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The College
Pr, ‘
Cws
‘ VOL. XIX, No. 3
BRYN MAWR AND WAYNE, PA., WEDNESDAY,.NOVEMBER 2, 1932
PRICE 10 CENTS
Bryn M
Out. of 274 Votes, 181 Are for Hoover;
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Norman Thomas is Next With 54,
Outstanding Majority. of Votes on Prohibition Question is Cast
for Repeal of Eighteenth Amendment;
Minority Favors Enforcement
TWO - THIRDS OF
COLLEGE
REPRESENTED
Bryn Mawr College is standing behind the re-election of President |
There has been a great deal of bombast flying around the campus
Hoover.
in which all three parties have made an equal amount of noise.
- the results of the straw vote, conducted by the College News, are put into
cold black print, the Democratic and Socialistic fervor turns out to be more
hot air than actuality.
Two hundred and seventy-four ballots were collected, which. represent |
over--two-thirds- of--the entire undergraduate body.
Hoover received approximately twice as many votes as the other two candi-
The Graduate School proved itself to be Socialistic, with one
dates together.
But when
Of these,
more vote for Norman Thomas than for Hoover and Roosevelt together.
Naturally, very few of these undergraduate votes will be cast in the
Presidential elections on November 8th, since the majority of the college are
_ under twenty-one years of age; and also because many students are at
too great a distance from their homes to be able to go home to vote.
How-
ever, it is significant that. of the twenty-six undergraduates who do intend
to. vote on November 8th, sixteen of them will vote for Hoover, six for
Roosevelt, and four for Thomas.
Opinion is generally against a “protest vote,’
tion that these elections will have any
real influence on the course of our na-
tional welfare. The other vote which
stands out almost as decisively as Re-
publican predominance is that on the
ever-present issue of Prohibition; one
hundred and thirty-two votes were
cast for repeal and only fourteen for
enforcement of the Eighteenth
Amendment.
In counting the votes wayne hope
that we have done justicé to the con-
victions of those people who, unable
to answer a question by yes or no,
wrote political essays on their ballots
for our edification. Some of them
were amusing, if hard to decipher,
especially in the case of the student
who, instead of checking the party to
which she “normally lent her sup-
. port,”’ stated that she had never “leant
her support to anyone;” and another
who said she was voting for Hoover,
although she would much rather have
‘Thomas. for President. We.were puz-
zled by one undergraduate who.’ put
Bryn Mawr, Pa., for her class, and
even more so by one who claimed to
belong to the Class of 2934.
The News, nevertheless, feels that
the results of-this straw vote are rep-
resentative of the feeling of the great-
er part of the college, and feels justi-
fied in putting Bryn Mawr on record
’ as backing President Hoover, the Re-
publican Party, and the repeal of the
Eighteenth Amendment.
American Universities
Republican and Wet
The Presidential poll recently con-
ducted by the Daily Princetonian re-
veals the extraordinary strength of
the Republican party among forty-
seven-_representative American col-
leges and universities in thirty-one
States.
President Hoover led in thirty-one
universities, gaining.a margin of more
thin 11,000 votes over Governor
Roosevelt. 29,289 ballots of the total
vote of 58,680 supported President
Hoover, while Governor Roosevelt was
given 18,212 votes; Norman Thomas,
1470 votes, and William Z. Foster,
715 votes.
_ In the East President Hoover was
supported by twenty colleges; in the
South Governor Roosevelt carried the
vote of eleven colleges, while Hoover
gained the majority again in nine of
the Mid-Western colleges and in the
. Far West.
While President Hoover led in
thirty-one —_universities,. -: Roosevelt
swept eleven universities. Five uni-
versities, including New York Uni-
versity, Columbia, and the Massachu-
setts Institute of Technology were
strong for Mr. Thomas. ,
_, (Continued on Page Five)
’ and against the supposi-
Dr. Swindler to Edit
Archaeology Journal
(Reprint From New York Sun)
Prof. Mary Swindler, who holds
the chair of Greek sculpture and arch-
aeology at Bryn Mawr College, has
recently been made the first woman to
edit the American Journal of Arch-
aeology. This is a signal honor, for
the magazine ranks first of all the
archaeological publications in the
country, since it is the organ of the
American Institute of Archaeology.
_ Dr. Swindler has been outstanding
in her profession for years. She has
made seven trips to Europe and on
five of them studied the tomb. paint-
ings of ancient Egypt, the first Amer-
ican woman ever to undertake this
ambitious work. She has but recent-
ly published a book on “A History of
Painting” and it is being used by the
graduate schools of Yale and Har-
vard.
“It seems to me,” said Dr. Swin-
dler, “that archaeology is one of the
best fields open to women today. It
is extremely interesting and gratify-
ing; it presents wide fields for. fur-
ther research. And perhaps, best of
all, men welcome and recognize the |
‘authority of women in archaeology,
especially jinj the field of classical
Greek art.
“T think the reason is that women
are peculiarly fitted for this kind of
work. They do not seem particularly
fitted for the actual superintendence
of excavation work, but when it comes
to drawing, writing, interpreting
findings, they are excellent. They are
more meticulous than men and they
are more willing to take pains with
small things.
“Here at Bryn Mawr the study of
Greek art and sculpture is-especially
popular. We have a number of Bryn
Mawr girls studying over in Athens
and.in other parts of Europe. I
would encourage girls to pursue this
field, for they will find it highly in-
teresting and instructivé. After the
proper college training, they can then
go to certain places to ¢arry on par-
ticular studies in whatever kind of
archaeology interest-them most.
“There is plenty of opportunity in
American archaeology. The surface
has just been tapped, but just think
what we still have to learn about the
cultures of the Indians, the®Mayans
and the Aztecs. Every time another
tomb is excavated and some ancient
pottery and jewels are brought to
light we can write another paragraph
in the history of these ancient peo-.
ples and can
to ‘our: own
a on
something important
edge.”
President}
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!
awr Votes
Republican
BRYN MAWR NEWS STRAW VOTE
_ Question Pem. Pem. Den- : Undergraduate
For President : East West bigh Rock. Merion Grad. 1933 1934 1935 1936 Total
Hoovers ' 34 39 39 39 on ae oo. a ae BY we 2eE
MOM ckiiis 6: 10 ee: 4 4 7 . Bee 39
TONE epchcn veins vs 7G + 4Q wn ae 6 t----4 54
Party .Normally Supported:
Repeal: .cvsavars avs i ee | ee ae oe ee ee ee
PPO ok cei sang 10: 44 6 10 d 4; 4) 10 10 14 45
Socialite: cick ccceeev es os Bd 7 er * 8 9 3 6 21
Fora rrovest Voie... ei: 11 10 26 14 15 io. 13 21 20 76
Against a Protest Vote..... 29 = 334 24 32 30 15 30 43 35 41 149
Voting on November 8...... a 8 3 Rint 17 22 3 : ee 26
National Welfare | oe :
depends on elections. ..... ae, TS ee A A ee a a) | eee
National. Welfare does-not-— :
depend on elections. ...... a. i se Sh TU Um UL. Ue
18th Amendment :
Repeal. iscsi ieee 24 37 28 28 15 6 31 28--»-30 38 132
Modiieation—.-.. 13 8 17 19 22. 19 16 21 14 28 79
ae 8 7 10 8 5 ROE 10 11 7 38
Pntereewent os ins cas 2 2 5 1 4 4 + 4 0 6 14
Bourdelle Described pe ecalgartead Dr. Vaughan Williams
= ollege Calendar\
as Prominent Sculptor} Wednesday, Nov. 2: Politi || Gives Second Lecture
cal meeting in auditorium, 7.30
f ; P. M.
Louis Reau Gives Lecture on Thursday, Nov. 3: Banner || Traces Origin of Folk Song to
Artist Who Developed a Dr. Vaughan Williams Excited Speech and Dance
Structural Style n “The Folk Song,” Goodhart of Plain People
Hall.
Friday, Nov. 4: Miss Susan
FELT VARIED INFLUENCES
Contemporary French Sculpture, as
the subject chosen by M. Louis Reau
tor his last Wednesday’s lecture in
the Music Room of Goodhart. M.
ikeau, who is the director of the Ga-
zette des Beaux-Arts and professor
at the Ecole du Louvre, as well as offi-
cial lecturer of the Alliance Francaise,
spoke under the auspices of the de-
partments of French and History of
Art. His talk, which was in French,
was illustrated with lantern slides.
Antoine Bourdelle, said M. Reau,
'represents that generation of sculp-
tors which succeeded Rodin. Though
less genial than the latter, Bourdelle
re-invested sculpture with simplicity,
its purpose being, he thought, to en-
hance the creations of the architect.
Sculpture is the art par excellence
of the French, and their creations
have been the greatest that the world
has. produced since the days of the
Greeks. Notre Dame has no equiva-
|lent, even in Italy, where after a flare
of grandeur in the fifteenth century,
a period of decadence again set in.
In France development was continu-
ous, from the Romanesque and Goth-
ic, through Jean Bourgeant in the
Renaissance, Versailles in the seven-
teenth century, Houdon and de Fal-
connet in the eighteenth, Rude, Barye,
‘Carpault, Rodin in the nineteenth, to
Bourdelle and Despian of the present
day.
