College news, December 5, 1962

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VOL. XLVIII—NO. 9

~ ARDMORE and BRYN MAWR, PA., WEDNESDAY, DECEMBER 5; 1962

© Trustees of Bryn Mawr College, 1962

PRICE 20 CENTS



_ Conservative Uzzell. Discusses.

sree oe Peer ag — ga ate 8

- Supreme Court vs. Constitution

On Monday evening, December 3,
the Conservative Club presented
Stephen Uzzell in a lecture.on “The

Mr. Uzzell is a local resident and
Prominent conservative,
_ He opened his discussion of the

peat by stating these three basic
_, Premises on which he based his ar-
. -- guments: 1. “To have an ordered 80-

ciety, “Boverpment is a “necessary
evil.” “Without government chaos
exists._2, Individual freedom is a
great. and’ desirable freedom~which.
must be preserved. | . 3. Power will
iherease itself until it is effectively
checked.

The division of, power betweéh

legislative, executive and judicial

branches on the levels of local,, state
and national levels is the instrument
for checking this misuse of power.

Head Organization,
Evicts Swarthmore

“Supreme Court vs. The Constitution2”—

Not only is ‘the federal government ~
usurping powers of the other gov-
ernments, Uzzell. contends; but the.

federal executive and judicial:

branches are encroaching on the
powers of the legislative. Recent
examples cited of ‘this ‘unconstitu-
tional- encroachment were. the’ feder-
al intervention ‘in the. “Ole Miss”

‘segregation problem and the New -

York Prayer Case. -
Uzzell ‘questioned, the wisdom
and constitutional legality of sev-

eral _recent.Supreme Court decisions

involving state sedition © laws; ~bar=
examinations, subversive ~persons’
trials and the “Marxist” income tax.
He also questioned the legality of
Kennedy’s use of federal troops in
Qxford, Mississippi, He cited it as
a possible violation “of article four,
section four of the Constitution.
Mr. Uzzell criticized not only the
wisdom and legality of the court’s
judgment, but also the laxity: of re-
quirements for the justices’ appoint-

-Tent. He cited the fact that at a

-Kappa Sigma Frat

The Pi chapter of Kappa Sigma.
fraternity at Swarthmore has
been formally suspended. by the
national” organization due to the
chapter’s opposition to discrimina-
tory policies. \

Jack Willis, president of the lo-

recent time, all nine members of the
court had no previous experience on
the bench ina court of record:as
corroboration of his. argument.

He advocated a general stiffening
of: qualification - requirements, and

- suggested..as alternatives limiting -

the court’s appellate jurisdiction, or,
as~a potentially dangerous and un-
sound. procedure, - impeachment. He
concluded. his_lecture -by stressing
the importance of the Supreme

~Gourt’s* reliance on the good-will of

cal, stated that the fraternity will |

operate as,an autonomous organ-
. ization, and that chances of re-°

joining the national are “extreme-
ly slim.” The local is, unwilling, to

reapply _ for. national membership

until present discriminatory. pol-
icies are discontinued, * but they

In 1957 the’ Swarthmore chap-

_ter.-helped..to-remove—the -written

disctiminatory clause in the na-
tional. constitution. At the same
time, the national was ‘given the
power to suspend locals for minor

procedural. offenses.

The implication is clear. The Pi
chapter. did not participate in a
“eentlemen’s- agreement” to bar
non-whites, and has been trying to
sound out other locals concerning
the discriminatory policies. A let-
ter to.the chapter cited reasons for

--suspension which are “convenient

but. not accurate” according to
Dean . Barr of ‘Swarthmore. The
Dean and members feel that the
chapter’s failure to comply with
the national’s “gentlemen's agree-

ment” is the basic reason for its

s suspension.

~The chapter’s - break with the
organization -will: prob-

but members are optimistic. Wil-

ty

the people and their constant efforts
to make judgments of a_ political
and biased nature.

Indian Association

‘Starts Fund Drives

feel that this will, not. happen...

Fer-Relief In India-

“The Indian*Students’ Association=
of Philadelphia_is soliciting vol-
untary contributions for two funds
to assist the Indian people in their
border ‘conflict with Communist
China. ae

The first fund, The Indian Bor-
der - Operations Relief Fund, -
specifically designed to provide re-

lief” to “the families ‘of Indians

. killed, wounded,

or’ “Gisplaced be-"
cause of the, Chinese “er on
the Indian. border.
The Indian National fiefense
Fund, the second fund, is intended

to reinforce the defenses of: India.

Sponsors of ~ the - Association’s

. drive include the - presidents of the
‘ University of Pennsylvania, “Tem-

lis said. that by becoming finan- .

cially independent it will be able

either to expand its. program or _

reduce present membership costs.
.- Both alumni and, administration
have indicated strong ‘support of

mittee to notify other former
members and to confer with the

administration.” Ata recent meet-

position in the dispute..
’ The alumni have organized. a com-

ple University, the Philadelphia
College of Textiles~ and Science, -
and Drexel Institute of -Technol-
ogy:

In: addition Xp opening drives
on these campuses, Indian students
in the area have already collected-.
from among balms hid argee for
the fund.

of the two funds will be welcom-

ing of members and. alumni the.
prevailing attitude was one of

“positive encouragement.”
| Members and local alumni ‘met

national, on Nov. 28 to discuss the

autonomy of the local .chapter, :

1 Be
,

with Dean Anderson, head of the ©

at

ed. by
should. be addressed to “The, In- .
dian Students’ Association of Phil-

the Association. Checks

adelphia” and sent to:
The Treasurer :
Indian Students’ Association

Stes 4 Philadelphia

P..0. Box No. 8576 °°
Philadelphia 1, Pennsylvania.

_New York, Concert ‘Varied Dieces Characterize Concert.

ToFeature Dances
_ By Bryn Mawrters

Critics of Bryn Mawr creativity .
should’ take’ a second. look—this

—time_a_long-look—at-the Bryn-Mawr-

Dance Club when it performs at
Judson Hall in New, York on Jen-
uary 4. *

‘So, for. that matter, should all -

devotees of the- dance, ‘modern
music, jazz, Bryn Mawr girls, or
what you ‘will.

The club, under the direction’ of

Ann Carter Mason, was the only
college dance company invited to
perform in: New York. The. con-
cert will not be a “professional”
performance but a~-demonstration
of the work the club has done here.
No--- special —concessions will be
made for a New York audience.

The company will perform two
pieces from last year’s spring con-
cert: the suite from “Mysteries,”
danced by Leslie Hartley; Nicole
Schupf, Senta river, Barbara
Hurwitz, ‘Elena Mestre, Terry. San-

tini,, Pam. Mulac, Harriet Bograd,

Gretchen. Field, Mirina. N. Mkoum,
Continued on Page 5, Col. 2 ©

“of the Concerto
how much his friend Tibor Serly’s,

Fanders, Solos in

by Nina Farber ’
- Infrequently played works here

heard a at the Bryn-Mawr. Haverford.

College Orchestra concert last Fri- >

day at 8:30 in Roberts Hall. There

_' was one work on the program, the

Cello: (Viola) Concerto of Bartok,

which nobody had perfornied in the —

Philadelphia . area until. Steven
Flanders, a senior in political ‘sci-
ence at Haverford, brought it~ to
us as soloist in. this first concert

of the Orchestra’s sixteenth sea-

son,
Dr, William Reese, when he un-

dertook to conduct the Concerto, ~
“accepted atleast as. difficult a

challenge as Mr. Flanders. faced.
If one had forgotten to read Dr.
Reese’s notes, which explained
that. the three, movements were
linked by short transitions, one
still felt strongly the change: in
mood and material, though not in
tempo or dynamics, within what

. sounded like a single movement.
It is not certain just -how much.
is Bartok’s . and-

Difficulty In Interpretation.

Marks French Production

by Marcel Gutwirth
Haverford College

It was an uneasy experience. For
the first time in my memory the

_Drama Club attempted an important

French’ play, and-for a complex of
reasons it failed to bring it off (it
is also the first time this can be

‘ said of a production of Robert But-

man’s.)
‘Richard Wilbur’s verse transla-

tion, admirable.on the printed page, -

turned ‘unexpectedly traitorous
When spoken. on the stage. Rhynte

-subdued—in “French by-long—usage, -

and carried effortlessly by the struc-

tire of the line, rings disastrously

insistent. in a language attuned to
blank verse.. The resultant empha-
sis on cleverness, on the unexpected
resolution of the problem raised in
the first line, and breathlessly await-
ed at the close of the rhyming sec-
ond» turns classical balance and in-
ward. laughter into the staccato of
Gilbert and Sullivan.

