,
published by Secker ($2.75), is for a
limited public. L. A. G. Strong, in
The Spectator, says: “The most ac-
complished novel I’ve come across
since I began reviewing. . . . I
salute Mr. Cleugh with admiration
and more than a touch of envy.”

Late this month Scribner publish-
ed Conrad Aiken’s new novel, ,Great
Circle. His Blue Voyage will be re-
membered by everyone interested in|
the stream of consciousness school of
writing. Great Circle is frankly for
the sophisticated, but to judge by!
Aiken’s former work it should pos-|
sess enough drive over and above the
distinction of writing, to enlist a:
larger public.





Nature (Appleton, $2).
five stories in the opus and we feel |
that this new effort ought to help)

were a bit dull.

& Haas, $2). A writer whose repu-|
tation as one of the most talented of
American women authors has been |
steadily increasing. Her two novels,
Plagucd By the Nightingale and Year
Before Last, -have passed the endur-
ance tests of both critic and public.
This volume contains fourteen short
stories, two of which recently appear-
ed in Edward J. O’Brien’s anthology.

L. A. G. Strong has just had-pub-
lished in this country Don Juan and



Bryn Mawr 675

JOHN J. McDEVITT
PRINTING

Shop: 1145 Lancaster Avenye
ei Rosemont





the Wheelbarrow
(Knopf, $2.50).
more widely and

younger authors. |

Charles Morgan’s The Fountain.

The Furnival Bfok of Short Stories
journey from Paris to Moscow, Kiev, | is well worth ygar attention. Previ-
. and Odessa; thence to Constantinople, ously these stofies were brought out
and by Orient express to France. | separately in limited editions by the
Fundamentally, Eimi constitutes the’ following authors: Liam O’Flaherty,
epic reaction of a human being to a Stella Benson,. James Hanley, Rhys
transcendent experience. The Pagan, Davies, S. T. Warner, A. E. Coppard,

David Garnett, T. H. Powys, H. E.
Bates, John Collier, L.A. G. Strong,
H. A. Manhood. The cream of the
English crop all for $2.75,

his Bloody Turf (Knopf,. $2.50),
Eleven amusing,
tarus and not iicll, but a realm of] satiric, and colorful stories by the
machine-torturcd, iceal-ridden ghosts,| Editor of The London Mercury. This
an incredible but real world called! is the first volume of, stories by Mr.
U. S. S. R., that the author of Himi| Squire to be published in America

by H. C. Squire.

since 1924.

Hizzoner The Mayor (Private Life
of Jimmy Walker), -by Joel Sayre, the
Rackety Rax boy, is one of the most
hilarious bits of hokum we’ve come
Published by
Not to
be missed. }
Union Square, by. Albert. Halper
(Viking Press, $2.50), is one of the
most realistic and unpleasant books
published lately. A bitter attack on
the present problem of the unemploy-

across in a dog’s age.
John Day and priced at $2.

ed and the Russian situation.

The Enchanted Winter, by Martin

Hare (Harper, $2.50), is well worth
your attention.

nedy’s The Constant Nymph.

Company K, by William March
(Smith & Haas, $2), is one of the
best war books we’ve read since All
The
first. decent chronicle written by an
American that gives our side of what

Quiet on the Western Front.

went on. A book that will live.

To the North, by Elizabeth (Knopf,
$2.50), is a new novel of English so-
A
story of an impact, the violent col-
lision of two personalities traveling
in opposite directions at fatally high
The attraction towards one

ciety by the author of The Hotel.

speed.
another is disastrous for them both.
Recommended.

God’s Little Acre is a pleasant lit-
tle bit of writing by Erskine Cald-
well (Viking Press, $2.50). The au-

thor is fresh from “the Hemingway

and Faulkner School and carries on
where they left off. We’re slowly
getting used to this sort of thing, but
really can’t say we like it very much.

The Rash Act (Long & Smith,
$2.50), is Ford Madox Ford’s new
novel that is causing comment in
Written with the dis-
tinction for which Mr. Ford is fam-
ous, The Rash Act is a psychological
| novel of the first-importance, perme-

Edith Wharton has’ come ‘to the! ated with the irony of which the au-
front again with a new book, Human, thor is .master, and sure to engage
There “are| your interest from beginning to end.

