College news, March 26, 1952

‘6



int OM







VOL. XLVIH—NO,. 20

Se an cae anie

ARDMORE and BRYN MAWR, PA., WEDNESDAY, MARCH 26, 1952

Copyright, Trustees of

Bryn Mawr College, 1952

PRICE 20 CENTS



Mr. Hughes LeBlanc Alleviates Intense Pitch
Pervading ‘The Shoemaker’s Prodigious Wife’

Bettman Contributes
High Emotion
As Wife
by Sheila Atkinson, °53

“T want to come out! You let
me out!”? shouted the shoemaker’s'
prodigious wife, Linda Bettman,
from off stage. And come out she
did. “It’s a good thing you ran|
into your house, you dusty little
snake, because if you hadn’t, I’d|
have dragged you through the
streets by the hair. #.” she
screamed out the window as her
gold sandals stomped across the
stage.

She raged furiously; she was
equally convincing trying to be
tender with the boy, Sandra Davis,
and whimsically recalling her past
suitors much to the disgust of her
poor husband. She threw herself
into the role wholeheartedly and
not only acted, but was, the scan-
dalous_ eighteen- year-old wife,
whose cobbler spouse ran away to
escape her unending bickering.

Hugues LeBlanc, the shoemaker,
was perfect. His low deliberate
voice provided the necessary con
trast to the outbursts of his dis-
satisfied wife. His easy-going
manner furnished welcome relief
from the intense pitch which char-
acterized the play. His songs and
whimsy were delightful and_ his
phght amusingly pitiful.

Often in plays where there is
such a marked distinction between
thé major and minor roles, the
lesser parts mar the level of pro-
duetion attained by the principal
characters.
ever, this was not true in the case }
of The Shoemaker’s Prodigicus
Wife. The women neighbors were
particularly good with their
brightly colored costumes and
supercilious, gossipy sneers.

Sandra Davis, as the boy who

informed the shoemaker’s wife of |
the activities of her neighbors, |
was a most convincing little fel-| co:viceCommittee
; mon Rooni under the auspices of

i the I.R.C.

low. Her movements especially
were those of a bouncy, good-
natured child, and her relaxed,
true portrayal of the lighthearted
chap who loved his mother

“twenty bushels”, but loved Mrs. |'
‘Monday, April. 7

Shoemaker “thirty-two and a
half”, added a welcome touch of
childish sincerity. The scene in

On the whole, how- |

=



which the boy diverts the atten-
tion of the shoemaker’s wife from
Continued on Page 2, Col. 4

Friends Sponsor

Summer Seminar

especially contributed by
Patsy Price, 54

Among the many projects of
the (Friends Service Committee,
one with the greatest interest is
the International Service Semin-
ars for Peace, held each summer at
four locations in the United States.
“Living experiments in combining
the science of human relations and
the science of international rela-
tions”, the seminars meet for
seven weeks during the summer to
study such topics as economics,
religions, and the responsibility of



Continued on Page 2, Col. 1



’ Lorca’s Mr. Shoemaker Cuts Capers for Splendiferous
Spectators



Strict Direction and Fine Acting Grace
‘Andromaque’, French Club Production

especially. contributed by
Anne Phillips, 754

Andromaque, given last night by
the Freneh Club, was a triumph.
Jean Racine had written a poem,
a » tragedy observing ‘the three
unities.
Maurice Gonnaud, directed a liv-
ing play, giving -it a-fourth unity
of presentation. Troy annihilates
her ancient enemies Hermione,
the -king Pyrrhus, and Oreste.
Only Andromaque, the widow of
Hector, survies. The story is
simple; the play is both difficult
and rewarding.

The directing was strict. Not
fa hand moved, not an serene

‘CALENDAR

Thursday, March 27

8:30. p. m.’ Robin Harper of
Haverford will show a film and
answer questions about. the’ In-
terriational Service Seminars :and
other activities of the Friends
in the



‘Friday, March 28

Spring vacation begins , after

your last class!

Classes begin again.
Wednesday, April 9

12:00 noon. William Riley: Par-.
ker, Professor of English at New
York University, will speak at
_ the Graduate. Assembly. .: :
Sunday, April 13

7:30 p. m.’ Miss McBride will
give the address: at the evening
chapel service.
Tuesday, April 15

4:00 p. m. Novelist Glenway
Wescott will speak informally in
‘the Deanery. All students in-
terested in writing are especially
invited.