‘The problem of distance, more-
over, proved insuperable. When a
nation laughs at itself, it. seizes
upon. elements in- its makeup which
are well-nigh invisible to its own
eye, but which stand out monstrous-
ly in that of its neighbor. The French
are at once the most formal and
the most informal of people. To the
Anglo-Saxon . mind this “generally
conjures up the spectacle of insane

_ceremonial carried on with ape-like
When Moliére. plays -
off the quick-tempered, clear-eyed ©
“side of the French character against

nimbleness.

its stately, periwigged, ceremonious
protestations he~ seems, therefore,
to those who think themselves ex-
empted from this particular form
of human contradiction, merely to
be belaboring the obvious.

attention to the difficulty without

-solving it. If we are to-laugh with

Moliére—not at Moliére—we must
be allowed to become one. with. the
fools on the stage,

This brings us! to the heart of
the problem. Of _all the. plays of
*Moliére, The Misanthrope.

is. the
most. taxing by far. It laughs at

ad

By re- -
' stating the problem, heightening the
Contributions: to. sg both. distance, - -the- device. .of- Oronte’s-—
spoken stage diréctions merely calls

lecehtas itself, pitting the: consci-
ence of. one man again the follies of
mankind, Alceste, Blake’s just man
“driven into barren climes,” roars

with genuine anguish, but his anger |

betrays--him-into-a—speeies. of -high-
er. complacency. He delights per-
versely in’ being.alone indignant and
right. - His righteousness creates a
solitude which hé would share with
Céliméne,. the woman who towers
above others in beauty and wit, as
he~ does. above men~in resoluteness
and decency. But she, a widow of

_twenty, clings to the world she de-
“spises,. preferring” glittering tnhap-"
—piness- to--the- challenge-of-solitude.-

The passionate impatience of the
one, the quicksilver aloofness of the
other could scarcely be adumbrated-
by’ a moody Andreas. Lehner in

‘search of his lines, by a glowering

Jane Robbins, who.bridles-when. she
should have -smiled.
The fops (John Pierce and Peter

Moskovitz) were silly and gay, Ar- ,

sinoe (Phoebe Ellsworth) convinc-

~ ingly prim~ and’ prunish, ~ Philinte
. (Munson Hicks) owlishly sensible, :

Eliante (Wenda Wardell) gently

‘reasonable, Oronte (Peter Lary) as

blatant a. fool as one could wish.
The sets were exquisitely bare, the
costumes: tastefully lavish, no effort

‘was spared to create a jewel; which

if it failed to dazzle, was by no

means>bereft of all sparkle.



. Stay Here for Christmas

The Graduate Center -will re-
main-open during the Christmas.
holidays, primarily for ‘graduate
students; but undergraduate stu-

- dents who live too far away to

return -home at Christmas: time .-

may talk with Mrs. Marshall about’

> the possibility of staying at the
Graduate Center.

The charge to
students: willbe for:room onlyand

_at the rate of $1.50 a night. Cook-'

ing facilities will. be available on
-the ground floor. for those who

._would like. to cook for themselyes %

and keep a neat kitchen. ©
Will graduate students who-

would like to consider staying .

please see the Senior Resident
-at the Graduate Center or call
Mrs. Carland. %\

.

- schools -or orchestras,

Bartok Concerto

who. pieced ‘it together from unor-
ganized sketches for a viola con-

certo left after ‘Bartok’s death,
But the complexity and richness ~~~

of the work seemed to qualify it
‘as preeminently Bartok’s, and pro-
vided far too much for the breath-
less listener to encompass at first

hearing,

FIRST PART -

«

The first part might be termed
melodically fragmentary, the cello”
often opposing: the orchestra in
interchanges of varied and evoly-
ing rhythms. Whimsical phrases
for flute and oboe darted around,.
and a passage reminiscent of Bach
entered on: the cello.. A sense of-

‘melody grew as the cello’s sustain-

ed, cadenza-like Adagio - Religioso
left the orchestra temporarily in
the background.)

Here and throughout Mr. Flan-
ders: played straightforwardly and
‘intensely, concentrating on the
evident sweep ‘and conviction of
the music, rather than on subleties
that were not essential. In the last
movement, sections in- which the
cello’s melody was supported by
full orchestral harmonies were

~ woven in-with folk-tunes and rhy-~ ~~

thms, There .was more for the lis-
tener to grasp in this~final part
than’ in_the first.

The entire work demands. fre- -
quent hard listening, so that what-
ever was. incofmprehensible-(for -in-
stance’ what the orchestra is actu-
ally doing and the relationship of
this to the solo part), may fall
into place. One. can say’ only that
the orchestra sounded assured. The
exciting Concerto gripped the au-
dience. until the last. note.

The other. major work-on the
program was Haydn’s Symphony

No. 73 in D Major, (“La° Chasse,”) ~ =
“Since its form “was Clear and fani-- ~~

iliar, unlike that of the Concerto,
for which one had had to struggle, -

one could devote one’s attention to. —

interpretation. The forte of the
gay first movement was less ap-

“propriate to the Andante, , which
- came across as somewhat heavy-

handed and static ‘for such a grace-
ful structure and tempo.

A. vigorous Allegro. Molto (the
programmatic “Chasse”) conclud-
ed thes Haydn. Although again

-quite forte, it charged along full
_of spirit and punctuated by the
salutes of the oboe, bassoon, and-——~

French horn.. The strings rarely
rushed or lost control and every-
one brought the movement skillful-
ly to its surprising piano close.
Rossini’s vicacious Overture. to
L’Italiana in Algeri opened= the.
concert very ‘pleasantly. One could
already -hear> that the orchestra
felt on its méttle. Contributions of
participants importéd from: other
especially
that of the fine oboist Jay Light
from. Curtis, were in evidence.
é ae overture, plus an_alle-
nded ‘the goncert: ‘The. Over-.

asad and allegro,from La Sultane
- Saite by Couperih, orchestrated
sand {ranstribed by Darius Mil-

haud? “A majestic, really beautiful
work,
orchestra’s performance. The _pic-
colo’s persistent ‘shrilling above
waves of lush string sound was one
interesting. effect of Milhaud’s con-
ception. .This satisfying music of
the “Middle Baroque concluded. an
unusual program.

-

it. received its due in. the ~~

a TERS
| Pag e Two: cae mes

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Pt

THE COLLEGE NEWS.

-#

°

=F.

ednesday, December 5, 1962 _ =



| FOUNDED’ "IN 1914 ; 2

" Publisned’ weekiy during the College Yéar (except during » ¢
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‘EDITORIAL. BOARD

Editor-in-Chief ........... Cevenecovees parE ar arr a rar Janice Copen, ‘63 . -

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“Ape BS

_ iis hadcentered and. recently wrote an_article condemning those ' |
who ransacked the dormitory room of two students who had °

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+ ng

-.+ = Judy -Bailey,-

To Monday Night's Guests

~-==:We-are-always happy. to have. controversial lectures_on

. place.

AB yes

wait EDITORIAL STAFF
;-Lora MoMeekin,. ‘63; Mery 4; W




jeld, "64; Ronni. Iselin, “65;

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sey sen'653, Barbara. Sachs, 106; Lynette Scott, ‘65; Janet Rodman,*65; Cristy Bednar, ‘66.
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campus and we are happy to have local residents and students
from other colleges attend, them.. However, we-expect them
‘to be polite to those who hold opinions different from theirs.
At Monday’s lecture on the Supreme Court given by Stephen
Uzzell, the familiar situation of rabble-rousing students. was
revers@g. We found the guests’-behavior rude and thought-.
less: they interrupted students who questioned the speaker or
disputed. his-argument; they talked among themselves while
~ the students spoke and made audible’slurs on anyone disagree-

ing with the speaker.

Whether or not we agree with. their
and the speaker’s position, -in all respects we teel their beha-

vior was irresponsible and inexcusable.

Freedom of the Press- ~

This Time in “Ole Miss”

_ The editor of the Mississipian, the campus daily news-
paper at the University of. Mississippi, is expecting a vote of
censure from the Student Senate for her editorial stand on
the treatment of Negro James Meredith. Miss Sidna Brower, -
the editor, did not comment on Meredith’s admission. to the
university: but urged that students accept Meredith once he

eaten dinner with ‘him.

On this campus, it hardly needs

\ : ' ;
, saying that violence is

not_a just means for solving a problem. On Miss Brower’s

apparently it does.

We applaud Miss Brower for taking the

‘stand she: did and admire her for maintaining ‘her position.
despite widespread criticism and threats to her-family. As
an editor it is her right and perhaps her duty to express dissi;
dent opinions. Students are free to oppose their newspapers
position but not, we feel, its right to take a stand in the first

Thanksgiving Cuts |

_ Mrs. Marshall ‘stated yesterday that Thanksgving Vaca-

at

®

-tion-went.-very-.well.There were fewer students absent from.

last and first classes than there had:been under the old sys-
tem. Anyone who has an urgent reason for leaving early or
coming back late from Christmas vacation should see her
respective Dean and state her reasons in writing before she
departs. If Christmas Vacation goes as well as Thanksgiving

did, there will be no penalties given.

We congratulate the

student body. for proving’ itself capable of living up. to this

responsibility. :

‘ about poet W. D. Snodgrass, ‘who
“read his poetry inthe ~Degnery —



Arts Night °62-Will Slight No Muse, -
To Offer A Variety Of Entertainments

Few of the muses will be slighted
by the diversified program of Arts
Night, .1962.. This evening of light
drama, poetry, dancing, and both vo-
‘eal- and instrumental music, co-ordi-

‘nated by chairmen Barbara Wyler |

and Wanda Bershen, ‘will be present-

ed Friday evening, December .7, on

the. stage of Skinner workshop.
Thalia and Melpomene will be

. Konoréd by the premiere performance
. ‘of Miss Universe, a,play written and

4

. sist of two nunibers, A Ceremony of . -
~~.---Carols.and Three To Get Ready, both ~-

directed by. Roger Hertzel of Haver-
ford.- ‘The cast will include ~ Jane

Robbins, George Sargent and Caro-.
‘lyn Willis.) op Ss .

Two ance sequences will be per-.

formed under the atispicious eye of

- Terpsichore, muse of the dance: The -
first sequence, choreographed by Sen-"
._, ta Driver, will include two numbers.

