College news, November 30, 1932

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ec



mestiniabaants

ollege News





- VOL. XIX, No. 6—

BRYN MAWR AND WAYNE, PA., WEDNESDAY, NOVEMBER 30, 1932

PRICE 10 CENTS





1932 Varsity Hockey
Season Summarized



Team Showed Marked Improve-
ment in-Co-Operation In -
Last Few Games .

DEFENSE WINS APPLAUSE





Although it won only one game of f

its 1932 schedule, Varsity shows
marked improvement -at the end of
_the, season, both in the offense and
in the defense. We are especially
pleased to note that the lack of co-
operation which was so evident at the
beginning, has practically disappear-
ed. Of course, there are a few mem-
bers of the team who far surpass the
others, but the team as a whole has
‘learned to play as a unit. :

The forwards, especially, have de-

veloped from a poor offense, using |

weak, inanimate passes: and rarely
making goals, into—a—true—menace.
Passes are gotten away much more
quickly and show decided accuracy.
The stickwork of the team, however,
is still amateurish and uninspirng.
Most of the credit for real improve-
ment goes to the defense. In the first
three games, the opponents tallied
twelve points against the backs and
goal guard, but in the last three only
eight points were made. Together
with the decrease in the opponents’
scoring, there is a gain of four points
in Varsity’s scoring in the last three
games, indicating that the defense
was such that the hall was kept in
the forwards’ possession most of the
time—as was in fact the case.

Taggart, a varsity right wing from

Rosemary, played three games for+

First Varsity and one for the Second.
In the Germantown match, she played
a nice game in the open, but tended
to carry the ball too far down field,
‘so that her passes came to the inner
an impossible angle. In_ the
more game, however, she was




more accurate. Though
Stevenson is the fastest runner and
speediest passer on the team, she is
very erratic and so.is alternated with
Taggart for the wing position. Brown,
a varsity left wing from Westtown,
kept her left wing position through-
out the season. Although her playing |
is not spectacular, it is steady and
cfficient.

Cary, although an Inter-Scholastic
left inner from Germantown Friends,
failed to live up to expectations, and
after playing in two Varsity games,
fell back as a substitute and finally
ended the season on the Second Var-
sity. This is not, however, indica-
tive of future work and she may
eventually shape into Varsity mate-
rial.

Remington and Collier have prov-
ed to be the strength of the Bryn
Mawr offense. Remington’s hard shots
and accuracy have made her high
scorer of Varsity with a total of sev-
en goals. She is Captain of the team
and a reserve on the All-Philadelphia

(Comtinued on Page Four)



.)

M. Paul Hazard Returns
to Lecture on Voltaire



M. Paul Hazard, whom the college
will remember as the Flexner lecturer
of two years ago, is returning to Bryn
Mawr on Saturday evening to speak
on “Voltaire il y a 200 ans.” M. Haz-
ard is a great authority on 18th and
\9th_century-French Literature. He
is a professor at the College de
I'rance, and, at present, exchange pro-
fessor at Columbia. He is also edi-
tor of She “Revue de Litterature Com-
paree.” A very fine scholar, and ex-
tremely productive, he has given ‘Us,
in collaboration ‘with M. Bedier, ‘as
“Histoire Illustree” of French litera-
ture; a life of Stendhal, and an in-
troduction to the study of Don Mix
Oe I a

M. Hazard was very much arian
” ested by Bryn Mawr on his first visit.
Having missed the performance of
“Hernani,” the French Club’s pro-
duction for that year, he asked that



Old Clothes

All students are earnestly .re-
quested to reméypber t he Thrift
Shop of the Bryn wr Hos-
pital wher disposing of old
clothes, furniture, and such ar-
ticles. The Shop, which is run
for the benefit of the Hospital,
can sell anything from victrola
records to old shoes, and is bad-
« ly in need of contributions. The
articles most... needed _ include
clothing of all sorts, furniture
and household goods, but every
contribution will be gratefully
accepted. If students have any
cast off possessions they should
call Bryn Mawr 1093 and the
Thrift Shop will be glad to call
and collect. This enterprise is
worthy .of -support and _co-op-
eration, and we hope that stu-

dents will keep it in mind,







Trial and Error Best
Teacher of Playwriting



Part of Class Time Given to
Informal Productions of

the Class’ Work



EXPECTATIONS ARE HIGH



What few members of the student
body were not aware that a playwrit-
ing class was being offered again this
year, have certainly been brought face
to face with the fact iri one way or

another by now. The consensus of
opinion is that there was never before
a class like this, and that if the mem-
bers are sane, which is at times a
little doubtful, something really great
may come out of the amazing chaos
that begins over ‘the week-end, with
rehearsals for the pantomimes to be
put on the next Tuesday, and _ sub-
sides only late Tuesday afternoon,
after the last critic has hurled her
last brick at the last impassioned
author. The crux of Miss Latham’s
method seems to be that no one can
teach any one else how, to write plays,
but that the stage itself and the time-
honored trial and error method can
do everything that needs to be done.
Consequently, each week, part of the
two-hour meeting of the class is taken
up with the production of some of
(‘he work that the members have hand-
ed in the week before. These pro-
ductions are very informal and sim-
ple; so far they have been panto-
mimes in the main, and the author
and actors usually find an hour over
the week-end or on Monday morning
to go through the motions of the mur-
der, discovery, or money that is as-
signed.

All of this, while it tends to pro-
duce immense enthusiasm, has a way
of creating some confusion along
with it. Last week saw the perfect
example of both qualities, when two
young hopefuls put on a one-act play
(the actors reading from _ their
scripts), which required’ that some
thirty odd people, gangsters, police-
men, sophistocates,:and almost every
type of New Yorker mill about the
stage together, and react to the most
umazing of melodramas. Needless to
say the thirty people had done little in
preparation and the result looked
more like the rush hour in the sub-
way than the cocktail hour on Fifty-
fourth street. No less amusing are
the numerous hammer and nail mur-
ders that have been practiced in every
“show case” on the campus and have
bloomed or wilted on the stage dur-
ing the past few weeks. Mr. Clay-
ton Hamilton in a speech here last
week announced that every one of us
is potentially a murderer, but that
happily most of us take out our urges
in that direction in our imaginations,
and especially in the theatre. If this
is so, there is very little danger that
the members of the playwriting class
will give way to the urge in real life.
[It has been worn out of them. But
at the same time it is most illuminat-
ing to observe just how ingenious the
average Bryn Mavr girl is at con-

(Continued on Page Three)



one of the scenes be repeated for him.