Bourdelle was born at Montauban, a
town between Bordeaux and Toulouse,
the artistic capital of that region.
Montauban itself was well known for
its art in the Middle Ages, and was
also the birthplace of Ingres. It was
at the nearby cloister of -Moissac that
Bourdelle first came into contact with
the French sculpture of the Middle
Ages, which was to be one of the three
zreat influences on his work. Bour-
delle wag interested, not so much in
the thirteenth century, as in the Ro-
manesque art of the earlier period.
Having served an apprenticeship in
his home town—under Falquiere—
Bourdelle set out for Paris, as all
young artists do, alas. There his stud-
(Continued on Page Four)
SOPHOMORE ELECTIONS
President: Peggy Little .
Vice - President: Florence
Cluett.
Secretary: Elizabeth Kent.
even { : 2
exemplified by Antoine Bourdelle, was-|.
Kingsbury will speak on ‘‘Rus-
sia.”’ Radnor, at 7.30 P. M.
Saturday, Nov. 5: Bryn
Mawr Varsity vs. Philadelphia
Cricket Club Yellows at 10.00
A. M.
Monday, Nov. 7: Bryn
Mawr Seconds vs. Main Line
Reserves. 3.00 P. M. Political
Rally:
Ping-Pong Table in Gym
to Satisfy Enthusiasts
Having remained in obscurity all
last year, entirely hidden under May
Day costumes, the ping-pong table has
again come into its own, and the Ath-
letic Association hopes that real in-
terest will be taken in this gentle
sport. A manager has been appoint-
ed—Leta Clews.— and tounnaments
have been planned.
The manager feels that ping-pong
should have a wide appeal; there are
many to whom God did not grant an
athletic frame. There are also those
whom a baseball quite honestly fright-
ens. And we must not forget those
whose feminine charm is wasted on a
hockey field. - While their friends are
prancing down the hockey field, they
must either sit home on a cushion and
grow fat or—play ping-pong. But
ping-pong does more than provide
safe and stimulating exercise for the
feminine, the frail and the muscle-
hound. Despite the opinion of
tennis authorities, it may, on a
small scale, help considerably in per-
fecting the tennis stroke. Moreover,
it requires cleverness, if not strength.
What a boon to the Intellectual!
Again, it can be played’ in high heels.
Nor is there great need for an ath-
‘letic costume. People -rushing, back
from a week-end could, if they desir-
ed, go straight to the ping-pong ta-
ble. How marvelous if, some day, it
were to be placed among the possible
Required Sports, or made an alter-
nate to Body Mechanics!
The manager, however, hopes that
ping-pong will not appeal only to a
specialized group. She feels sure that
the swimmer, making for the pool,
will enjoy her plunge far more for
having stopped to warm up a minute
at the ping-pong table. Let us, then,
take this newly-rediscovered sport to
our hearts, and make the ping-pong
table in the basement of the Gym a
common meeting ground for all sorts
of people—the short and tall, the weak
and strong, the stiff and limber.
ec. te
HORACE ALWYNE PLAYS
“Folk song is a microcosm of all
the arts that go to make up the. ar-
tistic construction of music,” Dr.
Ralph Vaughan Williams asserted, in -
the second lecture of the Flexner ser-
ies. On the’:Nature of Folk Song,”
which he delivered Thursday, October
27, in Goodhart Hall. In the course of
his address, he traced the origin of
folk music from excited. speech and
dance, and discussed its inherent lim-
itations and advantages.
that the modality of folk music has
an appeal for modern listeners, the
choir sang four English folk tunes
und-Mr. Alwyne played three exam-
ples of modern modal harmony by De-
bussy, Ravel, and Satie.
As a summary of his last lecture,
Dr. Williams remarked that national
music is not all folk song, but folk
song is national music in the most un-
adulterated form possible, an art in
its own right, perfectly adapted to the
unsophisticated people who use it.
Since emotion is more primitive than
thought, it does not seem far-fetched
to suppose that primitive song origi-
nated before primitive speech, and cer-
tainly before the most primitive of
instruments.
According :to Dr. Williams, song
“grew from emotional, excited speech,
un idea which seems borne out by the
interchangeability of the words for
“say” and “sing” in Old German. A
folk singer speaks of “telling” not of
“singing” a~ballad, and the words and
music aré so inextricably mixed in his
mind that he cannot hum the tune
without the words.
Song is an obvious way of giving
pattern to words. Before men had
written records, ballads served many
of the functions of modern newspa-
pers and books. Since everything had
to be learned orally, to aid his mem-
ory, the ballad maker (speaking in the
singular for the sake of convenience)
would put his story in a metrical fo¥m
and, to increase the emotional value,
would add musical notes,
The first step in the development
of the four-line folk tune was prob-
ably the use of some Stock phrase at
(Continued on Page Four)
Resignation |
The College News regrets to
announce the resignation of
Molly Nichols, ’34, from the |
editorial staff.
To prove
Page Two
1 coal
THE COLLEGE NEWS
»
tk.
\
| THE COLLEGE NEWS
(Founded in 1914)
wy
Published weekly during the College Year (excepting during Thanksgiving,
Christmas and Easter Holidays, and during examination weeks) in the interest of
Bryn Mawr College at the Maguire Building, eke eas Pa., and Bryn Mawr College.
Copy . Editor
CLaRA FRANCES GRANT,
“Editor-in-Chief
SALLIE JONES, °34
News Editor
JANET MARSHALL,
"34
Sports Editor
“aa SALLY Howe, ‘35
- 4] » Editors
Leta CLews, °33 : » Nancy Hart, °34
ELIzaABETH HANNAN, °34 fe GERALDINE Ruoabs, °35
ConstANCE ROBINSON, °34
Subscription Manager Business Manager hee
- ELEANOR YEAKEL, '33 MaBEL MEEHAN, ‘33
Assistants
CAROLINE Bere, °33 Prccy Littie, °35
DoroTHy KALBAGH, "34 woe ‘
SUBSCRIPTION, $2.50 : MAILING PRICE, $3.00
SUBSCRIPTIONS MAY BEGIN AT ANY TIME
| Entered as second-class matter at the Wayne, Pa., Post Office.
Marks of Cain
LET THERE BE SANITY
_Every_year_the-first-seheduled-quiz-is-the signal for an outburst
of mark hysteria which rages unabated until the last mark is posted
in June. There has always been an unfortunate tendency among the
undergraduates to exaggerate the importance of marks: -a tendency
which received added vigor when the system of numerical marking was
installed. Marks are-at- best a-necessary evil; and they should never
be regarded as the final analysis of anyone’s- intellectual achievement.
It is safe to say that the majority of professors would prefer to abolish
the system of marks altogether if they could be sure that the work
would be — without them.
not be weadanted in such unsy mpathetic terms as ciialy No two
minds are alike and an attempt to classify them in a numeriéal direc-
tory is at best a. bit of scientific guess-work. Every student must
realize that education is a matter of development of the intellect and
broadening of the viewpoint, and is only distantly connected with
those marks that are posted for the entire college to regard. Yet time
after time we have heard girls comparing marks and trying to find
out who, if anyone, got a higher mark than they did. We have heard
students ask everyone in the smoking room what another’ girl got in
her quiz so the inquisitor could find out who got the best mark. The
entire process fills us with something resembling disgust. If a girl
wants to do high eredit work, she deserves the attendant ninety, but if
she wants the ninety because another girl has an eighty-nine, she
does not deserve it. Let those of us who want to learn, learn, but let
us not struggle for marks out-of envy, greed or malice. If a student
is satisfied with what she does on a quiz, the mark is of no importance.
There is no excuse for the Bryn Mawr attitude toward marks; it is a
form of infantile hysteria. We.go to college to learn or not to learn, as
the case may be. Our marks are a personal matter and if every student
would keep her mind on her own progress instead of on the relative
progress of her classmates, the purpose of the/ college, to broaden and
develop, would be more nearly achieved.
LET: THERE BE PRIVACY
The News is definitely opposed to the: present system of numerical
marking and to the custom of posting’ marks for the benefit of the
entire college. We are against numeriéal marking because we feel that
it is impossible for any professor to draw such a.mifiute distinction
between two students’ work as the difference of a single point indicates ;
because numerical grades enlarge-the significance of marks in the stu-
dent mind; and lastly because even /a flexible system of marking is
a poor instrument by which to reckon ability and effort, and as rigid
a system as the one now employed is bound to be inaccurate and unfair.
We are even more fervently opposed to the system of posting marks
because what one gets in an exam./is a personal and not a community
matter; because there is no reason for any student having to undergo
the public humiliation of having her failures advertised ; because eom-
parisons breed envy and often malice; and finally because the post-
ing system promotes the hysteria which we are trying to combat.
As a remedy for the numerical evil we would suggest the restora-
tion offthe old system, which is more flexible and hence more accurate.
If the marks were not made public, some of the evils of the present
system would ‘be eliminated, but we still oppose numerical classifica-
tion of achievement.
