al — VOL. XLV—NO. 3 ARDMORE and BRYN MAWR, PA., WEDNESDAY, OCTOBER 14, 1959 © Trustees of Bryn Mawr College, 1959 PRICE 20 CENTS Juilliard String Quartet Honors Mann Reviewer Admires from Vantage Point by Alison Baker For the musical half of last Fri- day’s program in commemoration of Thomas Mann, a concert by the Juilliard String Quartet, the seat- ing capacity of Roberts Hall was expanded by a few additional rows of seats at the back of the stage. Have you ever sat behind a string quartet, close enough to concen- trate on the bowing of the cellist and to read the second violin’s mu- sic? Yes, the question is rhetoric- al, but so was the experience alto- gether delightful, The content and order of the evening’s program couldn’t have been more successfully compiled. . The players opened with a trans- parent and sprightly early Mozart quartet (in B flat major, K. 458), named the “Hunt” quartet because of its use of intervals which typ- ically belong to pairs of hunting horns. Next came Mendelssohn’s Variations and Scherzo (Op. 81). Although much of this, to my mind, is rather saccherine, and sub- stanceless, it does provide an ex- cellent opportunity for observation of the individual string instru- ments, as they are exploited in a relatively soloistic setting. A stormy quartet movement by Schu- bert closed the first part of the program—very Romantic in spirit and with strong dramatic con- trasts. After the intermission came the real piéce de resistance: Beetho- ven’s Quartet in A minor (Op. 132), a late quartet in five move- Author Analyses Novels of Mann ‘Author Glenway Wescott called his lecture om Thomas Mann “WIli Power and Fiction”, but, as he ex- plained at the start, an alternate might have been ‘(Love with a Thorn in it”, an appropriate met- aphor for the feeling of “interest ... combined with restlessness and discontent” with which-he regards Mann’s works. In his address, the first. in this year’s Phillips series and part of the Thomas Mann Commemorative program held Fri- day in Roberts Hall, Haverford, Mr. Wescott examined some of the enigmas of Mann’s work and the character of the author himself—a quiet, orderly manj- devoted hus- band and father, “lifelong burner of midnight oil”, who nevertheless became the spokesman for disor- der and a guilty conscience. Mann’s Will Power Perhaps the reason for this con- tradiction lies in Mann’s “Will Power”, which, Mr. Wescott main- tained, had an unusually strong influence on his work. He was “staking out a claim in an area of conduct in which he knew him- self to be least developed and least authoritative.” Certainly there is much that is autobiographical in his. works, but also much that is misleadingly so. In “Death in Venice’, for example, it is as if the author had deliberately .em- bodied some of his own traits in the author-hero, Gustav Aschen- bach, in order to “prop up” his in- credible story of sexual aberration. Proceeding to an examination of The Magic Mountain, his favorite of Mann’s novels and the one which has been most successful in this country, Mr. Wescott pointed out _ Continued on Page 2, Col. 1 — ments with extraordinarily great musical range and content. The Julliard quartet itself, as a performing group, is undoubtedly far beyond any evaluation, let alone criticism, on my part. The Continued on Page 6, Col. 1 Alumnae of ' 06 Present Addition At Deanery Fete \A tea to mark the opening of the Adelaide Neall Room was giv- en this afternoon in the Deanery. The formerly unused porch adjoin- ing the back of the Deanery and the gardens has been closed in with movable glass panels and screens. It will be used for large parties and faculty, colloge and alumnae affairs. The Deanery, former residence of President Thomas, is now an alumnae house. The late Miss Ad- elaide Neall was for many years chairman of the Deanery Commit- tee. The money for this room was given in her memory by friends and classmates and raised by Deanery Sales, a practice which Miss Neall instigated in her work at the Deanery. The tea was given for friends of (Miss Neall and members of her class since 1906. In the receiving line were Mrs. Francis J. Stokes, chainman of the Deanery Commit- tee; Mrs. Edward C, Lukens, chair- man of the Deanery Management Committee and Mrs. ‘Sidney Rep- plier, sister of Miss ‘Neall. Pre- siding at the tea tables were Mrs. E. Baldwin Smith, president of the Alumnae ‘Association, Mrs. C. Pad- gett Hodson, Miss Evalina Waal- baum and Mrs.:-J. Stinson Scott. “The room,” said Mrs. Scott, publicity chairman, “is essentially Continued on Page 6, Col. 4 Self-Gov Clarifies Dress. Regulations by Susan Harris, President of Self-Gov The Advisory and Executive Boards of the Self-Government Association would like to remind you that the Dress Rule stating that pants or shorts must not ibe worn on “main roads, in the vil- lage, or on public transportation” (of, p. 22 of the Constitution), has been clarified in the following man- ner: Bryn Mawr resident students may not wear pants or shorts in the surrounding communities, on well-traveled roads, on public transportation, or in places of pub- lie entertainment. Places of pub- lic entertainment include all pub- lic restaurants. Within private homes and academic institutions a resident student may wear pants or shorts. The Advisory and Executive Boards ask you to be aware that you and all other Bryn Mawr stu- dents are on your honor to keep this rule. If you wish to see this rule changed, you may use parlia- mentary procedure to bring the rule up for campus consideration. But until the rule is altered by col- clarified will’be brought before the Executive Board. A very distinguished and quite large audience gathered in Good- hart auditorium on Monday eve- ning to hear Dr. R, Ghirshman talk on ‘the nomad invasion of ancient Iran. Dr. Ghirshman, in this lec- ture, discussed some very recent discoveries in regard to the art in question, and built his comments around a carefully selected series of color slides. First, on a map of Iran, he point- ed out the main areas of culture from which the objects in the slides stemmed. Most of the objects discussed had been found in excavated tombs, and consisted of pottery, figurines, and weapons or implements. Fun- erary urns, of a very characteristic shape, were most often decorated with horses, since the horse was believed