New York.

For the sophisticated.

The Tragedy of ‘Tolstoy, by Coun-
her reputation, as her last two books | tess Alexandra Tolstoy (Yale Uni-
: versity Press, $3), is the intimate
Kaye Boyle, our favorite from The | story of the last years of Count Tol-

Left Bank, has just given us The|, aE
First Lover and other stories (Smith! }



LUNCHEON, TEA, DINNER
“Open Sundays
Chatter-On Tea House

918 Old .Lancaster Road
‘Telephone: Bryn Mawr 1185







y

and Other Stories
He is being read
is; in our Opinion,
one of the most ‘interesting of the
His ‘previous book,
Friede; $3), may be superficially’ de-| The Garden, can. be- compared to

A charming novel of
Ireland, which is having great suc-
cess with readers of Margaret Ken-

stoy, written by the one who was
closest to him, his youngest daughter,
Alexandra. The book “has been’ well
translated by Elena Barneck and is
signed by the author.

—Alastar.



News. of the New York Theatres

We decided last week to come out
of hibernation and what is going
on in the theatrical world, and the
answer is “plenty,” although it’s not
of much value,

The great play on inflation—or on
the idea that a little can go a long
way, otherwise known as Design For
Living, went into its last four weeks
Monday, and we feel pretty. badly
about it... In spite of Mr. George
Jean Nathan’s. attémpt to class it
among the ham vaudeville ‘scripts we
still think it’s one of the most charm-
ing d amusing pieces. that ever
graced’ Broadway. We hope Mr.
Coward didn’t pay much attention to
Mr. Nathan’s opus in Vanity Fair,
because, although admittedly clever,
he’s growing bitter over Lillian Gish
and losing his. sense of proportion.
Consider Mr, Nathan in the audience
and his attitude toward Design For
Living is forgivable. He probably
would like to wear red pajamas, too.

As for Lillian~ Gish, she has~just
started murdering her father and
step-mother for cash and the critics
in Nine Pine Street, the Lizzie Bor-
den murder mystery, that collapsed in
Philadelphia last fall. It must have
been bad to find drama-starved Phil-
adelphia unfriendly, and even after
its renovation and _ body-building
treatments, Percy Hammond says,
“Perhaps I am wrong in my belief
that Nine Pine Street is April’s
worst play.” As Beatrice Lillie would
say, “Voila, there.”

Ernest 'Pruex is back on Broadway
in Lee Shubert’s production of Best
Sellers. He has’Peggy Wood to help
him and everything should go pret-
ty well. Peggy Wood returned to
Broadway from London with the
optimism that would have done credit
to a pilgrim. father) for her vehicle,

deed. Several wheels came off and
rolled down the theatre alley, so she
gave up and hitched herself to Mr.
Truex. :

Next Monday the Theatre Guild
will open its final offering of the sea-
son, The Mask and the Face, W.





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Saturday Night, was very shaky in-!

Somerset Maugham’s adaptation of
Luigi Chiarelli’s comedy. Lee Si-
monson has designed the settings and

‘Judith Anderson, last seen in Iive-

bird, will head the cast.

John Drew Colt, with whom. we
have had little sympathy ‘since Scar-
let Sister Mary, has at last shown
that somewhere in his veins flows the
family genius. His portrayal of a
particularly unpleasant inhabitant of
the reformatory in Little OV’ Boy has
all the critics cheering. Incidentally
the play is one of the month’s better
cohtributions—it is concerned with-a
boy’s reformatory; and all that goes
on therein. Albert Bein, who wrote
it, spent some years of his own life
resting uncomfortably in the arm of
the law, and seems to feel quite
strongly about it.

eThe really big piece of news con-
cerns Radio City, and of all people,
Max Reinhardt. The plan is to turn
the R K O Roxy Theatre into a
legitimate business, and to have Herr
Reinhardt do Gluck’s Orpheus as the
inaugural offering. As Reinhardt is
to do Hamlet at Stratford-on-Avon
this summer, he will not be able. to
come here until fall.. If Orpheus
succeeds, it is planned to have Rein-
hardt do Shakespeare for dear old
Roxy: _. ,

Further plans for next fall include
the play Philip Barry is doing for
Maude Adams. Ear] Carroll’s com-
bined murder mystery and intimate
revue which is to sport Bela Lugosi
and be known as Murder in the Vani-
ties. What we'd like to know is, “Why
haven’t there been any before this?”