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structing sets of horrors dreadful

a hd



=

Saint’s Day Presented | CALENDAR
Wed., Nov. 30—Miss Helen

as Players’ Second Ghapin will speak on A Long
| Row of Buddhist Images in the
| Palace Museum at Peking. With
| slides. In Goodhart.
| Sat., Dee.-3—M. »- Paul .Haz-
|
|
|



Play Designed to be«Scurrilous
_With Sacrifice of His-

torical Accuracy ard will speak on Avee Vol-





taire il y a Deux Cent Ans.
FANTASTIC TYPE OF PLOT. phe a x :
Sat., Dec. 3—Bryn Mawr
(Hapecially contributed oy W. W.. P| kee PO All-Philadelphia ‘
Bletener) Hockey Team. 11.00 A. M.
“The Players” on Thursday eve-| Sun., Dec, 4—Chapel. Dr.

ning, November seventeenth, produced |
a one-act play, Saint’s Day, by Tom |
Prideaux. Miss Marshall, before the | search, will speak.
curtain went up, announced that this | Wed., Dec. 7—William But-
was to be the first showing of the] Jer Yeats, distinguished Irish
play in its*preserftt form, and then} dramatist and -author, will
gave the cast of characters and stage, speak in Goodhart at 8.20 P.

management as follows: i! M. Tickets on sale in Publi-

(fornell Hart, Associate Profes-
sor of Social Economy and Re-









Saint Carlo. ..ss055'0 ee Sally Jones | cations Office.
i ea ata Carry Jarrett!
MULYO Crs iss Sees Vie Olivia Jarrett
De ick ciia ly cia Maria Coxe, William Butler Yeats
Dike? — se Haviland alan; :
MartOnh, 6. isc Elizabeth Hannan’ to Speak Here Dec. M2
Stage: Mandger ...... i. Maria Coxe)
a Le Olivia Jarrett | Nobel Prize Winner to Talk on
ostumes, . %
Caroline Berg and Betty Edwards |} Irish Theatre ae d Literary
ioe. es, Diana Tate-Smith Renaissance



The action centers about Saint |
Carlo, an ex-cafe waiter, with a tal-|

ent for exhortation and spiritual mare Ripbiinns
sleight of hand, who had been cae Bryn Mawr has been very fortunate

[FAVORS NEW IRELAND



covered by two business men, Elkar/in securing Mr. William Butler Yeats
and Bartoni, and by them bally-hooed | as ‘a speaker on the Irish National

into sanctity. In the single act it is' [Theatre and the Irish Literary Ren-

shown how Carlo, informed by a | aissance, Wednesday, December 7th,
chance friend that his managers are |

planning to murder him and sell his | in-Goodhart, at 8.20 P. M. ..Mr. Yeats,

bones for sacred relics, outwits them besides being a poet of world-wide
and escapes with Rosa, his mistress, | fame, the winner of the Noble Prize
and that part of the offerings he has! for Literature in 1982, is perhaps
collected which he and Rosa have been! 1 oye than any other one man respon-
able to conceal from’ the ‘promoters. | i sible for the founding and the success
The play is clearly’ designed to be e|

scurrilous and amusing, and so feels|°! the Irish Literary Theatre, which
no responsibility to the church and its| later developed into the Abbey The-
saints, historical accuracy; probabil- atre, now the National Theatre of the
ity or dramatic polish. It is so suc-| Trish Free State. His interest and

cessfully entertaining. that the -eudi-, | part in the Irish Literary Renaissance
ence willingly accepts its premises and | d f ia 4 ap
taughs heartily. The amusement rises} “@te_trom__his twenty-fourth . year

to its height when Elkar and Bartoni | when his volume of poems, Wander-
are cutting holes in Carlo’s “tailor-| ing Osin' and Other Poems, signalized
made sackcloth” and besmearing him| (he beginning of the movement.. He
with mud..-This is also the most dra-|},as written more than a dozen’ plays
matic moment of the play, for wej)for the Abbey Theatre, and is even
know that Bartoni is planning to mur-| known to the readers of Punch as the
der Carlo and here we see the villain) artist who signs his drawings, “W.
poking holes in Carlo’s clothes with a| Bird,”
bread-knife. The director very suc-) Besides these interests Mr. Yeats
cessfully brings the action to a focus | j is very anxious to discuss with Amer-
at this point. I fully expected an at-| |ican audiences the “New Ireland,”
tempt on Carlo’s life and a desperate | which has come into being since the
struggle, but to my relief the con-| founding of the Irish Free State.
spirators allowed him to go onto his Born in Dublin, he has spent most of
balcony and address the crowd below, | his mature life in his native land and
thus giving him the chance to ac- js:in close touch with all of her prob-
knowledge his mistress publicly, and, lems. He is especially well qualified
so ruin his value as a saint and the) {(o speak on the problems of the new
value of his bones as relics. | state, for he has served as a Senator
If the piece had been more serious,|in its Parliament since 1922. It is
the Players would have had to give | hoped that he may have a word to
more attention to their mob off stage. | say on that subject. On his former
It was entirely silent except when the| visits to the United States he has
crowd was mentioned by one, of ‘the shown himself to be a brilliant speak-
actors, whereupon it gave forth ajer and lecturer, marked both by un-
rumbling sound like a surly dog who usual wit and by a very real enthusi-
growls when he hears his name. How-' asm for the subjects on which he
ever, this sufficed to show the mob | speaks. We are extremely lucky te
was there.: Also, when Carlo called}have, been able to secure one night of
for “Yellow wine,” Sutro poured ajhis very brief stay in Anferica.
colorless liquid into «his goblet, no! An effort is being made to bring this



doubt some of our tasty chlorinated
water, causing a titter in the audi-
ence, which would detract from a
more intense play. The garish col-
ors and somewhat singular fit of Car-
lo’s and Rosa’s initial costumes dis-.
turbed me at first, but were” prob-
ably intended to accent the fantastic
character of the plét: 4 he other cos-
tumes and the setting were admirable.
In particular, Miss Coxe was ‘very
well gotten up, and acted, I thought,
with just thé proper mixture of timid-
ity and impertinence. Miss Jones gave
an excellent representation of Carlo.
(Continued on Page Four)



Freshman Elections
‘ President—Alice Raynor.
Vice - President — Marion
Bridgman.
ry sl — Ellen Stone.









lecture within the reach of the gen-
eral student body. There will be a
reduction on all college seats of twen-
ty-five cents, and the balcony at sev-
enty-five cents is being reserved for
students only.
the balcony all seats~are~ reserved,
first section seats, $1.25 for the college

and second ‘section seats at. $1.00 fo

the college. Amplifiers will be used
so that.there will not be the slightest
difficulty in hearing from any point
of the auditorium, and it is hoped
that the student-body will take ad-
vantage of the reasonable balcony
seats.

ers in this country have created an
American Public which is extremely
interested ‘in Irish drama. The com-
pany gave The Rising of the Moon and
Playboy of the Western World at
Bryn Mawr last year.