to be the animal which carried death. Human figures were also used as decoration, and in some cases menacing lions. The figures were usually conceived for the purpose of protecting and guarding the liquid within the urn, as is shown by their attitudes. Dr. Ghirshman showed several death placques, also predominant- ly with .the horse- motif, “which were found placed under the head of the dead man. Other placques and figurines wer eformed in the images of powerful gods, particu- larly one whose person included both male and female, shown by two heads. Occasionally doubles of the dead man himself would be left im the tomb. These have their hands raised with the palms turned out- wards in a characteristic attitude of supplication to the gods. Other by. Judy Stuart ~ A delicate sense of showmanship and careful casting assured “Aria da Capo” and the Rhoads freshmen of the winning Placque for 1959. Edna St. Vincent Millay’s verse- fantasy opens, on the classical comic figures of Columbine and Pierrot acting out a farce. They are interrupted by the director Cothurnus, who demands _ that Thyrsis and Corydon should come out and play their tragedy. At its conclusion the farce is begun again, leaving the forgotten tragic figures still on the stage—as the title means, “Over Again from the “Beginning.” i (Pauline Dubkin made a delight- ful Pierrot. He was perhaps the most —-diffieult,. figure .to portray convincingly—tall, thin and rath- er effeminate, characterized by the white foolish mask of an idiot. Pauline gave a light, funny but rather wistful and unreal quality to. this vain, amorous creature. Columbine (Karen Christenfeld) as Pierrot’s companion, was the brunt of the humor im the silly farce as one of the great preten- sions but little wit. Shepherds’ Play When the gloomy Cothurnus entered, the sets became just a stage, but as the tender story of the two shepherds progressed, it was transformed into an idyllic pasture. The two shepherds, Cathy Trapnell as Thyrsis and Mary Lou Levitt as (Corydon, enact the sim- ple story of two friends corrupt- ed by the presence of a wall be- tweeen them which breeds first envy and then hate. This scene, though a little melodramatic, was done sensitively and with. credul- ity. The two friends slay each other in fulfilling the maxim that men are brought to disaster when put in the sight of possessions and power. The delicate simplicity of the script was sensitively felt by the actors, who created, from a scene that could easily have been overplayed,..a beautiful, moving drama. But to Pierrot is left the final word—“Oh, the, audience will for- get them in a minute’—as they push the banquet table back in front of the two prostrate bodies. And he then begins again with the Rhoads and “Aria de Capo” Conquer; Difficult Poetic Play Well Performed umbine? ({ will kiss you if it is Tuesday.” : The element that made it poss- ible to perform such a delicate and dream-like play was, I think, that each player approached his role with great seriousness and the amateur nature of the pro- duction was overshadowed by the attitude of the actors, Also added to the finished qual- ity of the play was the imagina- tive and effective stage set. One could hardly recognize the white bed covers in their roles as ‘back- drop and tablecloth with the stark black shapes on them. The cos- tumes were interesting without being distracting, although when one wondered where the pin -was located that held the lilac flowing billows together. Credit must go to both Toni Thompson, the upperclass advisor, Continued on Page 6, Col. 5 Columbine swept around the stage| Ghirshman Talks on Nomads of Ancient Iran Selection of Slides Illustrates Cultural Finds figures represent the mourners, In the tools and weapons particular- ly, Dr. Ghirshman pointed out the exceedingly pleasing and intricate use of artistic forms within shapes dictated by utility, The ancient Iranian art on the whole shows exceptionally great imagination and richness of expression. After this illustrated lecture, much of the audience went on with Dr. Ghirshman to the common room, where he answered questions and discussed his findings. Workcamps Held At State Hospital Students from BMC will have an opportunity to visit the Em- breeville State Mental Hospital this year as members of a week- end institutional service unit.. The purpose of this program, sponsor- ed by the American Friends Serv- ice Committee is to allow the stu- dents to learn about mental ill- ness, to be of service to the hos- pital and to offer individual atten- tion and human warmth to the patients. (Weekend umits, offered every other weekend, beginning at the end of October, will leave Friday evening and return Sunday after- noon. During htese two days par- ticipants will spend a great deal of their time in direct contact with the patients. All—interested~ should sign” on Taylor bulletin board, as each wekeend has room for only five. Bryn Mawr girls. Notice (Even the most jaded subject can come alive! Mr. Peter Bachrach, Associate Professor of Political Science, will give a Current Events lecture Monday the 19th on “Power and the Trade Unions”. Unortho- doxy is certain. Professor R. S. Young of the University of Pennsylvania began the second part of the 75th Anni- versary symposium on the No- mudic Impact on the Ancient World after 1000 B.C. with an explana- tion and slides of’ finds uncovered the Phrygian levels of c. 700-900 B.C. Using illustrations of typ- ical building plans, the megaron, the masterfully-constructed city walls, huge mounded tombs, pot- tery, and minor objets d’art, he demonstrated the relationship of the Gordion finds to those of other Near. East cultures. Links to oth- er cultures were established by dis- covery throughout Asia Minor of Phyrgian-made fibullae, and in Gordian of pails and cauldrons styled and marked in Syrian and Phoenician manners. (Miss Ellen Kohler, recorder of the Gordion excavations and edit- or of the publication of the Uni- versity Museum, discussed the min- iature wood and ivory animal carv- ings of the Nomads and their lera- tion to miniature sculpture found in a tomb at Gordion. The Nomadic designs, smal] enough to be whit- tide in transit, develop from ani- a inane voice, “Is it Tuesday, Col- in his excavations at Gordion in, Archeologists of Gordian Excavation Discuss Arts of