And lastly, George Kaufman, Morris

Ryskind and the Gershwins will pre-
sent a sequel to Of Thee I Sing, en-
titled Let ’Em Eat Cake. William
Gaxton, Victor Moore and Lois Mo-
ran are all scheduled to appear in it,



and “It’s supposed to be going to be
marvelous.”



Snow White Reproduces
Spirit of Fairy Tale



“T didn’t know there was a witch,

but weren’t the dwarfs:funny?” was .

probably the reaction of most of the
delighted ‘and horrified young audi-
ence of “Snow White and the Seven
Dwarfs,” as presented on Saturday
afternoon in Goodhart by the New
York Children’s. Theatre. “Snow
White,” as dramatized and directed
by ‘Clare Tree Major, from Grimm’s
Fairy Tales, was not.at all the one
we temember from our childhood, but
it was amusing and had. all of. the
over-emphasized unreality and won-
der of the Tales.

The high point of the show was
rvached in the anties cf Hassim and
Bassim, the queen’s«dwarfsywho, all
unknown to the Brothers Grimm, be-
came very important and were in
fact the cousins of the famous seven.
They listened “to the cruel queen’s
plots and directed Gertrude, the lady-
in-waiting, who replaced the tradi-
tional huntsman, to their cousins’
house, where they might leave the lit-
tle princess in safety. They opened
the play with a rush across the stage

and their mimicry of the queen and .

their. wild sword play convulsed the
young audience with appreciative
laughter.
Hex, the witch; was a marvellously
wicked old creature, and her cackling
(Continued on Page Five)



Meet your ‘friends at the

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(Next to. Seville Theater Bldg.)
The Rendezvous of the College Girls

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give your home telephone number to the operator.
In less than a minute it will be “Hello, folks!”

you'll be enjoying the thrill of the week.

and

What fun you'll have to share the family news. What
a joy for Mother and Dad to hear your voice! Keep
a regular date with Home to call each week. It’s one

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And don’t forget the time—8:30 P. M. (Standard
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| ee : M.w—4