With the exception 0",

The recent tours of the Abbey Play-



Dr. Vaughan Williams

Gives Final Lectures



Composers Should’ Follow Na-
_tional Models Rather Than
Foreign Ones

CHURCH USED FOLK-SONG



“All great music must have popu-

lar appeal,” Dr. Williams observed in

the course of his two final Flexner

lectures. In accordance with this be-
lief, he showed in the fifth lecture
how even the Church, though repeat-
edly condemning secular music, has
drawn from folk song for its ritual
and hymn tunes. In his concluding
address, November 21, he—declared,
“that American composers should di-
vest themselves of excessive subservi-

jence to foreign models, and try to
‘| please their own countrymen before

seeking recognition abroad.
~ It seems difficult, he pointed out,

to believe that plain song, so aloof -

and vague, could ever have grown
from the simple, direct music of the
people. We ordinarily think of rit-
ual as it is now, at the end of its
development through countless cen-
turies, and°forget that in order to be-
come established, it had to create first
a widespread popular appeal. The
Church, finding it impossible to oust
pagan ceremonial, adapted it to its:
own use; thus the Roman Saturnalia
was celebrated as Christmas, the
spring festival as Easter, and the
worship of ancestors as the commem-
moration of saints, and it is perfectly
natural that pagan song should also
have been adapted. The early Chris-
tians, like John Wesley, prob-
ably didn’t see why the “devil
should have all the pretty tunes,”
and we actually have direct evidence
of the incorporation of pagan cere-
monial into French ecclesiatic music.

Pope Gregory had collected and sys-
tematized church music around the
year 500, but local tradition dies hard,
and in. France a distinct Gallican use,
derived from ancient-custom, had sur-
vived. When Charlemagne visited
Rome in 785, he proudly took his own
French singers with him. The Ital-
ians, however, despised them as “rus-
tic,” evidently finding traces of folk
song in the service, and Charlemagne
soon obtained Roman ‘singers. Ivf
spite of this scorn, it seems possible
that the Italians condescended to use
some of the “rustic” French music,
for later many items appeared in the
Roman use which must have originat-
ed elsewhere, and among them is the
so-called “Foreign Tune,” containing
more popular elements than _ the
others, and extraordinarily similar to
an old French folk song, “Le Chant
des Livress” (Ouvrez la_ porte),
which must once have been part of the
Gallic marriage ceremony. Even more
obvious is this -connection between
popular and ecclesiastic music _ in
metrical plain song; such as the hymn
tune, “O Filii et Filiae,”’ which, par-
ticularly at the beginning and the
end, shows a likeness to the old French
“Chanson de Quete” (Voici venir le
jolie mai). At this point in the lec-
ture, the choir sang all the examples
-cited above, and also “Le mois de
ma”

Catholic ritual is not the only ex-
ample of ecclesiastical adaptation of
folk song. Luther borrowed from
every* available source — plain song,
folk song, travelers’ songs—and made
spiritual parodies of secular words,

as, for instance, in the “Abschied von

Innsbruck.” . The Genevan Psalter of

1539 was founded on metrical ver-

sions pf the Psalms, which even Fran-
(Continued on Page Three)

a



_ Personal

Molla Brown, of the Class of
84, who is taking her junior
year in France, received her
diploma at Tours, where the
French group went this year
instead of Nancy, “avec lés fe-
licitations du jury.” She grad-
uated first in a class of 80 or 90
‘students.










Page Two

THE COLLEGE NEWS

eae







| THE COLLEGE NEWS:

| (Founded in 1914)

Published weekly during the College Year (excepting during . Thanksgiving,
Christmas and Easter Holidays, and during examination weeks) in the interest of
Bryn Mawr College at the Maguire Building, Wayne, Pa., and Bryn Mawr College.









Editor-in-Chief Copy Editor

SALLIE JONES, Lie CLARA FRANCES GRANT, “34
News Editor Sports Editor
JANET. MARSHALL, . Be SALLY Howe, °35
Editors
Leta CLews, °33 Nancy Hart, °34
ELIZABETH HANNAN, °34 GERALDINE RHoaDs, °35

CONSTANCE ROBINSON, ‘34

Business Manager
MaBEL MEEHAN, °33

Subscription Manager
ELEANOR YEAKEL, °33

Assistants
33 Preccy Litt e, “35

CaroLine Bere, :
DoroTHy KALBACH, ‘34



SUBSCRIPTION, $2.50 MAILING PRICE, $3.00
SUBSCRIPTIONS MAY BEGIN AT ANY TIME

Post Office

4







Entered as second-class matter at the Wayne, Pa.,



%

Bombast

Our crusading editorial on campus dress séems to have been pe-
rused_and_appreciated. far more. thoroughly. by the outside world than
by the undergraduates and this sad fact brings a furtive tear to the
editorial eye. It is a great commentary on the stability and solidity
of Bryn Mawr undergraduates that an editorial intended to bump the
student body gently succeeded only in rocking America to its very
foundations. Of course, we feel duly complimented by the uproar
we caused in the papers and over the radio, but we are a little abashed
to find that the campus looked as charmingly careless on Monday as
usual. We launched forth on our subject: at great length in what one
noble journal. described as “the most vitriolic indictment ever hurled
at any student body” and no-one payed any attention to us except the
International and Associated Press Associations. We created a really
gigantic disturbance over the unkempt and disarrayed student, and
after all the smoke and flame cleared away, there stood the same stu-
dent looking, if anything, a little more the worse for wear than usual.
Students have a disturbing way of accepting editorials as surly Mon-
day morning expressions of Saturday night gaiety, of reading *them
and of going on their way unmoved. If only they could see into the
hearts of the editors they should see there the genuine desire to uplift
youth and help it traverse as painlessly as possible, the rocky path of
adolescence. The editors plead and beg on bended knee -for a little
more seemliness in campus dress, and the campus goes on oblivious to all
criticism, leaving them to listen to the hollow trumpeting of the nation’s
press. After all, the News belongs to the student body and they should,
by rights, pay some attention to it. We do not write our editorials
with an eye to how they will look on the front pages of the world’s
papers; the editorials are written by the students about the students,
for the students, and they do not take as their subjects idle fancies of
befuddled brains. We have a great and flaming purpose in this col-
umn, and we should be too, too pleased if the students would pay a
little attention to us.