We stand unequivocally against any system which makes public
the results of any exainination. Marks could be mailed out by the
office as soon as each girl’s bxam record is complete, or each professor
eould announce an office hour as soon as the exams were corrected in
which he could give out the results. This would entail more work on
the part of the faculty, but we feel sure they would welcome the aboli-
tion of a growing abuse. The News will be only too glad to receive and
publish student opinion on the matter. We intend to fight for a restora-
tion of sanity as regards marks and we feel that the first battle must
be fought on the subject of making a student’s marks her own.
wed
‘ Deck Tennis |
There is to be @ deck) ten ir
on: the upper hockey for those
who wish exercise and | take
eer a ime
Seq
ELECTIONS
M. Gateson, ’34, has been elect-
ed . fencing manager, and L.
Clews, "$8, the Fing, Pong man-
tennis set
a a oe
WITS END|
Grades, cannot be accurate indica-}
| Ice Age.
FASHION
Among the faculty in our day
Hirsute adornment is au fait.
Alas!
=
ustache Js now thought an asa
note professors, quite by tacit ~
Consent.
To raise sideburns is a moral duty.
If they’re not ..considered marks of
beauty,
Alas! -
Yes, they’ve found a ery. non-¢om-
batable
That pedantry is most compatible
With beards.
Alas! .
—Sour Apple.
Morning papers are delivered in an
alluringly casual manner in Bryn
Mawr and its environs. Only the
other morning as we walked past Miss
Park’s front gate at seven o’clock,
temptation tugged at our reflexes. At
the foot of the Yarrow walk lay The
Herald Tribune, a collegiate diner’s
reach. inside the gate. The sight. of
another paper, The Philadelphia
Ledger, we believe, scattered halfway
up the walk, gave us pause. It l@pk-
ed too much like a trap—there would
be a tabloid just around the corner
and then we would be caught. A lurid
imagination made us see the gleam
of tin pans and flat-irons whose clat-
ter would arouse the household and
betray the morning-paper sneak-thief.
We passed on, not without a tinge of.
self-righteousness brightening the
early-morning mood.
N. B.—There was a rubber band
around The Tribune. We think it
may have been part of the trap.
Statistics: “Pembroke West geese
have been known to sit for one hour
in the smoking-room of a Sunday
morning, letting church and every-
thing else slide by, waiting patiently
for the Sunday funnies, insensible to
the fact that they are merely thrown
under the arch for the first taker.
We expect they’ll catch on after three
or four more Sundays, or else do
without.
The Inquiring Reporter.
AFTERMATH
It was the ghastly hourof_five.
[ started in my hair to rive
In frenzied desperation.
Course cards were due in
hour—
O! I sat me down with a grimace dour
To nervous concentration.
just one
I couldn’t recall how I spelled my
~ name,
My t black ink blotted and my pen went
lame,
In pitiable dribblings;
Though a wise and wary soph, I
couldn’t stop to scoff,
With maniacal rage I initialled every
prof
In lightning-lecture scribblings.
l added up the units; they totalled far
too much,
And they invariably got mixed be-
neath my inky touch
In complicated computation;
‘Undoubtedly I’ve filled those cards out
by the baker’s dozens,
And also all their families; their sis-
ters, aunts, and cousins,
Much to my degradation.
But now my card lies in the box
against the wall
That guards that fatal office on the
top of Taylor hall
-— To my elation!
The tower clock is speeding on “with
melancholy ticks,
he grim hands point beyond the aw-
ful hour of six:
No happier revelation!
—The Campus Snoop.
And then there is the spontaneous
wit that flows around here all unnot-
ed even’ by its owner, until too late.
There was the young lady who wrote
a report, in the midst of the clatter
‘of the smoking room, late one night.
When the masterpiece was completed
one sentence read as follows: “The
Dorians bore down upon the Ionian
civilization in the peninsula; they, in
fact, succeedéd- in breaking up the
Bronze Age in Greece.” And now
we’d like to know who melted the
1m MAD HATTER.
‘and wherefores attendant on a double
jat popular prices.
IN PHILADELPHIA
Theatres
Chestnut: Philip Merivale, Sir Guy
Standing, Phoebe Foster and Nancy
Sheridan in Cynara; about the bar-
rister who is*faithful to thee, Cynara,
after my own fashion.” It is. his
unique fashion of doing so that makes
the play very worthwhile.
Garrick: Peggy Fears’ Music in the
aiGy “made” atiaiéal, The music is
in/ the best tradition of Jerome Kern
and Oscar Hammerstein, and the stag-
ing is very nearly perfect. It is not
a musical comedy, but a combination
of operetta and musical, which is
novel and entertaining.
Forrest: Earl Carroll’s Vanities go
on in their new reformed manner and
continue both to amaze and amuse.
Everything is done on an elaborate
scale, and this year the -show is re-
markable for its good taste rather
than for the lack of it.
Broad: 9 Pine Street, erroneously
announced last week, has finally ar-
rived. Ina Claire dropped out and
Sylvia.Field is taking her place as the
perpetrator of a couple of swell mur-
ders done for psychological reasons
that are clear to any average galva-
noméeter. The play concerns the whys
murder and should give one a. good, if
intensive, evening.
Coming—November 7
Garrick: A grand sounding cast—
Jack Haley, Ethel Merman and Jack
Whiting in We Three. -We’ve been
hearing good rumors about this infant
und are full of hope.
Broad: Ziegfeld’s revival of Show
Boat. We've always had a~yen for
this and it’s as lovely as ever.
Academy of Music
Philadelphia Orchestra: Friday,
November 4, at 2.30; Saturday, No-
vember 5 at 8.20; Leopold Stokowski
conducting. Program:
Sibelius,
Symphony’ No. 4, in A Minor
Strawinsky L’Oiseau de Feu
Debussy....La Cathedrale Engloutie
Ravel Daphnis et Chloe
Philharmonic — Symphony Society
of New York: Monday; November 7,
at 8.15; Toscanini. capitis Pro-
gram:
Castelnuovo-Tedesco,
Overture, “Taming of the Shrew”
Schumann, nd
Symphony No. 2, in C Major
Sibelius Ton Poem, “En Saga”
Enesco, :
Roumanian Rhapsody No. 1, A Major
Movies
Mastbaum: Marlene Dietrich in
Blonde Venus—say no more. She is
lovely arid unhappy and it’s a swell
movie. The great vaudeville plague
continues unabated, with Norma Tal-
madge and George Jessel doing a per-
sonal appearance.
Earle: Ruth Chatterton and George
Brent in The Crash; the story of the
depression and how it affected two
people whose marriage endured only
through money. It’s a disappointing
picture, but la Chatterton wears di-
vine clothes.
Stanley: Joan Crawford and Wal-
ter. Huston in Rain. The same old
story with a new face—Sadie Thomp-
son again blooms timidly in the midst
of cholera.
Karlton: William Powell and Kay
Francis as the two doomed people
who find what they wanted in each
other on a One Way Passage. Very
good, but take a bath towel and. ga-
loshes.
Fox: Ted Lewis has poasension of
the stage and he can keep it! Be-
sides himself there are myriads of en-
tertainers who are enough to keep
us at home. On the screen, The Cru-
sader, with H. B. Warner and Evelyn
Brent—another crusading district at-
torney sets out to clean up the gangs,
filth and fraud in the city. Naturally
he has some slight tréuble.
Boyd: Life Begins six times daily
Loretta Young
and Eric Linden have their first baby
and the audience has a very hard
time. It’s very sentimental, too de-
liberately “stark,” too “dramatic,”
and not amusing. But it’s drama!
Europa: Zane Grey himself kicks,
runs and passes in South Sea Adven-
tures. The film includes everything
and everyone in the islands and is a
better than average tropical travesty
on no particular subject.
Stanton: Jack Oakie, Thomas Mei-
ghan, Lew Cody, Zasu Pitts in Madi-
son n Square Garden; a somewhat hec-
= 5 the ee of the
News of the New York Theatres
There are two (definite hits which
appeared out of the dark dawn of
what looked like a bad box-office year:
When Ladies Meet and Dinner At
Eight. The first is the new Rachel
Crothers affair in which the wife and
mistress meet in an amusing fashion
over the unfortunate gentleman. In
Dinner At Eight Edna Ferber and
| George Kaufman flower through the_
medium of a New York dinner party
corresponding to Vicki Baum’s Grand
Hotel. We are admitted into the past
lives of all the people asked to the
dinner, and therein lies an excellent
evening.
Arch Selwyn: is slanitinn to present
Mary Boland in a straight play, en-
titled The Lady Is Tired, later this
season. We stop only to remark that
since when. a great man falls it’s a
tragedy, then when a big woman gets
tired it’s an impasse, which is always
awkward. La Boland, however, will
probably have a new and energetic’
way of doing it.
Our own little Katherine Hepburn,.
1928, did such a good job with John
Barrymore in her first movie, The
Bill of Divorcement, that she got a
five-year movie contract. It is indeed
remarkable _how_ far _Bryn.Mawr
training advances one on the road to
success—the science requirement is
particularly valuable in this line of
work. :
Carry. Nation has opened and will
probably close in.something of a hur-
ry since it: seems to be an opus of lit-
tle value and great length. The only
really amusing incident in it is sup-
posed to be a great play to the heckled
audience’s' sympathy—the author in
his attempt to paint the crusading
nuisance as a martyred heroine puts
bugs in her bed, and made her false
teeth fall out while she was address-
ing a dry congregation: That only
annoys us, because it’s far too good
for the lady that took some of ‘the
better joys out of life and left us
with tomato juice and a free passage
to a better world.
