Some items in the TriCollege Libraries Digital Collections may be under copyright. Copyright information may be available in the Rights Status field listed in this item record (below). Ultimate responsibility for assessing copyright status and for securing any necessary permission rests exclusively with the user. Please see the Reproductions and Access page for more information.
College news, May 12, 1937
Bryn Mawr College student newspaper. Merged with Haverford News, News (Bryn Mawr College); Published weekly (except holidays) during academic year.
Bryn Mawr College (creator)
1937-05-12
serial
Weekly
6 pages
digitized microfilm
North and Central America--United States--Pennsylvania--Montgomery--Bryn Mawr
Vol. 23, No. 25
College news (Bryn Mawr College : 1914)--
https://tripod.brynmawr.edu/permalink/01TRI_INST/26mktb/alma991001620579...
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation.
BMC-News-vol23-no25
Yfailed to be realized thanks to tech-
~ ate a class-less community. For fur-
-. gay, ’37, and Catherine Hemphill, ’39,
omer ein
THE COLLEGE NEws
VOL. XXIII, No. 25
BRYN MAWR AND WAYNE, PA., WEDNESDAY,
MAY 12, 1937 BRYN MAWR
Copyright TRUSTEES OF
COLLEGE, 1937 PRICE 10 CENTS
am
Lasting Peace is.
Basic to Forecast
Of Emerging Order
Economic Structure and View
Toward Problems. Altered,
Says Mrs. Wootton
CHANGE IS NECESSARY
IN DEMOCRATIC IDEA
Goodhart, May 10.—Basing her pre-
dietions-on-an-assumption.of_a_period
of lasting peace, Mrs. Barbara Woot-
ton discussed the Emerging Social
Order in the last of the Shaw lec-
tures. “Without the assumption - of
the period of peace,” said Mrs. Woot-
ton, “there is no forecast to offer; all
will become uncertain and futile.”
Two great changes have occurred in
the twentieth century: first, a change
in the economic structure regarding
industries and occupations of people;
the staple industries of the nineteenth
century have been superseded by new
products and business; secgnd, there
has appeared a“new attitute regard-
ing economic problems.
Adaptation to.change in the eco-
nomic structure depends on technique
and scientific: advance, wherein lies
the future development of industry.
Looking back, one can see how the
dour prophecy of Thomas Malthus
nique. The decline of staple indus-
tries is only temporary, and not the
beginning of the end of Great Brit-
ain in the economic. sefise.
The second great change is mani-
fest in the attitude that it is the busi-
ness of* the government to defend
what is, rather than to create what
might be. Industries that might have
been--out-competed.in-'the- nineteenth
century survive in the twentieth be-
cause of governmental aid; a resist-
ance to change has appeared and the
elasticity due to ruthlessness has di-
minished. In this attitude lies dan-
ger. If the government’s responsibil-
ity_is to vested interests there will be
a retarding of progress without com-
pensation, and discouragement togen-
terprise.
However, beyond this discouraging
aspect spreads a field of experimenta-
tion, change and expansion. The germ
of a rising social consciousness, and a
responsibility. toward the ordering of
life have appeared. . The shifting of
the social structure is in spite of
the artificially restricted. economic
changes. As accomplishments in the
‘social field, one can observe social
service, pensions, allowances to the
sick and unemployed, the rise of a
strong trade union movement and a
labor party with a strong socialist
program. But what of the future,
what. policies of the past have been
most effective, asks Mrs. Wootton.
Most important is the failure to cre-
ther progress the classobstacle must
be overcome, for though the rigid
Continued on Page Five
League Elections
The Bryn Mawr League takes
pleasure in announcing the fol-
lowing elections to its’ board for
next year: .
Chairman of Blind School,
Christie Solter, ’39.
Chairman of Haverford Com-
munity Center, Jane Braucher,
39.
Assistant Chairman of Hav-
erford Community Center,’ Mar-
ian Gill; ’39.
Chairman of Maids’ Vespers,
Martha Van Hoesen, ’39.
Chairman of Maids’ Commit-
tee, Barbara Steel, ’40.
Assistant Chairman of Maids’
Committee, M. Tyrrell Ritchie,
89.
Publicity Chairman,
Morley, 740.
The Chairman for Americani-.
_ zation. and the assistants for
Summer Camp arid Summer
School will be announced later.