And while we are on the subject, the News takes pleasure .in
announcing a new policy. Immediately before every major vacation
_ there will appear a devastating, insulting and vitriolic editorial cal-
culated to stir up enough commotion in the world to make conversa-
tion easy for students during said vacations. The reports on last
week’s editorial were to the effect that it provided a fertile topic of
conversation under even the most ‘discouraging of circumstances. On
the dance floor, at dinners, and at all that. precedes such functions,
Bryn Mawr students were never at a loss conversationally. Also the
editorial had the effect of surrounding the undergraduates with a cer-
tain glamour. People made one’s acquaintance in order to have time
to inspeet one’s hair and fingernails minutew and when one appeared
on the scene decently combed and brushed, everyone flocked around to
observe the phenomenon. The News is only too glad of the opportunity
to help undergraduates along socially, and the editors are already busy
thinking up a hideous accusation to hurl at the college ) just before
Christmas.



My plea is for the picturesque. The
College News complains that we look
too dirty. ,My complaint is that we
look too drab. ’Twas not ever thus.

LETTERS

The News is not responsible for
opinions expressed in this column.



To the Editor of the College News:

A recent editorial in your paper has
called attention to the subject of cam-
pus dress. You plead for cleanliness.
Who can quarrel with you there ex-
cept to say that we are clean already?
You plead fér tidiness. Your case
for this, I think, is not so strong.
A “sweet disorder in the dress,” you
know; has been recommended by some
of our best poets.- And you plead for
respectability,. Here I take issue with
you.

Why be respectable? Even more,
why look so? Respectability is, I ad-
mit, a Virtue, but how unattractive.
Heaven forbid that we should - be
guided by the Seven Deadly Virtues,
of’ which Respectability leads all the

_ vest. To be respectable is to be like
___ everyone else, because one has not the
fmagination or courage ‘to be like
one’s self.

x

the occasional male. |



A few of us can remember the days
when the campus looked like nothing
so much as a little bit of gold Ba-
varia in fancy dress. -Those were
the days when the campus thronged
with naval officers, West Point ca-
dets, Indian Princesses, Russian refu-

gees, and of course, the omnipresent |:
-Bavarian.

They made college a
brighter, better place. No one asked
in those days what the college gir]
is wearing, but rather, “What are the
Fiji Islanders wearing? What are
the wearing in,Mesopotamia and the
Far Yukon?” And no one (well,
hardly anyone) looked respectable
and everyone (well, almost everyone)
looked picturesque. In those days

(dear, dear) we left sartorial drab-|

ness, Respectability and err to

« oy

- A little less sadness

ob Srereess



|Wwires END|



THANKSGIVENG—OR _
MISGIVING?

Pray why should we cantankerous
cranks :
Stop in our grumblings to deliver
thanks?

For that.grim premonition that pest-
ers

When we’ve got a long report a-com-
ing due,

And for the grades that evermore
we'll rue;

And for hockey-shinned ankles;

And. for the hate that rankles

At each and every lib-adorning shrub;

.|For sleep disrupted by a drill (ay,

there’s the rub) ;

heart-breaking, bank-breaking

pay days .

And sleep-robbing, spring morning
May Days;

For weary necessitous trips to the
village;

For frequent and frolicsome tub-stop-
per pillage;

For afternoons of real Utopia

Over retorts—or else microscopia;

-For—our- lettuce served up pure—and

For

virgin, ;

That needs the knife-work of a sur-
geon; :

For the edification that comes from
the oral;

for bathtubs suddenly turned very
choral;

For the blessedness of rising so late
So as to breakfast at quarter past
eight;
For the fragrant odors of our chlor-
ine-scented pool;
for every single, little Self-Gov. rule;

For post-mortems and table talk
polemic;

For the inf to cure each quiz-time
epidemic! !

[f all were added our brains would
be addled,

And—anyhow—then with a fight we’d
be saddled;

Our hue and cry—the shout from our
ranks

Shall evermore come lustily: “Please!
No thanks!”
—Campusnoop.



WHAT PEOPLE WHO STAY AT
COLLEGE DO

Woe is me!
smirk

And stolidly settle themselves to work,

Then rennen rapydely to the libe

And right diligentely paypers start
to scribe,

They choose dinner-time to discuss the
soul

And whether you can think of beau-
ty as a whole,

And what you think of the “present
situation”

And its economic aspects in their clos-
est correlation

To some course or other (in which,
admittedly, you’re blank),

And also what you think of some
author’s present rank

And: whether Dalton’s open for
perimenting.

The rest spend all their time in long
and loud lamenting

About the work they haven’t done,

About the aftermath of fun;—

But for these poor souls you may look

Within the Self-Gov signing book.

—College Lifer.

All-the righteous-people

e@x-



ODE TO A SLIGHT INCLINATION

O thou, which oft my weary feet have
trod
With hurried steps to frigid class
rooms bent,
{ wot not how by foolish mortals
praises
To lot more sublimated scenes are
' lent.
for, climbing the Cendionet hill to
Rock,
Others may sigh, “Oh,, give me hills
to clia®°?—
(’m busy finding me a spot sans leaves
And in a temper vile enough for
crime.
This scenery’s. tame, lacks grandeur,
so they say,
Part of a geologic peneplain,
No dim hills in the distance, whence

What! I suppose for mid-semesters, ©



A great deal more madness
Gladness and plaidness
We need in our dréss.

Yours,
“BETTY: KINDLEBERGER.



‘



News of the New York Theatres
. Bernard Simon, who has been press
agent for various producers, is about
to flower on his own stem and bring
out a play by Leo Berenski called
Narrentanz, which has been adapted
by J. Mankiewicz, under the title, a
New Spanish Custom. The Ameri-
can theatre is no longer a dream,
but a reality. Ah!—Well, at least our
language comes in handy for the
titles.

_ Edward Choate is gaing to produce
the Jacques Natanson comedy, I Was

Waiting For You. Sounds: like the}

smoking room saga of the hall presi-
dent..

Peggy Wood abies in the Duke of

York’s Theatre in London recently in.
| Tonight Or Never, and cabled her

husband: “Smart: premiere, personal
triumph, press divided about play as
we expected.” It all goes to show

that self-effacement is not included |

in the personal policy of the star, and
that theatrical personalities are never
surprised at success. The only thing
that occasionally amazes them is the
public’s apparent inability to appre-
ciate manifest genius and charm.

Martin Flavin has written a new
opus, Amaco, which is an impression-
istic and episodic celebration of the
span of a machine’s life. -There-are
no women in the cast, and even a
feminist could understand the why
for. We doubt if even Greta Garbo
could accomplish much opposite a ma-
chine. The title is extremely expres-
sive—sounds like fourteen cents, in-
cluding tax, to us.