Fletcher Watson, Professor
of Astronomy at: Harvard, will
be at an open meeting in the’
Common Room on April 8 at
8:00 p. m. to discuss the fifth
year program at Harvard in.
conjunction with the Ford
‘Foundation Fund for the Ad-









Ted Morris, : assisted; by|

Com- |;



vancement of Education. a |i

raised. itself, unbidden. Not a
|word was meaningless. The ges-
}tures of the actors had the clarity
of classic pantomime. The light-

ing was sparse, a series of vari-|
-ously slanted.shafts.
The scenery and costumes were |

by. Fritz Janschka. There was a

‘disappointing sphinx with Etrus-

can curls, and a screen with three
dada eyes. But the spector of
Hector, aloft on a metal pole like
a sausage on a toothpick, was
decorative and sensible.

Continued on eon Fuge 2, Col. 3

Oom-Pa-Pa 1a-Pa Marks
Beat Of Da Daism

by Mary Jane Chubbuck, °55

“Fools Racined” Wyndham Hall
at 4:30, Friday; March 21, for tea,
and a “DaDaDramatic choral-
symphonic symposium on Jean
Racine in three parts and seventeen
movements.” Mr. Edward P. Morris
of the French department, work-
ing as composer, director, costum-

er, manager of scenery, and actor,
‘presented “The Root” a la Da Da.

three parts
. THA-

The symposium’s
ramed I. BIOS; 2. EROS,

NATOS, were “put ac Sena” bg able |)
‘actors in
actresses
with . still. more ‘apathetic

and apathetic
equipped
1 tooth
brushes. The expressive and mov-
ing ‘work covered everything from
“acte de Bapteme de Racine” to
Death. “As it comes to most men
and to F. Garcia Lorca... ”..

A United Nations choriis opened

tuxedos,
in’ pajamas,

and closed the work, seven mem-|

pers of the cast giving forth their

‘|“all” in Italian, Russian, English,

German, Spanish, French, and La-
tin at the same time. For the re-
freshment. of . the players, a maid
with an eye dropper wandered
among the potted plants and filled
the many: glasses on the window
sills of the, Music Room. The su-
perb orchestration is to be com-
mended, also the superb. instru-
ments; a. -Piano. -with .Schubert—

j trouble, . and . an impressive “oom

pa’ pa” made, operated, and given
a, voice. by. Mr. Morris.

|: Highlights - of+ the. .afternoon
were: the ‘seng: “Jean, Racine Was
Continged: on Page: 2, Col. 4



| Of the numerous “cultivated’’

.is.avsorbed, only ourselves remain,

‘only include such chance observa-

‘pus or very nearby, of the larger

‘I have seen them several times at

Watson Catalogues
Four-Footed Fauna
Resident in Region

(Faculty Column)

by Edward H. Watson
Officially spring is here,
possibly this column can be in.
ated with a non-controversial s ib-
ject: the vanishing local wild ii‘e.
ani-
‘mal types, now that the Skull form

and

and |et’s leave us out. We are too
abundant anyhow, and get rather
monotonous. We also include the
only dangerous and unpleasant in-
dividuals.

This listing will not be techni-
cal—I am not a zoologist—bui

tions as I have made on the cam-

and more obvious animals. A bac-
terioiogist or herpetologist might
ibe quite interested in the brook
below the President's house, but
let us skip such minutiae and start;
with the biggest: I saw a deer
along Morris Avenue. not far be-
low the infirmary one winter night
three years ago. Incidentally early
morning hours are a fine time for
observing the beasts—and a slight-
ly virtuous excuse for late convi-
vial wanderings. One summer
night, after the campus lights were
doused’ (about three a.m, 1
think) I went out on my upper
porch on Faculty Row to sniff tne
dews and damps and. there wau-
dling down the walk was a 1ac-
coon. Another night (again late,
and fall) I saw an opossum walk-
ing across the road from Cartreff
to Dalton ( I wonder where he had
been?). Skunks are fairly numer-
ous (Mephitis mephitica, that is);

night on the lower campus. Sev-
eral years ago they were almost a
scourge: two attacked the then
current Manning dogs; I forget
who won. A groundhog or wood-

chuck was reported (not observed
Continued on Page 2, Col. 3



Hofer, Harvard
Curator, Lauds

Works of Goya

Artist Depicts Spain’s
Political Scenes
Satirically

“The Graphic Art of Francisco
Goya” was the subject of the first
lecture given from the Class of
1901 Art Lecture Fund. Philip
Hofer, Curator of Printing and
Graphic Arts at Harvard Univer-
sity presented the illustrated lec-
ture Monday night in Goodhart.
Mr. Hofer is eminent both in the
fields of graphic art and litera.
ture.

