College news, October 22, 1930

ee



VOL. XVII; NO. 3



- PRICE. 10 CENTS.





French Poetic Schools
Show Two Views



JS Parnassian Positivists and Psy-

chological Romantics Are
Contrasted.



SCIENTIFIC IDEA FAILS



* (Specially contributed by S. Mandell
and E. Frederick, holders of the Hazard
Scholarships.)

The reign of lyricism from 1820-1830
was the topic of M. Hazard’s second lec-
ture on “I.a Poesie Francaise entre 1815
et 1914,” givey in the gymnasium Tues-
day evening, October 14, 1930. He. lik-
ened France during this period to the
England which produced Shelley and
Keats and to the Germany which pro-
duced Goethe and Schiller. France be-
tween 1820 and 1830 produced some of
its most remarkable poetry in the works
of Lamartine, Hugo, Musset and Vigny.
» M. Hazard characterized the four great
Romantic poets of France in a few ft
phrases. Lamartine, for example, could
not tolerate the short, petty verses of his
predecessors; his ambition was to write

acyclic poem witha divine theme. This, |

of course, he attempted in Jocelyn.
With Hugo one finds an entirely differ-
ent type of Romantic. Hugo had a lux-
ury of color and imagery which Lamar-
tine did not possess to the same degree.
In Lamartine one still finds vestiges of
eighteenth century formalism; in Hugo
there is perpetual creation. Musset, on
the other hand, detaches himself from the
other Romantics by
Spair often approaching hallucination.
The last of the Romantics, Vigny, has an
intellectual intensity which, despite his
restraint, sometimes breaks through his
form. In short, Vigny adds to Romantic
lyricism a philosophy of ‘pessimism.
The conquest of Romanticism was _ ac-
complished along two lines: (1) that of
the adoration of nature, and (2) that of
the. exaltation of love: The Romantic
poets, unlike their predecessors, identified
themselves with nature, attributing to it
their joys, their sorrows, their ecstasies,
their very souls. Their conception of
‘love, too, neither Christian nor Hellen-
istic;--was* personal. In conclusion M.
Hazard summed up thus the Romantics’
contribution to the evolution of French
lyricism: for the first time poetry
thought itself free from all restraint; it
no longer isolated’ itself from life, but
concerned itself with the expression of
contemporary society. On the other
hand, one must admit that French Ro-
manticism did not develop a great phi-
losophy or invent a great esthetic theory,
as German Romanticism did. It offered
rather a practical, psychological code.
In his third lecture, on October 15,
M. Hazard continued his study of the
disintegration of the Roimantic school and
showed how it led to the creation of the
Parnassian school of poetry: The efforts
of the new sehool, unconsciously initi-
ated by Victor Hugo when he revealed
the value of the word in itself, were. col-
ored by two new currents of thought:
first, the growing emphasis on a scien-:

Continued on Page Four



Dr. Hart on Committee
The’ following statement about Dr.

Hart's work ‘this’ year has been re-
ceived : ia

"President Hoover has Siitiaied a
“Research Committee on: Social

“Trends,” of which. William F. Ogburn
is Director of Research, and Howard
W. Odum, Assistant Director of. Re-
search.

This Committee has divided its prob-
lems into twenty-five: projects, and has
appointed Dr. Hornell Hart, Professor
of Social, Economy at Bryn Mawr Col-
lege,» to take , charge of. one of the
projects.

» The topic he is studying is. “Meas-



urements of C



_- Professor
Hart, with two assistants, is working
on this subject in the Library. of Con-
gress, and expects to finish the report
by. April 1, 1931;°"After that, he arid
his family: will spend the: latter part of
the year in Europe: ;

tees

&

an exaggerated de-'

1 is—evidently—of—such—great-interest. to
““==¥4ydes from 1900 to “1930.” mR

eppreciated i it.

t 53 ;



THE ENGLISH SINGERS

¥



M. Paul Hazard Struck By
Liberty of Our College Life



Interviewer :
with
Lecturer

Myra Little, ’33.
MM. Paul Hasard,
for 19 3D dere

M. Hazard intends to write an ar-

(Interview
Flexner

ticle about us for the “Revue des deux
M.

visit

whose René
still
made at Bryn Mawr

M.
secretary_of —the--F rench
told M....Hazard he
came to this country in 1898 at the in-

mondes,” manager,

Douniic, remembers a he

more than thirty
years ago. Doumic, who is the
perpetual

Academy, how

vitation of a newly-formed foundation,

to lecture at Harvard. This founda-
tion had been established in 1897 by
Mr. James Hyde.. The first yéar M.
Ferdinand Brunetiére was the lecturer,
the first French scholar ever to be in-
vited to an American university, and
the second year they chose M. Dou-
mic.

During his.stay in America M. Dou-
mic paid a visit to. Bryn Mawr. He
told-M- Hazard that of all the things
he saw he has most clearly remem-
bered a basketball game which was
arranged in his honor, since in France
at that time there were no girls’
schools and very few boys’ schools
where any provision was made for
sports. This particular game was
played for him at the request of Presi-
dent Thomas, and’ the student whom
she asked to organize it was Miss Mar-
ian Park.

M. Doumic was not the first French-
man to be interested. in the experi
ments of the American women’s col-
leges. Four years before his visit,
there appeared in this same “Revue,
des deux mondes,” of which he is the
manager, an article entitled: “La con-
dition de la femme aux etats ‘unis.’
Thic article mentioned with praise both
Radcliffe and Bryn Mawr. Its author
even foresaw the danger of super-
ficiality which has revealed itself as
the chief mienace to American educa-
tion since so many of our young pgople
have been enabled to go to college.

This gentleman’ also noticed. our
freedom of action; the trust which has
-always~beerreposed* in us, and he too
must have seen a game of, basketball, |
because he expresses himself as de-
lighted with our athletic costumes.