Miss Walsh Addresses
Philosophy Club Group
Louise
Says the Essence of Poetry Lies
In Linguistic Precision
‘The Common Room, May 4.—“The
essence of poetry is linguistic preci-
sion,” stated Miss Walsh in her address
to the Philosophy Club on The Poetie
Use of Language. Poetry, she said,
is the only form of expression that
says what it means and means ex-
actly what it says. The so-called
“precise” languages of science, logic
and philosophy are not precise, but
rare intentionally ambiguous.
Science is not precise because its
technical terms are generalized de-
scriptions used to characterize empir-
ical events, with the specific event
carefully unspecified. In order to read
these incompleted statements. correct-
ly, the scientist has to supply the ap-
propriate values for these variables.
Logie is not linguistically precise
because it must either rest upon ideas
that are truly indefinable and can only
intuitively be understood, ‘or upon
ideas that are undefined--and have to
be completed by metaphysical specu-
lation. When logicians have tried to
impose a pattern of consistently _or-
dered symbols upon the confusion of
language, it has ceased to be lan-
guage.
Philosophy is not precise because it
is intentionally suggestive. Words can
never explain the “total concrete real-
ity” that the philosopher seeks. He
has to imply more than he says, and
his true meaning must always tran+
scend his expressed ‘meaning.
But the poet, unlike the scientist
and the philosopher, is interested in
language ‘as itself, rather than as a
means of expressing reality. It is not
what happens that is important to
him, but what is said about what hap-
pens.: No separation can be-made be-
tween what is said and how it is said.
No reexpression is, possible.
Doris Turner’s Inferno
Draws Comment
At First Exhibit of Nucleus Camera Club
Mr. Herben’s Work Shows Skill
In Composition; Faculty Row
Is in Evidence
% Common Room, May 7, 8, 9.—The
Nucleus Camera Club held an ex-
hibition . of ‘photographs, some of
which. were strikingly executed and
showed genuine pictorial quality, in
the Common Room over the weekend.
Many pictures of campus life—May
Day, The Mi and Faculty Row
were shown. Mr. Stephen J. Herben
took the two blue. .ribbons.. for...first
place among the faculty for his photo-
scat FIRE Bn nae
Doris ‘Turner, 39, Elizabeth Bin-
‘were the chief undergraduate winners,
‘though no single first- award. was
given. An Inferno by Doris Turner,
composed of translucent. fiery ef-
‘fects, recalls. the Rackham _illus-
trations of. Grimm’s (in reality a
which was immersed in too-hot water
in developing). Mr. Ernest Blanchard
centributed -a composite picture, Bi-
ology, showing Dalton, a laboratory
worker, the well-known rabbit, and
microscopic pictures. .
The many snapshots of people and
buildings on campus were clear and
life-like. In-fact, all the photograph-
ers have achieved great clarity and de-
tail in their pictures. Mile. Germaine
Brée and. Mr. Richmond Lattimore
both exhibited a number of charming
foreign landscapes.
Karnak, by be: Herben, shows
great skill in compostiion. Two old
eglumits_ slant’ up from: one corner to.
a clouded sky. A piece of broken
brick wall frames the picture on one
side and balances the slanting col-
umns, while two black outlines in the
top’ corners focus additional atten-
tion on-the center. This framing and
unity in a picture is one quality which
most of the other exhibitors might
picture of Mr. A Lindo Faeren)
well imitate. : i
184 CRN PERS A BPE ERIMT IR ORR BPE SP OPM RESPIR HR SEOE, PE
= ;
4
“Kipling was ,a scrapper.
E. A. Ballard Gives
Lecture on Kipling
Life and Character of Author
Diggussed in Light of Books
Owned by Speaker
RARE WORKS EXHIBITED
Deanery, May 9.—In a lecture full |
of delightful “extra-curricular’’ facts
about Rudyard Kipling and his writ-
nigs, Mr. Ellis Ames Ballard, Phila-
delphia lawyer, not only related some-
thing of the history of his own col-J
lection of the poet’s works, one of the
largest _private collectidns in the
United States, but ‘also discussed the
life of Kipling in the light of. the
rare and: interesting books which he
He illustrated the lecture with
manuscripts and books of special in-»
terest to Kipling lovers, including such
valuable specimens as his mother’s
OwhS.
copy of his first work, with “Ruddy’s |'
Poems”
leather cover, and Kipling’s own copy,
with the following —— written
on it:
“It’s nice to see one’s namé in print;
A book’s a book, although there's
nothing in’t.”
Kipling’s talent developed early.