Because of his great influence in
19th Century art, Goya is of par-
ticular interest today. He is one
of the few universally accepted
artists. Even more a philosopher
than a man of art, Goya was an
individualist and anarchist § in
every respect. He always man-
aged to have his portraits, com-
missioned by the Spanish nobles,
express his own inward feelings
about the person.

Particularly appreciated by
artists, Goya was the subject of
interest of all the major 19th Cen-
-ury French artists and writers.
His work knew no national bound-
ary or \period. His life was as tur-
bulent and colorful as his work.
He made no effort to disguise his
feelings, but pitilessly satired the
court in his prints. He was to
Spain what Rousseau and Voltaire
were to France, and Byron and
Shelley to England.

The fact is often overlooked that
Goya successively and successfully
used two new procedures: aquatint
and lithograph. The invasion of
Spain by Napoleon in 1790 caused

Continued on Page 2, Col. 5



When I was three and

us with just enough money

But on the corner of Front

thought we would be very
fare buying dates and walk

ily.

we had our dates.





Photograph: Wilbur Boone; courtesy, Office of Public Relations
Mr. J. Henry Scattergood Celebrates 25th Year at Bryn Mawr

my sister was four years

older, my parents, sending us on an errand, entrusted

to go to the designated

place and return. We went by horse and carriage; you
know in those days the carriages had straw floors.
Anyway, we got there and delivered our package.

and Market Streets they

sold dates. And how my sister and I loved dates! We

charitable . . . spend our
home and treat our fam-

It was a long walk, about an hour and a half, but

We arrived home late, having caus-

ed our dear parents much anxiety. When my father

questioned us about our tardiness, we meekly offered
Continued on Page 2, Col. 1










Page Two

THE COLLEGE

NEWS

Wednesday, March 26, 1952





THE COLLEGE NEWS

FOUNDED IN 1914



Published weekly during the College Year (except during Thanks-
giving, Christmas and Easter holidays, and during examination weeks)
in the interest of Bryn Mawr College at the Ardmore Printing Company,
Ardmore, Pa., and Bryn Mawr College.



appears in it may be reprinted either
of the Editor-in-Chief.

The College News is fully protected by copyright. Nothing that

wholly or in part without permission



Claire Robinson, ‘54, Copy

Judy Thompson, ‘54

Emmy Cadwalader, ‘53
A.A. reporter

Joyce Annan, ‘53

Ellen Bell, ‘53

Ann McGregor, ‘54

Chris Schavier, ‘54

Kay Sherman, ‘54

Ann Shocket, ‘54

Julia Heimowitz, ‘55, Ass

Vicky Kraver, ‘54

Lee Sedgwick, ‘53
Bobbie Olsen, ‘54
Marilyn Dew, ‘54
Liz Simpson, ‘54
Barbara Rasnick, ‘53

EDITORIAL BOARD
Sheila Atkinson, ‘53, Editor-in-Chief

Margaret McCabe, ‘54, Managing Editor

EDITORIAL STAFF

STAFF PHOTOGRAPHER
Judy Leopold, ‘53

BUSINESS MANAGER
M. G. Warren, ‘54

BUSINESS STAFF

SUBSCRIPTION MANAGER
Barbara Goldman, ‘53

SUBSCRIPTION BOARD

Peggy Hitchcock, ‘54

Frances Shirley, ‘53, Makeup

Mary Alice Drinkle, ‘53

Mary Jane Chubbuck, ‘55
Barbara Drysdale, ‘55
Barbara Fischer, ‘55
Marcia Joseph, ‘55

Anne Mazick, ‘55
Margaret Page, ‘55

Pat Preston, ‘55

Caroline Warram, ‘55

ociate Business Manager

Claire Weigand, ‘55

Jo Case, ‘54

Suki Webb, ‘54
Molly Plunkett, ‘54
Joy Fox, ‘54
Karen Hansen, ‘54



Subscription, $3.50

Subscriptions may begin at any time

Mailing price, $4.00





Entered as second class matter at the Ardmore, Pa., Post Office
Under the Act of March 3, 1879







Editorial Continued

Continued from Page 1

him a date and told of our charitable venture.