Pauline Lord is coming out soon in
Sidney. Howard’s adaptation of The
Late Christopher Bean, a French sa-
tirical comedy. We hope fervently
that she is a suecess, because her last
year’s affair was a child of sin and
shame; Distant Drums had only one
fault, ,.but that was a big one—it
wasn’t distant enough from Broad-
way. This new play. was a great suc-
cess in Paris, but that doesn’t mean
much, because over there the actors
can say what they mean and act as
they feel without having a crusade
“to make the world safe for the sim-
ple mind” drag in the censors. Over
here the actors say one thing, act
another, and feel two more, so that
the audience can pay its $4.40 and
take its choice. A man remarks that
it’s a bad night, acts as if he were
going mad, and means that his mis-
tress has left him and he’s piqued
about it. In France this department’s
(Continued on Page Six)
Garden and all its attendant celebri-
ties. Not a very restful setting, and
the movie concerns the lives of the
people meeting there.
Local Movies
Sevillés* Wednesday and Thursday,
Chandu the Magician, with Edmund
Lowe and Bela Lugosi; Friday and
Saturday, Zane Grey in Adventures
in the South Seas and Mystery Ranch,
with George O’Brien; Monday and
Tuesday, Downstairs, with John Gil-
bert and Virginia Bruce; Wednesday
and Thursday, Bachelor’s Folly, with
Herbert Marshall and Edna Best. —.
Wayne: ‘Wednesday and Thursday,
Devil and ‘the Deep, with Tallulah
Bankhead, Gary Cooper and Charles
Laughton; Friday and Saturday, Hat
Check.,Girt, with Sally Eilers and
Ben Lyon; Monday and Tuesday, Bird
of Paradise, with Dolores del Rio and
Joel McCrea; Wednesday and Thurs-
day, Jean Gerard and John Patton
in My Wife’s Family.
Ardmore: Wednesday and Thurs-
day, Four Marx Brothers in Horse-
Feathers; Friday, Lew Ayres in O. K.
America; Saturday, Guilty As Hell,
with Edmund Lowe and Victor Mc-
Laglen; Monday and Tuesday, Hold ©
"Em Jail, with Bert Wheeler and Rob-
ert Woolsey; Wednesday and Thurs-
da, Seventy Thousand Witnesses,
with Philips Holmes, Charles Ruggles
and John Mack Brown.
Recommended: O. K. America, gu
ote Thousand Witnesses, The. Devil
THE COLLEGE NEWS
Page Three
Varsity Easily Beaten
by Germantown Team
Lack of Usual Form Prevents
_ Adequate Scoring and
Defense of Goal
--ROTFHERMEL-PEAYS~ BEST}
Student - Industrial Group Tuesday
Outplayed again, the Varsity hockey
team was defeated by the speedy Ger-
mantown team, 5-2, on Friday after-
noon. Despite the number of times
the Varsity forwards reached the cir-
cle, they were unable to get the ball
in the cage. Even the backs were less
efficient than usual, Several times the
Germantown forwards passed the
Bryn Mawr backs at the fifty-yard
line to rush down a clear field upon
Jackson, who was quite incapable of
defending the cage against the whole
forward line.
During the first half, the Bryn
Mawr forwards managed to keep the
ball inside the circle, but no one seem-
ed able to make a goal; and a. mad
pushing and poking of the ball helped
matters not at all. Taggart at right
wing played a nice game in the open,
but tended to carry the ball too far
Consequently, her.
down the field.
passes, coming from an almost impos-
sible angle, were very difficult to re-
ceive.
Longacre’s weakness lies in her goal
passes. Although persistent in her ef-
fort to get the ball, her attempts at
the goal are mere jabs with very lit-
tle force or speed behind them, and
as a result are easily blocked. If she
could develop a strong pass she would
become a dangerous offensive player.
Even Remington, the only forward to
have a forceful stroke, seemed unable |
to use it on Friday and played far
below her usual standard.
Faeth at inner also played a nice
game in the open field, but she has
a tendency to delay her passes go that
they nearly always go to gee tek
Both she and Brown should develop a
hard pass and, most important of all,
follow up their mistakes.
The backfield played a better game
than the forwards, but also lacked
their usual form. Kent was passed
by her wing many times and when
she did get the ball she usually passed
it “across the goal, thus giving the
opponents the chance to seize it in
center field and rush it to the goal.
Although often outstripped by her op-
posing center forward, Collier’s play-
ing was up to the mark. In the first
half, she took a rebound in front of
the Germantown goal, dribbled in, and
with a hard shot made a perfect goal.
Ullom’s game was ‘steady and sure,
and, as she had no wing to guard,
she was able to cover a great deal of
territory.
Bishop played a slow game and was
careless about clearing across goal.
Rothermel played the best game of
the afternoon. She broke up the Ger-
mantown offense many times and aid-
ed Jackson in keeping the balk from
_ the cage. During the first half, Jack-
son seemed unable to stand up and
was continually getting mixed up with
her own backfield whenever she ad-
vanced from the goal, but she settled
down in the second and stuck closer
to the cage.
For Germantown, ‘Lene Thomas at
right wing, and A. Cox, at center for-
ward, played exceptionally well. The
entire. forward. line rushed the goal
with hard balls, which were almost
impossible to stop. The whole German-
lown team was adept at intercepting
passes, while Kitty McLean, the cen-
ler half, successfully broke up any of:
fense that the Varsity had to offer.
The line-up was:
Gmtn, C. C. Bryn Mawr Varsity
TROM@S:..... 6. We es Taggart
Parry- 2-0 ec-2 6 T-Rt- i Longacre
Cox 2. .C. F. ...Remington
Chiaéee.: 2s Led, 33-2. Raynor
Coane. iW. .. Brown
Weer 2: (als EE EE esi Ullom
McLean .... ... CRE 2 Es arene Collier
te. 2a ee Kent
Ms rery . R. B. ....Rothermel
Angemann ..... Mie ke ea. Bishop
Pare... G. ..... +. Jeeta
Substitutions—Bryn Mawr: Cary
for, Brown, Faeth for.Raynor. Goals
—Germantown: Thomas, 1; Parry, 3;
Cox, 1. Bryn Mawr: Remington, 1;
Collier, ‘I, 4AReferee—Miss Morgan. '
_ __ Advertisers inthis paper are relia-
‘ple merchants. Deal -with=them: * ~
League Speaker Contrasts
Various Scales of Living
“tf America is a land of equal
opportunity, why should the accident
of birth give e girl leisure and
comfort, to As the prospect of
slow starvation?” asked Dr. Hornell
Hart, Professor of Sogjology, at the
neeting of the Bryn Mawr League’s
evening, October 26. For the benefit
of the twenty-seven college studénts
and industrial workers who assem-
bled for supper in the May Day Room,
he pointed out the contrast in eeonom-
ic status, of the two groups, and con-
sidered ways of making such inequali-
ties less flagrant.
As a preface, Dr. Hart remarked
that he often wonders what right he
has to a comfortable home, while
others exist miserably in tenements.
Those who are in need wonder even
more, of course, than he does, and
he went-:on to say in New York and
elsewhere, there are many idealistic
people who feel that the principles of
Christianity should be put into action,
and that those who preach brotherly
love without making some attempt to
a on
practice it should cease their hypoe- | tion’ was an unjustifiable luxury. To
risy and either “put up or shut up.”
Such sentiments as these actuated
Jane Addams when she undertook her
great work at. Hull House in Chicago.
After these introductory remarks,
Dr. Hart compiled a table to show the
differences in scale of living which
was enjoyed by the college students
on one hand andthe industrial girls
on the other. The figures, supplied
off-hand by those present, roughly ap-
proximate expenditures per week as
follows:
Bryn Mawr Industrial
Food and Service . .$12.00 $5.50
OO 6.00 4.00
Clothes. 6.00° 2.25
Recreation-—-...-—--. 2.00
WeOmtiOn 6.02. U. 3.00
BOGHN 8 ee ee 1.00
$30.00 $11.75
Education (tuition) 18.00
ata $48.00 $11.75
The nine hundred dollars a year,
or eighteen dollars a week, which the
tuiton of each. college student costs
the community, if not her parents,
raised the question of whether educa- |
the answer ‘of ore industrial girl, that
education “makes one appreciate dif-
ferent points of view,’ Dr. Hart re-
plied that he had heard of one of the
wealthiest women in the country,
probably a college graduate, who re-
signed from charitable activities when
her curtailed dividends rendered ap-
peals for contributions annoying.
Even so, education is a necessity, un-
(Continued on Page Four)
Second Varsity Defeated
by Philadelphia C. C.,Reds
The Philadelphia Cricket Club Reds
completely defeated the second Var-
sity hockey team by the score of 8-1.
The Varsity was entirely outplayed
by the speedy Red team in both halves,
The burden of. the play fell upon the
backs, who did their: best to resist
the constant rushes, and intercept
the clever passwork of the Réd for-
ward line—but in vain. The few
times that the Bryn Mawr offense
managed to get the ball into the op-
ponents’ circle proved fruitless, as El-
liot, an All-American goal, resisted
all efforts to get’it past her guard.
It was not until the second half, when
she was shifted to right wing, that
Faeth. was able to get the ball in the
cage after a hard rush.