Since M. Hazard is preparing an ar-
ticle for the same periodical, I asked
him to tell me what he intended to say
about us. He replied that he would
begin with his arrival, and tell how
beautiful the trees in their delicate
colors seemed to him, when he saw
them for|the first time... Then he. too.
spoke of the’ feature of our life which

-4foreign—visitors®* our. liberty. - After
that he said most charmingly that what
had pleaséd him the most about us was
the welcome we liad given him, and
that he was for once glad to be inter-
viewed because it gave him an oppor-
tunity to tell the college how much he



luxury and wealth in England.

|Elizabethan Life :
- to Be Recreated

Historical Background of Eng:
~ lish Singers Traced to Homes
in Merrie England.

+CONCERT AROUND TABLE
Mr. Alaiyne—gave—thefollowingtnfor-
mation about the English Singers in

Chapel—October 2t:

The English Singers are first in their
field, and give us a page out of history
They
have goné back to a form of music of
Elizabethan The ‘last quarter
of the 16th century was a time of great
Many

as well as a page out of music.

times.

great houses were built of which a
large number are still remaining. The
newly rich used to vie with the aris-
tocracy in having a great deal of music
' Public concerts did not
exist, all was provided for in
private houses.....Many—of—the--great
families retainedjsome well known mu-
-sician and composer as part of their
household who ranked in the social
with the steward or master of
the household. This resident musician
provided music for special occasions

and even wrote. special music for cer-

in the house.
music

scale

Continued op Page Four

College Woinen Study



in Summer Junior Month’



(Specially contributed by Hilda
Thomas, 731.)

To. try to five a word-picture of
Junior ‘Month with its innumerable
sides and varied aspects is rather like
trying to describe New York itself. It
is a world of experience different from
any that we have ever known,-or that
we. shall probably ever meet again.
Twelve girls, one from each of twelve
leading colleges of the East, met in
New York for the-month of July to
study social service. work under the
auspices and at the expense ‘of the
Charity Organization Society.

Half_of our-time-we-spent~individ-
ually -visititig families, ‘talking to them,
learning to see things from their point
of view, and then trying to add our
own knowledge to help them. We
took allowances to certain people,
looked for jobs for some, took children
to clinics, outfitted others with clothes
for camp. Everywhere we encoun-
tercd the same cheerfulness, the same
optimism in the face of almost over-
whelming troubles; people always glad
to see us, if only becdusé_they- wanted
company, always willing to tell their
troubtes—always Gane, == *

The rest of- the time we-studied, Our
lectures were given by some of the
most prominent people in.New York.
The purpose of the lectures was to
show us th¢ importance of case work
in various fields, such as medicine and
haidling 0 + the delinquent. The head





‘lseemed a bit hard-hearted?

‘|and basketball

Realism and Phantasy Used
in Banner Night Skit



The Junior skit, performed for the
benefit ofthe Freshmen on
Banner Night, was_a source of joy -ta-
many. others also. Indeed,

EXPrEess”

it was’ a

.|noble piece of work, and one which re-

flects much praise upon its author and
director, J. Oppenheim,
its cast.

32, and upon
one thing the
appeal of the play was universal as it
concerned
near te us:

gallant For

subjeets—which__are__very
Theti, again, if was a com-=
Mr.
per-
and no doubt he
flattered and not a
startled at some of the “asides.”
matter of fact there were. mo-
when even we tottered in our
of Mrs. Manning’s
strictly in soliloquy of course,
especially unusual. Miss Garvin
quake rivaled the original in appearance,
manner and voice. Miss Kirk made a
glorious entry and oblivious of pro-
ceedings remained.herself to the—bitter
end.- As for Miss King, she had a
full opportunity for representation.
The gentlemen of the Faculty fared
scarcely less well'than the ladies. Dr.
Fenwick was decidedly -Dr. Fenwick.
Dr. Barnes showed his true self when
standing or endeavoring to stand be-
hind the desk. The tonic chord ren-
| dition of King-ng-ng-ng competed that

bination of realism and fantasy.
O'Neill's influence
ceptible throughout,
would
little
As a

ments

was clearly

have’ been

seats. Some re-
marks,

were



metamorphosis. In the case of Dr.
| Herben, seeing was almost believing;
and. both Monsieur Canu and Dr.

Broughton had their respective charms.

What, if during the. course of the
play, all of these gentlemen and ladies
We must
consider the nature of the term skit.
At any rate our interest was sustained
through both acts; breathlessly we/
awaited the outcome, which, by thé
way, Was a great surprise. So_th r-
oughly “did we lose ourselvés~in_ this
moving drama, that at:the -en we
gasped, and possibly sighed to: /think
that. it was not true. /

After the skit, all in due oe the
Freshmen were presented with their
banner. :

pace

Moore, Graton and (Gil
Elected Junior Officers





The Junior class, has Blected the fol-
lowing class officers for the coming
year: President, Harriet Moore; Vice-
President, Josephing Graton; Secre-
tary, Elizabeth Gill,

Miss Moore wag Treasurer of the
Self-Government jin her _Sophomore
‘year, and is at. present Vice-President
of the Athletic Association;
played on class.

es since her Fresh-
man year, :

Miss. Gratdn was Treasurer of the
League durjng her Sophomore year,
and holds the same office for 1930-31.
She has béen a member of the choir
since her/ Freshman year, and is~at,
present.



She~has+}
and Varsity hockey | i

econd Junior member of the |

Radical Changes Made
in Mid-Year Schedule

Exams Oniitted in Certain De-

partments and Period
Somewhat Shortened.
QUIZ PROGRAM REVISED



The attention of the a elgpetig
the important

mid-year

is called to

changes

made in the

examination
Al-

though it is stated in the college cal-

schedule for the present year.

endar that the last day of lectures for
16. and
that the mid-year examination. period

the first semester is January

is to begin January 19, a change in this
schedule has been authorized by the
Faculty which will provide for class

meetings on Monday, Tuesday and
Wednesday, January 19, 20 and 21,
and for vacation on Thursday, January
22... The..mid-year...examinations.. are
scheduled, therefore, for Friday and
Saturday, January 23 and’24;-and for

the six week days” of the following

“week.

