Some items in the TriCollege Libraries Digital Collections may be under copyright. Copyright information may be available in the Rights Status field listed in this item record (below). Ultimate responsibility for assessing copyright status and for securing any necessary permission rests exclusively with the user. Please see the Reproductions and Access page for more information.
College news, March 25, 1959
Bryn Mawr College student newspaper. Merged with Haverford News, News (Bryn Mawr College); Published weekly (except holidays) during academic year.
Bryn Mawr College (creator)
1959-03-25
serial
Weekly
8 pages
digitized microfilm
North and Central America--United States--Pennsylvania--Montgomery--Bryn Mawr
Vol. 45, No. 18
College news (Bryn Mawr College : 1914)--
https://tripod.brynmawr.edu/permalink/01TRI_INST/26mktb/alma991001620579...
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation.
BMC-News-vol45-no18
THE COLLEGE NEWS
Wednesday, ‘March 25, 1959
THE COLLEGE NEWS
FOUNDED IN 1914
Puplisned weekly auring tne Coliege Year (except during
Thanksgiving, Christmas and Easter noiidays, and during examina-
tion weeks) in tne inierest.of Bryn Mawr Coliege at the Ardmore
Printing Company, Aramore, Pa., and Bryn Mawr College.
The College News is fully protected oy copyrignt. Nothing that appears
in tt may be reprinteo wholly or in part witnout permission of the Editor-in-Chiet,
EDITORIAL .BOARD
Editor-in-Chief .......++se005 Soetesusaueausaene Ware oe Betsy Levering, ‘61
Copy Editor .6.. sce ccc secre cccccccvccceseccsscesesessece Lois Potter, ‘61
Managing Editor ..........0:ceseeeeceeereeeeseoees E. Anne Eberle, “61
Make-up Editor ........00ccesccesescesees ecceeceeess Frederica Koller, ‘61
Members-at-large ©..........00seeeere Marion Coen, ‘62; Alison Baker, ‘62
EDIIORIAL STAFF
Isa Brannon, ‘62; Yvonne Chan; ‘62; Linda Davis, ‘62; Sandi Goldberg, ‘62; Anne
Rassiga, ‘62; Grate Stevens, ‘61; Judy Stuart, ‘62.
BUSINESS BOARD
Sybil Cohen, “61; Jane Levy, ‘59; Nency Porter, ‘60; Irene Kwitter, ‘61; Sue
Freiman, ‘61; Melinda Aikins, ‘61; Matina Souretis, ‘61.
Business -Manager...............+. eee ee eT EEL CREME ww ‘59
Associate Business Manager .......+...s++seesureees ° aio 60 |
Staff—-Photographer—=.5.3 5.00... eae S Gi Gis ee etcsile ee Miller, ‘59
Cartoonist .. cece cccccsccccenesseces sewed enleeeee Margaret Williams, ‘61
Subscription. Manager .....+.seesscccseecccccesece -» Elise Cummings, 59
Subscription Board: Loretta Stern, ‘60; Karen Black, ‘61; Gail Lasdon, bi Lois
Potter, ‘61; Danna Pearson, ‘61; Lisa Dobbin, ‘61; Sue Szekley, ‘61; Elise
Cummings, ‘59; Sasha Siemel, ‘62; Doris Dickler, ‘60; Kate et ‘60;
Jackie Goad, ‘61.
Subscription, $3.50. Mailing price, $4.00. Supscription may begin at any time.
Entered as second class ma/ter at tne Ardmore, Pa., Post Office, under the Act
Wanderlust Lost
Spring arrives at Bryn Mawr with all the subtlety of 70° weather
after a night of frost and brings with it all its proverbial signs of
change. That the college is not unaffected by this is shown by the
migration of classes from stuffy Taylor-rooms to muddy spots near
Senior Row, and by frequent excursions into native trees ... and even
the menu is blessedly subject to change without notice.
But contrary to this surge, one element that is not subject to
change without notice is the residence hall of each student; full notice
of planned room assignments is duly rendered by the usual ample
amount of red tape, the first hint of which is an innocent dittoed sheet
left in each mailbox about this time of year. But the results are
simple: people either keep their rooms or they don’t, but no one
remotely. considers moving to ANOTHER hall—horrors, foreign ter-
ritory?
If one wonders where the old American wanderlust has gone when
one finds Bryn Mawrters thinking of the distance from Denbigh to
Goodhart or Radnor to Taylor as “a long way,” anyone with a touch
» of said wanderlust would be horrified to see the overwhelming percent-
age of people who settle down to four comfortably assuming years
in the same hall.
Most Bryn Mawrters drop into what a geology-type might call an
“incised meander”—they just meander down the corridor to anew room
and sink further into the easy familiarity of their own dorm. Why are
we so unadventurous? It’s not as though BMC were a gigantic, sprawl-
ing university whose masses make friendly penetration to any degree
utterly hopeless. oe
The fact is that despite the cherished picture of the “Bryn Mawr
Type” as a steel-trap mind housed in a bespectacled exterior of feverish
academic pursuit, when it comes to establishing our main stomping
grounds for the year we are mentally and physically lazy. Physically,
throwing a few things in a carton is evidently too high a sacrifice, and
mentally, we just can’t be bothered to buck the apparent (and apparent
only) “tradition” of remaining sealed in one hall—simply for the sake
of meeting new people and forming more accurate opinions of those
who are now just fellow-gladiators in the Reserve Room or fellow-
knitters at lectures.