When he was 15 years old; his father
collected a group of his poems ‘and
published them in a little volume un-
der the title of Schoolboy Lyrics. It
is difficult to realize that so young a
boy: could have attained the percep>
tion evident in thése poems: The
in gold letters .on a white
| Seven Days of Creation is one of the
best, with such pawerful passages as:
“Alone, afar, at noon-tide Eblis
watched,
Jealous of God, the alls Sustainer’s
work—
Saw great darkness rent in twain and
lit
With Sun and Moon and Stars—be-
held. the Earth
Heaven upward from beneath the
Waters, green
-And trampled by the Cattle—watched
the Sea
Foam with the children of the waters
—heard
The voices of the Children of the
Woods
Across the: branches.
and feared,
And _ stxove throughout those Seven
Nights of Sin
=O: mar with evil toil God’s handi-
* work.”
Kipling, said Mr. Ballard, faced
realities. His idea of the artist’s
heaven was a place where he might
draw things as he saw them for the
“God of things as. they are,” and he
strove always to write for this God.
He was the apostle of work: the
people he describes in his stories and
poems are not the political leaders, or
the \military heroes, but the Sons of
Martha—those members of the labor-
ing classes upon whose shoulders the
Lord has laid the world’s burdens.
He was
afraid of nothing: If hé found wick-
edness in high places he exposed it.”
During the first years when he was
becoming widely known, Kipling had
several occasions to form a rather
scornful opinion of the American peo-
ple. He voiced this in his celebrated
Curse on America, which was in-
spired by the discovery of some
pirated poems in the Seaside Library.
A little later he gave it more particu
lar utterance in an open contest with
the American publisher Harper, in
which both sides hurled invectives at
each other without any noticeable re-
sult. At one time, however, the fight
became so heated that Harper felt it
necessary to call in reinforcements.
Hardy and two-other eminent English
poets published a statement favoring
American publishers.’ Kipling replied |
with his poem The Three Captains, in|
which the names of these. three -writ-
ers are actually given—though in a
form not easily recognizable to; those
who were not aware of the events
provoking it.
At _one time Kipling would ‘really
Contintied on Fage Five
Saw and heard
COLLEGE CALENDAR
Thursday, May 13.—Concours
Oratotwe, Common-Room, 4.30
p. m.
Friday, May' a4 .— Last Day of
Classes.
Saturday, May 15.—Confer-
ence of Summer School Faculty
all day Saturday and Sunday.
Sunday, May 16.—Outdoor
Service in. the Deanery Garden
7.380 p. m,
Monday, May 17,—Beginning
of Collegiate Examinations.
| . Sunday, May 23,—Violin Re-
cital by Henry Cykman-
COMMENCEMENT WEEK
Saturday, May 29 and Sun-
day, May 30.—Alumnae Reunion
Weekend.
Sunday, May 30.—Alumnae
Luncheon. . Baccalaureate Serv-
icé with address by President
John Edgar Park of Wheaton,
Goodhart, 8 p. Mm.
Monday,» May .81.—Senior tea
given by the alumnae of the
neighborhood. Miss Park’s sup-
per for the seniors. Senior Bon-
e.
Tuesday, “June 1.—Garden
party, followed by step singing.
Wednesday, June
mencement Program, 11 a. m.
The Maids and Porters
Put on Mystery Play
The. Cat and the Canary Offers
Humor and Horrors
Goodhart, May 9.—The Cat and the
Canary was chosen by the maids and
porters for their second dramatic ven-
ture. A well-worn play, it has also
Worn well, and proved a wise selection
on the part of Huldah-GCheek...’38,..its
director, for it is one of those very
playable.thrillers which has a sense of
humor. Far from neutralizing. each
other, these two elements were mutu-
ally intensified by contrast. We were
all the more ready to laugh after a
scene of horror, all the more keyed
up after a comedy scene, and so, con-
tinually twitching in pleasurable
cycles of nervous excitement. If the
audience may.have shown greater ap-
preciation of the comedy, it was cer-
tainly not unmoved by the intra-mural
mysteries of the ghostly house. The
device of claw-like hands appearing
through slowly sliding panels was
treated with great effect, both as to
seene-building and actual mechanics.