~Phe—shortening of the examination ~~”

schedule. has been made_ possible

chiefly by the fact that examinations
are to be omitted in many courses. The
giving of' a mid-year’ examination is
optional for a department, or in some
cases for an individual instructor; and /
it will be seen that there is a wide’
difference in the policy of different dé-
partments. . The science dsparvhiants,
for the most part, are giving examina-
tions. The English and History of Art
departments, on the other hand, are
omitting examinations in almost all
their courses: Thé French. d¢gpartment
is giving examinations, except in ad-
vanced courses. On the /ther hand,
the German department/ is omitting
almost all Seen greet the Ele-
mentary German. very. student
should examine the schedule carefully

in order to be informed as soon as pos-

sible as to. whethey or not to expect
an examination

2 rag of her courses.
The members of the Faculty not giv-

ing examinations will, of course, ex-
pect other. work from their classes™
during the examination period. It is

| probable that, except for those major-

ing in scierice, most students will not
have mor¢ than two or three examina-
tions in/the mid-year period. They
should /therefore be able to devote
some | ime to reading and writing for
their other courses. In many of these

Continued on Page Two

Former Head of French -
Department Receives Award





Mlle. Matcelle Pardé, who for ten
years was a member of the French
Department of Bryn Mawr College,
has been awarded.a “Bourse autour
du Moitde” by the Fondation Kahn.
This Foundation has‘ for over thirty’
years been administered by the Min-
istry of. Public Instruction in France
and gives traveling fellowships to men
and women already distinguished in the
university world.

The conditions of the fellowship are
that at least six months shall be spent
in traveling and at least three countries
shall be visited. The value of the fel-'
lowship is $2000. Mlle. Pardé plans
to leave France at the end of Novem-
ber and visit Egypt, Palestine, Syria _
and Persia. She will work on:some .
phase of the influence of the Orient
on French literature of the nineteenth
centuy: She writes that-she is also
going to -study-the-conditions existing
in the Near East for the «
girls. This is particularly significant
for a French official traveler because
ef France’s mandate in Syria. It is
somewhat as an-official traveler that a
Kahn Fellow goes. The final jury,
before which Mlle. Pardé, as a candi-
date for the: fellowship appeared, in-
cluded«=:\Marshal Pétain -and Monsieur ~







a
ued on Page Four,



Self-Government.









a



Raymiond Poincaré. os






els adaptation, from. Vomity Fair.

~—stances.”*

Sd

Page 2



satnerrnic enna

THE COLLEGE NEW

Ss







“THE COLLEGE NEWS

(Founded in 1914)



Christmas and Easter Holidays, and. d
Bryn Mawr College at

e: Published weekly during the College Year
_ during examination weeks) _ in
the Maguire Building, Wayne, Pa., and Bryn Mawr College.

(excepting during Thanksgiving,
i interest. of _.



=<



+



, Rose Hatrmip, ’32
-DororHea Perkins, 32:
\ Cetesre Pace, '30
Graduate Editor.
DorotHy BUCHANAN

'- Frances Rosinson, 31 °°
Yvonne ‘Cameron, -’32 |

hd ¢
bs f
Editor-in-Chief Copy ! Editor
‘Lucy Sanporn, 32 Vireinta Suryock, ’31 - a
he Oe ce Assistant Editors
. SEdibors *. Euizasetu Jackson, ’33

Assistants

EstHer McCormick, "33

Leta Ciews, °33 Susan Nose, 32
! _ Berry Kinpvepercer, °33 °

Business Manager
DorotHy Asner, ’'31

Subscription Manager
Mary E. FrorHIncHAM, 731

ry Atmore,*’32
ELeaNor YEAKEL, 733



SUBSCRIPTION, $2.50

pe oe “SUBSCRIPTIONS MAY

MAILING PRICE, $3.00. ‘
BEGIN-AT ANY TIME :





» Eritered as second-class: matter at the Wayne, Pa., Post Office





a

The Series?

-Next week brings the first concert of the Bryn Mawr Series, pre-

sented annually by.the.Music_ Department for students and friends of the.
College.. With the approach of the season, the matter of student support
Out of three hundred and twenty-six

‘has assumed large proportions.

season tickets sold to date, two hundred and forty-nine have been bought
by people outside the College, and seventy-seven by students. When the
Music Department was formed in 1921, the efforts to bring distinguished
artists to the College were immediately begun, with the result that the
Series were inaugurated. Concerts were given in old Taylor Hall, which
was filled to capacity by students and friends, in the ratio of six students
to one guest. Sales to persons not of the College body had to be re-

stricted to allow room for the Undergraduates.

At that time, judging

from student support, the Series had a real place in Undergraduate life.
.. When Goodhart was built the Series were given in the Auditotum,

accommodated. But the tables-were~mexpectedly..turned, for friends

__and the College rejoiced that at last friends and studehts alike could be;

and neighboring schools alone are whole-hearted in support of the con-
certs.‘ Where. there were six students to one guest, now there are three

longer regarded as a privilege by the Undergraduates? Do they wish to
support Philadelphia concerts’ and entertainments in preference to the
Bryn Mawr Series, which bring to us artists of distinction at remarkably
If this is the case, their decision is of great impor-
If, however, the Undergraduates

reasonable terms?

tance to the sponsors of the Series. |
feel that the Series of Bryn Mawr-should-be maintained, they should give

_ guests to one student. _The question naturally arises, is the Series no

their support by purchasing season tickets.

The question unavoidably puts itself: Will the student support the
Series? An opportunity will-be-given by the News later in the year for
individual expressions of opinion. on this matter. Consider for yourself

the place of the Series in thé College program.



Le. Dernier C ri

Now that the cold weather

of snappy winter models are making their appearance.
felicitations on some costumes we have observed, which combine in.them-

Ws descended upon us, the usual array
We offer our

selves a Norwegian skiing uniform, Bavarian needlework, arid the good
old red flannels. We have always felt'that any foreigner on a visit to
. America could do no better than come to. Bryn Mawr to cure his nostalgia.

We motirn the departure of a

certain bejewelled and bodiced gar-

of red velvet, concerning the nationality of which we are admittedly

print
ps hazy. It was thoroughly.impressive and, we are sure, will be greatly

missed at more’ formal functions. Brilliant caps with a fetching pompon
on top,-and lofty, conical effecest, also with pompon, are. vieing in social
favor with the now demode Alpine hats and berets. Moreover, we believe
we know even where Santa Claus resides during the college year.”