Gilbert Miller, producer of The
Late Christopher Bean and Firebird,
has a remarkable way of approach-
ing his new ventures. He hires the
stars, engages’a director, and a the-
atre, and then peers through the
scripts on his desk for a vehicle. At
present he plans to present Leslie
Howard and Helen Hayes in London
next spring and bring the production
to New York next fall if it proves
successful. Just what the production
will be is still being decided by Jupi-
ter and his pet urn.
a good opportunity for some _aspir-
ing members of the playwriting class
to sell their works of genius. Some
of the plays are especially adapted
to the aforementioned stars. Can
you think of anything more effective
than to have Helen Hayes, as a beau-
tiful queen, drive a.tent peg into Mr.
Howard’s head because he marred her
beauty with a branding iron? Tre-
mendous! Or again, Miss Hayes

would be supreme as the gangster’s |:

moll driving a wedge through Mr.
Howard’s (tough gang leader) tem-
ple withsa whisky bottle because he
“drilled” her boy friend! There seems
to be room in the theatre for us ear-
lier than we expected. 2

Again we find Representative Wil-
liam I. Sirovich popping up in the
theatre. You will recall that—he is
none other than the man who last
year rose to demand that critics an-
swer for their rapine and destruction
before Congress. Well, Mr. Sirovich
has a new play (he has had similar

(Continued %n Page Three)



long hikes
Enlarge the calves like a bellicose
Dane,
But what avails this.in a dash from
chapel,
Or a mad attempt to save one’s
heels from scars
Of jagged rocks put there to soft the
* path
That leads to lectures on celestial
stars?
Ah no! My tastes stick on a lower
plane,
For Alpine heights I’ve no sup-
pressed desire;
The leaping of the antelope is fatu-

ous
When by an esculator-up he might
aspire.

—Pfiffle.
4 4,

Students find that binjeing
Is mentally unhinging
After Thanksgiving.
From the reports. we’ve heard them
giving
It’s a wonder they’re still living
After Thanksgiving.
There’s no real point in working
So near is Christmas lurking
~-After Thanksgiving.
Yes, every rose may have its thorn,
But every class has its yawn
After Thanksgiving.
—Sour Apple.
Cheero,
—The Mad Hatter.

This looks like |.



IN PHILADELPHIA
Theatres

Forrest: Ethel Waters comes
back in a revival of last year’s Rhap-
sody.in Black—-a symphony of “blue
notes and black rhythm.” An excel-
lent colored revue with all the neces-
sary decorations.

Chestnut: Alfred Lunt as a Haps-
burg and Lynne Fontanne as a
charming beauty prove that erowns
may come «and crowns may go,~but

[some things go on forever, in Reunion

in Vienna.

Broad: Elmer Rice’s Left Bank
goes gaily on about Americans and
art students in’ Paris. The play is:
never boisterous, but it. is never dull.

Garrick: Beginning Friday the
new Aarons and Freedly musical éom-
edy, Pardon My English, featuring
Jack Buchanan and Jack Pearl. Book
by Morris Ryskind and Herbert
Fields and music by George and Ira
Gershwin. As Friday is the date set
for the hatching of this egg, no one
knows, but it sounds: perfect.

Coming—December 5
Chestnut Street: The much talked
of German movie, Maedchen in Uni-
form. All seats reserved. This is an
extraordinary film about girls in a
German. school for children of army
officers. “See it.

.Broad: A new comedy, Honey-
moon, with Katherine Alexander. To
this department there doesn’t seem to
be anything new about that kind of
comedy. It’s been going on since
Genesis.

" Music—Academy of Music
Philadelphia Orchestra: Fri. Aft.,
Dec, 2, at 2.30, and Sat. Eve., Deé. 3,
at 8.20 P. M. Eugene Ormandy con-
ducting. Program:
Bach-BuUbay. soi cii:6 os esas Chaconne
Robert. Schumann,

Symphony No. 1, B Flat Major
Honegger
Georg Schumann,

Dance of Nymphs and Satyrs
WVAVGL. ccc vce aa , -Daphnis et Chloe

Monday, Dec. 5, at 8.30. Fritz
Kreisler will give his only recital be-
fore March.

Monday, Dec. 12, at 8.15, the Phil-
harmonic-Symphony Society of New
York, with Issay Dobrowen conduct-
ing and Rachmaninoff as soloist, will
present the following program:
SUVAVINGRY i560 ac ce The Fire Bird
Rachmaninoff, —

Piano Concerto No 3, D Minor, Op.

30.

Tschaikowsky,
Symphony No. 5, E Minor, Op 64
Movies

Fox: Clara Bow comes back in
Call Her Savage, the tale of an im-
pulsive young lady, who follows her
impulses to “the brink of disaster.”
The greatest disaster is the movie it-
self.

Mastbaum: John Barrymore in A
Bill of Divorcement, with Katharine
Hepburn, the Bryn Mawr lady, and
Billie Burke. “How the sons of men
make the sorrows of women.” On
the stage are the Mills Brothers in
case you’re interested.

Stanley: Joan Blondell, Warren
William, and Ann Dvorak and Bette
Davis, in Three on a Match, the story
of three girls all after the same man,
who got scorched by the famous flame
of love. Hence title. Ha!

Karlton:. Trouble in Paradise be-
tween Herbert Marshall, Kay Fran-
cis and Miriam Hopkins. Two very
efficient crooks set to work on a black
panther of a Frenchwoman, only the
gentleman can’t seem to keep “his
mind on his work. Amusing and
beautifully done. Recommended.

Boyd: Marie Dressler and Polly
Moran in Prosperity, a comedy. (They
certainly have the right angle of ap-
proach.) Two mothers-in-law get to-
gether and plenty goes on. Very fun-
ay if you appreciate these two mani-_
acs, as we do.

_ Stanton: Pat O’Brien, Ralph Bel-
lamy and Gloria Stuart in Air Mail.
This restless drama of the air goes
to prove that even love must wait un-
til the mail goes through. Very full
of action and excitement and not bad.

Earle: Another horrible “forgotten
mother” movie, That’s My Boy, with
Richard Cromwell. A lad rises to
fame and forgets those who love him.
Atrocious.

Europa: Bali, Isle of Paradise, ad-
vertised as “the haven of impassioned
love.” Very beautiful.