Former Nomad Tribes mals, to characteristic features of animals, and eventually to fantas- tic chimeras synthesized from an- imal parts, ee ‘Miss Machteld Mellink, head of Bryn Mawr’s Near Eastern and Classical Archaeology Department, summed up the afternoon’s pro- ceedings, noting that certain as- Continued on Page 6, Col. 1 Woodwind Quintet Holding Workshop The Philadelphia Woodwind Quintet, with Agi Jambor, will give a concert on Tuesday, October 20, at 8:30 p.m. The program, to be presented in Goodhart Hall, is the first this season sponsored by the Friends of Music of Bryn Mawr College. _On the afternoon preceding the concert, from 4:10-5:30 p.m., the ~ Quintet is going to hold a work- shop which will include a discus- sion of the history of woodwind music. The next day from 12:00- 1:00 pam Mr. Schoenbach will head a workshop on ‘woodwind litera- ’ Continued on Page 6, Col. 2 Page Two THE COLLEGE NEWS a Wednesday, October 14, 1959 THE COLLEGE NEWS FOUNDED IN 1914 Published weekly during the College Year (except during Thanksgiving, Christmas and Easter holidays, and during examina- tion weeks) in the interest of Bryn Mawr College at the Ardmore Printing Company, Ardmore, Pa., and Bryn Mawr College. The College News is fully protected by copyright. Nothing that appears in it may be reprinted wholly or in part without permission of the Editor-in-Chief. ee es eee eee ereeernseres ee res Pewee eeeresseeeseesveens be ee Oe ee ea re ee Vy ee EDITORIAL BOARD ee eee eee ee eee ese eeseee “61 ‘6l ‘61 ‘61 62 “62 Betsy Levering, vieeie cee haeetivees Lois Potter, E. Anne Eberle, Frederica Koller, Marion Coen, lison Baker, eee eee eee ereeees fewest eee eeeeeeeee EDITORIAL STAFF Susan Szekely, ‘61; Isa Brannon, ‘62; Susan Nelson, ‘62; Judy -Stuart,-‘62; Mary Ann Amdur, ‘63; Janice Copen, ‘63; Kristine Gilmartin, ‘63;*Bonnie Miller, ‘63; Suzy Spain, ‘63. BUSINESS BOARD ee er oe rd Associate Business Manager Staff Photographer Cartoonist Peewee eee eres eeesean SPCC e eee eset ererereeeseses eevee eee sees essee ee eee eee ese seeee ‘61 ‘61 ‘62 ‘61 ‘61 Tina Souretis, Irene Kwitter, Dabney Gardner, Margaret Williams, Susan Szekely, eo | BUSINESS STAFF ‘ Anne Davis, “61; Ann Levy, ‘61; Nancy Wolfe, ‘61; Judith Nacobs, ‘62; Nancy Culley, ‘63; Martha Learsaon, ‘63, Sharon Mossman, ‘63. SUBSCRIPTION BOARD Laurie Levine, “61; Karen Black, ‘61; Dale Benson, ‘62; Lois Potter, ‘61; Danna Pearson, ‘60; Yvonne Erickson, ‘62; Ann Levy, ‘61; Suzanne Klempay, ‘63; Kate Jordan, ‘60; Pat Hurt, ‘62; Jane Heffner, ‘63; Annette Kieffer. Subscription, $3.50. Mailing price, $4.00. Subscription may begin at any time. Entered as second class matter at the Ardmore, Pa., Post Office, under the Act of March 3, 1879. . The Professor and The Paper Surely the most creative facet of the curriculum here is the writing of semester papers. In a number of courses, the student seems to expend almost as much time and energy on the semester paper as on the rest of the course. Now, undoubtedly the scholarship involved, the process of handling a body of material, and the use of the language itself have intrinsic value. In other words, a student should benefit from writing a paper, whether or not anyone sees what she has written. But professors do have a habit of reading as- signed student papers, apparently with the purpose, not only of evaluating them, but also of giving the student the benefit of a broader knowledge of, and experience with, the subject material. In any case, papers invariably return with grades and often with comments. except for bookkeeping The grades are fairly useless, purposes. Comments can be more helpful, if they advance beyond the adjectives “good”, “bad” and “indifferent”, and if they are pertainent to the ideas embodied in the paper (if any) as well as to the mechanics of it sconstruction. Most professors are, in fact, admirably conscientious about the nature and extent of the comments they append to a returned paper. But even considered and copious comments seem to us highly unsatisfactory. It is both an intellectual and an emo- tional letdown for a student, who has carefully developed what she hopes is a convincing and perhaps even original hypothesis, to have communication with the one person who could give a comprehensive critique of her work limited to cold black sentences on white paper. If there is going to be real point to the professor’s reading the paper, there should be oral discussion of its merits. The professor brings his powers of criticism to bear; the student defends. Who knows? This might well be the most valuable writing process. part of the long paper- We are constantly reminded that the ratio of students to faculty here is about 7-1 and that most classes have less |: __than-15-students.— All the brochures say so at any rate. If this is true, it seems to us not reasonable that in some cours- es with some professors arrangements for a dialectical treat- ment of student papers might be worked out. If, for instance, papers were staggered in an advanced class of small size, would it not be possible for the professor to prescribe an hour’s discussion of each paper with its writer? We recog- nize that in many instances such an arrangement is simply not feasible; in others, different arrangements could hav? the same effect. Wescott: On Mann Continued from Page 1, Col. 1 some. of ‘its disturbing themes— the past as “weakness”, ibi-sexual- ity, and the inter-relatedmess of love and disease. The young hero of the novel, Hans Castorp, is Ev- . eryman, [Wilhelm Meister, Faust » (with two Mephistopheles instead of one), Tannhauser on the Ven- - usberg, and even Parsifal. World War I looms at the end of the nov- el as a “recurrent disease, seem- ingly less curable ‘than tuberculo- sis . . . Mann began to write The Magic Mountain in 1913. I often wonder how it would have been if there had been no war.” minute” novel are its length and tleties of reason much of the pres- tige they once enjoyed. For his part, Mr. Wescott regards abstract reasoning, except in the field of science, as a “necessary evil’. “The philosophical novel falls between two stools.” Mann never ceased to develop his ideals and techniques during the course of his later novels—to attack the “walls between novel writing of the past ... and the manuscript in progress at his desk.” .»At the end of his