The smoothness and unity of the
Philadelphia team, their clever and
swift passes, and solid defense were
excellent. The members cf the Var-
sity team (several of whom were on
the sidelines), as well as the second
Varsity, should profit from the ex-
‘| perience—bitter though it was.
The line-up was as follows:
Phila. C, C. Reds 2nd Varsity
Dixon ee Me eee Carter
Cowperthwaite .R. I. ....... Raynor
Pearson... SR . sv esr tae eto Bennett
mewn Mae i “T. .Faeth
CAT Mas tha .. Stevenson
Darling . a 9s Cae Daniels
Buse... oe a . Collins
ea te | Douglas
Crawford .....% Bi Bs Van Vechten
Morton .... L, a ..... Bowditch
mie. eR riage Gill
Substitutions: Bryn Mawr — Cary
for Raynor, Whitney for . Daniels,
Wright for Van Vechten. Goals—
Philadelphia: | Pearson, 6; Howe, 2.
Bryn Mawr; Faeth, 1. Referees—Mrs,
Krumbhaar, Miss Flannery,
**Let’s say you’re painting clouds.
You’ve got your primary colors here
in making a good cigarette. And I :
gather that what Chesterfield means
by Cross-Blending is what an artist
does with colors.
Vhat-és |
VOSS Blending ra
on the palette. But you haven’t the
clouds until you blend certain colors
into the special tone you want.
‘This is very much what happens
Their Domestic
and Turkish tobaccos — many varie-
ties of each—are the primary colors.
“Ts gemrr & Myers Tosacco Co.
Chesterfield flavor.
of every other.
ing!”
”
tae . Ber
mae,
ili
They blend and cross-blend .these
tobaccos until they get the special
tone they want—in other words, the
“And just as each color you use
acts on the others to change and
enrich them, so each Chesterfield to-
bacco partakes of the fine qualities -
You ‘weld’ different kinds to get
a better kind. That’s Coeap- Blend
might explain it way.. :
theyre MILDER
( thes terlield
Crass Llended_ thats w
that's Bex Be the |
pa .
jee
TASTE BETTER
}
‘ would delightedly
‘ then, as he became more emotional,
* tion ‘to the original.
would be more appropriate, isi a mis-
Page Four
THE COLLEGE NEWS
Dr.- Vaughan Williams
-» Gives Second Lecture
(Continued from Page One)
the beginning, in order to overcome
' the difficulty of getting started. Dr.
Williams has actually heard such a
phrase used\by an open-air preacher
in. Scotland. -The man, beginning ia
‘_an ordinary speaking voice, became
‘more and more excited till at a dis-
tance where tHe words were _indistin-
guishable, he seemed to be chanting
a cértain. five-note musical phrase,
‘' which occurs répeatedly in folk song.
A ballad maker, having in his ex-
citement .hit upon such a_ phrase,
repeat it and
. would add embellishment and decora-
Since, however,
the music was made to fit the four
linés of a stanza of poetry, he would
‘add another phrase, after which he
‘-eduld return to the first, thus using
the eternal musical formula ABA,
and employing the two great musical
principles of variety and emphasis by
- repetition. .
Although the complete song stanza
developed in this fashion from excited
‘« speech, the element of rhythm (i. e.,
the relationship of duration and ac-
cent_of notes) must_be traced to the
dance, and to emotional, excited ges-
ture. Melody can exist apart from
rhythm, and rhythm apart from mel-
_ ody, but a complete*felk song must
‘contain both elements.
In suport of Dr. Williams’ belief
that in its symmetry, continuity, and
development, folk music shows an ex-
traordinary amount of unconscious
. art among simple people, the college
choir sang three examples of English
folk tunes: Searching for . Lambs,
The Water Is Wide, both from Cecil
Sharpe’s Somerset collection, and The
Holy Well, a cattle tune. Although
‘in the first number, the opening was
not in perfect unison, and the choir
‘was too disposed to draw out one line
before beginning the néxt, the per-
formance was distinguished by sweet-
ness of tone and .ability to achieve
“the utmost dramatic effect. These
tunes, beautifully rendered, showed, as
Dr. Willianis said, that “folk song is
in itself a ¢gmplete and to-my mind}:
occasionally supreme work of art.”
Certain severe limitatiéns of scope
are, however, inherent in its essen-
lial characteristics, In the first
place, folk music is purely intuitive;
it lacks the self-conscious calculation
necessary for a large ‘work such as
symphpny or opera. ~The fact that
folk tunes were originally never writ-|
ten or’ printed, but transmitted oral-
ly, naturally curtails their length.
Furthermore, since folk music is usu-
ally applied music, fitted to the’ stan-
za of a ballad or the figure of a
dance, the rhythmic scheme is limited
by ‘its use. Finally, folk music is
pure melody, without any accompany-
ing: harmony.
These limitations, however, also
have their corresponding advantages.
Folk song is bound by no musical eti-
quette, which confines its careless rap-
ture to the terms of musical notation.
The curtailment of length compels a
brevity and conciseness which many
composers of great works are unable
to copy. _The_ repetition of one tune
with many verses has permitted only
those melodies to survive which gain,
instead of pall, with frequent hear-
ings. The vertical limitation of the
lack of harmony has permitted the use
of a variety of modes.
Modern people have become so ac-
customed to a harmonic substructure
that even when they hear an unac-
companied melody, they mentally sup-
ply the usual harmony. It is a univer-
sal fact, however, that if music de-
velops in one way, it is limited in an-
other. Eastern nations, for instance,
_ without any harmony, have an elab-
orate melodic system. Modern west-
ern,-cultured music, with an harmonic
basic, is curtailed in melodic scope,
and between the late seventeenth and
early nineteenth centuries, was found-
ed on but two modal schemes, the ma-
jor and minor. Folk song, being pure-
ly melodic in character, shows no limi-
tation, but variety of modes, among
which the Doran, Aeolian, and Mix
lydian are most common,
The characterization of modes as
“ecclesiastic” instead of “melodic,” as
tation. Folk song and plain
bodies of pure-
vften considered, a derelict version of
chureh musie In fact, it is rather
more likely that plain song was in its
earliest days derived from folk.song,
than vice versa.
Modal] tunes are, furthermore, not
necessarily old,-but_merely melodic in
outline. If harmonic, they are often
called “archaic,” but archaic harmony
is never modal. When men began
[using harmony they found that the
melodies did not fit their harmonic
schemes and so altered the modal na-
ture of the tunes. It was not until
that pure modal harmony really ex-
isted. At that time, Russian com-
7
Bourdelle Described
as Prominent Sculptor
(Continued from Page One)
ies were very fecund; he was not only
a’ pupil, but a collaborator of Rodin;
every work, for many of them did only
the designing and outlines; Among
those finished by Bourdelle is the
distribute these ‘commodities to those
who. need them. This condition -is
the middle of the nineteenth century|.a result of the fact that although
goods are produced to be consumed,
their production, instead of proyiding
posers felt the movement toward na-
tionalism and began studying Rus-
sian folk music for inspiration. They
discovered that the tunes were melod-
ically concéiyed, and sought their har-
monic implications... But these com-
posers were merely brilliant amateurs,
who, ignorant, of the common rile,
made their harmony the base down,
instead of up, thus by accident. devel:
oping a modern modal harmony, en-
tirely different from the archaic har-
mony of early composers like Dunsta-
ble. Three modern compositions were
played by Mr. Alwyne to illustrate the
use of this new style: Debussy’s
“Sarabande.” from Pour le Piano, Ri-
vel’s “Minuet” from Sonatine, and Sa-
.tie’s “Gymnopedie,” all of which he
performed with his customary skillful
execution and interpretation.
In conclusion, the choir, showing
considerable facility in handling the
intricate and varied rhythm, sang a
Sussex folk tune in the Dorian mode,
My Bonnie Boy.
In his next lecture, to be delivered
Thursday, November 8, Dr. Williams
will discuss the debated question of |
the communal origin of folk song and
trace its further evolution.
|
League Speaker Contrasts
Various Scales of Living
(Continued from Page Three)
less we are to lose what advantages
civilization has gained us. Whether |
the particular individuals who now re- |
ceive its benefits are the members of
the community most fitted by natural
intelligence and seriousness of pur-
pose, to benefit by it, is another ques-
tion.
Although humanitarian ideas have
been developed sufficiently to make so-
ciety unwilling to permit’ men to
starve without making some gestures
for relief, a food allowance of four
dollars a week, such as is provided
by many relief organizations for a
family of five, is not sufficient to main-
tain vitality. When farmers com-
plain of a wheat surplus, and yet
thousands are hungry, the trouble
‘with our economic system must be not
the lack of commodities, of wheat and
corn and shoes, but the inability to
sufficient wages for the consumer to
purchase them, has merely provided
capital with which the investor buys
new machinery and new factories.
Three suggested methods of action
for remedying this. state of affairs.
were reviewed by Dr. Hart. President
Hoover, and his advisers, believe that
a reform of the banking and financial |
system and expansion of credit are
necessary for national prosperity, but
it seems. doubtful whether the posi-
tion of a debtor can be permanently
improved merely by increasing the
burden of his debts. Another plan
calls for government ownership and
operation of industry, but in Russia,
where this theory is being tried out,
there are still bread lines.