THE COLLEGE NEWS Page. Five

|

Manship and Nicoll

‘Lead Junior Fencers



Snow White Reproduces
Spirit of Fairy Tale





| of - the meet, between Manship and | next year’s English curriculum. _ turn, up. We also appreciate the
Nicol, was hotly contested and final-; Is not the situation ‘one of the light idea of eliminating 4 or,5 week-end
‘ly won by Manship on a beautiful| shining in the darkness and the dark- |bags—it has always been 4 question
‘| straight thrust. Berolzheimer, rank-| ness comprehending: it not? | between us -what- was in. the bags
‘ing third, took her cue from Manship, | ‘ KATHERINE M. PEEK. anyway.
|and insisted too much, but deserved | | Truly a “new deal’ is underway,
_her place for alertness and perseveT-' To the Editor of the College News: |and Bryn Mawr students are to gain
‘ance. Though neither Mackenzie | From your recent editorial advo-| heir place in the sun.
: /nor Askins has had much experience, cating milk-lunch-suits we gather new) "FOUR PRINCETON SENIORS.
IS INDICATED, they must a aaa sop Keeping | encouragement that Bryn Mawr is} pg. we hope your editorial staff
| their heads - before i eben really, “pulling itself together sartor-|wil] concentrate next on the curling
As a result of the Junior Foils | Slaught of “shone Who: should ave jially,” this matter haying been of ‘paper problem.
Championship of the College, fenced known better.’ : ‘considerable concern to four of us for |
off Thursday night, April 27, in the |, Monsieur Fiems’ abf€ direction kept some time. At last the “lesser forms |
Gymnasium, Manship and Nicoll. the excited fencers in control; the ap-'9¢ intellectual life” are to be correct
placed first and second, respectively,| pearance of Miss Petts toward the ed, We agree with you—the “im-|
thus. gaining the right to enter the| nd of the contest added zest to the pression of careful Carelessness” is | sleaiiadasaies
Senior competition ay. 4. The | final bouts. Results: are as follows: far superior to that of careless care- | :
five contestants ranked:it the follow-,; Manship defeated Askins, 5-0; Mac- ' fulness. |conditions offering many ‘opportuni-
ing order: Manship, Nicoll, Berolz- | kenzie, 5-2; Berolzheimer, ‘5-3;| While we commend this new “uni- ties to run away, none of them ate
heimer, Mackenzie, and Askins. Nicoll, 5-4. form garment” for week-end- wear, tempted to escape. The construction
The usual defects of inexperienced | Nicoll defeated Askins, 5-0; Macken-' we would like to ask—why limit | 18 not yet completed, but each cell
fencing appeared throughout ‘the; ~-2Zie, 5-1; Berolzheimer, 5-1; lost. it to week-ends? The milk-lunch- | block of the six is planned’ so that it
meet. Fencers often failed to bier | to Manship, 4-5. | suit would have many advantages | Will contain five hundred cells. The
their distance, inevitably precluding | Berolzheimer defeated Askins, 5-1; over the present campus styles area inside the walls covers about 16
neat execution of strokes. They clos- | Mackenzie, 5-0; lost to Nicoll,;(or lack thereof). Of course, we|acres and is laid out in such a man-
ed in upon each other continually, | 1-5; lost to Manship, 3-5. have noticed with pleasure the tweed ner as to include a huge athletic field
wrestled too much with the blades,| Mackenzie defeated Askins, 5-0; lost)skirts and sweaters of the English at one side. . :
finally achieving touches often only| to Berolzheimer, 0-5; to Nicoll,]women—but these same sweaters| The system of allowing the prison-
after prolonged insistence. The par- | 1-5; to Manship, 2-5. worn hindside to and skirts long since;ers more. freedom is working well.
ries were apt to be heavy, taking the| 4skins fost to. Mackenzie, 0-5; to} shapeless are only natty to the initi- The cells are locked only at night;
blades out of line, and making the Berolzheimer, 1-5; to Nicoll, 0-5;|ated, of which, alas, we are not num-,the men working in the fields are al-
lunges clumsy and unbalanced. Nicoll to Manship, 0-5. bered. Nor has a hasty study of re- most unsupervised, and, although the
displayed far the best form, guarding cent fashion books revealed the hid- prison gates are closely watched, the
well and making her thrusts clean]: den appeal of faded wool’ socks and guards inside the prison carry neith-
and swift. Performances, on the ancient sneakers. jr firearms or ‘clubs.
whole, however, promised well for So may we respectfully urge the | The problem of work still awaits
adoption of milk-lunch-suits. It would; olution. Hundreds of men are idle
take even less time to jump into | »ecause there is barely enough work

(Continued from Page Four)

|laugh caused shivers. of excitement.
Who could think of a funnier bit than
to have her pet bear and cat nearly
frighten the,mean queen to death?
The queen was, for her part, utterly
‘despicable and the~ perfectly noble
prince did some very soulful love
scenes.

‘Championship Meet* Winners
Achieve Right to Enter
o Senior Finals

ABILITY



Snow White was as sweet and
graceful as we might ever have imag-
ined her and had quite the right air
of youth and freshness. Her little
brothers, the seven dwarfs, were
growly and frightening at first, but
in their own little home proved more
kind and friendly® to the ‘easily
frightened audience:

League Arranges Trip
to State.Penitentiary

from Page One)

The simple scenery: was very effect-
rively used except for slight trouble
with the lighting in the combination
forest, — dwarfs‘ house scene, which
required just the right amount of
darkness and light to blot out the net
forest of the room behind it. There
was a rather studied but nevertheless
good effect of the lady-in-waiting
framed in the doorway against the
blue sky and garden.