Well, my father taught me a lesson I’ll never for-
get. Son, he said, when you are entrusted with money
to be spent in a certain way, you should spend it just
that way. And that’s what I’ve been doing ever since.

Such was the story of Mr.

J. Henry Scattergood, treas-

urer of Bryn Mawr College, when he spoke to the faculty
and Board of Trustees last Thursday night at a party in his
honor to celebrate his twenty-fifth year with the college.

Mr. Scattergood, who has just had his seventy-fifth

birthday, who loves to tinker w

ith watches, and whose twink-

ling eyes and keen personality bring him from the fiscal
world into the world of people, is the financial wizard who

has helped Bryn Mawr develop
it is today.

physically into the institution

He has eliminated the Wyndham debt and has seen Good-.

hart built and paid for.

He has witnessed the additions of

Park, the West Wing of the Library, Rhoads Hall, the Grad-
uate School, and the Scull property to the campus.

We thank Mr. Scattergood for his devoted service to the
college as a “disinterested citizen”; interested in the public
welfare, disinterested in private gain. We thank him for his
twenty-five years of time, strength, energy, and financial in-
sight, for he is one of those remote, ingenious men who hold
the purse strings which secure our education.



Friends Service Committee Offers Group Seminar

For Promoting Spirit of

Continued from Page 1
the individual in the world scene.
Participants from all over the
world representing many races and
religions live together, sharing in
intensive study and thought, doing
their own housekeeping, and join-
ing in @ports and-social activities.
_ The Friends say that in these
times when international tension
is most severe, it becomes increas-
ingly necessary to “give attention
to the individual . . . his worth, hie
beliefs; his need, his ability to re-
spect his fellow men.” They feel

Peace and Brotherhood

to remove the occasion for war
and a new faith to strengthen the
brotherhood of man.”

In order that anyone interested
in the seminars may hear about
them, the IRC has arranged for
Robin Harper of Haverford, who
is now working for the Friends,
to show a film and answer ques-
tions Thursday, March 27 at 8:30
in the Common Room. For anfone
considering either attending a
seminar, or doing other work for
the Friends this summer, this
should be a valuable chance to



that “there is need for a new spirit

find out about the projects.

Mammalia Matriculate
While Faculty Observe

Continued from Page 1

by me) to have a den below the
Dean’s house near the power
house.

Among the mammalian preda-
tors only the fox occasionally
makes a visit. One was “out on
a chilly night” in the Baptist cem-
etery across from Park two years
back, The smaller mammals are
everywhere: mice, rats, bats, rab-
bits, shrews, moles, squirrels and
chipmunks. Several of the last
make their home in the chestnut
stumps on the wooded sides of the
hockey field valley where my child-
ren seek them under their well-
known name of Chippy Hackee.
Mr. Chew tamed one one summer,
The rarer and _ beautiful flying
squirrel was almost domesticated
by the Diezes three years ago.
Squirrels make nests like birds
sometimes and three of these can
now be seen down senior row,

Among the big birds a great
blue heron sometimes glides across
the campus, heading for the
swamp near the Drydens. Hawks,
gulls, and mallards fly over, and
three Canada geese are on Dove
Lake at this writing, as seen by
both Mr. Berry and me.

Don’t fear snakes. The large,
‘but harmless and valuable black
snake sometimes sunbathes below
Rhoads, and the water snake lives
in the stream there. Last summer
the children brought in a box tur-
tle.

‘But the campus is too small and
is being crowded by “progress”.
Only Mr. Herben’s insistent tale
sustains me: that a black bear was
seen near the corner of Spring
Mill and Conshohocken Roads a
while back.

French Tragedy Scores
In Fine New Production
Continued from Page 1 —

Andromaque, - being innnocent,
wore the first colors of spring,
yellow and purple, along with a
little girl’s hairbow of 1910. Her-
mione wore black, and, like a so-
ciety woman putting on courage,
a Vanderbilt headache band and
white kid gloves. On her mirror
was a crown, for she wanted. to
marry Pyrrhus, who, in cardboard
armor, looked distinquished;
Oreste was magnificent in black
with two large triangles, one a
heart, one a burden.