As a third possibility, Dr. Hart sug-
gested an idea of his own, which would
be founded on mutual confidence ‘and
altruism. A central planning board
of the country’s twenty key retail
men would be organized. Production
would be undertaken with the idea
that commodities are intended for con-
sumption. The potential demand for
each particular article would be reck-
‘oned by skilled economists, and work-
ers employed in producing these arti-
cles would be paid in part by cash,
rin~-part by: purchase certificates —is-
sued even before the goods are ready,
thus creating a demand among the
10,000,000 put to work. As a result,
prices would rise. Different com-
panies would give estimates to supply
commodities. controlled by this board,
but since the board would decide im-
partially between them, and order
only amounts which it knew could be
immediately consumed, ruthless,
wasteful competition would be avoid-
ed and the evils of over-production
eliminated.
At the next meeting, which will be
held in Philadelphia; November 30,
Dorothea De Schweinetz will lead a
discussion of Public and Private Em-
ployment Bureaus.
Meet your friends at the
Bryn Mawr Confectionery
(Next to Seville Theater Bldg.)
‘the Rendezvous of the College Giris
Tasty. Sandwiches;’’Delicious Sundaes,
Superior Soda Service
Music—Dancing for girls only
FLOWER
have
1 dozen of Lily Flowering Tulips
1 dozen of Double Tulips
‘ 1-dozen of Hyacinths For Bediing,
336 Flower Bulbs
350 Flower Bulbs for $8.00
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Prompt service; delivery never .later
French or German are sen
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Pe ~:
1. dozen of Hyacinths For Pots, all colors
5 dozens of Crocus in. various fine colors
3 dozens of Snowdrops, the “Queen” of Spring flowers
2 dozens of Ixias in various fine colors
2 dozens of Muscari (Grape Hyacinths) p
2 dozens of Scillas, sweet little flowers
2 dozens of Chionodoxas,. sweet scented
14 “Olympiade Novelty Bulbs” FREE
SMALL COLLECTION. (200 Bulbs in above
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-with orders. All orders must
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WING” -
*
,
the--great. painter, although. signing.
statue of Eve on the famous doorway
to Hell.
But though Bourdelle acquired a
sense of movement, and the power to
‘give animation to marble, he felt that
Rodin lacked a sense of the whole; his
details were rich in themselves but
‘inorganic. Bourdelle strongly believ-
ed that sculpture should be the docile
collaborator of the architect; “c’est
maintenant l’heure de batir,” he said.
And so he turned to Greek art for
his third source of inspiration. He
was chiefly interested in the primitive
works, which had been discovered in
his time. Before that, the Apollo Bel-
vedere had been thought early. -
Bourdelle has been accused of prim-
itivism. His imitation, however, is in-
telligent; he renovates and gives his
art an entirely modern accent.
In illustrating the art of Bourdelle,
M. Reau found it advisable. to divide
shis work into “la petite sculpture”’—
the busts—and “la sculpture monu-
mentale.” Bourdelle infinitely prefer-
red the latter, but, as has been said, :
an artist obtains an order for a bust
more easily than he does for a ca-
thedral. Bourdelle’s heads, however,
are by no means “oeuvres de jeu-
nesse;” he left no “first works.’’ The |
earliest was the product of his forti-
eth_year, in 1900, and thus his twen-
ty-nine years of activity. were all in
our century.
Bourdelle liked especially to sculp-
ture great men. Among the busts
which M. Reau showed us were those
of Beethoven, Ingres, Carpault, Ana-
tole France, Frazer, Rodin and the
artist himself.
Bourdelle did not strive for resem-
blance. The bust of Beethoven, for in-
stance, is obviously a work of fan-
tasy. He has, however, the imprint
of genius, with his deeply-sunken eyes
and his storm-ravaged hair, In every
case, Bourdelle seems to have caught
the essential of his subject’s charac-
ter; Ingres is obviousty authoritative,
tyrant over his pupils; Carpault
seems troubled and feverish; Vincent
d’Indy is very lordly. Bourdelle has
reproduced perfectly the ascetic char-
acter of the old Strasbourg doctor,
and has made an unforgettable por-
trait of him. Also very powerful and
striking is the portrait of Sir James
Frazer, the English folk-lorist, who
(Continvea on Page Five)
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THE COLLEGE NEWS
* Page Five
American Universities
Republican and Wet
(Continued from Page One,
The results of the prohibition poll
conducted last. spring by the Daily
_Princetonian..show..anoverwhelming
sentiment, among the students at the
ten colleges represented, including
Bryn Mawr, against the retention of
the Eighteenth Amendment. i
Ninety per cent. of the 10,000 votes
cast in the poll advocated a definite
prohibition plank in the platforms of
the major parties and ninety-five per
cent. of the total votes advocated the
discontinuance of the present prohi-
bition law. Only 89 of the 10,027 bal-
lots were for the continuance of pro-
hibition; 2775: favored modification;
4075 voted for repeal, and 2107 were
in favor of referendum,
The balloting on the adoption of a
definite prohibition plank by the major
parties was as follows:
Yes No
PAAADOTEO. 6 rca 345 32
eee eer. ee 205 11
ParimMouth ~
Harvard oes 1492. 154
Pennavivania ......: 1236 192
ee 1581 23
Sarah Lawrence ..... 155 25
NN ec ek 986 189
0}. |.) |) AEE areeReparenmaa: 506 32
Weesley 2.6.2 750 297
Total - (men)... 45 6419 452
Total. (women) . 2602 554
Grong total .;.. 9021 1006
The tabulation of the vote on the
question, “Should the platform be
for continuance of the present law;
modification, repeal, or referendum?”
was as follows:
Cont. Mod. Rep. Ref.
Amherst ...... ld 16 “ise “ve
Bryn Mawr... 7% 60 91 = 47
“Dartmouth ... 87. 675 966 298
Harvard ..... 104 4111 626 384
Pennsylvania .-47 — 303 654 249
Princeton . 88. S18 785. 685
Sarah Lawrence 16 aa 118: Ja
SMI... es 55 «366 4=— 294-185
VEShOr 33446, 23. 156 198 128
Wellesley ..... 97 \826. 265 3864
Total (ment) .285 1823.. 3107 1369
Total (women) .204 ‘952 \ 986 7387
Grand Total. 489 40738 2107
2775
ae
Bourdelle Descoled
as Prominent Sculptor
(Continued from Page Four)
said that of all the likenesses that
had been made of him, he wished only
Bourdelle’s to remain. Rodin, it
seems, was not so pleased with his
pupil. Indeed, with his undulating
beard, he looks rather like an old faun
—almost a caricature. It is by this
very accentuation of feature, however,
that Bourdelle, without seeking it,
actually does obtain resemblance.
In the bust of the athlete, we have
an example of Bourdelle’s re-interpre-
tation of Greek art, Here there is no
awkwardness or stiffness. The same
is true of the portrait of Aphrodite.
In his so-called “sculpture d’imigna-
tion” we see further evidence of his
interest in antiquity; Heracles, as the
apotheosis of physical force; Europa
and the Bull; the Dying Centaur, sym-
bolic of the bestial and human in
man. % ;
Showing several of the monumental
works, Mr. Reau pointed out the bas-
reliefs which are part and parcel of
the architecture, and elongated: like
=the column figures of (Chartres: Vic-
tory, with her Greek tresses, and other
allegorical figures at the foot of Gen-
eral Alviar’s simple equestrian statue;
the Birth of Beauty, a great frieze
on the opera-house at Marseilles. Es-
pecially interesting was the Victory
at. the base of the column erected to
a Polish poet. It had the same vigor
ental aon. i.e. i. tin ts
LUNCHEON, TEA.- DINNER
‘Open Sundays
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918 Old Lancaster Road
Telephone: Bryn Mawr 1185
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BRYN MAWR FLOWER
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_ Mrs. N.S. C..Grammer
823 Lancaster Avenue
and movement as Rude’s “Marseil-| New Contract Bridge Code
laise,’’ at the foot of the Are de Tri-
omphe.
Bourdelle* was very patriotic; the|
World War occasioned a number of
works, such as La Vierge a VOffrande,
reminiscent of ivory madonnas of the |
fourteenth century. The child is out-
lined in ‘the form of a cross, as if
offering himself too. For Bordeaux, |
where the American soldiers disem- |
barked, he destined a monument of |
thanks to the United States.
In conclusion, M. Reau_ spoke : of |!
Bourdelle’s great influence. Though
1 pupil:of Rodin, he developed along
quite different lines. Rodin was an
impressionist, a contemporary of De-
gas and Monet, whose interest lay
only in rendering the momentary
phase. Bourdelle was a builder, cor-
responding to Cezanne, who for the
flimsy forms of the impressionists
tried to substitute a structural art,
solid, firm and vigorous. Further-
more, unlike Rodin, Bourdelle was an
educator. He took as much pleasure
in modeling his numerous pupils as
he did in shaping a statue. .He died
in 1929, having rescued sculpture
from the dangerous power of Redin,
the individualist, and restored to it
its mission; sculpture is architecture.
Lantern Night Affords
Illusion of Beauty
Lantern Night, announced for 7.45
P. M., Saturday night, got under way
at 8.00. As we waited, we, and prob-
ably ‘others in’ the audience, realized
how carefully aesthetic events should
be timed _to preserve an illusion of
beauty and propriety. However, after
this wait there was a double thrill in
seeing the red lanterns start to swing |
up and down, and we relaxed and
looked at the stars, ready to be awed
by the first strains of Pallas Athene.