Tennis fans! Those who have long bewailed the absence of equip-

ment for practising strokes may or

-may not have found the new back-

board on the hockey field above the Varsity tennis courts.



The’ onslaught of Diction will be welcome to those whose throats
have been already assailed by the cold snap.



In Philadelphia
Adelphi: The Man in Possession, a
clever and quickly-moving coinedy with
Leslie Banks in the title role and Isabel
Jeans as a “lady in seduced circum-

Erlanger: The Pajama Lady, an inti-
mate and nautical musical comedy with

Lester Allen. ef ., cr

Garrick: As Good as New; the divorce

__question receives farcical treatment with
_OttoKruger. asa. leading spirit.....__-
' Shubert: Fannie Brice, Hal Skelly, and
George Jéssel coined cannot make the
dirt of Corned Beef and Roses amusing
nor the music original.

Walnut: fhe Blue Ghost is the* play
fot the thrill hounds who like their shud-
ders mixed with a few laughs.

Broad: Mrs. Fiske revives the com-
edy, Mrs. Bumpstcad-Leigh, until, Thurs-
day. During. the rest of the week she
will give Becky Sharp, Langdon Mitch-





; house,” and “one... WaIGn te fae
with Spencer Tracy,, Jamés Bell, How-|

Lyric: Last” Mtr, t
drama of prison ‘life and the: “death-

‘ % * ld” be 's af



A Month in the Country. Beginning
October 27.

Broad: A7r. Samuel, an adaptation by
Winthrop Ames from a_ French play,
with -Edward G. Robinson. ~ Beginning
October 27.

Walnut: The Professional Players pre-
sent The First Mrs. Fraser with Grate
George. Beginning November 3.

Forrest: Leslie Howard in Berkeley
Square... Beginning November 3.

Ziegfeld. musical comedy. . Beginning No-
vember 3.

ae

Philadelphia Orchestra _

Friday afternoon, October 24; Satur-
day, evening, October .2537 Moiiday eve-
ning, October 27. “Leopold Stokowski

ce

Mewes.

title role. This









called Spring Fever and. boasted Bill

songs from this, if that’s a recommen-

Aldine: D.,'W.: Griffith's. Lincoln, with

tain historical inaccuracies does not les-
sen. -

Little: Rasputin, the Holy Deol 3
Russian film with Nikolai Malikoff. |
Stanton: Elsie- Ferguson still playing
her. old stage role, Scarlet..Pages....The
cast includes. John Halliday and Marian
anges ae moar eer 1
Karlton: Eddie Cantor in Whoopee,
the talkie technicolor version of the musi-
cal comedy.

es

Mastbaum: Robert Montgomery and
Dorothy’ Jordan in Love in the Rough
which you may have seen when it was

Haynes and Joan Crawford. “Go Home
and Tell Your Mother” is one of the

dation. .
Keith's: Ruth Chatterton in Anybody’s



Calendar
October 23—Lecture .in Good-
hart by Monsieur Paul Harz-
ard, at 8:15-P. M. .
October 25—Varsity hOckey
game with Germantown. _
October 2 Second V'ars1ey
hockey game with Manheim.
October 28—Lecturé -in Good-
hart by Monsieur Paul Haz-
ard at 8:15 P. M.
October 29 — Concert. by _ the
English Singers in Goodhart
at 8:20., This is the first num-
ber of the Bryn Mawr Series.
October. 30—Lecture in Good-
hart by Monsieur Paul Haz-
ard at 8:15-P, M,.. .
‘ November :1—Varsity hockey



Woman, with Clive Brook. This is the
second very: successful co-starring of the
pair.

Fox: Up the River, a comedy of prison
life which cannot escape the fact that
prison is prison. With Spencer Tracy,

‘| Claire Luce, and Warren Hymer.

Boyd: Arliss gives another
Old English, fr
play.

Earle: Outside the Law; surely the last
the underworld melodramas, with

m_ John _. Galsworthy’s

of

G. Robinson plays a gangster role,”
Stanley: Lew Ayres enters the boot-

legging racket in The Doorway to Hell,

We're with hini wherever he goes.



Local Movies

Seville: .Wednesday and’ Thursday,
Cyril Maude in Grumpy, with Phillips
Holmes; Friday and Saturday, Swing
High, with Helen Twelvetrees; Monday
and Tuesday, Officer O’Brien, with
William Boyd and: Dorothy Sebastian.
_ Wayne: Wednesday and - Thursday,

Dorothy Revier; Friday and Saturday,
Al Jolson in Big Boy; Monday and Tues-
day, Grumpy.

Ardmore: Wednesday and Thursday,
Ann Harding in Girl of the Golden
West; Friday, Borrowed Wives, with
Rex Lease and Vera Reynolds; Satur-
day, Oh, Sailor, Behave, with Olsen and
Johnson.” :

Theatre Chit-Chat

The Shubert Theatre this week pre-
sents Corned Beef and Roses, “a Helluva
High-Toned Revue” _ starring Fannie
Brice, George Jessel and Hal Skelly.

Take a tip and avoid a drab, witless
evening; however, if you are interested
in a little vulgar stereotyped fun, here
goes:

The keynote of the show may be ascer-
tained from a few of the song and sketch
titles which include: “A Bed of Roses,”
“When a Pansy Was a Flower,” “Fool-
ish Virgin,” “Saturday Night,” “Over-
night;’. and “I. Wonder Who’s Keeping
Him Now.” By way of further illus-
tration, in the sketch “Overnight,” fea-
turing Miss Brice and Mr. Jessel, the
scene is laid the morning’ after with the
Albany Night Boat as background. Suf-
fice it to say that nothing is left to the
imagination, And this is our leading
criticism of the show: it is vulgar with-
out being funny nor has it even subtlety
to redeem it. We expected, at least a
few good songs from Miss Brice: in vain.
Although in a sketch early in the first
act Brice, Jessel-and Skelly thank their
fate for delivering them: from the talkies
and solemnly swear never to face a/cam-
era again, may we be so bold as to sug-
gest that their cinema attempts seemed
to us more artistic, more amusing and
certainly more refined. :
“There were a few ‘sketches less boring
than the rest. “In’a Venetian Box” a
group of’ white-wigged ladies “went.
through a-séries of intricate gestures. with
a confused number of black-gloved hands.
| The. effect. was rather pleasing although