Dance Figure will be performed by

Nicole Schupf and Senta- Driver;-

and Ikons, by Beverly Carter, Tobey
Williams and Senta Driver,
_ The second sequence will also con-

’ choreographed by Pam Mulae. The

7 - . 4

first number, divided into three
movements, Processional, Wolcom
Yole, and There Is No Rose,. will be

‘danced solo by Pam Mulac. The sec-

ond number will be performed by
Bobbie: Hurwitz, Elena’ Mestre,

My ther.‘ small

Terry Santini, Gretchen Field, Mirna -

Nkoum and.Pam Miulae.

-€alliope,- adopted muse of ‘folk’
“singers, will oversee the voice-gui-
- tar numbers of Béb Gallway and Stu

McDougal. Anna Norberg, pianist,
and Bernie Berman, violinist, -will

form another duet.

The" Bryn. Mawr. Madrigal, Singers

will salute Polyhymnia with their
performance of the Lamentation of ~
Jeremiah by Thomas. Tallis. In an.

entirely different vein, Ellen Halpern

“will play a~ Spanish: guitar -accom-

paniment of Jane Robbins’ récital in’

Spanish of a poem by Garcia-Lorca.
SR of lyric poetry, Euterpe, will

be further honored by the. public
- announcement of the outcome of the
- current poetry contest.
Tickets for Arts Night, 1962. may

be purchased at the door for 75 cents

or charged to payday,

Will Join Voices
In Seasonal Sing
The Bryn Mawr College.chorus

and the Haverford College Glee Club
will join in presenting the annual

_.....Christmas Carol service to-be held

-Sunday,~ December--9,. in -Goodhart
Hall, and Monday, December 10, in
Roberts Hall at Haverford (both at.
8 p.m.) —

=~]. Under ..the direction of Mr," R..

:. by Edna Perkins

If all the pink plastic Christmas
trees in the United States: were~
placed end to end... :

Well anyway, this brings us to
the problem of presents. to put un-
der the pink’ plastic trees onee we
get them on their feet again. If
going. Christmas shopping reminds

“Goodale; the Bryit Mawr chorus will” “you of the last’ time “you” found:

‘sing a motet for Advent arranged
by .Mr. Goodale, entitled, ‘Missus
est.Gabriel... It- was written by..Cris-

tobal de Morales, an early Sixteenth
__.._.. Century Spanish composer. They will
also sing Sanctus by Andre Caplet venient ifyou_don’t.mind giving »

from Messe a Trois Voix; a carol
by Zoltan Kodaly, The Angels and
the-Shepherds;-and-a-_carol, The Un-
spotted Virgin, written by an Amer-

ican revolutionary, William Billings. -
The Haverford- chorus. will ‘sing a

Bergundian carol, Pat-a-pan and O
Little Town of Bethlehem.

The choruses of both colleges will
join to perform the highlight of the
service, Magnificat in C, for a chorus,

“of mixed voices, by Johann Pachel-
bel. The Bryn Mawr-Haverford or-

chestra will accompany this number.
Professional players have been ask-
ed to. perform the difficult trumpet
passages. The ‘combination of fiye

~ voices’ and the orchestra renders

this music both beautiful and excit-
ing. , Pian
The singing of beloved.Christmas
carols such as The First eee and
Hark the Herald Angels Sing, and
the Christmas Story, read by Dr.
Mutch of the Bryn Mawr Presby-
terian Church, will complete the
concert, an-addition to the campus’
Christmas festivities. ‘

yourself in :-a~--washing* machine~

with too many suds, the soltition is
to stay home and use all those fes-

~tive-looking “catalogues that-come

in the mail. sce :

These catalogues ‘are.very con-

some pretty ridiculous presents, or
if you really want $50,000 worth of
fake monéy sprinted on colored .

~~ ¥olls of —toilet*_paper, —or;—better-<

yet,'a genuine imported camel sad-
dle ‘with folding. legs. ‘For only

, $11,500 you can get a real Chinese

junk, hand painted, fully rigged,

Philosophy Club Invites
Princetonians to Lecture

One of the few things Princeton —
lacks is a philosophy club.” So~1t>
turned, naturally, to Bryn Mawr for

“help. And to remedy this situation,
_ Bryn Mawr has agreed to try to

stimulate philosophical Princetoni-
ans into forming a club of their own.

Therefore, on Thursday, December
6, a group of Princeton undergradu-
ates and graduates are coming here
for tea and a. lecture, to be given
by a Princeton professor, Mr. Pitch-
er, on the: subject of Emotion; ‘It is
hoped that this will not only encou-

rage the formation or*a Princeton

Philosophy Club but will, in addition,
encourage a return invitation from
them. sometime in the future.

Snodgrass Prefaces Poenis .

With Everyday Experiences:

by Brooks Robards

The road from experience ‘to*

poetry is often circuitous. Yeats
entangled the events of his day-
to-day existence in a mythology of
occultism, Celtic lore and” faery;
Byron clothed it.in such imagin-
-ary figures. as Don Juan, Childe
Harold and Manfred.. ’
What is particularly .interesting

last Thursday, is that he puts the

events of daily experience into -his .

poetry so directly. a

Snodgrass prefaced most of the
readings of his poems with the
occurences in-his life from which\
they were distilled. He is neither
‘vague nor secretive about the pro-
cess by which\ his experience be-
comes his poetry. |

Born in Wilkinsburg, Pennsylva-
nia, Snodgrass later lived in. ano-
Pennsylvania . town,
Beaver’ Falls; ‘He went to high
school. there, and took.part in
school plays, was a, member of
the tennis team,.and played the.
tympani for the school orchestra.

“THE FLOOD”

‘The poem “The Flood” describ-
es the path which the life of one
of the boys. who. played.the coro-
net in.the orchestra with him has
taken. Before reading the poem,
Snodgrass explained how he had
returned. to Beaver Falls after

many years of absence. After see-.:

ing the damage done by a flood to

. pgorer section of town; including
that. of -his.-high -school-jorchestra
friend,-he-—wrote “The Flood.” —
‘After graduating. from high
school, Snodgrass attended Gene-
va College, went into the Navy,
and later went to the University

“of Iowa. While doing graduate

work at Iowa, he took a job a8 an
aide in a Veteran’s Administra-
tion Hospital. This job .was the
source of the poem about a dying

\

=

“die.

_ the: wind. slipping

the homes of the people in the.

ed is a matter of
and dislikes;

.of judgment.

veteran of World War I which he

read. The poem describes the tasks
involved in taking care of a man-
who was expected to die the first
night. he was brought into the hos-
pital, but lived on for many
nionths, not with a determination
to live, but.a determination. not. to

From. that period of his~ life
spent in colleges: and universities, .
came “the poem “The Examina-
tion,” which describes the avari-

cious blindness with which a group’ ~

of “black-robed” figures’ mutilate

a golden eagle. Before reading the
poem (Which was first read at a

graduation ceremony at-*Columbia
University), he was careful to: ex-
plain. to his audience “what he
meant’by his’ mythological symbol,

_ the eagle-(intellect and wisdom).

. After getting his BA, MA, and
MFA at the University of Iowa,

Snodgrass taught for a short per- +

iod at-Cornell University and the

University of Rochester.. Before

Yeading his poem “Lying. Awake,”

i ffe described the (house he had «

lived in outside of Rochester, where
in - through
cracks’ was “likely to lift the rug
right off the floor.” He-found the
moths particularly bothersome, and:

‘tells how they “squirmed up, snip-
-er-style, betweén slash the ‘rusted
edges of the screen’) trying to get

inside his room. |
BOURGEOIS POET ee

Mr. Snodgrass has been cited for
having “the gift of-transforming
ordinary experience, including the

.” He has alsé been
called a “bourgeois poet” because

of the often prosaic nature. of his:

‘Poems. . :
Whether he is bourgeois or gift-
individual likes
his clear, vibrant
reading given here last week of- .
fered the audience the ‘proper basis

Sr

“Maria, and a’.
‘tray...
domestic, into. a decisive-act of the ~
imagination . .

Christmas Catalogs Contain Choice _
Of a Gala Galaxy Of Glorious Gifts

and delivered. It’s cheaper to be
exotic at. home in Nieman—Mar-
cus’ $1500 “Shah Toosh Gown,”

which is made of wool collected

from Himalayan rocks where it
had been left by ibexes rubbing
their throats during mating sea-
son. |

a aioe wisn aga an a Sos
‘DOI YOURSELF =~ = =
‘To judge from the. catalogues,
“do. it yourself” is back in style.
With the merchandise they offer’
you-can-.sharpen-your own.. razor
blades, build your own radios,
make your own yogurt with a
“Balkan yogurt maker,” grow your
own mushrooms, broadcast your
voice for all of ten feet, flee the
burning .-building :on your “very
own escape ladder, and even “as-

semble your own antiques.” —
The ‘ido it yourself” craze’ ex-

_ tends even to the toy departments.

For only $7.98 any child can “stage —
a full scale invasion.” The set.

comes with several, regiments of ©
soldiers, a plastic beach, and an ~

-enemy..machine gun that can be _

demolished at the touch of asbut- .
ton.. More domestic children-ecan
cook with miniature. mixes, turn-
ing out such delicacies ag fortune
cookies complete with fortunes, If
they. don’t feel like slaving over a
hot stove, they can. get a 48 piece
set of “miniature play foods,” in-
cluding a lobster. For the sadistic
child Sears offers a large doll that ~
comes complete. with. attachable
bandages, plaster casts, crutches,
and yellow chicken pox spots.