life, ac- cording to the testimony of his ‘essay on Checkhov, Mann seemed aobut to begin again on a different scale: the author of the “great, towering novels” had decided that “genius can be bounded in a nut- by Katherine Tiernan, ’61 I embarked on my trip to the Soviet Union this summer with the sound of Bikel’s Russian Gyp- | Sy music beating in my veins and a vision of (Don-cossacks with frost-stiffened beards flashing in my mind, My ffirelight vision of Russia withstood the shock of a “realistic briefing” at the Carnegie Foundation, but it began to deter- iorate when I arrived in Russia. I immediately had the’ suspicion that my bearded (Cossack was in: reality a clean-shaven, rejuvenat- ed “soviet” (citizen— not neces- sary) who was more interested in discussing the increase in grain production during the last ten years than in exchanging stories around the campfire, Seeing that my antiquated vision was incom- patible with present day reality, I tried to conceive of a new, all-en- compassing image with which I might replace the old one. (My first reaction was to go to the other extreme—lI’d look cur- iously at the people*on the street contemplating whether they were in the Delta, Epsilon or Alpha cat- egory.. My nomadic ‘Cossack gave way to a mechanized, thought- controlled robot whose idea of bliss was a two-week vacation in a state health sanitorium in Sochi. Need- less to say, every subsequent at- tempt I made to categorize the Soviet. citizen proved ‘equally un- acceptable and I-required only one day to see that sweeping general- izations were something that would have to tbe fongotten during the trip. At the beginning of our trip we were warned that we might en- counter some “activisti” types who would take advantage of our halting Russian and embarrass us by asking politically complex ques- tions. Our second day in Lenin- grad all twenty of us were stand- ing in front of our hotel waiting for a bus to take us to the theatre, when a fantastic crowd of Russians eagerly encircled us and complete- ly blocked traffic for a block. They began to divide themselves up into smaller groups arid encircle each of us individually. A crowd of twenty-five or more began to ask me general questions about myself and my education. Suddenly a small man stopped in front of the others and, waving a copy of Pravda in his hands, he began to answer the crowd’s ques- ‘tions himself... I must have looked next to me gave me a knowing pat on the shoulder as suddenly two robust types standing next to her edged their way in front of the intruder and with a muffled scrape of feet he disappeared en- tirely! On the following day I was ‘walking down the street when a voice from inside a shop shouted, “Katya, wait a minute!” I turned around and saw an old man who had been in this same crowd the day . before. throughout the whole conversation except for asking me my name as I got on the bus. One of the supreme tests put on my language training this summer was the opportunity to angue in (Russian which TI received in a grocery store. Russian stores have a system which is quite strange in comparison with ours, in that you pay for your foods before you receive them, obviously question- ing America’s contention that “the customer is always right.” You also receive no salesslip from the saleslady when she-hands you your package; therefore any problems arising over mischarging can be fairly perplexed because a woman. He : had* been. silent | ° handled only by a personal discus- sion with the saleslady who help- ed you. ' On the last day of the trip I bought some Georgian tea and when I returned to the hotel I im- mediately found that I had not re- ceived two of the packages for which I was charged. ‘When I re- turned to the store the saleslady who had helped me had already left and the manager told me there was nothing he could do about it, ‘He impatiently dismiss- ed the incident as if it were the workings of a feeble mind, but added up.the price of all my tea due. to the proddings of the cus- tomers Who had gathered, ‘When he saw that his calculations sup- ported my claims, he said casually, “They have a tourist rate anyway, what difference does it make?” At this point’ the whole store went into an uproar, for I began to yell at him in my pure, university Rus- sian, while the Russian housewives who were witnessing the affair screamed at him in slang. I knew there was no chance of my getting my tea but the very futility of the whole thing made me fight all the more ferociously. Although nothing was gained, or I should say earned, -materialisti- Student Trip to Russia Shatters Former Ideas my tea for the three embraces, four claps on the iback, and one furtive “God bless you”, which I received as I went out the door. The Jast experience I had in the Soviet Union was one of the most interesting because it contradicted any other . generalization that might have been. forming in my mind twithout my knowing it. I met, along with another student from the group, four English ma- jors from the University of Lenin- grad. We spent all of our last two days with them, and they took us cally speaking, I’d exchange all to classes, dinner, the theatre and finally to a little gift shop so that they could buy us going-away presents. 'We all chatted continu- ously and every minute I expected a question like “How many unem- ployed do you have?” to creep into the conversation. The subject. of politics ‘wasn’t mentioned once and they seemed to be interested only in art, literature and music. We iaughed all the time and weré continually getting lost on subways and busses and spending most of our time finding each oth- er again. It happened that on ex- actly the day we met them Russia had sent up her first moon rocket, and I, having been reminded of this fact a hundred times by the Continued on Page 6, Col. 3 by E. Anne Eberle The Student Committee on Sub- versive and Underground Activities met recently to ponder the ques- tion foremost in everyone’s mind: ‘What in earth are they doing in front of the library? The findings of the committee are naturally top-secret in the grand tradition of all committees on this campus, but certain hints’ were disclosed by members. We asked the Chairman for a general picture of the situation. She said, “On the hole, I think . + -? and then ran off to another meeting. ‘We approached another member and asked, “Could you please give us a perfunctory ex- planation of the excavation under consideration?” and she said, “I don’t dig you.”