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Friday, December 13, 1963

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THE COLLEGE NEWS

‘Pose Five



By Allice Ely, "66

The Bryn Mawr-Haverford
Orchestra gave its first concert
‘ of the year December 6 under

the direction of William Reese.
On the program were pieces by
Mozart, . Bruch, Fauré
‘Schubert,

The concert began with an over-
ture from ‘*La Clemenza di Tito,’
by Mozart. The playing of the
woodwind section: gave sonority
‘and unity to the delicate, lyrical

e

~ Mozart,

BRUCH CONCERTO
Concert mistress Barbara
Dancis, °64, . displayed’ fine

technique in her performance of
the Bruch Concerto for Violin.

to bring out the lyrical expressive-
ness of the Adagio. -
The. performance showed com-

Campus. Events

Friday, December 13 8 p.m.
“The Seventh Seal,’’ directed by
Ingmar Bergman, at Robert’s Hall,
Haverford. Admission 25¢, Tickets
available from Clara Perkins,
Rhoads. South, .
Heinrich Schutz Singers present
four Motets by Poulenc, and the
Christmas Story, by Schutz.
Roberts Hall, Haverford. Ad-
_mission Free,

Sunday, December 15 8 p.m,
Christmas Service, including
Chorus concert, with informal
carol sing afterwards. Service in
Goodhart; sing in Common Room.

Wednesday, December 18
CHRISTMAS VACATION BEGINS,
If you care-to stay here however...
8:30 pem. Dr. Leon Edel, Pro-

lecture on ‘“‘Henry:James.”?? Com+
mon Room, Founders Hall, Haver-
ford.

Monday, January 6 8;30° p.m.
Phyllis Jay, Assistant of Anthro-
oplogy, Columbia University will
speak on **The Evolution of Social
among Primates,’’ under - the
auspices of the Bryn Mawr Chapter
of Sigma Xi.

Tuesday, January 7, 8: 30 pem.
Recital for Two, Pianos, to be

Professor of Music. Goodhart.: -

Wednesday, January 8 7:30 p.m,
Interfaith Association, A student-
led discussion, f

BERMUDA
COLLEGE WEEK

1964

MARCH 22-APRIL I

(Everyday packed with action)
..new friends... fun!





SUN. — Get acquainted dance,
(Wear Bermudas!) MON.—
College Day-at the beach. Tal.
bot Brothers Calypso, College

- Queen Contest; barbecue lunch.
TUES. -—Jazz session, Limbo
contest, buffet lunch. WED.
—Cruise to St. George, Steel
Band entertainment, Gombey
dancers, refreshments.
THURS.—On your ‘own:
swim, shop, sightsee, sports.
FRI. — College Week Revue—
entertainment. Tennis finals.







-All these... and lots more —

complimentary activities!
Cyr +
L Campus Organizer now!



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and —

passages so often -misplayed | in

She and the orchestra combined -

plete mastery of the technically.

Saturday, December 14 8:30 p.m. '

fessor of English at NYU,- will

given by Horace Alwyne, Proféssor.
Emeritus of Music, and Agi Jambor.

The Bermuda Trade ‘Development. Board —

difficult finale. The technical dif-
ficulties, however, were

in theorchestra’s expressive play-
ing, so necessary in any romantic
music. .
BEST PIECE

The Faure Suite, ’‘‘Pelleas et
Melisande,’’ was by far the best
piece on ‘the program. The or-
chestra played as a whole, and
the woodwind. section, enhanced

by the harp, showed itself capable

of colorful.sound. The entire piece

was executed with the lyrical _

sonority of Faure, which comes

only through cleancut playing and

not °
evident, since they were forgotterf .

“Stronger” Orchestra Performs Bruch
Mozart, Faure Works at First Concert

feeling for the music,

The final number ‘on the pro-
gram~ was the* overture to
**Rosamunde’’? by Schubert. Here
again the orchestra. played with
delicacy andstrength when needed.