They: were disappointing; they lack-!
ed the dynamic shading without which
our Greek Hymn is a weary, unin-
spiring chant. For one moment the
singing increased in feeling as the two
lines swung together successfully un-
der the arch, but the stately pacing of
the glow-worm line seemed eternal.
The lanterns were handed to the
freshmen with more dispatch and dex-
terity than usual, but a long pause,
broken by testy coughs from the roof,
ensued before the sophomores broke
and walked over to the corner to sing
Pallas again. This was the high point
of the evening, for. the sophomores
took courage in congregation |
and sang better than before, although
the crescendoes were either misplaced ,
or lacking. '
There was another hiatus in events
before the Freshmen began, a pitch-
pipe, pause, and then Sophias, ren-|
dered Surely but thinly. Either there |
were very few altos, or*they were
timid, for the striking harmonic effect
which a good group of altos usually
provides was lacking and the singing
wan.
Inadequacy in the Freshmen’s sing-
ing may and will be attributed to
hasty preparation and the unusual
difficulty they have had in getting or-
ganized. The sophomores, however,
are the ones who need an excuse, and
the only excuse that can be offered is
the tradition of sophomorism.
Much credit is due to those who
managed the mechanics of Lantern
Night. One instance of good judg-
ment was~that the last weak bit of
singing when only a few are left in-
, ose
Makes Scoring Uniform
The Monday morning edition of The
New York Times, October 31, carries
on its front page an article on the
|new contract bridge-rules, ‘‘Through-
|out the western world the game will,
ibe governed by a new international
code, making the rules and scoring
aniform for all countries, and the code
will serve as the official basis for
| bridge playing at home, at club, at
the tournament hall.” The most im-
portant change is that of the scoring
of penalties for undertricks. The pen-
alty.for doubled not vulnerable under-
tricks has been slightly increased: The
first trick penalty is 100, after which
it increases by 50 for each trick. The
| penalties for vulnerable undoubled uxt
|dertricks are the same. The premium
for fulfilled doubled contracts has been
omitted. Also the premium for un-
doubled overtricks has been reduced
to the equivalent odd trick value. The
|premium for a grand slam has been
i increased to 1,500 when not vulnerable
‘and to 2,250 when vulnerable.
Another important change is the
new evaluation of no-trump tricks.
The first, third, fifth and seventh no
trump tricks are worth 30, while the
second, fourth, and sixth are worth 40
apiece. The purpose of this change is
to make the no-trump game equiva-
lent in score to a minor suit game
bid. Of less importance but still of
interest are the new revoke and in-
fringement penalties. The first may
be-summarized as follows:
(1.) Although /a revoking side
must still forfeit two tricks, here-
after only tricks won after the re-
Sein can be taken for the penalty.
(2.) The penalty for each subse-
quent revoke by the same side and
| the same hand has been changed to
j one trick.
(3.) The revoke to the twelfth
itrick is no longer subject to a pen-
alty.
There are other slight changes in
the definition of the establishment of
‘a revoke.
It is also no longer possible to look
back one trick and the penalties for
easual infringements are numerous:
(1.) Looking back a trick is pen-
alized by the call of a lead by the
left-hand opponent.
(2.) Looking at cards during the
ideal; left-hand opponent may demand
a_new deal.
(3.) Call other than pass when it
is partner’s or left-hand opponent’s
| turn to bid; left-hand opponent may
‘demand new deal.
| (4.) Call other than pass when
right-hand opponent’s turn; offender’s
partner must pass when it is next
his turn.
(5.) Exposing card lower than 10
‘during auction; declarer, if opponent
of offender, may treat the card as ex-
posed and subject to call, or prohibit
offender’s partner from making the
lead in the*same suit.
(6.) Exposing card higher than 9
during auction; left-hand opponent
may demand new deal.
(7.) Leading from wrong hand
by declarer; must lead same suit from
correct hand.
, (8.) Premature lead, play, or ex-
side. the cloigtgrs was eliminated. The
even spacing of the lanterns and the
brilliancy of the stars. helped to build
up the illusion of beauty, which, after
all, is inherent in Lantern Night.
—
OPPENHEIM.
The Specialty House of
CLINSE@
Announce .
of 12th and CHESTNUT STREETS
SMART WEARING APPAREL
AND ACCESSORIES
A Showing‘ of
~ BRYN MAWR,.PA.
Wednesday, November 9
Especially Adapted for the College Girl
Priced to Meet Every. Youthful Budget
at the College Inn Tea Room
from 11 A. Matera Bo
posure; declarer may require offend--
er’s partner to win the trick by trump-
ing if necessary, or not to win the
trick, or to play highest or lowest
card in suit led, or to discard from
a main suit.
(9a.) Drawing attention to which}
hand has lead by dummy; left-hand!
opponent .may choose the leading;
hand.
(b.) Warn against incorrect lead by}
the dummy, left-hand opponent may?
choose the leading hand.
(c.): Suggesting play by the dummy;
left-hand opponent may decide wheth-’
er or not declarer may play card sug-
rested. ‘
N. B.—-Dummy may still call atten-'
tion to possible revoke.
Thére are other penalties for in-
fringement of a highly technical na-
ture. The most important conclusion
to be drawn is that the English sys-
tem of decisions by the left-hand op-
ponent is followed in general upon
infringements.
Movie Review
William Powell and Kay Francis
have once more been paired together.
One. Way Passage, now at The Karl-
ton, in Philadelphia, is their latest ef-
fort, and quite successful, if one can
swallow the plot,
One Way Passage, like so many
movies, concerns the romance of two
young. people .on a boat, which, in
their case, happens to be crossing the
Pacific. For these two beings, how-
ever, there wait not wedding bells, but
a funeral dirge, unbeknown to her, he
is a criminal on his way to execution,
and she is the victim of a disease
which, for lack of more definite in-
formation, we shall call General Disa-
bility.
For Dan, however, there is a real
-ehance...He~has.-but.to.escape..when.
the ship stops at Honolulu. This he’
proceeds to do with the assistance of
two kind friends, who. pick his cap-
tor’s ‘pocket and release him from the
prison where he has been put for the
day: Joan, all unsuspecting, accom-
panies him ashore, and cramps his
style considerably by fainting at the
| crucial. moment when, at the end of
a perfect, day, he is about to. let her
return to the ship alone. With her
| safe on board once more, he makes
for the door, only to be stopped, once
for all, by a faint “Don’t go” from
the sick-bed.
Yet, despite its artificiality, ‘tine
“its triteness, and - its. sentimentality, j
One Way Passage almost brings a
tear to the eye; the characters are in-
credibly real. To the actors, then,
{goes all the. credit.” for its success.
Kay Francis, though’ no actress, is
drenchingly, lovely as the frail sotleky
maiden, with her exciting clothes an#@d.
her lustrous dark eyes. But more
than that, she can portray a lady in
love more convincingly than anyone
on the screen. Wiltiam Powell seems
no less sincere, though delightfully
sleek as well. Not quite so young as
he used to be, he has lost none of his
dapper manner. Excellently cast, the
hard-boiled detective is quite human,
and. not_too unsympathetic. With the
utmost skill Aline McMahon changés
back and forth from ‘a crook to ‘a
pseudo-countess. I know of few ped-
‘ple who can ‘seem so sincerely kind
as she. Her “pal” also does his be&t
to beat the fate of “the two lovers, but
never succeeds in doing more than
eluding his various pursuers, on which
occasions he emits such a laugh as
would in itself make the picture. Even
without him, howevet, as an example
of almost perfect’ acting, the film
would be worthwhile.—L. C.
a
Mace Pasn Erennr! .
“yy aT S TIME TO.
Weeernone Home!
’IGHT-THIRTY P. M. is the aa telephone
home!
The day’s rush is over; the night’s still young. There's:
plenty of time for a newsy, intimate chat. The fam- *
ily’s at home; eager to hear your voice. (They'll be
ata there for sure if you telephone as a regular habit, the
same time each week.)
What is ‘more, it is cheapest to telephone after 8:30
P. M. That is when the low Night Rates go into effeet ~~~
on Station to Station calls. For 45c you can then call
as far as 140 miles away!
Yes, it’s surprisingly inexpensive, as these typical
rates show. But be sure you make a Station to Station) |
call. Just give your home. telephone number to the
operator and hold the line. If you like, the charges *
can be reversed. j
’
Station to''Station, call ;
. 3-Minute Connection
; Wherever applicable, :
; Federal tax is luded. | a;
from BRYN MAWR to Day Rate Night Rats ]
, WASHINGTON ..... Tee eee 0
oN BOSTON... Beeccvcce 1.45 BS
ts» NBW YORK)......... 69 '* 35
* PEERS CHICAGO |.......... 2.73.5 » BSS
‘ vf i 35
i
it
‘
a
i
|
.
}
i
I
|
por nm ere
fp
o~*“bast Saturday-night;~h
Page Six
THE COLLEGE NEWS.