. A rather grubby student wan- dered by and we asked if she could help us. (She looked glumly at the hole. “I don’t kmow,” she said wearily. “I fell in and I’m still in the dark.” Sources close to the committee disclosed that there ;were alternate plans on how best to use the holes; now that we have them dug we can go ahead and decide what use _Youths Probe Deep, Earthy Issues lated to last year’s void in Merion green which was so poorly planned as to actually leave some grass available for the Mayday frolick- ing. Various groups on campus are making plans to utilize the new facilities. The physics dept. claims the holes are only clever ruses to attract attention away from the more important piles; they are hoping to find enough atoms soon to have an atomic pile. The phys- ical education dept., on the other hand, answering the ever-increas- ing demand for a major in deep- sea diving, is hoping to acquire the spot for dry runs which retain that sinking feeling. The curricu- lum committee is hoping to be able to utilize the project somehow to instill a new depth in the liberal arts program. And the Adminis- tration, of course, is considering the excavation as possible living quarters for freshmen. Undergrad is thinking of mak- ing its own doughnuts now that half the materials—the holes—are readily available on campus. Inter- faith feels it should do something with the holiest spot on campus but can’t decide quite what. And Self-Gov, suddenly faced with the the form of the Settembrini-Naph-| shell.” That the dying soul should Errata to put them to, One suggestion is| problem of the holes being an oc- tha arguments, is responsible for|have wished to start anew is, to The News regrets the use of that this project is Plan 209b to casion of “after dark” at all hours both, - “Believing in belief”, “cere- ‘Mr. Wescott, “a kind of thing that the “words “On ‘as dovant- relieve the Reserve Room situation. | of the day and night, is hastening bration for its own sake”, have al-) inclines me to believe im immortal- tories” in the last ma e, and rec- It’ is not entirely clear whether|to have an Advisory Board meet- _mays been more common. in Ger-lity .. . It is hard to conceive of! jenizes that the expression ia ||>0°ks, wayward borrowers, or the | ing. many than elsewhere, but their in-|the body as not dying, but it is inaccurate in both fact and con- other 208 Plans would be imterred| We ourselves have no opinions, ability to solve even the simplest easy for the mind to conceive it- notation. ¢ here. There is some speculation|as the subject is much too deep _ world problems has lost the sub-| self as continuing to live.” | Abo ia as to whether this digging is re- for us, Wednesday, October 14, 1959 THE COLLEGE NEWS Page Three Freshman Play Marathon Sparked by Variety Androcles and Lion Saved from Chaos By G. B. Shaw with Love from Reviewer by Lois Potter Rockefeller’s Androcles and the Lion suffered from several unfor- tunate and unavoidable disadvan- tages—first, /n_coming at the end of a long evening of plays; sec- ond, in following Aria da Capo; third, in the temporary disappear- ‘ance of its heroine, which made actors and audience alike nervous. It is hard to imagine what the play would have been like under more favorable conditions, but it seems likely that a number of good points, noticeable even in the midst of chaos, would have been more striking than they were. High Level of Acting The acting was generally on a higher level than one would have expected from so large a cast. The three, or possibly four scenes which ‘Shaw demanded were easily evoked without waste of time by the walking scenery—the forest (played by Tree Less, who was ob- viously type-cast) and the sign- post (Ginger McShane). Finally, Androcles and the Lion is a good play, and a play by ‘Shaw, and takes to cutting better than most Shaw plays. True, the cutting took out everything Shaw was trying to say about the nature of perse- cution and martyrdom, but it also showed that Shaw, stripped of. his ideas, is still an extremely, fury playwright, and his play . / still’ gives a much more engaging’, and, sympathetic impression of the early Christians than all the works of Lloyd Douglas combined. Christians Divergent The four (Christians, who divenge as widely in their Christianity as in their-attitudes. toward martyr- -- dom, were played by Geeti Sen, as a gentle and appealing Androcles; Sharon Mossman (briefly under- studied by Mac Schoellkopf) as a very pretty (Lavinia; Kris Gilmar- tin— extremely funny, whether consciously or: not—as Ferrovius and Sue Gabor, as Spintho, prob- ably the most. disgusting character Shaw ever created, and a rather frightening example of the kind _.-ef-person-who-may attach himself to even the best-intentioned rev- olutionary movement. There were a number of good characterizations in minor roles. Martha (LLearson (Metellus) was delightful in her brief scene with Ferrovius. ‘The centurion’s brisk ‘Move along” seemed very natural as delivered by Sue Travis. As the menagerie ‘keeper, Angela Sehrode made her lines sound even funnier than they were by growl- ing them out as if she had almost become a lion as a result of caring for them so long. Caesar “Haughty” . Ani (Polishuk’s (Caesar was splendidly haughty and self-pos- sessed—especially in her delivery of the curtain line. Barbara Hein was most attractive as the second of the two title figures: as Shakes- peare would say, “Well roared, Lion!” With Androcles in the first scene, Megaera (Ginger Mc Shane) nagged ‘and blustered amusingly and had, of course, about as much effect as a boxer might have on a rag doll. Nancy (Culley played the } Roman captain 2 as the representa- "Notice The News is happy to an- nounce the creation of two new editorial positions, News Editor and Associate Editor, and the election to these positions of, and E. Anne Eberle, ’61. respectively, Marion Coen, ’62, } tive of commonsense and a class- ical austerity. The rest of the large cast in- cluded Hinda Greenfader as the Editor, Louise Burlant as the Call Boy, Pam Smith and Jana Hnilicka as the gladiators, and Frances Cassebaum, Lee Cooper, and Sar- ah Pattison as the Christians. Di- rector