_ To help sales, various compan-
ies have turned to the arts. Poetic
devices like. alliteration “are--al-
ways good around Christmas, - so
Sears advertises everything from

“flowers floaters”, and “Pennsylva-=—

nia pretzel “packs” to -“Helpful
Hippos for Him and Her.”
Turning to sculpture, they offer:
busts- of practically _. everyone,
from -Edison to Beethoven. Speak-
ing of Beethoven, music is one of —
the biggest attractions in’ the
Sears catalogue. The true music
lover can get a small bust of Bee-
thoven, ‘Chopin, or Mendelssohn,
which,- on ‘ closer examination,
turns out. to be a music ‘box. It’s
not just. a regular music’ box, .,
though...It. plays a. “high-quality
musical movement’ by ‘the ‘hon-
ored composer... :

Other than that, Sears offers an.

amazing array of more or less
musical items. ‘They have beer
mugs that belt out drinking songs,
brown. jugs that give forth, the
strains of “The Little Brown Jug,”
ashtrays that croon ‘“Smoke Gets
In Your Eyes,” “Early American
Spice racks” that-greet the morn
with “Home Sweét Home,” coffee
pots that ‘warble “Let’s Have
Another Cup of Coffee,” baby pa-
cifiers' that sooth with Brahms’
“Lullaby,” plastic nuns at organs —
who-play “Ave Maria,” and cookie
jars that intone “The Mickey . .
Mouse Club Song.” 3 .
‘Eventually the Sears music men
ran out of specific song titles, so
the catalogue is full.of things that _
play “colonial. waltzes,”. ‘oriental :
tunes;”..“‘lively tunes,” and_ even
romantic. tunes.” The last category
is ‘the most popular—among the

_ things that play romantic tunes

are a- “manly” mtisical tie rack,
a moving statue of the . Santa
“revolving tid-bit
In. case this glittering array
of Christmas .cheer makes you
want. to escape’ Christmas altoge-

ther, you can gét, for only..one —'

dollar, a. passport. to: the. moon,
complete © withthe “fascinating
story of legal measures the issuer
used to claim all of outer space.”
Maybe someone should put that

White House.

under the pink plastic tree in the

ave




-Wetinesday;-Decomber 5;-1962:

“THE. COLLEGE ‘NEWS

Begs: Three



Russian Drama, The Gedhen, ‘ve rogram Stars Alger Hiss;

“Sat

by Janice Copen
*. The Society Hill “Playhouse was
too ambitious in undertaking its
current _ offering, The _Bedbug, by
Vladimir Mayakovsky. The produc-
tion is admirable, but amateurish.
Called by its. author an “extra-:

tical and social implications are. ob-
vious). The Playhouse actors, how-
ever, seem incapable of sustaining
the ‘dei the play required and it
falls flat in. places,



of the second act, sex, romance, love,

handshaking, vodka, daneing, itch- —

ing, and cigarettes are only listed
in a dictionary of archaisms.
At the-end, let. out of his cage,

union card by marrying her artisto-
cratic. daughter to a worker.
situation is not valid in 1962, It was

“in 1929.

The ‘modern references in~ the

isypkin notices the audience and play (to Stalingrad being Volgo-

his t expression of unhappiness

=-vaganga,", ‘The Bedbug ie a el ing 20d fear, becomes. one of delight.‘as

~and absurd play; (although its poli-

he exclaims:
you get here?. . . When were you
unfrozen?” This moment was cap-

=~ete.)-do- not--fit: with- the -references-
Darina how. did’ Mayakovsky. made. ‘to’ “Socialism in-

tured very well by Ronald Martini —

Hill productio .
Special mention must. also be giv-.

_en to Daniel Price who did a superb _

= job-of-playing Oleg Bard;-the profi- ’

Mayakovsky 1 was a “part ‘of the
revolutionary movement in Russia.
Although not a Party. member, he:
was sympathetic to the cause. He
choserather to express the ‘ferment

ahd. experimentation. of. his. time

= through’ the medium: of ‘poetry and”

. of plays.

A reading of his poetry is an ex- -

ttraordinary experience. The rhymes.

are shocking, the images weird, the .

_ meter entirely new. Although The

Bnenait is writteh in. prose, one

finds here the.same wildness, sh6ck-_.

‘ing lack of tact, and coarse humor
“as in’ his” poetry.

Mayakovsky was the poet oe
ate of Stalin’s Russia, but he’ saw
the dangers ‘of the technological so-
ciety developing in the Soviet Union.
The Bedbug, written in 1929, is a
devastating satire on the methan-
-ized life of the future. __

As a sort of symbol to the end of
the revolutionary era of free ex-
_ pression in the arts, Mayakovsky
‘committed suicide by loging at Rus-
* sian roulette on the morning of April
14, 1930. ®

-The®Bedbug is divided into two
acts. The first is set in 1929,:the
second fifty years ‘later. The first

act depicts the marriage of Ivan”

Prisypkin ‘alias Pierre Skripkin, pro-

“Jetarian, “to Elsivir Davidona Ren-—

“aissance, daughter of aristocrats, It
gives Mayakovsky a chance to show
how. quickly ideals disappear—how
. each is out for his own well-being
first.
FIRST SCENE
. The pre-opening attempt by the
players to bring the audience into
. the play by hawking their wares
among the playgoers was a. touch-
ing move, but the young people play-
\ing ‘the peddlers did-not- succeed. in
carrying” off this connection. ~ They

did very well, however,. throughout -

the playin the many roles they were
required to act. The quick changes

es “fret weene

of _@stume and personality were -

uSually effective.

Originally, The Bedbug had a
score by Shostakovich, but that has
been lost. The current production
has music by Sidney: Shupak which
is often good, but too-frequent. Al-
though: several instruments are men-
tioned in the play (a°guitar is Pris-
ypkin’s symbol), it was not meant
to be a musical—only to have the

+s

music be another element in the .

range of speech types. Mr. Shupak,
- one. feels, bee taken advantage of

the, script. \The music occupies too |

much’ of the play.

Mayakovsky uses Edward Bella-
my’s technique to join his two acts.
Fire destroys Prisypkin’s wedding,
but he alone survives, frozen in the
cellar.
er, he is resurrected only ‘to: find,
not the utopia of Looking Backward,
byt a diseaseless, evil-less mechan-
sical 1984. |. :
’ Prisypkin. with his guitar,
cigarettes, his alcohol, his germs

When found fifty ‘years lat.

his”

‘and the bedbug which was frozen’™

“and resurrected with him, ‘is con-"

sidered a freak worthy ‘of being put
in-a zoo. In the. -mechanized “world

¢



7 MR. DUDDEN

“sor of History, is flying to Cey-
lon: for the Peace Corps this eye-.
|: ning? He will be goné about two
| ton eae







Mr: Dudden, Associate, Profes- |.

the population” avalanche.

ee

teer who arranges the wedding’ in
the first act.

The* Society “Hill Playhouse must. .

be .commended on attempting to
present. an American audience with
this important: Russian play. But

“why. did they: not leave it as Maya- —

kovsky wrote it? The American

grad, to the Great Patriotic War,

One Country,” etc. The additions
only serve to offend the ears of any-
one who knows either the play or

‘who played the lead in the Society Soviet history.

DATE TOO. REMOTE:
—In-fact; the play-might have be been

more effective if the second act had
taken place in 1979, not in 2012. We
have, of course, not come to the era
of totally mechanized world voting
or putting guitar-playing beats into
z00 cages, or considering the discov-

“ery of one Bedbugus ‘Normalis’a fan-

play begins in 1962 and concludes in-

2012. ‘There was no need to change
the date; albeit it was written for a
contemporary society, and contem-
porary today means 1962.

But the-play was-not only written —
in 1929, it was written about 1929.
is
presence of NEPmen, the petit bour-
geoise traders permitted in Russia
in the 1920’s. Such a scene, could
not. occur today.

The plot rests partially on Rosa-
lie--Pavlovna’s desire. to secure a

based “on “the.

tastic accomplishment, but the

‘point of the play remains and might .

have been brought across more efkec-

tively if the date had not seemed

so remote,
If anyone is interested in seeing

~a~production of -a~ ‘rather fantastic

Russian play (even though the per-

formance is not on a professional -

level), the Society Hill Playhouse ‘is
located at 507 8th Avenue (accessible
by bus and foot by day, by taxi only
at night). |The Bedbug will be giv-
en. week-ends for the rest of the
month,

~ Decalogue For Essayists

by William C.- Loerke

Associate Professor of the History of an

I. Thou shalt choose a title and have no other title before ite: --

4
Thou shalt not make unto thee thine own image or likeness: leave

Thou shalt not. take the name of thy. title in vain. for the. canlae
will not hold him guiltless that taketh his title in vain.

Remember the point to present it wholly: six days shalt thou labor

in chaos’ and do all thy work; but the seventh day is the. day of

Il.
that. to thy biographer.
III.
IV.
clarity, in it thou shalt not do any work but write,
ie

_ Hortor Ahy mother tongue that thy. days may be long on thy campus.

VI. “Thou, shalt’ not, kill the idea with adulation; neither shalt thou de-

prive it of facts.
VII.
- lance or: calculated guile.
VIII.

Thou shalt not'‘commit thine essay to the aiuttary of fumbling irreve-

-

Thou shalt not, steal: name the hills whence stants thy help.
‘Thou. shalt not’ bear false witness: where there ‘is error, destroy it;

where there is deceit, purge it; where there is confusion, order it.