Aldine: .Clark Gable and ‘Norma
Shearer in Strange Interlude. All

' (Continued on Page Three)




x

THE COLLEGE NEWS

¢

Page Three





John Lomax t aabanes Dr. Vaughan Williams
oe — ~ Gives Final Lectures
on Cowboy Music



‘Continued from Page One)



Grew Out of Need for “is I and, Diane de Poitiers used to
| sing to their favorite tunes. Although

‘the sources of the melodies to which
_|the Calvinists: set the Psalms have
: | not been definitely traced, it is cer-
COLLEGE JOINS SINGING | tain that no sharp'-demarcation was
|observed between secular and sacred
Friday night two weeks ago the) misic) Many Calvinist tunes spread
college: was privileged: to-hear-a-lee---rrony France to other countries. Mr.
ture on “Cowboy Songs” by John Lo-| Alwyne played his own\ piano ar-
max, devoted student and’ collector of | rangement of one of these, the Bach

Songs
Amusement in Primitive
Range Life





these songs. Mr. Lomax began his; chorale prelude, “O Mensch, bewein |

dein »Sunde gross,” which is found

lecture with a brief account of aaa
in ‘the Genevan Psalter and in the

life, environment, customs, and history
of the cowboy. Although his descrip-! English hymnal as the “Old 113th.”
tions were excellent, the small snatch} The choir also sang thé following
es of cowboy vers¢ that he recited; German. sacred music:
gave the picture more clearly and
swiftly than any amount of explana-
tion.

The cow-puncher was the product |
of an economic phase in the history of |
the West, a phase which is now rapid-
ly passing. In the days when Texas}
cattle supplied all the big packing |
plants in Chicago and Kansas City,
and there were few railroads to trans-
port the stock, it was the custom to
drive tremendous herds of wild cat-
tle, rounded up from the~plains;-far
up to the north along the famous cat-
tle trails, to Kansas or even to Mon-
tana and to Canada. Some of the
trails started in Mexico and the drive
took two or three months. Many of
the best songs of the cowmen have
this long drive for their’ subject’ or
refer to it in some way. The life on
the range or on the trail was a very
primitive one. The great body of
songs probably grew out of the lone-
liness of the men, the natural need
for amusement, and the lack of any
manufactured amusements such as
theatres, concerts, or even bogks and
magazines. What we have said about
the society of the range country was
as true of the virtues that were ad-
mired there. There were seldom
women around to add a softening in-
fluence; men were required to fight
for their lives against madden cattle,
to protect themselves from thieves
in a lawless country; and physical
strength and quickness of thought
were accomplishments as necessary
as they were admirable. Men like;
Jesse James, the famous train robber, |
were, therefore, held in awe and ad-
miration rather than in abhorrence by
the community. It was the “dirty |
little coward that shot Mr. Howard!
and has sent poor Jesse to his grave” |
on whom they poured forth their
scorn, Also interesting is the cow-
boy’s attitude toward God and sal-
vation. Most of them were runaways
from homes back in the East and
their songs are often colored by mel-
ancholy remembrances. Their reli-
gion had mostly been instilled into
them by God-fearing mothers, whose
hearts they had broken by wild. es-
capades and by leaving home. Hence
their thoughts on religion are cloud-
ed with fears that they may not: es-
cape so easily from the conventional
Judgment Day they picture.

Here Mr. Lomax broke -the lecture
to sing some of the songs himself.
He sang unaccompanied, apologizing
for his “singing,” which he admitted
to fg, but which he said quite
truly was better than a lot of cow-
boys’. After a few selections, which
the audience enjoyed immensely, Mr.
Lomax announced that he thought it
would be nice if the audience joined
in, and after an impromptu lesson,
the entire group found itself roaring’
out the choruses to “Good-Bye, Old
Paint,” and “Git Along Little Dog-
gie,”’ while Mr. Lomax sang some of
the innumerable verses. His enthusi-

“Abschied
von Innsbruck” (Innsbruck, ich muss
dich lassen), which Bach used in the
St. Matthew Passion, another chorale
¢No. 46), from the St. Matthew Pas-
sion, “Tagelied” (Der Tag will nicht
ver borgen sein), known in England
as the “Old 100th;” and “Lasst uns
erfreuen herzlich sehr.” The difficul-
ties of archaic and foreign pronunci-
ation, seemed only to inspire the choir
to give its best performance of the
series. :

Completing—-the—-diseussion—of _the
connection between folkisong and
church music, Dr. Williams began his
final lecture on November 21 by point-
ing out that the real folk-song carols,
to be distinguished from “fgallery-
tunes,” or wéll-known words set to
music by organists, are merely bal-
‘ads on some church song. “God’s
Own Son,” for example, is also known
as “Chestnuts.” We wonder in which
| direction lay the influence: did the
church take secular words and alter
the tune? The Methodist influence is
often seen on a pagan carol, such as
“The stars shine bright,” which goes
on to a ghostly parody. In the Cor-
nish carol, “Tomorrow shall be my
dancing day,” we have a good exam-
| ple of the mixture of secular song and
Christian doctrine.



'of Nationalism in Music,”~ Dr. Wil-
‘iams said that in early times, paroch-
ialism, ,based on the fear of losing
one’s livelihood, was a necessity. It
was With the growth of mobility, the
breaking-down of community barriers,
that the self-conscious nationalist,
and the self-conscious cosmopolitan,
arose. The latter, however, had ex-
isted in the courts; the skilled’ musi-
cian had no national conscience. Hence
the fame abroad of Dunstable and
John Dowland. At the time of
Charles II, however, a “keep-out the
foreigner” movement set in; Bannis-
ter and others felt that their bread
was being taken from them. In Ger-
many, in the eighteenth century, this
movement was revived at the instiga-
tion of the Emperor; instead of Ital-
ian opera and ballets, the “Singspiel”
was set up, which, though it finished
with the century, had stimulated such
German operas as the Magic Flute,
and paved the way for Der Freischutz
and the Ring.

The carving up of Europe in the
nineteenth century produced another
outburst of nationalism. We can eas-
ily tell the difference between the
Parisian Chopin of the waltzes and
nocturnes and the Chopin of the ma-
zurkas and polonaises, influenced by
his oppressed country. But though
considered the first. nationalist in mu-
sic, he is no more nationalistic than





Brahms.

Artificially cultivated, for Austrian
(Continued on Page Four)



; Phone 570
asm was contagious and everyone
from the little boys present to their JEANNETT’S
mothers and grandmothers, not to BRYN MAWR FLOWER
speak of the Bryn Mawr students, was SHOP, Inc.

Mrs. N. S. C. Grammer
823 Lancaster Avenue
BRYN MAWR, PA.

caught into the swing of the music.
Mr. Lomax concluded the evening
with a few more selections on the joys
of the cowboy’s life, the wanderlust
that drive him on, and the beauties of
his environment. The last, shrill eerie
yodel with which he said the. cowboys







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City Line and Lancaster Ave.