The minor parts are hard ones,
involving the expression of silent
interest. Rita Mousseau (Pylade)
and Peggy Hitchcock (Phoenix)
were the faithful friends. The twe
pretty confidantes were Julie Boyd
(Cleone) and Isabelle Viennot
(Cephise),

In the title role, Paula Donnelly
was a dark beauty, watching vis-
ions of the past. She walked slow-
ly, stood quite still, and spoke in
a soft rich voice.

Katusha Cheremeteff played
Pyrrhus with great skill, making
the pauses as strong as the his-
trionics. The king’s. passion for
Andromaque became increasingly
important.

Elaine Marks, as Hermione, was
sinister from the beginning, yet
contrived to build on up to a terri-
fying climax. She moved her arms
like the broken wings of a bird,
which is not surprising since Her-
mione’s mother, Helen, was hatch-
ed from an egg.

But the virtuoso performance
was Marianne Schwob’s. Her
Oreste was both pitiful and tragic,
a struggling human being and a
victim of inhuman fate. Her voice
‘was grey or flaming as she wish-
ed; her body moved as surely as
a dancer’s. Her Yast scene, the
sudden insanity of Oreste, was the
finest moment of the play. The
curtains closed, appropriately to





Costumes and Sets Bring
Spain and Color to Play

‘Continued from Page 1

her neighbors to catch a butter-
fly was particularly tender and
well done, :

The mayor, Bill Morrison, wha
was one of Mrs. Shoemaker’s per-

sistent suitors, was not as con-
vincing as the rest of the minor
characters. His stiff awkward
walk was unnatuval. He was not
the stuffy mayor, but a young man
trying to be stuffy. His dialogue
was effective and enjoyable, but
was marred by his pacing, his
entries, and his exits.

Dick Lingerman, the _ Sash-
maker’s apprentice, was adequate
in the role of the most ardent of
the suitors, although he too some-
times tried a bit too hard. Don
Blackbird, with his flowing cape,
was most dashing and delightful,
and his movements were instru-
mental :n portraying the fleeting
lover, Peter Parkhurst, the Hat-
maker's apprentice, also played his
part with finesse.

George Segal, acting the author
in the prologue, put the audience
in a relaxed mood with his solilo-
quy describing the shoemaker’s
wife. Bess Foulke, guitarist, also
lent a casualness to the stage, and
her singing before the prologue
and during the intermission was
mnost entertaining.

Adding to the brilliance of the
production were the costumes de-
signed by Bo Zabko. Mrs. Shoe-
maker’s red dress in the second
act was particularly appealing and
her husband’s traveling showman’s
costume was as colorful as his
shoemaker’s garb was drab and
colorless. The minor characters’
costumes lent an air of Spain and
brightened the stage which was
designed to show off their bril-
liance. The costumes were de-
signed for the characters and help-
ed immensely in their convincing
portrayal. The shoemaker’s ap-
parel as he left his wife injected
humor into the superficially sad
occasion.

The simplicity of the sets is like-
wise commendable. Josephine
Case, stage manager, and her crew
created a humble shoemaker’s es-
tablishment and a plain, unpreten-
tious tavern. The simplicity fit
into the mood of the play and
proved a perfect background for
the bright costumes.

“The farce always demands
naturalness. The author has
drawn his characters, and the
tailors have dressed them. Sim-
plicity!!!!" Such are the words of
Lorca, author of The Shoemaker’s
Prodigious Wife. On the whole,
the characters, the setting, the
mood, and the play itself were
simple. Mr. Warner B. Berthoff,
director, successfully produced a
unit, a unit stressing simplicity.
The play was most delightful and
the subtle humor enjoyable, The
cast and those affiliated with the
production are to be congratu-
lated for a most entertaining per-
formance.

Oom-Pa Fails To Negate
Da Drama Symposium

Continued from Page 1

A Mean Old Bean” (words and
music by Mr. Morris, Soloist—Mr.
Morris), and the youngest member
of the cast, Humphrey Morris,
who stood quietly through the en-
tire performance without com-
Plaining. His eagerness for Jean
Racine was clearly seen in his
question: “Daddy, is the play over
already ?”.