X

Thou-sha}t not covet thy heighbor’s- essay, thou shalt not covet thy
=neighbor’s idea, nor-his style, nor his training, nor his ‘speed, ‘nor his

brilliance, nor ‘anything that is thy neighbor’s:

Done on’ Mt.-Sinai after —
40’ days and 40 nights .
of grading papers.

This _

by Diane Schuller

" On'Friday, November 9, a singular-
ly innocuous scene took place at. the

New York studios of the Ameérican—

Broadcasting Co., but one that with-
in forty-eight hours was the core
of a broiling controversy in which
millions of Americans were emotion-
allly: involved: - 20 :

~The occasion was the Acai of a

segment of a television program en-
. titled, “Political Obituary of Rich-
_ard M,. Nixon,”

This program was
to mark Mr. Nixon’s apparent pass-
ing from the political scene as. a

“result of his ubernatorial — ; ;
rd epennnnnanen "“his..action_and-twenty per cent op- —

~ earlier in the we wee

The cause of the sntiavenay was
the. appearance of a_ stationery
salesman, Alger Hiss; the former '
State Department official convicted
in 1950 of perjury when_he said that.
he never passed secrets to a Soviet
‘spy ring. ~On. this -program, Mr,
Hiss spoke about his association in
the -late 1940’s with a young Cali-
fornia congressman, Richard Nixon,
who.as a legislator ram-rodded the
two-year probe which resulted in

OM elas ee cangetot ia!

- Hiss’ detection and conviction.
The™ first’ announcement “of "the © certainly want Lucky Luciano to be
_This. reference was. tothe.

program was on Saturday, Novem-.
ber 10, via an-Associated: Press-re--~
lease which read, “Alger Hiss will

“appear on a nationwide television—

program. Sunday entitled ‘Political
Obituary. of Richard Nixon’,” .. One
of the -first persons to receive this
release was Walter H. Annenberg,
Editor and Publisher of The Phila-

delphia Inquirer and President of .

Triangle Publications, Inc. His re-
‘action’ was immediate. He contact-.
ed the Televisiofi Division of Tri-
angle Publications and ordered the

}two Triangle ~ stations which’. are
ABC affiliates—WFIL-TV_ Philadel- -

phia and WNHC-TV New . Haven,
Connecticut, not to carry the Nixon
“obituary” program because of Hiss’
involvement,

In the Sunday edition of the In-
quirer, a. statement by Annenberg
said that he could not see any “‘use-
ful purpose” in allowing Hiss, who
had been convicted: of perjury for
denying that he passed secrets “to
the Communists, to. comment. about
“a distinguished American” who loy-
ally: served his country in» war and
in political office. :

Thousands of other. Americans
soon responded to ABC’s program

“and the telephone switchboards at

ABC’s New. York headquarters were
flooded with calls which seemed for
the most part to agree with the
position-that Mr: Annenberg took.
One ofthe protesters was a pro-
gram participant, former Congrene:

Poyo Suggests Fallout Shelter for Population: Explosion,
But Dubos Has More Substantial Solutions to Problem

by Ronni Iselin

Pogo suggests that “a fallout
shelter against a population explo-
sion would be a must,” but Mr. Rene
J. Dubos, of the Rockefeller Insti-
tute, offered another’ view in-~ his
recent Class of 1902 Iceture on “The
Population Avalatiche. «a

The. phrase, “poulation. explosion”
is misleading and merely .expresses

- the panic felt by the modern world,

suddenly aware that the steady pop-
ulation increase in the past > ten
thousand: years. must be curbed, In
addition, false and dangerous as-
sumptions stem ‘from the use of this
term, namely: that the population
increase is. due to medical advances;
that there, is‘ an imminent food
shortage, and that the solution lies

‘in improving methods: of contracep-

tion.
Historical research reveals cer-
tain salient factors responsible for

‘centuries, world population has in-

‘ereased in accordance with both im-
. proved methods of producing and

importing food crops and’ technolog-

ical advances making greater areas

available for human habitation. .
The briefest mighanyce glimpse

ap kre

makes. it..evident.. that.-medical .ad-.
vance has little to do wtih popula-
tion growth.
epidemic; and social disintegration,
humans have dauntlessly proliferat-
ed. Even today, the most, populous
areas are those lacking in any pro-

-gram of public health.

If human concepts of. population
are fallacious, perhaps*the answer
‘lies in the animal kingdom. Mr.
Dubos points out ‘that animals have
ce mia in homeostatic . mechanisms
which serve to. adjust population to
food ‘supply. Experiments have
shown that crowding affects the an-
imal’s hormonal system and: leads
to. depressed fecundity. |

Under extreme conditions, there
arises..a frightful, but little under: ~

a high population density will acti-.

‘vate animals’ adrenal systems and

Over. the. ;

cause large numbers to die of shock!

However, these, mechanisms are
scarcely apparent in).man~as the
evolutionary process has. allowed
for a selective adaptation to life in
a crowded community.

If .natural adjusting. foyées are

thus overcome, there remains the
oo * “@ ‘

.question..of birth. control,.

Despite war, famine,

stood phenomenon known as -the.

--“pepulation crash”. It-appears that .“As. we continue

which,
apart. from its mechanical aspects,
has profound social ramifications.
According to Dr. Dubos, it is social
structure, not—religion, which de-
termines birth| rate. The ultimate
problem concerns the basic biological
desire of all living things to “see

other living things around them.” ~ -

As for education in family plan-
ning, it is absurd to speak of such
a topic in. areas - where. general

~ health is too poor to inspire strength

to: plan for the future. . -Further-
more, if as in some underprivileged
parts of the world, a large number
of children die in their. first five
years; familial limitation would re-

- sult.in a lack of individuals to main-

tain the country’s economy.

Hence, the difficulty . is diverse:.
increasing our
population, all sorts .of ways of life .

dependent. on having room to. ex-

parnd ... will be destroyed.” Yet,-

contraception alone is not the ans- -

wer. Instead, Mr. Dubos: asserts that
we must learn to reconstruct a com-
pletely different. philosophy of hu-
-man_ existence in. which. the -empha»
‘sis falls upon the quality of human‘
a not upon the it sieiGl zi

C hie eee saubiin Ai

‘vied away sick. .

and .saft,

tirives M sehanineadl W orld — ‘Causes. Controversy On Nixon

man Voorhis, ’ who remarked that
the use of his taped remarks “would
be without my authority” if Hiss

also- appeared.--_However his protest

was. unheeded. and ABC did not—de-
lete him from the program.
On the other hand, the first Phil-

acs adelphia. protesters took. a different

oar of view. Residents complain-

2s eegneneee ane

that Annenberg was imposing — :

nsorship” because of his decision

to black out the*program. However, .

by the end of the week, the mail to
Mr, Annenberg averaged out at
roughly eighty per cent favoring

“posing““uailto~thesinguirer on the
‘Hiss incident was heavier than on

any other subject in the newspaper’s. .

history.
'. During the middle of Sunday after-
noon, James C. Hagerty, now ABC

Vice Presidént for News, phoned ~~
Mr. Clipp, Triangle television. chief,

and urged him to reconsider the ban
on-the program. He told Mr. Clipp
that Howard K. Smith, who con-
ceived the ‘program idea, said, “If

I were to present a ‘Political Obi-

tuary of Thomas.E. Dewey,’.I would

on_ it.”
former New York racket boss who
was imprisonéd as a result of probes
by. Mr. Dewey when he was a prose-
cutor, eas
Despite the criticism, Mr. Annen-
berg would not change his decision,
and soon another television station
owner
judgment, The» Taft Broadcasting
Co,, of Cincinnati, Ohio, announced —
later ,in the afternoon that it was
cancelling the program on stations
there and in Columbus, Ohio.

When 10:30 p.m. arrived, many
‘Americans turned on their television
‘gets to see -a scheduled Veterans’

‘~-Day program -about our Armed

Forces and were instead. greeted
with the spectacle. of. watching a
man who had betrayed his country

~witting in judgment on a distinguish-
ed American.~;To those who were
‘strong enough to stay and _ listen,
Hiss explained that he was merely —
of _Nixon’s ©
You might °

the impersonal victim
drive for political fame,
infer that Nixon, ‘the opportunist,
was unmoved by Hiss’. treason—he
only wanted to get his name. in the
paper. —---

. The Los ‘Avalon ie in an
editorial, said that “even some sea-

> soned- Nixon haters must “have hur-*~:
the Hiss sequence —

was the central obscenity.” .

In answer to the accusations made ~

by: Hiss on the program, Sen, Karl
E. Mundt, Acting Chairman of the
committee at the time of the inves-
tigation, commented, “Hiss’ state=~
ments were ‘unfair, inaccurate and -
biased: It [the investigation] was
a team job urged forward by. a de-
termined -and: dedicated committee
It. was..not- motivated._by.
politics. It-receitved bipartisan, sup-
port: in the committee. - Hiss is to-
tally’ wrong in alleging it was pur-

sued so persistently because.of Nix- -

on’s political plans, or ‘because~ of '

any one indy tual's persiatenge ‘or, x

persuasion.”
Mr. Hagerty and Mr. Smith later’
offered. Mr. Nixon equal time in re-

‘buttal if he.wanted it but Mr. Nixon

declined. Such an offer, said: Rob-
ert H. Finch, Nixon’s former admin-.
istrative assistant, has the @ffect of
“placing Hiss, ‘a convicted’ perjurer

. on the same footing as a former

Vice President of the United States.” ~

began ‘to ..question ABC’s -

a a a os

—

- They also agcused Mr, Annenberg:+- :

of making his decision on thé basis
of a “pro Nixon attitude only.” He
. denied this remark -by noting that’
The Inquirer censured Nixon edi--
torially on -Noyember- “9, for’ his

comments. on the press following: the.