Shubert: Ed Wynn in Simple Simon, é we failed to catch the point: ~Mr. “Skelly

gave an admirable performance in the
“Clown.” -An as old’ clown whose use-
fulness is. done, he seeks his. mean gar-
ret, dons’ his gay costume, ‘paints his
aged “face, and, turning on the gas, jug-
Lgles and capers: until smothered:,py- the
fumes. A hackneyed theme; but -the
unhappy clown’ always has’ a’ pathetic ap-




. s is - . b “qr s , : ae 2 j
Sonducting Solpist,. Ossip - Gabrilitech peal “and ‘Mfr. Skelly’s performance .ex-
Pianist. hile see ip ey a

: ij ,, | hibits ‘considerable: artistry. "> dl
Beethoven.................. Overture “Egmont Ty na ge ert
ficcatt i ; ‘There are a few specialty: dancing num-
ee é D_Mi r Pj bers .of the ‘usual sort, noti
Orchestra” a : ar 2
Brahms Symphony No. 47in E Minor’





t. Jessel’s,".apartment at night) she
assumes those: ridiculous, expressions and
rd ‘ “pe “her











gestures:-andposes to which
is larg y. dug. os Pe ‘ ;
it “Miss Brice and the Meéésrs. Jessel:

















Georg
splendid performance of his age. role in|

Mary-Nolan-and-Owen-Moore:-Edward|—

The Bad Man, with Walter Huston-and:

er} the show across.
| fair. the costuming inartistic, the music

game with Merion.

|| November 1—Senior Reception to

the Freshmen.

November 3. — Second Varsity
hockey game with Merion Re-
serves. —

November 4—Lecture in Gbod-
hart by Monsieur Paul Haz-
ard at. 8:15 BP. M.

November 6—Lecture in Good-
hart by Monsieur Paul Harz-
ard;at 8:15 P. M.

“2







In the New Book:Room '
“This Stubborn Root” and Other
Poems by Hortense Flexner. The Mac-
millan Company, publishers.

“Modern Poetry” is a phrase that has
of late heen much-abused not only by its
opponents but also by its so-called ex-
nonents: | Adverse criticism condemns
‘ree verse-as if it were the unique expres-
sion of the modern poets, and regards
their search for originality as- mere in-
solence. “Moderns” on the other hand
are prone to flaunt poems so formless,

noetic forces at work today are given a
false aspect. Certain readers, lacking in
mental perspective, have refused even to
acknowledge. anything poetic in Modern
Poetry. :

“This Stubborn Root’ /and Other
Poems, the new book by Hortense Flex-
ner, will compel anyone disheartened by
this controversy to take another look at
Modern Poetry—a look full of enlight-
enment and fresh interest. For. here is
poetry that is modern iw’ substance and
free from strangling conventions, and
yet which has kept those elements of
rhythm and rhyme that’ have been the
peculiar power of poetry up to the time
that they were rejected by the ruthless
iconoclasts of this era. This book is
filled with ideas that have sprung from
our own immediate environment and have

even the familiar echoes upon death and
the passing of youth have a new vigour
and the ring of actual experience.

Miss’ Flexner’s book has all the fear-
lessness—though a measured fearlessness
—that science and psychology are con-
stantly instilling in our minds. In
poems such as: The Doctor, The Scien-
tist Dies, and Holiday Crowd the. poet
is eager to get down to the flesh and
bone of life.

Personal experience has charged many
of the poems with emotions so complex
that the thought struggles with the limi-
tations of words and is sometimes ob-
scured by them. Yet this poet will not
let the emotions spill, and the result is
poetry so compact, so concentrated in
meaning, that often intuition rather thah
understanding must satisfy us.

Miss Flexner also has a sense of

humour—a rarity among intense poets—
and the* lighter poems are often capped
by a laughing twist of thgught. Her
most simple descriptions have a fresh-
ness of. metaphor that is startling. Sheer
descriptive artistry is nearly perfect in
the’ poem Aubrey Beardsley.
-~So- extraordinary is the range~of mood,
thythm and thought “in: this small-book,.
that-the few mistakes.one does find seem
almost inevitable. What concerns us is
that’ Miss Flexner's poetry has all the
concentration and boldness that modern
thought demands, in forms that have
made poetry an art down .the centuries.
DP.



y and . Skelly on the whole ‘fall back upon

their reputations and a ‘few spicy vul-
garities (the; rest aren't spicy) to carry

‘only raised a feeler to her lips.

lurid or senselessly obscure “that~the-

not yet been thumbed over by time, and-











“Why,” said I, quite out loud and
really startled, “there goes Cissy!” And
indeed, if there can be said to be right
down through the: middle of Pem Arch,
there she wetit. Not that there was any-
thing ¢ startling about that ‘for there
wasn’t. The surprising thing was to
see the army of rattling black things,
galoshes, on her feet, the wad of kleenex
in one feeler, the overnight bag in an-
other. as

the matter?” She. turned. around, saw
| me, choked a little, but-said nothing. I

Thurried up. “Please tell me,” I said

anxiously. Still she did not answer but
Then
a strange thing happened. Down she put
her handbag carefully. on the flag-stones.
mufflers, ynbuttoned three sweaters, and
reached into an inside pocket to draw
forth pad and pencil. Now she wrote,
humping herself up ungracefully to lean
the paper on the pavement. I read over
her shoulder. “—beastly cold, d-mn-bl*-
cold, haven’t any voice, have to go to in-
firmary.” A tear of self-pity streamed
down her cheeks to join the scribbling
on the page. Then came another and
still another, and then, for sympathy’s
sake, I wept too.