A sense of approaching doom, sug-
gested at the outset by an ominous
voodoo maid, Minnie Newton, an el-
derly lawyer, Richard Blackwell and
two quarrelsome male relatives, Em-
met Brown and Nellie Davis, was re-
lieved by the fluttering entrance of
two female relatives, Doris Davis and
Mabel Ross, and by the magnificent
bluster of the asylum guard, John
McKnight. Hilda Green, attractive and
gssured as an heiress imperill@d by un-
known danger and inconvenienced by
the peculiarities of her many relatives,
aroused our sympathy at once, and
her male lead, the irresolute garage-
mati, kept interest running at a high
level. In this part John Whittaker,
the campus Coward, gave a confident
and polished performance. Sparing
of gesture and calni of voice, he was
Continued on Page Four
Summer Camp Staff Chosen
The undergraduates who will com-
prise the staff of the Bryn Mawr
Camp have been chosen, The first
group serving from June 5 to 19 is as
follows: Marian Gill, 40; Mary Ma-
comber, ’40 ;, Susan Miller, ’40; Louise
Morley, ’40; Barbara Steel, 40; Mary
Whalen, 38; Mary Wood, ’39. The
second group will attend ‘the Camp
from-June-20 to July 6-and:t* ~~ > ~
DA De
lows: Annette Beasley, ’40; Laura
“Estabrook, °39; "Dorothy “Hood; "37;
Margaret Howson, ’38; Sarah Lud-
wig, '38; | Virginia Pfeil, ’39. The
third group which serves from\July
6 to 20 is ‘as follows: Gretchen Collie,|
38; Marian Diehl, ’39; Martha Eaton,
39; Allison Raymond, os a Elizabeth
Ne:
John Mason Brown
Comments Wittily
On Season’s Plays
Dramatic Tradition of ‘Hamlet
Reviewed; Howard Called
“Frozen Liability”
HIGH TOR, TOVARICH,
RICHARD II PRAISED
Goodhart Hall, May 6.—As an in-
season on Broadway, Mr.-John Mason
Brown pointed out that all acting is
not of one kind. There is a cleavage
as great as that which separates prose
\and poetry, distinguishing the Leslie
Howard school of acting from‘ the
romantie tradition to which’ John
Gielgud
long.
Evans
The essence of poignant un-
derstatement, Leslie Howard leaves
women in his audience undecided as
and Maurice
he is seen to great disadvantage as a
In the filrn of
||romantic character.
2.—Com- N&omeo) and Juliet, chiefly marked by
a total absence of gender, he not only
made his dislike of the part mani-
fest but contagious, and his Hamlet,
hardly more than a beguiling young
Englishman. who had mistaken Elsi-
nore for the gas station in The Petri-
fied Forest, was-a “frozen liability.”
John Gielgud? trained in the heroic
tradition, acted Hamlet with his en-
tire body. The script was suddenly
lightning, and the play seemed to be
newly written. He possessed the mind
and spirit of Hamlet.
When Elsinore was~still-a twilight
realm: for the Gladstonian type of
actor, Mr. Brown saw Sir Johnston
Forbes-Robertson, Whose creaking
knee-joints in the play within a play
scene conveyed an _acute—melancholia,.
Walter.Hampden, on the other hand,
was young enough when he first at-
tempted the role, and fine enough in
mind, for the new kind of Hamlet,
though his performance has become
inereasingly “Ph. D.” with age. John
Barrymore, when his talent for ignit-
ing his emotions was confined behind
the footlights, was the-best Hamlet of
the contemporary stage. Basil Sidney’s
production in modern dress illustrated
how little the play depends on the
conventional stage trappings.
Barrymore was unusually success-
ful in explaining his relationship with
the “theatre’s problem child,’ Ophelia,
“the most irretrievably moronic” . of
all tragic heroines. Most Hamlets
fall in love with Ophelia after she is
dead; Mr. Barrymore showed by his
hands, “those amorous antennae,” that
he was “‘willing to abdicate in the fair ,
maiden’ s behalf, long before the third -
Continued on Page _—
EMPLOYMENT REPORTS
(From a press release of the Bu-
reau of Industrial Service, Inc.)
Friday, April 380.— Employment .
prospects of this year’s college gradi.
ating classes are
favorable than those of the 1929
graduates, and substantially better —
than the June, 1936, classes experi-
enced. This evidence of continued em-
ployment improvement is revealed in
an announcement today of the results
of a survey just completed by Inves-
tors Syndicate, of Minneapolis.
Engineering, business administra-
tion, teaching and general business’
classifications are offering employment
in greatest volume, according to J. R.
Ridgway, president of Investors Syn-
“Law, journalism and in-
vestment~banking- are near the “foot
of the list, he said.
These conclusions are ‘emia: upon __
analysis of questionnaires returned by ©
218 leading colleges and universities
which account for nearly half of the
total enrollment of male and conde
cational institutions.
Washburn, 37.
—
troduction to his review of. the past
be- -
whether to marry or mother him, but °
revealed as if by blinding flashes of |
FAVOR ’37 GRADUATES .
ly a little less |
3
announcing the results of
1