California gubernatorial race.

Two days after the program, the
Federal Communications Commission
disclosed that it intends to ask ABC
and the Triangle stations for a
statement on the number. of com-
plaints received about the program:

- Continued.on Page'6, Col. 1 -

a. ee
ms.

* pee ae

oe

?

_ time.
was only forced into it to pay his,

-. audience,

. and Chestnut Streets.

et ‘at 3 p.m.» December 13 .—

: Page. Four

re}

THE “COLLEGE NEWS

‘

Wediesdey, December Be 1962”



- Macrea Saw Play lis K Unit, Pseudo-Platonists
~ Revolutionized Theater of Time

In a Class of 1902 lecture, Deven:
ber 4, Mr. Alan Downer, director of
‘graduate studies in English at

—-Princeton, offered an account. of the -

life and contribution of William
Charles’ Macready, the Victorian

actor and man of the theatre.
-Entitling his talk “The Actor as-

_... Victorian,” Mr. Downer. stated that -
-the-key-to: many. of Macready’s per- .

sonal idiosyncracies lay in, his par-
ticipation in the , opinions~_of..-his.
He disliked the theater and

father’s debts,
become a Victorian gentleman, and

in 1851 he realized it by retiring .

from -the theater. He looked down
on his fellow actors.

Mr. Downer was ‘more concerned

with Macready’s work as manager
than with his-style of-acting,-as:the--
former “effected a revolution in*the
staging of Shakespearean and con-
tenfporary. plays. Mr. Downer ex-
plained that’ in prodtting a play

_-.~Macready concentrated. on./‘the-unity... ~~.

of the whole,” on making the dra-
matic poet’s vision palpable to the
Previously, the point of
focus in a play had been the “great

.. moments”, ge central character

Bored with BMC?
Take Phillie’ s Fare

For those ardent Jecture-goers
who _ have. exhausted Bryn Mawr's
numerous supply, Philadelphia. of-
for a whole new and varied fare
‘to’satisfy their appetites. Many of
these lectures are free and sev-

eral are parts of series. The fol-

lowing lectures. are offered :. in the
coming month:

Drexel Institute~ of suslicieain
will present a series of 30 lectures
entitled French Civilization as Re-

' flected: in the Arts, which ijlus-_

trates French civilization over the
‘past 2000 years. Through slides
and recorded music, jhe audience
will see examples of such things

as architecture, painting, tapestry, .
“and staihed*glass windows: Each

lecture will be offered “at six dif-
ferent. times:-. Moridays-.at...4. and.

-«-6,.and Thursdays. at 1:30, 4, 5, and

_.6 at _ Drexel Activity Center, 32nd
They, are
open to the ‘public.

Weekly talks on Philadelphia’
Orchestra concerts will be given’

: by the Rittenhouse ‘Square: Wo-

men’s Gommittee for the orchestra

,on Fridays at 11:30 a.m. Season '
~tiekets., are-$25;-single..admission.

$1:50. December 7, (Charles White
will speak at the Junto, 12th and
Walnut Street. For information
call Junto, WA 38-0985.

The public is invited to the fol-
lowing’ léctures at the University

of. Pennsylvania: December 6 —.

“Urbanism ° arid Culture—Will. We
Choose Excellence?” presented by

' Dr. Leland Hazard in Room W-51,

_ Dietrich Hall,- 3620 Locust Street,
. “The.
Role of Minority Magazines,” . a
lecture inthe Annenberg School of

_ Corhmunicatign. Series, The Mass -
_ Media in Contemporary America.

This lecture will be presented by.

Dr.’ Theodore’ Peterson at the An-
~nenberg School, 8623 Locust Street; -

at 4:30. aie
The Philadelphia.

relationships — ‘in painting
and sculpture; ‘at 2:00. p.m. and.
“The New ‘World. of the Italian
Renaissanc¢,” lecturer Anne Cof-
fin Hanson also at 2:00. :

restored » many

His «desire was to

ieee of
: ae presents the following lectures
- at the Van Pelt Auditorium, 26th’

‘and Parkway: December 11.— —
’ “Looking at Art with Hobson Pitt-
~ man,”

- subordinate ~

in the play, always portrayed byf'a
“star”.

In order to make ¢he whloe har-
monious, Mr. Downer went on,
‘cready emlpoyed scholarship and
techniques of the modern director.

He Ansisted that his costumes and
sets’ be historically accurate. He
of Shakespeare’s
‘plays in their original form:~ He. in-
_ stituted the full rehearsal, insisting —
that his-actors work out-their- char-
acterizations. according to his con-

_ception of the whole play and drill-

ing his “supernumeraries”. (soldiers
and members of the crowd) ‘to create
a visual. effect..

turalism, Mr. Downer stated, gavé
the theater the one legacy which

was ..to survive, from the Victorian:

age to the present,

“Gordon Addresses
‘Interfaith Group

On Freedom’s Use

by Ronni: Iselin

: :
Freedom, a much _ overworked

word, was examined in a refreshing- _

ly thought-provoking manner by

Ernest Gordon, author of Through

“he

=

Macready’s desire for greater na-.

then

Disgrace Dialectic
“Is TV a “Good?”

by Ronni Iselin and
Connie Rosenblum

with apologies | to Plato).

Back in the Rae old dacs of
Greek . perfection, Socrates: was a
man who always won an argument.
But. he would have met his match

in this “modern day” Phaedo, who -

favors. the perhaps. mundane delights
of television.

LUCKY MERION

-Only..one dormitory on..the Bren
Mawr campus, Merion,. has a tele-
vision sét; several others are think:
ing of buying them. Is thi§ymedium
of -entertainment- and/or edification -.
essentially corrupt. and a deterrent
from the mind’s higher ,pursuits, as
‘Socrates-seems to think, or as Phae-
do says, a necessary contact with
the outside world, and’a valid means
of expression? Here’s what Soc-
ratia and: Phaedo hans to say about
the ‘matter. n

Socratia: Where do you come
from and where are you going, my ~
friend?

~ Ph: T’ve-been inthe library pour-

ing over tomes of rhetoric, and I’m

- The Valley of the Kwai, and Dean —

of the Chapel at Princeton Univer-
sity.

In his Interfaith discussion on

evening, Mr. Gordon asserted: that
much of what passes as freedom to-

day is “conditioned freedom,” or

_ discipline.

The discipline of laws, folkways,
and mores, molding the type of free-
dom which marks the acceptablé citi-
Zen, is taught in the home and am-
-plified_ in. school. and college.
kind of discipline can lead to confor-
' “Man is-poured into a grey
flannel suit” and bécomes a- “cog” in
the “corporate machine.”:

A second sort of sittiesei ‘thus
necessary and this comes through
freedom of individuality. Freedom
comes to the individual because he

mity.

is conscious of the neéessity to act.
—in a-“moral’ way. * Education. rein-

forces this sense as it enables man

to test his experiences 1 in an objec-.

tive manner.

Through. study. of the. el id,
for, example, we ‘are made..aware of
‘our “hunian-ness” and can identify —
with the whole history of mankind.
From knowledge of past human tri-
umphs there arises a faith in that
which is “above. and béyond the ra-
tional” and a sense of hope for hu-
man _ progress,

However, individuality asserted in
the sense of worthless: rebellion is
sélf-destructive. “The self-conscious

dom for oneself may,~in the long

run, be a form of slavery,” Mr. Gor- .

don said. _ \

On his return front the Japancea
prison camp, Mr. Gordon found his
ideas best expressed in Russian lit-
erature. The writings of Dostoevsky
in particular revealed the. erratic
“nature of freedom:~that freedom’ is
at once “divine and demonic, creative

and . destructive, rational and irra-
tiohal.”. -One of the characters’.in

Dostoevsky’s The Possessed declares

that to kill oneself is to achieve the .

greatest | freedom. This Mr. Gordon
interprets as: implying that, the only
way to use “authentic” freedom is
to “blast one’s way out of existence
and become non-being.” . =."
‘Nevertheless, unlimited tresdoir

' “Freedom and Decision” Wednesday. .

This _

‘College.

‘ effort at obtaining maximum free-_

off to the dorms to catch the final
minutes of Ben Casey.

So: Why, how do you propose to
do that?

Ph: On television—the gift of

‘the. gods,

So: A fine gift indeed, if it de-
lights you to see the Muses recount
their tales of lust and ‘gore.

Ph; Lust and gore! But, Socratia,
you fail to see the essence. of the

form! How else could one be made

aware of the world beyond these :
cloistered walls? How better: to stir
the ménd than to Recollect Along
With Mitch?

So: But doesn’t this deter the
mind from higher pursuits?