We were sorry not to hear the well-
remembered lines to the queen’s mir-
ror, but the voice of the mirror, in
spite of its new song, was very
charming. And then instead of danc-
ing in the obviously impossible iron
shoes, the cruel queen was changed



LETTERS



rd Continued from Page Two)
next year, when the Juniors will eee ee eee tee

have had more practice in competi-| day. Other modern, even more mod-

tion bouts.

Manship won all her bouts on a
speedy attack, in which she bore down
upon her 6pponent and drove her to
the wall. Nicoll, the runner-up, used
an entirely different method, prefer-
ring to remain most of the time. on

ern, poets are studied.in the course
in Versification. A careful study of
contemporay drama is made in con-
nection with the course in Playwrit-
ing. In the same issue of the News
as your editorial appears the an-
nouncement of an elective in the mod-

ern novel, and a new elective in con-
temporary poets to be included in

the defense, then thrusting when she
saw her chance. The deciding bout



>

these outfits, and a mere glance at
the owl design would assure that this
garment was not put on backwards.

We do hope that this helps the
house parties problem, but please do
not be too disappointed if when you
are “chic and attractive’ and ‘cool



‘ea might turn up,” nothing does

and neat” and “ready for anything]:

‘or half of the prisoners. Neverthe-
| ess, this new Eastern State Peniten-
tidry is a tremendous , improvement
over the old-fashioned penitentiaries,
where the inmates are,locked up at
least half the day.

into a silly green frog, which hopped
quite clumsily across the stage, to the
huge delight of the youngsters. “Snow
White” “was quite in the spirit if
not in the letter.of the favorite fairy
tale.”





Advertisers in this paper are relia-

ble merchants. Deal with them. Read the advertisements!











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was the seventh customer without a
break to ask for Chesterfields. ‘Smoker
after smoker,’ he said, ‘tells me that
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them just as fresh as
if you came by our

factory door '

S






Page Six

THE. COLI EGE NEWS





Russian; Ballet is
Synthesis of Arts



(Continued trom Page One)

stretch ‘a plaid ribbon across their
breasts.

‘It had become,' through many
years, a highly stylized, almost rit-
ualized ceremony. The plots might
‘be taken from classical Roman or
Greék mythologies, even from Racine;
later Gautier wrote romantic stories
fot it, and the German archeological
discoveries in Egypt inspired a ballet
called “The Daughter. of Pharoah.”
At the end of tne nineteenth century,
the ballet had almost petrified into
a superb technical instruzaent which
repeated itself in all its essentials for
fifty years. Russia was not the only
place .where’~ there - were ballets;
France had her Academie Nationale
de la Musique et de la Danse since
1643. But Russia from France and
Italy had created a. kind of style
which was neither too formal or too
elegant on the one hand, nor too
acrobatic on the other, a style of
dancing admirable suited to be used,
if done rightly, for the expression
of dramatic ideas.

The arts of painting, which natur-
ally influenced the settings of the
ballets, ‘were divided into two big

| Diaghilev,



categories. There were the Russian
yr Slavic nationalists, who wished to

heritance from Byzantium, and the
school of Russians who had been to
Pais om Munich or had studied in
i‘lorence. These men stylized Rus-
sian painting in: an academy of
competent story-telling. The revolu-
tion of Delacroix, or Courbet, reached
Russia only. through Germany. In
music, Western Europe knew Rus-
sia only by Tchaikovsky and by Ru-
venstein. At the end of the century,
“rance, if a blur of impressionism,
and: England following as close as
possible after France, were totally
unprepared for the astonishment
which they were to receive in the
form of the Russian Ballet.