To those who say they stay in one dorm because “I’d rather make
a few good friends than a ‘lot of superficial ones,” the most honest
and direct reply is ... “Hogwash!’”? The: people who will “stick with”
one, if already found, will do so despite another 800’ between them,
and there is no better way of meeting the ones as yet unmet than hunt-
ing them up.
This is a place where the most drab-looking wallflower turns |
out to have collected Syrian manuscripts since she was four and
becomes suddenly animated at the mention of a new find; and the
quietest’ of souls turns out to be writing’ a series of controversial! |
articles for a magazine, etc. ad infinitum. In short, there are too many
well-disguised fascinating people here and too little time to meet them.
Merely a more liberal attitude toward those who do decide to explore
a bit would relieve these from feeling that they had virtually announced
to their dorm, “I hate you all and I’m moving where the good people
are—so there!”
Without adopting required dorm-changes which are the case in |
some schools, and which would undoubtedly be received here. in a mood
vaguely equivalent to that of about the fifth day of. finals, it. does |
seem we could encourage rather than discourage-any exploring tenden- |
cies one may have toward those exotic foreign domains—OTHER halls. |
Spring, never half so sweet as now nor ever half so sweet’
again, now if never after, come spring. come
aa
with
tree trunks in pools of water, green rain and yellow willows,
daisy wheels and buttercups, meadow larks aoe song sparrows,
come spring come
with
milkmaids and shepherdesses, colin clouts and marris dancers,
may rings and tennis balls, white’ shirts and boys running, —
come spring come _
with :
broken hearts mended, wars hates.and. cares and fears forgotten,
_, green strength and. careless love, lazy» wits and shallow fancies, »
_spring, never half so sweet as now nor ever half so sweet
again, now if never after, come springcome.
Richmond Lattimore
| rationally. This worldis-used—as—2-
Poet Probes Blake’s Symbolism
Kathleen Raine, a poet from
Girton College in Cambridge Uni-
versity, chose. to discuss Blake
rather than, as originally planned,
her-own poetry.
She deseribed her study: of that
poet as a “transforming experi-
ence,” and one which illuminated
not only Blake’s poetry, but also
that of the other English symbolist
poets: Shelley, Spenser, Yeats, and
others. ‘They speak a common lan+
guage, in which fairy tales express
things which can’t be expressed
reflection of the eternal, and its
images represent spiritual, mental
nature. Such a language of symbol-
ism remains strangely invariable in
its terms. It is always fresh and
relevant, and only the style ofthe | ;
poet changes, according to hig per-
iod “in history.
Miss Raine stressed that a com-
prehension of this language of
symbolism is very relevant for
materialism in thought, and in
their writings express only the in-
dividual. human personality. ~This
she described as a “terible im-
passe,” which would eventually ne-
cessitate a return to symbolism,
“the highest form of poetry.”
Miss Raine then read and inter-
preted two “enchanting fairytale
poems ” by Blake: “The Little Girl
Lost and Found.” They have their
roots in the period of the classical
revival in. England, around 1790,
and refer directly to the famous
On the first level of interpreta-
tion, the story that emerges from
the poems is that of Persephone,
carried off by Pluto into Hades.
Below this most apparent mean-
ing lies a more universal one—the|
theme of the immortality of the
soul, Leyca’s death is merely sleep,
and her parents weep because they
don’t understand this.
The third interpretation which
Double-0 Sings
On Good Friday
The Bryn Mawr Double Octett
and a comparable group from Hav-
erford wil provide the music for
the Good Friday service at the
National Cathedral of Washington,
D.C.
The service is from 1.to 3 p.m.,
and the music consists of fairly
short pieces or~ excerpts from
larger works. ee
Bryn Mawr alone will sing
pieces ranging from Vittoria to
Caplet. Haverford includes in its
program the premiere of an “Ex-
posteilarion for Good Friday, “The
Penitent Thief” composed by Al-
fred Swan, the head of their music
department. The two groups to-
gether will. sing the Kyrie of
‘Vaughan Williams’ Mass in G mi-
nor, and a piece by John IV, King
modern poets, who tend towards
Continued.on Page 4, Col. 1
of Portugal—“‘Crux Fidelis”.
ol UST YOUR TYPE
That’s why more people buy Smith-Corona
‘Portables than any other Portable Typewriter !
Letina beauty! Letter- perfect with
figures to match!
And won’t your fellow-students: envy
you! ’Cause with your Smith-Corona
Portable Typewriter, you'll be able
-. to make better grades . . . studies will
be easier .. . assignments go faster,
leaving you more time for: fun.
PS PS SiS gta Oe
Smith-Corona Dealer. A new Smith-
Corona Portable can be yours for as
little as five dollars down . .. up to 24
months to pay. And be sure to have
your dealer show you the newest of
Smith-Coronas . . . the world’s first
Electric Portable Typewriter!
A Wi Sadia Whaat Qutinnte 3. ith the Suiventhintids thd Géddhion: caries A Hacksbos
fe Ce nn eemnemtenen hha So checarter heaton,
2