_ The literary background of the
symposium is the Da Da Move-
ment, which started in France
after the first World War. The
followers were so completely im-
mersed in the negation of every-



cries of Bravo! Director!

thing, that they were even anti-



Goya’s ‘Caprices’ Join
Real and Supernatural

Continued from Page 1

Goya to first take up the etching
pen to produce the aquatint im-
pressions, which center about no
special subject. The first series,
entitled “Caprices”, satirize and
criticize court life. Goya was a
cynic, not a ‘patriot.
when the Inquisition unsuccess-
fully tried to stop his work, the
king demanded the plates, which

were preserved. Other print plates

However,

came into the hands of the gov-
ernment after Goya’s death and
have been considerably damaged
and changed through mishandling
and re-biting. Therefore, the early

proofs, published during ‘Goya’s

life, are much better for an accur-
ate study of his work.

Outside of a few prints after
Velasquez, the aquatints show no
outside influence, but arise from »

the artist’s own inner feelings.

Each picture has a caption, about
which there has been some debate.
One group maintains that the cap-
tions explain the prints; the other,
that they disguise the satire of
the picture. Most of the pictures
have several drawings from which
Goya developed the prints.

In the “Caprices”, Goya, who
often read books on the occult
easily mingles the real and the su-
pernatural. However, the wars
following Napoleon’s invasion of
Spain brought about a series of
aquatints entitled “Disasters”, typical one, with the caption,
“There Is ‘No Remedy”, shows two
men killed by a firing squad. The
firing squad is only suggested by
three rifle barrels appearing at the
extreme right of the print. The
use of this striking effect fore-
shadowed 19th Century art. His
prints serve as a history of the
events of his lifetime and the cus-
toms of his people, although he
never thought of them in. that
light.

The third series of prints, the
“Bull Fights”, are the most com-
prehensible. They clearly show his
extraordinary ability to catch sus-
pended motion. Goya was also a
master at suggesting different col-
ors in the range of shade between
black and white.

“Foolishness”, the last series of
aquatints, show a return to the
mysticism and satire of the “Ca-
prices”, They are even more im-
aginative and philosophic. “The
Dead Limb”, a print of this group,
shows the royal family, huddled
on a bare tree limb, waiting for
death.

Goya also completed four litho-
graphs which form the set,
“Bulls”, before his death. At the
time he was going blind; yet these
lithographs show some of his
greatest work. “Bulls at Bor-
deaux” is especially interesting
because the use of the divided
ring and aerial view anticipated
the work of Degas and others who
were influenced by Japanese prints,



Lost!! By Miss Helene Savad,
a Brooklyn College Key. It is
lost somewhere on campus, and
she is very anxious that all
finders please give information
or the key to her at the Gym.







Da Da. They thought everything
was artificial, and so started from
scratch and produced nothing like
anyone has ever seen before any-
where. The college should ap-
preciate the Da Da Dadistic ef-
forts of ‘Mr. Morris in producing
such a marvelous sequel to the
program on F. Garcia Lo-(ooorr)-
rea presented the previous week.




Wednesday, March 26, 1952

THE

COLLEGE NEWS

Page Three











El Greco Restaurant



~\



{gese



_ Before You Go
Home for Your
Easter Vacation





















SPORTS

by Emmy Cadwalader, ’53







BREAKFAST
H Y Hair Set at ; ;

ile a 2 - The swmiming varsity and J.V.

Bryn Mawr yoni swam -their last meet of the year

4 ) es ;| against Temple, winning with the
respective scores of 30-27 and

44-13, Bryn Mawr put up a great

C THE Evrope—The Grand Tour—















68 Days 10 Countries $1096
Tourist Class on Shipboard

No Extras. Tour price includes trans-
portation in Europe, all meals, tips,
Entrance Fees, experienced couriers
and guides, tickets to World Famous
Theaters and Eleven Operas,’ The
Ballet, and Spanish Dances.

Write for Booklet

Miss Maud McKay

ROOM 545, 11 WEST 42ND ST.
NEW YORK CITY, 36









Campus \I nterviews on Cigarette Tests

No. 37... THE SWORDFISH

ay







“They had me
fencing with
fancy facts!”









"Day crossed swords with the wrong man
when they engaged this swashbuckling senior
in tombat! At first, he was foiled by the tricky,

“one-puff” . . . “one-sniff” cigarette mildness tests.