Connie Schaar, whose only fault was letting the actors hide at the sides of the stage too much (for the dragging tempo was prob- ably only the result of general ner- vousness), ‘Stage (Manager Liz Williams, and advisor Ellie Levin- son were in charge of the produc- tion. Pem East Gives. ‘Happy Journey’ by Freddie Koller The Happy Journey by Thorn- ton ‘Wilder was Pembroke East’s entry in the annual freshman hall play competition. In the Pembrok- ites’ capable hands the production lived up to its title—it was indeed happy. The play portrayed the journey of a family of four from Newark to Trenton, their reactions to each other and the changing scenery, with most of the action taking | place in the car (two chairs on the floor and two on a box represent- ed the car). With almost no scen- ery or props available an added burden was placed on the actors. All of them were, however, quite proficient at pantomimie; a great deal of the comedy in the play re- sulted from the gyrations of the family en route with stops for a funeral, hot dogs, etc. Mother Outstanding Ann Kneeland was particularly good as Mother. She was the dom- inant character—the pivot about whieh the rest of the family re- volved. Although she -couldn’t quite pass for the “old bag of bones from Newark” she proclaimed to| ibe, Miss Kneeland was skillful enough and the audience didn’t really mind the fact that mother and daughter appeared to be the same age. Pa “Resigned” iPa, in contrast, was less loqua- cious and seemed resigned to his “lot in life’—Kathy Middleton conveyed this nicely. Penny Pot- ter added able support as (Caro- line, and Judy Brown as Arthur, the mischievous younger (brother, was highly amusing. playing Beulah the older daughter, had what was by far the most seri- ous role in the play. She handled her assignment successfully, manag- to elicit the proper amount of sympathy from the audience dur- ing the last scene. The cast was rounded out by Joan Paddock as the man in the garage (she yn ly pantomimed the adding of ter to the radiator) and Shirley van Cleef and Sue ‘Potter as off- stage ‘voices. Tempo Slows Down The play seemed to slow down a bit im the middle, but fortunate- ly the actors were able to speed up the tempo and finished strong- ly. In any case this minor diffi- culty did not in the least decrease the audience’s enjoyment of the production. Congratulations are in order for the director, Susan Schroder, and for the actors ‘who so successfully captured the spirit of The Happy Journey with delightful results. Willa Dawvis,. conditional Eprror’s Nore: Unmentioned~ elsewhere, but definitely to be ‘credited for their part on the production end of the freshmen hall plays are Sue Chaffee, gen- eral director; Barbara Toan, Make-up; and Ellie Levinson and Marianna Pinchot, lights. “Un-Kick Chorus” Renders Narrative With Adaptations by E. Anne Eberle East House, Infirmary, and Col‘ lege Inn combined to bring on a tunic and tight-clad kick chorus which did not kick, but did repre- sent a very clever adaptation of Ludwig Bemelmans’ “Madeleine.” Realism was represented in the play_by—real’live-ivy onthe -cur- tain at the beginning, to represent a dorm, and at tthe end by a noble recreation of (Mr. Miserable, com- plete with lantern. -Im between, symbolism twas the thing—(un- dressing was accomplished iby mod- estly removing tunic-belts before bedding down, at which time a male sigh was heard in the back of the audience). With a ten-hour rehearsal limit, narrated plays are very practical, and the narrating in this one was well done, coordinated with the almost-precision action of the non- kicking chorus, and especially well- joined with the few speaking lines by people in the play. Lines Not Lengthy Since there were no lengthy lines for anyone to learn, those breathless blanks in memory were eliminated, and since the focus on any one character in the line lasted only a few secofids, no high drama or lack of it was risked. The title-actress herself disap- peared up the darkened aisle of Skinner midway through the play and only reappeared at the very end—no prima-donna here. Perhaps satire on Bryn Mawr themes is a little oft-repeated and considered a sure way for a laugh, but they did get the laughs, and three weeks is hardly enough to learn of former attempts at local humor. East House & Co. cer- | tainly did a good-job-of-represent-1- ing the dither resulting from the frantic communication of ‘ward- ens, managers, presidents, etc. in Continued on Page 4, Col. 1 |Radnor Manages Scottish Brogues by Freddie Koller The Old Lady Shows Her Med- als was Radnor’s offering for Sat- urday evening. ‘Despite the fact that this play is a very familiar one, the Radnorites, by virtue of their excellent performance, gave it a new dimension. Credit for such a fine showing belongs alike to director (‘Ann Witman) and cast. ‘Cynthia Rosenberg showed her- self to be an accomplished actress in her portrayal of Mrs. Dowey; “lIMiss Rosenberg was able to cap- ture the spirit of her character successfully and then transmit it to the audience. She also de- serves credit for her mastery of the difficult highland accent; this added a note of realism to the pro- duction. Kelly Shull, playing Kenneth Dowey, the orphaned highlander who at first resents and then final- ly welcomes (Mrs. Dowey’s at- tempts to adopt him, was almost as good, Miss Shull’s character evolved; she was able to commun- icate the character’s early appre- hensions and thenfi finally, his un- acceptance of Mrs. Continued on Page 5, Col. 5 a aa Pem West Attacks Moliere with Glee, Stylized ‘Precieuses’ Joyful but Jerky by Lois Potter In the final performance of Fri- day night, Pem (West proved that Les Précieuses can be as Ridicules in English as in French, To point up the timelessness of (Moliere’s pen-pointing of human _ foibles, stage manager Sam Miller left the stage timelessly, spacelessly, scen- erylessly bare, and decked the act- ors in delightfully fantastic cos- tumes—the ladies, in particular, looked like a cross between Colom- bine and a modernistie mobile. Cutting Beneficial The play was well translated and judiciously cut, but perhaps it might have been helped by further cutting, so that the actors could have’ spent less time on learning lines and more on speeding up their tempo, which dragged to- wards the end. -It was