Ph: , Well, what higher pursuits
could. there be than to behold the
hypnotic appeal of knowledge beconi-

ing wealth on: Tic. Tac Dough. or —

cherished visions realized on Queen
For A Day? :

So: Far higher pursits—what hap-
"pened to meditation on beauty, jus-
ticen-.
Ph: And miss ihe ‘Hantley-Brink-
ly Report? Why, you yourself have
oft asserted, (quite forcefully, might
I add) that justice cannot exist in
a vacuum, Afhd what is. television
but a way to fill the intellectual va-
¢uum? -

-$So: Yes, with dust! Thereis no

“th and Around Dhiladelphia

MUSIC

Eugene Ormandy will conduct the Philadelphia Grihasiee in-a ‘concert es.
‘ing Bach’s Brandenburg Concerto No. 2 in F, Carter’s Variations for
Orchestra, and Beethoven’s Piano Concerto No. 5

(“Emperor”). The

performance will take place Thursday, December 6-at 8:30, Friday, De- -

cember 7 at 2:00, Saturday,’ December 8 at 8:30, Sunday, December 9 ,

“at 3:30. :

Alvin Rudnitsky, violinist, will perform in a Museum-of Art sondert at Van-*
Pelt Auditorium, 26th and Parkway. There will be no admission charge.

The Windsor String Quartet, made up of members of the Philadelphia Orch-
estra, will make its debut on, Friday, December 7, at 8:30 at the Penn-
_ sylvania Academy of. Fine Arts, Broad ‘and Sherry. Hit

“bea free performance. ~

Jerome Hines, Megugpolitan siaaheetiones with appear in his first Philedal-

phia recital at the Academy Tuesday; December 11 at 8:30.

Noted Bach pianist, Rosalyn Tureck, will be presented by the Tri-County
“Concerts Association on Wednesday, Deceniber 12, at8:30. The;con-

# di will

cert wlil take place at Radnor Junior High School in- Wayne. Admis- ®

- gion is. free.

The Stringart Quartet will perform Mozart’s Quintet in A (K, 581) for
clarinet and string quartet; Bartok’s Quartet No. 3, and Brahm’s Quintet ~
_in B minor, Op. 115, for clarinet-and string quartet, Admission is free
for the concert, which. will beheld: at- the Museum Auditorium, 33rd:

and Spruce on Friday, December 14, at 8:30.
The:-Philadelphia Lyric Opera-Company will present Puccini’s. Tosca. conduct-
ed by Anton Guadagno on-December 9, 8:15 at the Academy.
Donizetti’s opera, Lucia di. Lammermoor, will. be presented by the Philadel-
phia Grand Opera, sd December 7, 8:15 at the Academy.

‘THEATER © - 3

Bert Lahr portrays six characters n_S..J.-Perelman’s-comery,’ The Beauty

Part. -at the Locust, from. December 3-22. Evening -peformances- at 8:30; _

matinees. at.2:00 on Wednesdays. and Saturdays.
‘ Sheridan’s classic, The School for Scandal, with John Gielgud ‘will be at the

Shubert, Thursday.

The Bedbug, a satiric farce by. modern Scitan poet Vladimir siaeakuvaay:
will be at, the: Society Hill Playhouse, 507 S. 8th Street from December

5-29,

Guys and Dolls is the current production at the Towne sie ihe 526 S.

Ridge Avenue.

Frederick. Knott’s ‘mystery-comedy Write Me ‘A Murder will be at the
Abbey Stage Door, 6615 Rising Sun Avenue, from December 7-29.

FILMS

-

at

Lou

Joseph and His Brethren, a Biblical spectacular, will premiere December 5 +

at the Mid-town.

‘Te Manchurian Candidate, a thriller that out-Hitchcock’s Hitchcock, is in
its sixth week at the Fox in Philadelphia.

Melina Mercouri stars in Phaedra, the French film produced by Jules Dessin,
which is playing at the Trans-Lux. © :

The Randolph, Chestnut and 12th Streets, features. Boccaccio, 70, starring

Sophia Loren -and Anita Eckberg.

A double bill, Sword of Siena and Savage Guns, is featured at the Ardmore. __



place for so base a device in this
academic atmosphere. It gives but

a semblance of reality, filtered
_through. a. grimy tube.

And. isn’t
this merely an escape from daily
pressures ?

Ph: I can’t agree, Why, just the
other day, Ischanced to see a pictori-
al. interpretation of your primary
doctrine—the search for harmony
and virtue in a chaotic world.

So: What! ... 1 had no idea.

.. going!

I heard they were producing a spe- ,

cial rendition of Cyrano de Begerac.

Was it really good?. Perhaps’ this :

art. form isn’t as corrupted as I
thought.

Ph: Oh no,,.my dear sir, that isn’t
on.until tomorrow. If we hasten,
\you might be exposed to the next
exciting episode of, Huckleberry
Hound .

So:

B.M. C Graduate iawiae of Social Work Offers
Both Community Organization and Casework Study

On New Gulph Road across from
“Merion Hall is situated ‘the Grad-

‘uate Department of Social Work

and Social Research of Bryn Mawr
Established in 1915 in
mémory of a Bryn Mawr ~gradu-
ate, Carola. Woerishoffer, who was
a pioneer in social work in New

‘York. City, its program of study is

‘and the Master of Social Sérvice. ~~”

in keeping with her interests and
goals.

In 1920 the eee SR granted -
its first degree — a Ph.D. Today
two degrees ‘are offered, the Ph.D.

Following the premise that pre-
paration’ for social work reqires a
basic core of knowledge as well as
skill.in its application, the Depart-

‘ment, in its. Master’s degree ‘pro-.

‘gram, provides a co-ordinated pro-

gram of. concurrent tourses and
field instruction. Preparation, is of-
fered for two of the methods of
“social work, Casework and Com-

* «munity Organization, and for re-

ends in destruction or tyranny. To

individual “freedom. ..to
‘the control-—of “-an-- authoritarian

Man. must -be “able; rather, to. bow
down before something “infinitely
greater than himself,” i.e. before
God. Our freedom ‘ultimately lies
in our obedience to do God’s will,”
and “to live in fellowship with God,’ sd

3 ie ¥. 4
igo ad a Ae ~——

“elite” is to°destroy: the individual.”

search for especially quartic’ stu-
dents. eel

CASEWORK PROGRAM“

\

Students. _participating in ae
‘Casework :program are. placed for

‘field instretion in a variety of ag-.

encies, including psychiatric and |

medical settings, family and chil-
dren’s agencies: Among the forty-

nine agencies-used as field instruc-_

Health

tion centers are the Child Study

‘Center of Philadelphia, the Com-

mission on Human Relations, the
Friends Committee on Race Rela-

- tions, the Philadelphia Department

of Public Welfare, and the Tem-
ple University Cefter for Comimun-
ity Studies.. Those in Community
Organization gain experience in
i and Welfare Planning,
Neighborhood Planning, Urban
Renewal, Intergroup Relations, and.
Community Welfare Research.

In the program of.study..forthe—
Ph.D. degree, two years of ful-time-

academic work beyond the MSS
degree are required, Field experi-

ence is wieither planned nor re- .

quired as » part of: this advanced
work,’ but demonstrated: .compet-.
ence in practice is required as part
of admission criteria. The curri;
culum includes four areas of study:

Social Welfare, Theory:in Social
Work Practice, Social and Behav-

‘ioral Sciences, and ‘Research. ~

As late as 1948, there were only
thirty-six full- time students inthe
“Department. ‘This-year, however,
there are eighty-one, seventy-one
_of .whom are in the.master’s de-.

ee program, with ten ‘working

or their Ph.D, degree. °



uate School at Bryn Mawr was

a

fi: bf

“Mawr itself.

‘Men have’
been admitted to, the Department -
- since 1989 when the entire Grad-

one-fifth of those. attending are
men. ~- es

FROM AFAR

‘No further words}“Let us be

opened to them. Sia. about

The majority of students ‘come .

from Pennsylvania, though by no
means from the ’Philadelphia area
alone. They havé ‘attended such
diverse undergraduate institutions
as Barnard College; George Wa-

- shington. University, McGill. Uni-

versity, Howard University, the
‘London School.of Etonhomics, Tem-

-ple-University, the University. of _ |

Nottingham, England; and Bryn
»

For those Bryn’ Mawr students
considering a caréer~in the. field
of social work, the Department
should ‘not be overlooked ‘as being

too much : like the undergraduate —

“school. The. ‘curriculum is. quite |

different, as is the method of study,”
and Vit has an entirely separate -
faculty. Required for admission is |

‘a “B” “average or supplementary

evidence of intellectual capacity. -

The admissions interview. _is _con-
sidered the “moat. ‘effective method
for determning the fitness. of the

applicant for professional educa- .

tion. Financial aid is available.
Any students. interested in apply-
ing should sil

‘the main office} who will be. glad
to discuss plang with them.

4 . : G.

ct Mrs: Lower at |


ri

7

*

joe

Wednasday; Deckinber 5, 1962

o

THE COLLEGE NEWS

Page Fiv e



Perelman Defines —

Types of Justice |

The idea of justice, an “important
but vague and confused ic,” was
the subject of.:a lecture given on
.November 26 by Mr, im. Perel-
man of ' ithe University of Brussels.

To slaty the subject; Mr. Perel-

“man distinguished three types of

justeie: the legal,
and the prophetic.
Legal. justice begins with the act.

the philosophic,

. In this realm, an act is-just.as if it-is

- -of-order).

‘method used

in~conformity~ with the-correct ap-
plication of a rule.
used to determine justice is like the
in mathematics and
physics: the emphasis is on correct-

ness and, ideally, no respect is paid

to the individual. The perfect judge,

~aecording- to~ Mr:—Perelman;—would
“pea machine, appl,

ng identical *

rules in identical circumstances.