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Turning to the veal subject of the,
lecture for the evening, “The History’

Mozart or Beethoven, Schubert or

ie

News of the New York Theatres



(Continued from Page Two)

attacks before, but pulled through
with the aid of. artificial respiration),
entitled Tin Boxes, which was to be
produced this fall, but isn’t any more.
It seems that the players sought for
the roles are. all under contract to
the moving picture companies and
will not be free for some time.. Who
said the movies never did anything
for the stage? A veritable haven
from the storm.

Gilbert Miller has just launched an

English production of Another Lan-.

guage, with Herbert Marshall and
Edna Best, which is breaking all rec-
ords in the provinces and may out-
shine the American production.

In reviewing The Perfect Marriage,

in which Fay Bainter is starred, Per-
cy Hammond characterized it as “an-
other. hopeful mediocrity.” So the
theatre continues to portray life as it
is with neither optimism nor weari-
ness.
Autumn Crocus, with Francis Led-
erer, seems doomed to be a London
suecess which New York refused to
take to its heart. If it were not for
Mr. Lederer and the suggested pa-
tronage of the playwriting class the
play would undoubtedly have breath-
ed its’ last into-the—night— air—before
this.

The néw sticcesses on the horizon
include Fred Astaire in The Gay Di-
vorce, with songs by Cole Porter,
which opened last week in New Hav-
en (wait until you hear Night and
Day!), and Beatrice Lillie and Clark
and McCullough in Walk A Little
Faster, now stepping along nicely in
Boston. -Also Judith Anderson and
Henry Stephenson have a comfort-
able, if not explosive, success in
Firebird.

Trial and Error. Best
Teacher of Playwriting



(Continued from Page One)

enough to justify this murder they

There is |
|

have been forced to commit.
practically no finer feeling that they
have not outraged, and no crime of
horror that they have not committed.

Tea has become an occasion when |
the last word in brutality and appro- |
The
playwriting class is definitely making

itself felt. It is the hope of all who |

watch the proceedings with ‘mingled |
terror and awe, that something really
monumental will come of this. It
mains to be seen.



priate vengeance is discussed.

et



Warning to Ladies |

It may be of interest to learn that
in the year of grace 1700 Parliament
enacted the following tasty bit of leg-
islation: “That all women of what-
ever age, rank, profession, or degree
whether virgin, maid or widow that
shall from and after such Act im-
pose upon, seduce and betray into|
matrimony any of His Majesty’s sub- |
jects by means of scent, paints, cos-
metic washes, artificial teeth, false
hair, Spanish wool, iron stays, hoops,
high-heeledshoes or bolstered _hips,,
shall incur the penalty of the law now |
in force against witchcraft and like‘
misdemeanors and that the marriage |
upon conviction shall stand null and |
void.”—(NSFA.)

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@ BUCKLES - NO FASTENEBS

IN PHILADELPHIA



(Continued from’ Page Two)

seats reserved for this shortened and
enlivened version of O’Neill.

Local Movies

Ardmore: Wed., Phantom of Crest-
wood, with Karen Morley and Ricardo
Cortez; Thurs., The Golden West,
with George O’Brien; Fri. and Sat.,
[rene Dunne and John Boles in Back
Street; Mon. and Tues., George Ar-
liss’ in Successful Calamity; Wed. and

Thurs., Movie Crazy, with Harold
Lloyd.
Seville: Wed. and Thurs., Edward

Robinson and Richard Arlen in
‘Tiger Shark; Fri, and Sat., Blondie
of the Follies, with Robert, Montgom-

ery and Marion Davies; Mon. and

‘| Tues., The Crash, with Ruth Chatter-

ton and. George Brent; Wed. and
Thurs., Rackety Rax, with Victor*Mc-
Laglen and Greta Nissen.

Wayne: Wed. and Thurs., Divorce
in the Family, with Lewis Stone,
‘Jackie Cooper and Conrad Nagel; Fri-
and Sat., Phillips Holmes and Dor-
othy Jordan in Seventy Thousand
Witnesses; Mon. and Tues., Night of
June 18, with Clive Brook, Charlie
Ruggles, and Adrienne Allen; Wed.
and Thurs., John Boles and Irene
Dunne in Back Street.





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ager

?

Page Four

THE COLLEGE NEWS



home.”. The first Russian nationalist,



Dr. Vaughan Williams~

Gives Final Lectures
+
(Continued fiom Page Three)



dominion had suppressed its roots, the
plant of nationalism in Bohemia has
become a spontaneous expression of
the people. Smetana, with his Polka
for string quartet and his chorus
from The Bartered Bride, gives the
lie to his denial of folk-song influ-
ence.

In Russia, the famous nationalist
movement had very -humble begin-
nings, as in England starting in re-
volt against Italian opera. Then canfe
£812, and a rush of patriotism which
paved the way for Glinka, who want-
cd to make his own people “feel at

he gave to primitive speech a polish-
ed idiom, and made the road clear
for Moussorgsky, Borodin},and Rim-
«ky-Korsakoff.

The modern school are inclined to
uproot themselves, making Paris their
centre. Stravinsky’ is selling his
birthright, toying as he is with jazz,
and viewing Bach and Beethoven
through a distorted mirror. In Les
Noces and the Symphonie des Saules,
where he is writing for the human
voice, that instrument of great pow-
ers and definite limitations which
force the composer to think of essen-
tials and not trappings, Stravinsky
has been true to himself; he has turn-
ed back to his heritage.

Closely connected with the question
of nationalism is that of tradition.
Gilbert Murray has said: “An orig-
inal geniys is a rebel against tradi-
tion, but a child of that tradition.”
The greatest iconoclasts, Sibelius, ‘for
example, have spoken in traditional
forms.

When tradition hardens into con-
vention, the young adventurer is quite
right in breaking through it. But
he must be careful not to uproot the
tree. Both present and future rest
on the foundations of the past. We
cannot help being the children of our
‘parents; good or bad. Their sins,
however, we should turn into virtues.

Looking at. America, which sepa-
rated from England for three hundred
years, has, through a common lan-
guage, the same musical roots but dif-
ferent trees, we wonder how our coun-
try can find her musical soul. Deter-
mined to have nothing but the best—
we have splendid orchestras, leaders,
and musical education,—we may yet
discover the “one thing needed.” To
be sure, the conditions for folk-song
are not present. But folk-song is
not a cause; it is simply a manifes-
tation of the spirit of nationality. Mu-
sic itself may produce such a spirit
by forming a bond of union between
the various peoples who inhabit our
land. For music is only a means of
expression natural to everybody, an
attempt to reach into the infinite call-
ed art. No society is needed to pre-
serve the amenities of music; it is the
art of the humble. As yet, however,
since music is the youngest of the
arts, a universal popular art is but a
dream.