_ NEW STRENGTH

The concert ended with a repeat
of the Sicilienne from the Faure
_Suite, this ‘time stressing the

delicate flute and harp parts, The -

1963-64 orchestra has an oc-
~ ¢asional problem with pitch, but its
sound is fuller than it was last

strength, especially in the wood-
“wind and string sections,

year and shows a definite new

Fu ine, ‘Gruff? Renditions

On New Van Ronk Disk.

Dave Van Ronk, Folksinger:
Prestige of Folklore 14012,

Twenty-six year, old*RQay-- Van. om

Ronk has already established him-
self in the folk field with his gruff
rendition, of American ballads and
blues.” Now, in this record, he
moves into more subtle shadings
of meaning, -
Although an “urban folksinger,”’

he very definitely has his own style.

-admirers, including Odetta, -he
successfully entered the folk-field.
Then he began to listen to old

Gradually, encouraged by many —

transpose the contrapuntal ideas
of rag-time pianoto his big Gibson,
The.result was a style far more.
mature, just as powerful, but full
of new shadings and warmth, There

_is also a pleasant humor and a

refusal to over-dramatize,

“He was a friend of mine,” .
shows a deep understanding and
compassion for the simplest folk
material, ‘Stagger Lee’’ and .
‘‘Long John’’ tell convincingly of
+ Strife-and-vielence, especially-with

the intricate guitar wort\in“Stag-
ger Lee; 29 i tar worn P

-records by -Mance-Lipscomb er the-—---Phen-there-is the gentle-and-al-

rag-time men, to give moreatten-
tion to voice dynamics, and to

nck Revolution, Artistic Talent Form
Subjects Of DuMaurier’ s Latest Novel

THE GLASS-BLOWERS is the
latest work of the famous Daphné
du Maurier. This book, however,
is more a history of the French
Revolution than a novel, ,

The story is: told through the

eyes. of Sophie, one of the five

children. of Mathurin Busson, a
famous. glass-blower who. made
a~-perfect -crystal-goblet in honor
of Louis XV of France,

This very’ crystal -came_ to
symbolize the artistic talent of
the Busson family and the fate
of the family unity. As different
as_these children. were,..each re-

flected the impact of the Revolution ..

on their family.

It is in the. Prologue and the .

first -section of the book that we
see Miss du Maurier’s talents as
asnovelist. The Prologue contains
a. vital and primitive description
of the life of the glass-blowers,
and in the first section, the family
is the.center of interest, rather
than the external events and the
‘growing uneasiness in France.
However, in the second section
the historical events, the fear of
vandals and the surging public





NEWS AGENCY
* Books Stationery
Greeting- Cards
844 Lancaster Ave.
~~» Bryn Mawr; Pa.







come to the front. Although the
story is written in the first per-
son, the author loses. sight of the.
story and.concentrates solely on
the ‘historical aspect-of the novel.

One Sees the detached eye of
the historian at work: ‘‘,.. the
crowds today, Friday the 24th,
were even worse than on Wednes-
day ... and despite the presence
everywhere of the armed militia
there seemed more disorder too.”
The narrator is. present at the
scene, but shows no feeling, al
though “she says; ‘1 drummed. up
my courage,?’

Thus the reader’s interest in

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Phone first to let the folks know sel plans; It

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this section hinges upon the book’s
historical value and its relation

to. previously . mentioned. char-—









most: childlike humor of ‘Mr,
Noah,”’ and, of course, the intimacy
of ‘Come Back, Baby,’’ done with
beautifully wistful shadings, and
**Cocaine Blues,’”’ a near master-
piece of talking and singing, witha
pasthos hard to find on most of
today’s folk records, :

In short, the record is .most
certainly worth owning, and may
even be one of the most powerful,
unusual, and perhaps BEST: folk













©

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acters. However, the author does records ott. C.P.
describe emotion at times, as‘in 3 = ea
the scéffe where Sophie cries \ l.
desolately on the steps of her - ai
Hocerces
sister’s house, But on the whole, EeAnn Ue BOX! :
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