But he parried their thrusts with this gleaming
sword of logic: The only way you can judge
mildness is by steady smoking. That’s the true
test of cigarette mildness!

It’s the sensible test . . . the 30-Day Camel

Mildness Test, which simply asks you to try Camels

as your steady smoke, on a day-after-day,
pack-after-pack basis. No snap judgments! Once

you’ve tried Camels for 30 days in your “T-Zone”

(T for Throat, T for Taste), you'll see why ...



After all the Mildness Tests...

Camel leads all other brands Sy Ai//rons





show, and for almost the first time
this year most of the swimmers
were on hand, instead of being be-
set iby illness,

The badminton first and second
varsities were equally successful,

and both teams easily won their
matzhes, 5-0 ‘and 4-1 respectively.
This continues the varsity’s unde-
feated record. All the players were
extremely quick and agile, and the
matches were a pleasure to watch.

The last fencing meet was held



aeaareatdee Be
aerial

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in NEW YORK
AT THE GATEWAY .
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‘A-conditioned Dining Room &

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BANQUET AND MEETING FACILITIES

LESLIE PAUL
ging Director

Hote. EMPIRE

BROADWAY at 63rd ST.



ast Thursday against the Tyler
Art School, in Elkins Park. As
usual the varsity bouts were won
by Bryn Mawr, but unfortunately
the J.V. lost 3-6, though each bout
was extremely close.

Early lacrosse enthusiasts have
been seen tossing balls in the gym
or on Merion green, and all those
who wish to play will be eagerly
welcomed. Anyone interested
should see Captain Bunny Mc-
Clenahan, or M. G. Warren, the
manager.









Two New Hits!

“WAKE UP YOUR MIND”
by Alex Osborn



| and

“MR. PRESIDENT”
| by William Hillman

at the

Country Book Shop









(7
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Our 19th Year

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Above: our classic shirt,
8.95; flared golf skirt with
leather tee belt, 12.95.
Right: our tri-toned jockey
shirt, 7.95; side buttoned
long shorts, 6.95. All in
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Match-able,
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23 Parking Plaza, Ardmore










=

megs Four THE COLLEGE NEWS Wednesday, March 26, 1952
Fon —w ( )
WALTER COOK





Wishing You a Wonderful

" Shakespeare scribed—













































sli wamenaiies Watch Repairing, Clocks ; : .
and Jewel ge There s not a minute
- ry

Joyce Lewis B )
ryn Mawr Avenue | ol our lives
41s 4 i )
. should stretch |
| 9 without some
| pleasure |
Anthony and Cleopatra .
| FLOWERS = > A minute’s enough to stop at the





ae familiar red cooler for a Coke. Pleasure?







Certainly... and refreshing, too.

om

EXECUTIVE © Prepare for a responsible executive

position in retailing where women ex-

CAREERS ecutives are NOT the exception. In- ee : — A |



teresting positions open in buying,

in RETAILING advertising, fashion, management, per- ; 2 neh SP \(% Gob |
sonnel, or teaching. Specialized train- (4 iL Ce Vg \ sites cn

One-year Course ing, exclusively for college graduates, : ) ee a C (1/

teil be covers all phases of store activity. , P

‘Master's Ml Realistic approach under store-trained

on




faculty. Classes combined with super-
vised store experience with pay. Stu-
dents usually placed before graduation.
Co-educational. Master’s degree.
Next class begins July 1, 1952.

Write for Bulletin C THE PHILADELPHIA COCA-COLA BOTTLING COMPANY
RESEARCH BUREAU FOR RETAIL “orn I |
{



BOTTLED UNDER AUTHORITY OF THE COCA-COLA COMPANY BY

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it Hall

UNIVERSITY OF PITTSBURGH « Pittsburgh 13; Pa. “Coke” le a registered trade-mark. © 1951, THE COCA-COLA COMPANY









Pg aS eee ee

CHESTERFIELD-—:arcesr SELLING CIGARETTE IN AMERICA’S COLLEGES

ar MARYLAND









OS
PEE

8 CHESTERFIELDS ove much MILDER
end give you the ADDED PROTECTION of
NO UNPLEASANT AFTER-TASTE

SK FROM THE REPORT OF A WELL-KNOWN RESEARCH ORGANIZATION

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