evident, certainly, that the direction (An- nette Eustis, ’63, Bee Kipp, ’61, and Trudy Hoffman, ’60) had been more than competent—but it was too evident: the actors were still in the marionette stage, and their movements often seemed to be the result of an invisible jerk on the strings. A few more rehearsals would probably have given them enough polish to carry off the high- ly stylized acting more smoothly. The two rejected suitors, Du Croisy and De Grange, suffered less from this jerkiness than most of the rest of the cast, though they had the advantage, in their opening scene, of an uncluttered stage, Abby Thomas in particular showed a glittering command of gesture, expression and movement which, when contrasted with Deb- by Goldberg’s quiet, rather cynical manner, -started the play off in dashing style. Mascarille Important The success of Les Précieuses must depend, inevitably, on Mas- carille, and Betsy Fox who, to be- gin with, looked exquisitely like a 17th century fop, romped through the gaudy role with the enthusi- asm it deserves. Under the cir- cumstances, it is obviously irrele-|- vant to object that Mascarille is too effeminate a character to be played by a girl. ‘Laura ‘Schneider and Roberta Downs made the two précieuses alike in their silliness but different in character. (Roberta, as the more précieuse of the two, was charm- ing in her long speech about the “adventures” of love, and turned out to be as graceful as picking her less talkative cousin, Laura uttered every banality in a deep passionate vocie (rather like a/hun- gry lioness about to spring’on the conversation) and made Aer sli- ences almost audible. Solid Characterizations Jodelet (Kitty “Murphy) and Georgibas (Banbar Bizur) did their best to establish solid character- izations within the narrow frame- work of their lines. Crabby, bour- geois old age proved. too much for Barbara to suggest, though the belligerence of her manner was quite agreeable. Much of Kitty’s (part had been (understandingly) cut, but she made up for that with a quiet sympathetic look which seemed—not realizing that Mas- carille was having the time of his Continued on Page 5, Col. 1 Denbigh Apollos Amuse Reviewer by Isa Brannon The Apollo of Bellac is a com- edy which revolves around a very simple theme: that all men are handsome; but the play is by no means a simple one to present. However, Denbigh and the Dean- ery did an admirable job of acting out the Giraudoux piece on Friday hight. The story revolves around a girl named Agnes, played by Alex Ut- goff, who is trying to find a job. As she moves up through the hier- archy of a large company, she win- somely tells each man that he is handsome. Although Alex’s man- ner was very unassuming and sim- ple, she capably delivered many funny. lines, such as her assertion that she could not practice her line mustache.” (Following this was tache. Another factor contributing to the credibility of the piece was that none of the men was hand- some. The reason for this is that as a rule girls,- however attired, Continued on Page 5, Col. 2 Alter-Egos Blend with Poised Selves To Insure High Level in Merion Play by Marion Coen Perhaps the nicest aspect of Merion’s Overtones is that. it was underplayed. Lest this sound like a somewhat negative compliment, let it be remembered that overplay- ing is probably the greatest pitfall of the amateur actor and a drama that is underplayed is generally played very well indeed. Setting the tone of the produc- tion at the evenly high level which it sustained throughout, Mangaret Cardwell (Harriet), from her open- ing parries with her shady self to her verbal ping-pong over the tea table, combined a completely un- freshman-like poise with a surpris- ing degree of dramatic wit. Marjory Hilbert, (her electrical alter-ego), must be lauded for re- markable restraint in playing what might have been a horrendously heavy role. She handled the role gracefully and followed Harriet so artfully that by the end of the one-act presentation they had ac- tually begun to look alike... Julie Heileman (Margaret), al- in her delivery, presented a good interpretation of the proud, if fam- ished wife, and created with some- what stock lines a highly believ- able character. Fused with her in the image of the viewer almost to the point of indistinguishability is her second-self, Gail Levy. Like Marjorie Hibberd, Gail must be commended for this adaptability to the mold and manner of the - more decorous self. Though her pitch was rather unrelievedly rau- cous, her carriage and stage move- ment more than aaa: as tools of expression. Unreservedly, however, the pees exemplary feature of Overtones was the staging and costuming. The tea scene in which the navy and white-clad ladies exchanged pleasantries flanked by their bawd- ier counterparts in more vibrant hues was cleverly and artistically contrived. ‘The silent, black-clad spectators (Jane Kennnison, Mary Ann Amdur, Susan Erskin) added without distracting. Credit and plaudits for direction must go to Karen Mellinger and advisors Judy though slightly flat and too even Nn re a a Stulberg and Nahma Sandrow. _— r up dropped lines as Mascarille was... at picking wp her handkerchief. As on a statue because “He has a - her consternation when one of the . officials appeared with a mouse _____ SY | Page Four THE COYLEGE NEWS Wednesday, October 14, 1959 May Day Inspires Madrigal Singings by Catherine Lucas, ’61 In the spring of 1959, in keeping with the medievalism of May Day, there was born the hope for a Ma- drigal singing group of Bryn Mawr and Haverford students. Dave Ro- senbaum, ’60, Toby Langen, ’61, and Catharine Lucas, ’61, laid the groundwork at that time. As the idea was publicized, the innovators discovered three con- current plots in the embryo stages, and efforts were combined. All fears of failure passed when we found thirty-seven voices eager to audition for the twelve-voice group. Eighteen students have been noti- fied of acceptance, but there will be changes before the final group emerges, because of difficulties in scheduling a rehearsal time, The group will sing together one hour a week, for its own en- joyment. “Our repertoire will be Elizabethan and Medieval Court, Church, and Countryside music. The Madrigal Singers were rot onganized with the idea of per- forming, but rather_for the sake of the members, who