“but then,’ I went on, “taken roughly,

The Beauty of the
Truth of this. solemn Thought over-
whelmed Cissy and me afresh, How
long we would have remained over-
whelmed,: if the dampness of my feet
hadn’t-rousedme, heaven _knows..—At
length, however, it’ did. “How wet it’s
gotten,” I ‘said. “Cissy, yéu'll catch
cold!”. And. then, somehow, it seemed
to occur ‘to us both that Cissy already
had a cold, and that her sweaters were
open, and that they should be shut.
Simultaneously we Started buttoning. — It
made it all very’ confusing until I -hit
on a plan. Cissy, I decided, should but-
ton up down while I buttoned up “up.
After that it was all right.
Well, to make a‘long journey short,
Cissy and her galoshes, and her mufflers
and her sweaters and her kleenex and her
cold finally got to the infirmary all right.
Then I came home and sat. down and
decided that it is these stuffy classrooms
that have given Cissy her cold. . Or else,
maybe, it is all the flies this year just
like one of those plagues in the Bible.
But I guess it is just her excitable tem-
perament that makes her get dverheated
over such things as no books in the Re-
serve Room or mashed potatoes without
any gravy. Oh, well, we can't know
everything; +» probably it was only a
microbe. i
By the way, please don’t send Cissy

whole, like that.”

firmary. “It’s all very sweet of every-
body,” Cissy confided to me, “but, ‘Lord;
I’ve plenty already and now I'm begin-
ning to have nightmares thinking of the
thank-you. notes I’ll have to write.”

*It has been thought wise to disguise

better brought-up- Freshmen.

Radical Changes Made





Continued frim Page Gne

courses another périod for reading will
be arranged before the spring examin-
ations. In the spring examination
period the Honors examinations will
probably be scheduled for the first two
or three days. The courses not hav-
ing. mid-year..examinations will prob-

jably ; be. .allowed for that ‘reason a

slightly larger examination in
spring.

- The quiz schedule has been changed
this year so as to allow for a- quiz in

November in every -course~ giving} a-

“the

“Cissy!” I cried at her, “tell me, what's:

o

| Next, with equal_care, she undid two __

“Tow hard it all is,” I thought aloud,

any more flowers and fruit to the in- ,

Cissy’s here too forceful language in
. Bm °
order to preserve the innocence of‘ our

in Mid-Year Schedule

Hin—general,—I_suppose_.Life is, on the.



The dancing is only



negligible. All of which; @hen also con-
sidering that the lines’are neither clever
nor amusing, with the exception of a
few:. saving ; features, - doesn’t constitute

; -goedshow. We have
wasted-.a lot of, space .which one word)



mid-year examination, and a quiz .in
December in every course not giving a
‘mid-year examination. .One-scheduled
quiz invevery First and Second: Yar,
Course2is required under the rules, of.
the Faculty...A second quiz is optional
with the instructor, and-where two-are
given. the days assigned under,. both







schedules-may be_used.,.....
3
ae Fleet

n = ee







tenn
THE COLLEGE NEWS

=

Page 3









AeeLeTIiCS —-



Varsity. Hockey

Playing a better game than last
week, Varsity was defeated on. Satur-
3-2. It was the
dividual work of Strebeigh, captain of
the Main Liners and All-American
half for several years, which kept vars-
ity back.

The forward line showed a decided
‘improvement’ in its play. There was
more teamwork and less
playing. The backs were good, as
usual especially the fullbacks, who kept
the ball away from the goal almost

day morning, in-

individual

all the ume.

With the first goal, Sanborn made
a . beautiful run down the field and
then poked the ball by the ‘goal in a
scrimmage in front of the cage. San-
born ‘played the “best game. she: has
shown this season, having added a cer-
tain degree of accuracy to her speed.

During the first half the ball was
within a striking distance of the Main
Line goal a large part pf the time. Un-
ome backs seemed to be
“always oi the ball, thus preventing
our forwards from having a chance to
shoot, and in the resulting scrimmage
it generally came out rather than went
in. i

There was general improvement all
along the forward line, which made for
better passing. Totten’s playing was
neater and quicker; Moore’s passing
was better; Remington was playing
nicely. and fighting, but she was very
much hampered by the presence of
Strebeigh, who kept her from doing
much. Allen got away with the ball
on several good runs down the field.

~~—pbut-she-could-not-get-rid-ofit-and-—in-

variably ran into the defense.

In the second half, with the forward
line attacking harder, another goal was
scored, this time by Remington, but at
the same time Main Line put in two.
“The backs seéiried to be rather tired
and several times’, théy were out-
stripped by the orange forward line.

Fortunately their passing slipped up_at.

_ the crucial moment and the backs had
time to recover the ball, thus prevent-
ing almost certain scoring.

Ullom -and~ Gollier were missed at
halfback, but Collins and Bishop did a
nice job as substitutes. Bishop, being
a fullback,, had a tertdency to play too
far-back, thus making her wing fight
back rather too much. Rothermell and
McCully were good although there
were a few slips made.

Two. of the Main Line goals were
put in by Hare on a nice poke shot;
the third one was scored by Paxon
on an easy roller which should never
have gone in. :

The chief weaknesses .were the
shooting of the forward line and the
goal keeping. The forwards are im-
proving gradually, and next week, with
the return of the halfbacks and a goal,
we may. expect to see a. very good
game «with Germantown. .

' Again we bemoan the inattendance
at the game: The cheering hordes
were even smaller, hardly twenty peo-
ple being on hand. There are many
who want to know why the hockey
team has been beaten and _ is being
beaten. It.is about to have success,
but not because of their encourage-
ment. Why not support the team now
instead of waiting for it to win. . Let’s
see a few more souls at the next game.

Main Line Bryn Mawr
Paxon...;:...:. Kiaas: PRN Gini cee en
Cagsiey ns 1 ells IO .. Totten
WE ee. Ohad rs Beate Remington
| = | oS eS Mi tise heii Moore
Satis: ee ec t Seach sae Sanborn
Re ee Bishop
Strebeigh ......... ray er > reer ae Woodward
MOIS a ine Ph COHN
Thaite ..... Re Figs. ae Cully
Wate i. teidei Beco... rotheemel
(es pea elias rag emir 2 eR ene Jackson

Referees: Miss Townsend, Mrs.
Krumbhar. Time: 30-minute halves.

Goals: Main Line—Hare, 2;
-B. M. C.—Sanborn,

Paxon,_ 1;
Remington.