THEATRE REVIEW
aving’noth-
img of-importance to do, we decided
at eight o’clock,; to drive down-town
to a little theatre on Fourteenth street
and see yet another actress play Ca-
mille. Now there are very few New
‘Work theatre-goers -who have not
seen Camille, and probably greater
Camilles than: the world has to offer
now, despitecthe fact that there is an
unusual number of aspirants in the}
‘role at the moment. : Besides that,
these “art theatres” are popularly
‘supposed to be up-against it. And
again, no theatre is so well attended.
‘this season that one really need wor-.
ry about reservations, even around
Forty-second street, so we didn’t.
‘We arrived at the theatre and dis-
embarked in .the midst of such a
throng that it looked for all the world
‘tgs if a murder fiad been committed on
the premises. The crowd was hard-
ty a typical ‘New York . audience:
there were nien in the next thing to
‘blue jeans; grandes dames in full bat-
tle regalia; half-starved young crea-
‘tures with intense faces; even an old
man in a wheel-chair. When we had
“fought our way through this to the
box-office we were greeted with a sign
which said, “Standing Room Only.”
The next half-hour witnessed some
‘frantic activity which finally landed
-us-in the aisle seats of the first row
orchestra, hardly a choice position.
Miracle of all miracles, the house was
‘filled. Not only were all the seats
‘and all the standing room sold, but|‘
the. audience was seated and quiet,
‘almost hushed as the curtain rose.
Eva LeGalliene is not a young wom-
an, nor does she look to be dying of
consumption. We were sitting in. the
_ very front row, where every detail of
a make-up designed for the last gal-
lery was visible. The play is so anti-
quated that it might almost be a bur-
fesque; it should never have been
translated into the cold gray light of
English anyway. Joseph Schildkraut,
who played Armand, may have been
the son of a great actor, but in this
case the talents of the father have
ot been visited on the children. He is
as much in the general picture of
the group as Fred Allen would be. In}
short, the play was anything but a
perfect performance.
seen Miss Gish’s production, but from
the reviews we imagine it to be con-/
siderably smoother technically. There
was much to criticize and nothing su- |,
ner-human to praise, but it was in the}
most restricted and the finest sense, | .
a. play.
it was a unity as much as a living
body is a unity. Although flaws could
be detected as easily as we can detect
flaw’s in a friend’s face, one could}
mo more imagine the play. without
them, than the friend’s face without |
an imperfect, but none the less en-|-
deartng nose. Ft was like a painting |
of the early Italian school, in which |
for all its technical flaws no single |
line can be eliminated without serious
detriment to the whole. The problem
ofthe worker in the dramatic arts is,
after all, to force the audience to ac- |
cept those standards, situations, con-
ventions, and characters that he por-
trays upon his stage, and there is no}
doubt that the audience in the Civic}
Repertory Theatre did accept unques-
tioning by what. was played before
them.
Of the individual performances
* there is a very little to say. With the
=
‘Bryn Mawr 675
' JOHN J. McDEVITT
PRINTING
Shop: 1145 Lancaster Avenue
Roseniont
P. ©. Address: Bryn Mawr, Pa.
| Philip Harrison Store
BRYN MAWR, PA.
: Gotham Gold Stripe ’
Silk Hosier), $1.00
Best Quality Shoes
in Bren Mawr q
Next Door to the Movies |
/
' Winfield Donat Co.
OPTICIANS
24 East Lancaster Ave.
(Main Office
We have not}
.
-xception of Armand, they were per-
but the play was not a set of individ-
p.1Lorinances,
Although Miss LeGalliene was a
ine Camille, playing with a gracious
sv-aint and at the same time a tre-
. udously real emotion to be restrain-
during moments when she was alone,
without lines, on an empty stage was
1 breath- taking; still we feel that her
sreat achievement: was not as the star
verformer, but as the strong sensitive
personality that caught up the threads
of the whole and made it the com-
manding unity that it was. Dumas
vrote the play; some one else direct-
-d; many other people played in it
besides Miss LeGalliene, but the group
(with the exception of M. Dumas) is
so completely imbued with her per-
sonality that it appears to be the work
of a single artist.
When an actress-director-producer
can take Camille, play the lead her-
self and make it the lead without blot-
ting out her, fellow. actors; when she
ean take an old, unacclimated play that
has been done too often, and. make
t live, not as a quaint relic, but as a
moving, tragic, present thing; when
she can do all this, with the dreadful
handicap of an avowedly noble “pur-
pose,” and pack the house in the pov-
erty-conscious city of New York, then
the drama means something, and there
is a white hope —J. M.
rectly satisfying, and” often “inspired; |
ed, and although her amazing acting:
News of the New York Theatres
(Continued. from Page ‘Two)
I'rench takes a short rest at the the-
atre, but we ‘still know exactly what’s
what. Over here we never miss a
word, and we’re still trying to figure
out how eight of the last ten plays
we saw ended. Subtle race, the
Frenchmen!
- We found a play in New. York this
week entitled Incubator. It raised
many questions in our mind: are ‘the
actors eggs or babies, and how could
one make the stage look like the’ in-
side of an incubator? I doubt if Nor-
man Bel Geddes and his spot system
could make an incubator mysterious.
In this month’s copy ‘of Stage the
editor gave a series of illustrations as
to the value of gesture in acting. He
stated that “even the angle at which
a bottle is held may indicate charac-
ter,” and gave a picture of Alfred
Lunt. All we can say in reply to the
quoted passage is that after all the
stage is only a reproduction of life
and. life’s problems, and: if the stage
van figure out a method of controlling
such angles, it will make life lots
vasier for such brains as the average
lassie possesses. The same article
stated that when Lynn Fontanne slap-
ped Alfred Lunt in Reunion in Vi-
enna she kept.her fingers open so as
not to hurt him. Since she almost
knocked him out into the orchestra
pit when we saw it, we hope she
|} --Freshman- Statisties-~ »-~~
The News regrets the omis-
sion of Miss Park’s speech on
“Freshman Statistics”. through
lack of space. The article will
be run next week.
always continues to love, honor and
obey in the best tradition so that Al-
fred won’t do a Carry Nation and lose
his teeth.
We object seriously to the current:
Willie Howard atrocity, Ballyhoo.
Chiefly we were annoyed by Jeanne
Aubert, whom we have previously
lauded energetically.
possession of our childish desire to
be deceived—that’s why we like peo-
ple who come out in ostrich feathers,
and loath those who-come out of them.
[t sounds like a quibble, but it cer-
tainly doesn’t look like one when one
comes -face to face with it.
We are still in
Former Dean to Speak on Radio.
™Our Colleges—Yesterday and To-
day” is the topic chosen by the Alum-
nae Committee of Seven Colleges for
the fall speeches given over the radio ,
by an alumna. of each. college. The
last five speakers to be heard on this ,
subject are:
Thursday, Nov. 3, Mrs. Rustin Mc-
Intosh, formerly Miss Millicent Carey,
when she was Dean of Bryn Mawr.
Wednesday, Nov. 9, Miss Candace
Stimson for Wellesley.
Thursday, Nov. 17, Miss Frances
Perkins, Industrial Commissioner of —
the State of New York, for Mount
Holyoke. .
Thursday, Dec. 1, Miss C. Mildred
Thompson, Dean of Vassar.
Thursday, Dec. 8, Mrs. George B.
Baker for Radcliffe.
All these speakers may be heard
over WEAF and other stations at
8.40 P. M.
COLLEGE INN AND TEA ROOM
SERVICE 8 A.M. TO 7:30 P. M.
Daily and Sunday
A LA CARTE BREAKFAST
T11NCHEON, AFTERNOON TEA AND DINNER
A LA CaRTE AND TABLE D’Hotr
GUEST ROOMS
PERMANENT AND. TRANSIENT
. STUDENTS’ CHARGE ACCOUNTS
—
SS ea ee
No raw tobaccos in Luckies
—that’s why they’re so mild
THE INDIAN RAID
"Nature in the Raw’’—as por-
trayed by the celebrated artist, Fred
Madan... inspired by that wild,
bloody scramble of covered wagons
in the Colorado Gold Rush (1858),
as described in the National Geo-
graphic Magazine. ‘‘Nature in the
Raw is Seldom Mild”—and raw to-
baccos have no place in cigarettes.
\ X TE buy the finest, the
very finest tobaccos
in all the world—but that
does not explain why folks
everywhere regard Lucky
Strike as the mildest ciga-
rette. The fact is, we never
overlook the truth that
**Nature in the Raw is
Seldom Mild” —so_ these
~ fine tobaccos, after proper
aging and mellowing, are
then given the benefit of
that Lucky Strike purify-
ing process, described by
the words—“‘It’s toasted”’.
That’s why folks in every
city, town and hamlet say
that Luckies are such mild
igprenes:
“It’s toasted”
That package of mild Luckies
College news, November 2, 1932
Bryn Mawr College student newspaper. Merged with Haverford News, News (Bryn Mawr College); Published weekly (except holidays) during academic year.
Bryn Mawr College (creator)
1932-11-02
serial
Weekly
6 pages
digitized microfilm
North and Central America--United States--Pennsylvania--Montgomery--Bryn Mawr
Vol. 19, No. 03
College news (Bryn Mawr College : 1914)--
https://tripod.brynmawr.edu/permalink/01TRI_INST/26mktb/alma991001620579...
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation.
BMC-News-vol19-no3