About this time Sergéi Pavlovitch
an aristocrat.from St.
Petersburg, visited Paris and saw the
exhibitions of the _Impressidnists
Monet, Picasso, Gaugin and Van
Gogh. He brought a number of these
works back. to. Russia, and amazed
the academic artists. Then he sent
Russian art to Paris, and Leon Bakst,
a young Jew, who had become at-
tached to Daighlev’s group, designed
the. installation. Bakst was a great
luminary in the constellation of the
ballet, an oriental, with an amazing



eye for what is most effective on the

; stage, and a passion for Greece and
revive, or to perpetuate, the style of}
the ikon; the traditional Russian” in-

Persia. Diaghilev also organized’ a
series of five evenings of historic mu-
sic, during which he played Russian
pieces, whose composers were - prob-
ubly not even names to these Parisian
music lovers. Diaghilev’s next inva-
sion of Paris took the form of the
opera. Finally, the only thing which
he had not shown the Western world
was the ballet: It is quite impossi-
ble for us to imagine the surprise that
the Parisians got .at that first per-
formance, because we are all fami-
liar with .““modern music,” such Debu.sey, with abstract painting of
cubism, and with the dancers of a
Degas or a Lautrec picture. It suf-
fices to say that this first ballet,
which was the Pavilion D’Armide, a
revivifying ‘of the France of the
Grand Siecle, was more Le Brun than
Wattecau,. the characters of which
were the people who. danced in the
court ,masques of Versailles, and the
general tone of which was a mixture
of pastorale and fete galante, receiv-
ed tremendous applause. Never be-
fore had Paris seen a dancer who
could make a series of. astonishing
turns in the air, leap perpendicular-
ly his own. height, cross his feet. ten
times in the air, and sink after paus-
ine at the crest of his leap.









ILLUSION:

. - Josie, the lovely trapeze artist, stands upon a small platform.
At the will of the magician she leaps twenty feet into the air
to reach her trapeze. She uses no ropes, no ladder! A phe-

height ‘of his power were cosmopoli-



; to abandon the inherently Slav over-







After this success Diaghilev went | sis upon raw tones, its passion for
onward and made the ballet the) gold and precious metals, and its sen-
splendid instrument that our parents | SUality.” One of the truly great
went to seé- He” kept-an-step with} 2chievements was Parade, created by
the artistic developments in Paris, | the fusion of the sdewhaneiss? Diaghilev
and literally made the fame of many |2®"d Picasso, working together, This
an artist when he selected him to do| Was a cubistic representation of the

hie “iets. fhe original “Russian Bal.| °Xcitement of a Jack-in-the-Box, -of a

let” was Slav in inspiration and ori-| show window-display, or of a circus
ental in subject matter, but the b+), parade. It had oe plot, =e —
lets. that Diaghilev. produced at the | Phere was its plot. In it a little girl

| might mount a race-horse, ride a bi-
deka shake sochen< soevainan: music, | °Y¢le: and quiver like a picture on a
and dancing. When the ballet was | S°™°°™ After Picasso had stopped
no longer dependent on the Czar and | designing for Diaghilev, the rest of
His court for suppert, it could afford | his repertory sounded like a history
‘of modern French painting. Andre

tones for a more local reference. They |Derain’ and Henri. Matisse were
could be European as well as Rus- | #mMong the painters who worked for
sian; what is more important —— they | ‘his tireless Russian.

could be universal. The greatest | In the second lecture on Wednesday,
changes at first were ‘made in the | afternoon, Mr. Kirstein discussed the
scenery and costumes, An important: ¢@rly history of the ballet before. the
step had been taken, for example, ninetenth century, stressing the fact
when the costumes were finally de-|that the Russian ballet took its ele-
signed with an eye to the stage on ance from the French, its acrobat-
which they were. to be worn. Step! ics from the Italian, and then com-
by step the ballet progressed. onward bined the two more perfectly to ex-
from the orientalism of Bakst, whose | Press an idea, which was its aim. He
sets were a riot of color in blue blues,| told the dancing history of the
and green greens. “It has been said| late Nyjinsky, and showed a number
that his art was too often vulgar,|0f slides showing different choriogra-
barbaric and effective only as a blow| Phy positions.

between the eyes, partly because it].
was a Jewish art. with its empha-





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-suteneseenstnecttann naan cman esememet
een nt



nomenal leap for a woman ,,, or a man!

EXPLANATION:

Josie didn’t jump... she was sprung/ The twenty-foot leap
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mechanism hidden beneath the stage which propels the artist
upward through the air. The force is so violémt that the lady
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she starts her astonishing leap, :






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