Sisonil. Varsity Gumme
~~ In; the cold-and darkness-of-Monday
afternoon, Second Varsity again won,
with a_scor¢ of 6-2. Their- victims this
_time—-were,the _ Philadelphia. Cricket
' Chib Reds, aided by those Bryn Maw
players who are members of the club.

There was*some very good playirig :

_ by several of” ‘the Bryn’ Mawr’ team?

but. the rest .awere rather mediocre. |
Collins, at _center | half, fitted ° all“the 3

~

gaps, going even so far as to score a
goal. Baer, playing’ full, showed a
reliable game, though at times she
was a little slow. Leidy and Bronson
carried the ball down tne field on nice

oS

Smith, at center ‘aaah seems to

have speeded the line up; she put the

finishing touch on three of the wings’
runs. and once carried the ball in by
herself.

The team did not geally seem to get
started till the last few minutes of the
first period when they put in two goals.
During that half the ball was down at
the Reds’ goal most of the time and
was only kept out by Grayson, play-
ing a combination of fullback and goal.

In the middle of the second half the
Reds made a supreme effort and were
able to get two goals off Jones. After
that they could not bring ‘the ball
within striking distance of our goal.

The foreward line as a whole was
less good than last week. There was
very little passing, but a good deal of
individual playing.

—Reds= Bryi' Mawr =
Gribbel ee RO ade Leidy
PIOVIB Acree heretic 1 Gs Ue ... Nichols
% (Gerhard)
Donahue.............. CEN I eee Smith
PAVAGBE.....-....000.-. hic: diosa Longacre
DAVIS, iP iscisscasci Lye Wer ieven Bronson
NEOCHHE cree cscs: eg oS = ...Jarett
NEORCOM haiccc. CO. aa Collins
11 Tink nel Ligaokeh Gerhard
(Boure)
Watts Re Pst. Baer
GEAVEON. «iiss: ee oe ... Bishop
GYAVEOR. cei Carn yearns Jones
Referees: Miss i caoen: Collier, UlI-

lom. Time: 30- minute halves. Score:

Smith, 4; Longacre, Collins.

“Reds—Donahue, Darting;-B>-M.—€-—+-



Musical Service of Bach
and Palestrina Given



The chapel service on Sunday evening,
October~19;--was* musical. Mr. Wile.
loughby played several selections on the
organ and the choir. sang. The program
was exceedingly well chosen;~and~better
executed than any for a good while past.
The organ, in spite of the fire, seemed
to_be in top form, and did credit to Mr.
Willoughby’s skill. Especially enjoyable
was the Prelude and Fugue. in C Minor
with its humorous fugue theme, which
Bach must have written with his tongue
in his cheek. -Adoramus Te, one of the
most beautiful of the Palestrina motets,
was the choir’s greatest success, and a
very finished «piece of work, with each
part contributing its share toward making
the whole very moving. Scarcely less so
was the Vittoria motet, Jesus the Very
Though of Thee. In the Bach chorale,
God Is Our Hope and Strength, the
choir was not so sure of itself, and there
were times when it failed to make itself
heard above the organ. ss

There was quite a large attendance,
but it seemed incredible that, offered the
opportunity. to hear Palestrina, Vittoria,
and Bach, especially when as well done
4s on Sunday, anyone should stay away.

The: service :

Processional Hymn—The Son
Goes Forth to War
Organ—Suite .Gothique ... Boellman
Psaim Prehide ~....... Howells
Choir—
Motet—Adoramus Te Palestrina
Motet—Jesus the Very Thought of
Thee SESE: Vittoria
Scripture Reading “aid Prayers
Organ—Prelude and’ Piugiué in C “Minor,
Bach
Choir— ee
Chorale—God Is Our Hope and
HONOUR oe ia nie
Wy Heart Ever Faithful ...Bach

Hymn—Go Forward, Christian Soldier
The—Benediction_
Stainer: Sevenfold Amen

of God|

LUNCHEON, TEA, DINNER9@
Open Sundays
CHATTER-ON TEA HOUSE

855 Morton Road
Telephone: Bryn Mawr 1185



itera kama mre tlt ta aaa we

Meet your friends at the

Bryn Mawr Confectionery
+ (Next to Seville Theater Bldg.)
The Rendezvous of the College Girls

Tasty Sandwiches, Delicious Sundaes,
; Superior Soda Service

Music—Dancing for girls only

John J. McDevitt

Phone, Bryn Mawr 675

Programs
Bill Heads
Tickets

. Letter Heads
Bookleta,. etc.

Printing
¥ Aunouncementt

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WHITMAN'S FAMOUS CANDIES ARE SOLD BY

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T

HE COLLEGE NEWS









Te shcust |

“Current

Events”

ner when the conversation

‘turns to any of the new,

.mantic. events in this busy

no reason you should.

Read the New York Herald

Tribune every day along

with your morning coffee.

You'll find this great metro-
Pplitan newspaper -brings

you all the ashe ind brings

ptately—it's on sale in Bryn

Mawr first thing every
morning. All the facts are
there, simply ‘and clearly
told. No need to waste time
wading through a forest of
words to get the story

you're after.

And if that story is of poli-
tics, world affairs, sports
(lots of exciting football
news this time of year.
drama, music, or what you
‘will, a glance at the “Sum-
emery of mame: s News” on
the front page tells you just
where to find it in a second.
That’s just one/ more effort
on our part to give you the
sort of morning newspaper
you want. | ,

Adopt this 20th Century
tail of keeping up-to-

date. First thing every



morning, read ‘an accurate
record of the topics of the

day. You'll find ther all in

the

= a —

NEW YORK .

‘Herald Tribune.