In the sphere of philosophic jus-_

tice, the correct application of rules
is secondary, to the .question of

“whether the rules themselves are

just. Laws’ should conform. either. to
a pre-existing reality or to a ration-
al system. —

The basis of philssowbie justice
is -in—reason;-~Charity “is “a “supplé-
mient to it, as equity is a supplement
to-legai justice.

The core’ of prophetic justice is
the concept of a just agent, ‘Rules
of justice derive from the precepts
of this just agent.

_. The Judeo-Christian. view.. of jus-.
tice, Mr. Perélman declared, is ba-
sically a prophetic view, deriving
from the concept of the justice of

God. ‘Since God is seen as both jus-**
tice. and love, this idea’ of justice |
‘hardly distinguishes ‘between char-

ity (love of God) and justice (love
The just man -is-he who
imitates. the divine justice.

Thus, whereas the core of legal
justice. is the act, and of philosoph-

ical justice-human. reason, the heart

‘of prophetic justice is man and. his

conscience,

Sudiantihesidos Lal.
Clarifies’ Border. Crisis °

Ambassador: Lall of India, in a
recent lecture on the Sino-Indian

border crisis, expressed his country’s °

strong feeling of surprise and disil-
lusionment in the recent invasion of
India by Communist: China.

India, he attempt to promote ‘a relationship

of friendship, tolerance® and~ trust: -
with its neighbor, China.
India’s non-belligerent attitude is.
illustrated in
. China’s admission~ to » the United

its-.-promotion — of

Nations, The Indian government

' feels that any great country must

ry

cam ‘mulate their policieson- the basis ae
* of mutual friendship and trust, but.
must constantly be prepared. to de;

fend themselves against an .unpre- . .

“bé represented at a world forum, as

a prerequisite to the ‘solving of sig-
ee world ‘problems.

Nehru has asserted that the ma-
jor cause of the Sino-Indian dispute
has little relation. to Communism.

But, says Ambassador Lall, if there. . |

had_ not been a Communist govern-
ment in China, conflicting territorial
claims. would probably “have been
settled in a more peaceful manner.

India’s attitude of friendship and
trust, combined with -the Ghandian
tradition of pacifism, has resulted
in. India’ s facing the present crisis
lacking ‘the equipment and resources
necessary’ for modern warfare.
~Prime Minister Nehru has- writ-
ten 150 letters asking for the sym-
pathy and ‘assistance of the nations
of: the. world: in this’ crisis.
has received: some sixty replies, all
sympathetic, and — offering mil-
itary r * ees

“However, ag Ambassndpr alr sug-
gested, the serious nature of the’ sit-

uation lies not ‘im the immediate bat-.

tle, but in the fact. that an unpro-
yoked invasion, if not strongly op-

posed; is a’ corifirmation. of “might —_
Further, the crisis :

makes. right.”
-has; shown ~ that. nations cannot for-.—

ked aggressor. In the case of India,

at least, the funds diverted to.de- .
‘ fensé can. only add to-the already
‘difficult battle. for economi¢ survival.

‘The method.

India:

ace Club. in New York

“Continued from Page 1, Col. 3

and. Toby Willian: and the duet —
~ from

choreo-
Driver

_“Bernarda Alba”

graphed by Senta and -

- danced by Senta and- Barbara

hy ath gemewnrcse

Hurwitz.
New works include .a jazz piece

choreographed by* Pam Mulac, a-

freshman, and performed by Pam,
Barbara. Hurwitz, Elena Mestre,
Gretchen Field, Minna Nkoum and

Terry Santini, and a dance to the-
muSsi¢,.of Hindemuth’ also “choreo-

graphed by Pam..and_ danced by
Pam, Terry Santini, Elena Mestre -
and Barbara Hurwitz.

‘...sSenta .Driver has pfepared a piece

to a poem of Ezra Pound. Senta. and
Nicole Schupf will perform it in Arts
Night. as well as in the ae York
concert... sihiaig Se habs

Several new, expariinantal pices,

Mrs. ‘Mason; on whose reputation as
a-choreographer’. the -invitation ta

~ perform in New York was extended,

* will choreograph these works,

Her husband, Roger Mason, com-
posed-the music for the-Poutid: piece
and far “Mysteries.”” Menekka Wee-

“risinghe~andKetta~ Miles made” the
tape for the former, which will be
-heard at Arts Night.

A quartet of Bryn Mawr students
will accompany the-dancers. Tech--
nical director for the performance
is--Lindsay- Clemson, -assisted by
-Lyn. Scholz—and Sam Schoenbaum.

_ For anyone ungble to attend the
eoncert, a fort en: dress rehear- ,
sal will be hel® before Christmas va-

cation. The time will be announced.
The concert itself will be held on

-Briday, Janiary—4—at—8:30—pan—-A—

hae or other transportation arrange-

not yet cast, a also be included. _ ments are being made.





~ Town Hall;

Mail Order:

Ene aset Pa.

_. .DAN- ROSEN. Sooo FEF
JOSH WHITE

Broad & Race Sts.,
Tickets: $1.85, $2.50, $3.25, $3.85 ° tf

: cases Available. at: Discount..Record Shop ... ib
- 1730. Chestnut St.

Enclose. Self-Addressed, Stamped . Envelope with
Remittance to Dan Rosen Productions, Dept. BM, 6410 Castor Ave.,

Dec. 14 at 8:30 p.m.

-9-- fenterb dat





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-THE COLLEGE NEWS

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Wednesday, December.5, 1962



7 * e :
Alger Hiss
Continued from Page 3, Col. 5
Kenneth Cox, head of the commis-
sion’s broadcast bureau pointed out

that they are not allowed to censor.
“But complaints on individual shows

are placed in balance with the over-
all performange and taken into ac-
count wi other complaints at

~-the time of license renewals.”

The main~question raised here _

is: wher¢ lies the elusive, ill-defined
border that separates “freedom of
ewpression”, from “irre8ponsibility” ?
Mr, Smith’ was quoted as saying
“Hiss was included in the program
because he -represented a critical
viewpoint on Nixon’s career, Hiss
is news.and we're in the news busi-
ness.” It. is interesting to note that

_ Mr. Smith was forced to. leave the
Columbia Broadcasing System -in—
——-Qeteber, 1961, -during.:an— argument

over his alleged “editorializing” in
newscasts. One must consider what
Senator A. L. Cronin, a Chicago
Democrat, said, “I’ve always voted
-against--Nixon, but;-I-.don*t believe
in-kicking a man when he is down.
I think “this-is-a-vicious_ thing.”





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Oy ee ee ~9:00-11:00 "A.M.
“LUNCHEON... oe oes a ee 12:00-. 2:00 P.M.
AFTERNOON: TEA 2 re i ees 3:30- 5:00 P.M.
EI a ge Te) oa ae. 5:30- 7:30 P.M.
SUNDAY DINNER oo. oe oe. ‘eye awe. 123006 7:30 PLM

LUNCHEON PLATTERS FROM .50
DINNER PLATTERS FROM#$1.@5
OPEN 7 DAYS WEEKLY
SPECIAL PARTIES AND BANQUETS ARRANGED
TELEPHONE '

LAWRENCE 5-0386 BRYN MAWR, PENNSYLVANIA

LOMBAERT \ST. AND MORRIS'AVE. °









Whenever you leave town, carry. money only
you can spend: Bank of America Travelers
Cheques. Loss-proof, theft-proof, cashed only by
your signature. Sold at leading banks everywhere.

BANK OF AMERICA © NATIONAL TRUST AND SAVINGS ASSOCIATION © MEMBER FEDERAL DEPOSIT INSURANCE CORPORATION



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LEON BIBB

. JUAN MORENO
Flamenco Guitarist

THE 2ND FRET





7-83830
FRIL& SAT. 12:18
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STARTS NIGHT







STEP WAY OUT in. the Fashion Parade!’
Adorable Squaq “Boots will take you
‘most everywhere in snug comfort. . .
or highlight your “at home” attire.
Foam rubber innersole . . . durable
top-grain leather’. . . white only ....
$6.00: (no CODs . . . we “pay: postage)
State régular shoe size ‘and width.
Send your name and mailing address to:
CONESTOGA HOUSE :

Post Office Box 11203, Dept. 8-7
Fort Worth 10, Texas









ia fm now. Tor your
BERMUDA

College Week

1963

__ bigger, busier,

better than ever!

_..1 Informal welcoming dance to start
Of eas ceaiee
College Day at the Beach. . .:the
_ biggest beach party of the year. _
All-day cruise to historic St,
ard oe Luncheon. Calypso music.
Gombey Dancers. :

-, Round Robin Tennis‘ Tournament. |
--+ College Talent Revue. iret
- ) Fum Festival with jazz concerts,
choral greups, dance contests.
~) Barbecue Luncheon. .
» Sightseeing. E
) Special Tennis Trophies. >
ALL YOURS AT NO CHARGE





‘tm BERMUDA —

Trade Development Board ~~
620 Fifth Ave.; New York 20. N.Y.

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§

-- never thought you'd get from any filter cigarette.”

Dual Filter makes the difference





: __ "Tareyton’s Dual Filter in duas partes divisa est!”
says Gaius ( Silver. Tongue) Cicero, star orator of the Coliseum Debating Team. “T could talk about Tareytons
ad infinitum,” says Silvet Tongue. “And you'll find vox everywhere singing their praises. Here’s de gustibus you



Product of Te Aenaicamn Sebecer Linppany ~ Sibacsn soar midi ame’ 6 +0



























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