In: closing, Dr. Williams left us
three “sermons,” each with an appro-
priate text, the first being, “Unless
ye become as little children.” In mu-
sic, the “child-like” mind is of great
importance—for' all over twenty-five.
The young composer must, of course,
get over the measles—fugues, ballets,
etc.—before he finds out that the let-
ter is nothing without the spirit. He
must think of the humble part of his
public. He must wish, like Glinka, to
make his own people feel at home.

Usually the young composer, like the
hearers, is a snob, and the two follows
each other round and round in a vi-
cious circle. When a composer dis-
guises folk-song in a veil of modernis-
tic harmony, he is‘not writing for the
people; cleverness and persiflage are
_ not wanted.

“Be doers of the word, and not hear-

ers only.” Art must be active. Small



Bryn Mawr 675

JOHN J. McDEVITT

towns and villages, with their madri-
gal clubs, family musical gatherings,
ete., show the real musical interest of
a people. We of today, what with
our radios and victrolas, are in great
danger of becoming listeners only.

“What shall it profit a man if he
wzain the whole world and lose, his
soul?” Music is the expression pf a
nation’s soul, of a people bound to-
gether by language, history, ideals,
and. continuity with the past. Per-
iods of contact are needed, as well
as those of isolation, and without a
inusical soul of our own, how can we
appreciate the musical souls of



others? We can best serve the cause
of international union by being most:
ourselves. What Dr. Williams advo- |
cates is an artistic Five-Year Plan of |
indigenous music. Then music might
die out altogether, and properly in
that case; or, composers, forced to
make music entirely on their own,
would at last voice the ideals of their
fellow-men. At the end of the five
years, foreign influence would no long-
er stifile, but encourage—it would
become an incentive and’ a corrective.

No work of art represents the spir-
it of a nation more surely than Die
Meistersinger. It is universal art be-
cause it is so intensely national. And
it is with-the-words-of-Hans~Sachs
that Dr. Williams bids us farewell:
“Honor your own masters and then,
even when _empires fall, our sacred
nation’s art will remain.”
/ :



1932 Varsity Hockey
Season Summarized



«Continued from Wage One;

Second Team. Collicr’s defensive
work is as excellent as her offensive,
and. her passing and dribbling are the
best on .the team and of distinct ad-
vantage to the forwards. She was
named center half on the All-Philadel-
phia Second Team. :
Longacre started the season well,
her persistence in getting the ball
and her passwork making her one of
the mainstays of the team. In the
middle of: the season, however, she
seemed to be unable to hit the ball,
used weak chop strokes in attempting
goals, and rarely made an effort to

follow up her mistakes. «In the last |

part of the season, Remington took
her place at right inner, Smith went
in at center forward, and Kent, an
excellent pack, went in as left inner
where her defense. tactics were ex-
tremely useful in keeping the ball near
the opponents’ cage.

Ullom, Bishop, Rothermel, and, in
the last three games, Daniels proved
(o be Bryn Mawi’s “Four Horsemen”’



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Best Quality Shvex
in Bryn Mawr

| and presented an almost impenetrable

barrier to the opposing forward line.
Ullom is an All-Phiadelphia reserve,
while Daniel’s game has been steadily
improving all season.

Jackson has proved to be an excel-
lent goal keeper and the comparative-
ly low score of the opponents is due
to a great extent to her watchful-
ness. Many times goals were made
through her pecause of the interfer-
ence of her en forward line. Jack-
son was listéd as a reserve goalkeep-
“r in the All-Philadelphia team.

The following are the statistics for
‘he Varsity team:

Main Line, 4; Bryn Mawr, 0.

Merion C..C., 3; Bryn Mawr, 2.

Germantown, 5; Bryn Mawr, 2.

Philadelphia, 6; Bryn Mawr, 2.

Swarthmore, 2; Bryn Mawr, 2.

Rosemont, 0; Bryn Mawr, 4.

Total points scored: Opponents,
20; Bryn Mawr, 12,

GUEST ROOMS





Next Door to the Movies





Saints’ Day Presented
as Players’ Second



(Continued from Page One)

His posture, his walk and voice were
if anything too virile for a worker of
fake miracles, but he justified them in
the end by asserting his independ-
ence and going off with the very love-
ly Miss Schwab, Miss Jarrett was
good as the truculent Sutro, who
breaks into a smile only when he
hears the chink of coins or when put-
ting off the stage one of the pair of
white Sealyhams who made an un-
masked appearance early in the play.
As villains Miss Nelson and: Miss
Hannan were most engaging. I es-

| pecially. admired Miss. Hannan’s Bow-
ery accent, which kept alive the con-
trast that the play exploits: modern
commercial evangelism opposed to the
costumes and pious. beliefs of the
larly Christians.





COLLEGE INN AND TEA ROOM

SERVICE 8°A. M. FO 7:30 P. M.
Daily and Sunday

A LA CARTE BREAKFAST

..4INCHEON, “AFTERNOON TEA AND DINNER
A LA CARTE AND TABLE D’HoTrE

PERMANENT AND TRANSIENT
STUDENTS’ CHARGE ACCOUNTS











on

They are ot present in Luckies
... the mildest cigarette
you ever smoked

WW: buy the finest, the very
finest tobaccos in all the

FORT DEARBORN

"Nature in the Raw”’—as
portrayed by the artist, N.C.
Wyeth ... inspired by the
heartless treachery of a band
of vicious Miami Indians,

who
with



—and raw tobaccos
have no place in cigarettes

these’ fi

are then

proper aging and mellowing,

that Lucky Strike purifying
process, described by the ©



THE

MASSACRE

massacred the settlers
inhuman ferocity ..
August 15, 1812.

ne tobaccos, after

given the benefit of

eninasiaeibaattainastbeihe

words—“‘It’s toasted’’. That’s

world—but:that does not

explain why folks every-:

why folks in every city, town
and hamlet say that Luckies




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PRINTING where regard Lucky Strike as “as
; are such mild cigarettes.
TF apalingys eee engl the mildest cigarette. The fact aa

is, we never overlook the
truth that ‘‘Nature in the
Raw is Seldom Mi!d”—so

P. O. Address: Bryn Mawr, Pa.

t



“It’s toasted”

That package of mild Luckies

Meet vour friends ef the

Bryn Mawr Confectionery
(Next to Seville Theater Bids.)
. ‘yne Rendezvous of the College Giri

Tasty Sandwiches, Delicious Sundaes.
. Superior Soda Service Bes

_ Music—Dancing for girls only
















"If aman writea better book, preach a better sermon, or make a better mouse-trap than bis neighbor, tho be
build bis house in the woods, the world will make a beaten path to bis door.’’—-RALPH WALDO EMERSON.
Does not this explain the world-wide acceptance and approval of Lucky Strike? | fo

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