~Or do you retire to your cor-.

startling, exciting, and ro-

-universe—of-ours?—- There’s.

itto ‘cadi adltie and_accu- |





' ‘Trigals,



| part of the daily life.

| the part books, that is, books printed"

‘canzonets,

than, you are.

ternity Centre, the riew Medical Centre,

| Tel,-

| We _were given tickets to thé Lewisghon





English Singers Coming

CONTINUED FROM THE FIRST PAGE



tain festivities. Music was a regular

Canon Fellows was here in America
and
year, I believe.

last year is coming again this
He has carried on val-
the music of Eliza-

uable research in

heth’s time. He writes of the ordinary
Breakfast

in fact the

routine of a day of the time:
at 6:30, the day began early,
House of Commons’ began) at 8; in

those days all business »was~ done a

good deal earlier than it is now. The!

morning was spent by the ladies in

einbroidery and domestic duties, by the
men in sports of the chase; dinner was
at_12, the big meal of the day, and
Most of the

big houses had tennis courts'and bowl-
ing Walks were indulged in
and perhaps. .some:hawking, perhaps..if
it were wet there would be backgam- |
moi, dice and cards; and possibly the |
ladies might be practicing the lute and
virginals. The big evening meal was
at 5:30. After that if there were guests
present, or even if there were not, the
mistress of the house would bring out!

in the afternoons, sports.

greens.

with only one part.-(If you sang tenér,
you were given a hook with only the
tenor part.) .The books were not
printed like choir or church books now,
and beforehand you had no idea of the
other parts. The guests were expected
to take part in the singiltg and* read
the madrigals at sight. A madrigal is
a complicated form of miusic in which
the separate parts are entirely individ-
ual and do not ‘conform in their
rhythm to that of the others but take
their rhythm from that of the words

tific__positivism.
\back the

where we swam, sailed, and wandered
through endless gardens to our heart’s
content, played ping pong and tennis, and
ate long and satisfyingly. 4%

And now to look back-over it all, and
take part again in the Feast of Mt: Car-
mel down in the East Side of New York
where no word of English is spoken, and
where the friendly Italians, who have
walked barefooted to the ‘Churégpof »Mt
Carmel to pray for the sick, sell candy”
“nd holy images, and: clutch candles and
waxen figures in their arms; to sit in a
tiny room of a poverty-stricken house-
hold with a bright-faced Italian woman
who entertained me for hours with as
marvelous a selection of operatic pieces
as | have ever heard; to meet Richard
Harris, the man who plays the part. of

God in Green Pastures. Such exper-

iences as these ore will aJways remember.



French Poetic Schools



CONTINUED FROM THE FIRST PAGE

tific concept of life, and. second,.a _ re-
version to Hellenism. The first of these
substituted for the romantic désire, rest-
lessness, and personalism, a calm, scien-
The second brought
equiltbrium characteristic _ of
classic life. :

Simultaneously appeared certain indi-
viduals such as Sainte-Beuve, Gautier,
Aloysius Bertrand, Gaspar de la Nuit,
and Gerard de Nerval. ‘These, men of
transition, were among the forces which
changed the trend of French poetry. As
a definite, sign of the change in public
taste one remarks the failure of the ro-
mantic Hugo’s Les: Burgraves in 1843
and, in contrast, the success of the classic
Ponsard’s: Lucrece.



which do. not. always oceur «3imul-
taneously with those of the other parts. |
The guest was greatly embarrassed if|
he were presented -with one of these |

part books and was*unable-to-read-it: L
The music which the English Singers |
are going to sing will consist of mad-

motets—a more serious and!
stricter form of madrigal—ballets and,
the ballet being originally
merely a song to be danced to,. the
same term from which we get our later |
word ballad. They will also sing some



) music of Purcell, the greatest- English

composer of the 17th century, and
some Italian street cries.

The singers sit around a table’ just
as in Elizabethan times. They are
very informal; they seem to be enjoy-
ing themselves as“much as, if not more}
It. is just exactly ne
picture you have’ of Elizabeth’s time,
where the guests get. out the part
books and decide what they are going

‘to sing.

If you have not heard the English
Singers they will be a delightful treat,
and if you have heard them you will |
be still more delighted because you will
know what to expeet.



Junior Month Described

Continued from Page One



of the Psychiatric Institute - told ts,
about the feeble minded, and his work
with them. Dr. Kirchway, former
warden of Sing Sing, spoke to us of
his relations with prisoners; and the
past and present condition of prisons
We heard of the work in the Interna-
tional Immigration Service, of the
fascinating cases and experiences. in
settlement work, of the extraordinary
work being done for and by the physi-
cally handicapped; of tuberculosis as a
social and medical problem; of the edu-
cated negro’s: view on race prejtdice;: of
what is happening in the field “of -psy~
chiatry.

*After these lectures we visited institu-
tions which ‘served-as example—the Ma:

Ellis Island, the School of Another
Chance, Children’s Court, the Henly
Street Settlement’ House, the House of
Refuge, Employment Bureaus, and many
similar. places. Everywhere people went
out of their way to accommodate us and
be helpful.

In our spare time. we were royally en-
tertained. Once we’ had luncheon with
Mr. Gifford, president of the ,Tel and



tower of the A. T. and T. bitildi g over-
looking the city: and -harber;:: “Afterwards
we talked to each other about television.

Stadium to hear the PhilharationiesBymic
phony Orchestra, to Green” Fale
ape

(cial conditions of 1848 with their great

in his private_ dining roofh_ in in the}.

The lecture of Thursday night, Oc-
tober 16, M. Hazard entitled A La Re-
cherche de la Poeste, ‘in which he de-
scribed the attempts and Nga re
failures of the Parnassians. M. Nazard
had already discussed the — new spirit;
now he described the manner in which
it=created—a-new—school._-Causes—con-
tributory to the theory of the new school
were® (1) fatigue with the excesses of
Romantic lyricism, (2) political and. so-

disillusionments, the result of an exag-
gerated optimism, (3) the materialism of
society during the Second Empire under

; jae ; : 3
Louis Philippe, (4) the increasing pres-
tige of science.

Under these influences, then, from 1860
on, one finds continued: effort to express
the ideas which the new school repre-
sented but had not yet definitely formu-
lated:-In- 1866 “there” appeared an
| anthology called Le Parnasse which con-
tained the poetic expression of the new
theory. Its first principle, as expressed
by Flaubert, was that the poet should
be impassive, restrained, detached from
life; the-second, that art is of value by
and for itself and is above all the con-
cepts by which we live. The theorician



of the new school was Louis Menard ; |

it

of. the
poetry,

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