will . togeth- er choose repertoire and decide whether or not to prepare eventu- ally for the public if the occasion should arise. “Madeleine” Continued from Page 3, Col. 3 Self-Gov’s ‘Chain Reaction Plan to nab wandering students after 2:00. The director and her green-clad cohorts are to be praised for an enjoyable performance and ‘should never have offered any apologies to: (Mr. Bemelmans. e Notice The College Bookstore would like to remind students that the deadline for free exchange or return of new textbooks is Monday, October 19. In Quita Woodward Room, Alumnae Authors Discuss Their Work, Bryn Mawr Experience More activity than the Quita Woodward Room has seen for years took place last Sunday after- noon. In the first event of the anniversary year since the convo- cation, a display of books by Bryn Mawr authors, which will be up until Christmastime, was officially opened. The work of Miss Agnew and Mrs. Nahm in assembling this col- lection unearthed the fact that there are about 300 Bryn Mawr authors so far, who have produced about 1500 ibooks—exclusive of their astronomical number of pam- phlets, translations, articles, and newspaper writing. Thirteen liter- ary prizes, including one Pulitzer and one Nobel Peace Prize, have also been awarded to Bryn Mawr- ters, Mrs, Manning Presides ‘Mrs. Helen Taft Manning pre- sided and introduced three Bryn Mawr authors who spoke about their writing and about what they owed to BMC. The first of these was Mrs. David Acheson, who has taught American history and written books on the subject for young people. Mrs. Acheson majored in European history while she was here and later found that teachers of American history were in far more demand, so “I learned Amer- ican history after I went to Bryn Mawr,” she says, “but I knew how to learn it because I had been here.” Ideological Enemy She feels that we have today not so much a military enemy as an ideological one and that it is a time to be conscious of our past. “People who don’t know what they’ve got are no match for people who do,” she emphasized. The most practical way Mrs. Acheson felt she could help peo- ple to “know what they’ve got” was to write history for young people, who are much more receptive at an earlier age than most people sus- pect. She is currently working on a book explaining the Supreme Court, “which is always presented to everyone under 30 as a complete mystery.” Mrs. Vining Follows The second author-speaker was Elizabeth Gray Vining, perhaps most noted for “Windows for the Crown Prince.” Mrs, Vining said she came to Bryn Mawr with the knowledge that she twanted to write and that a writer’s prepar- ation and a choice of subjects are what she found here. “T ‘took all the English courses I could, enjoyed them, and forgot a good deal,” she says. She feels that English Composition was her most valuable course; it was taught. with what she called the “professional, rather than academ- ic’ approach. She remembered getting back a paper with no grade on it at all, and pencilled at the bottom, “One of spring’s occasion- al lapses, I take it.” From Latin Mrs. Vining got a feeling of the structure and deli- cacy of language. “Clarity and lucidity are rather out of fashion right now,” she says, “but I think they’ll come {back.” Mrs. Vining has a children’s book set in Japan coming out this fall, and one for adults in the spring. This will be all on Japan for. a while, as she has five novels on her mind. She finished by referring to the College’s motto, Veritatem Dilexi: “Education is essentially a search for truth. The seeking itself is good, and worth a lifetime of loy- alty.” The third speaker was Mrs. Jos- ephine Young Case, “a poet, a real poet,” as (Mrs. Manning introduc- ed her. (Mrs. Manning mention- ed that Carey Thomas had long been looking for poets before she discovered the first, Marianne ‘Moore—“The ‘Cloister was built so poets could walk up and down.” Writers Born ‘Mrs. Case, like Mrs. Vining,, knew when she came here that she wanted to write, and thus com- mented that being. a writer is in a sense born in. ‘“‘But being a poet is the result of some flaw—incur- Centinued on Page 5, Col. 5 Objective Views To Be Discussed A lecture concerning “The Basic ‘Principles of Objectivism” will be (Houston Hall Auditorium of the University of Pennsylvania..on a }date in the near future set tenta- tively as Tuesday, November 17, at 8:30 p.m. (Mr. Brandon, a psychologist, is the major exponent of the philos- ophy called “objectivism”— which has been defined by Ayn Rand in her books The Fountainhead and Atlas Shrugged. The lecture, which is sponsored by the “Pennsylvania ‘Literary Review,” will be followed by a symposium led by members of the University faculty from the economics, philosophy, jpsychol- ogy, and American civilization de- partments. In Miss Rand’s terms, the ob- jectivist movement has among its principles the belief that “reality exists as an objective absolute, that reason is man’s means of per- ceiving it, and that morality is a rational science.” The movement deals with the “concept of man as an heroic being, with his own hap- piness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute.” KINGSLEY KIRK =U anew concept in table setting harmony. Kirk combines the perfect form in sterling with America’s favorite china designs by Lenox. 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B B, Baltimore 18, Maryland ye ncanpciecaiedi ale ee ee seen THE PHILADELPHIA COCA-COLA BOTTLING COMPANY | ee ; apenas nant ee , niggas a “+ ve " Wednesday, October 14, 1959 THE COLLEGE NEWS Page Five Pem W-Moliere Continued from Page 3, Col. 5 life—to assure him that their or- deal with the young ladies wouldn’t last much longer. Out of charac- ter, perhaps—but a nice touch. Special notice should be taken (and was taken) of Amy Chapen as the slatternly comic maid, and Susan Stephenson as the servant, not heard but certainly seen. The rest of Pem West, in a splendid burst of hall spirit, filled in the minor parts of chair bearers, mu- ‘sicians, dancers, and—so—on. New Fall Clothes Demand A New Hair Style See The VANITY SHOPPE For Yours _ Denbigh Deanery Present “Apollo” Continued from Page 3, Col, 5 do not*create very attractive boys. In this play they were at least convincing, especially Donna Mil- vanwhoplayedthelittl nm. When Donna told ‘Alex that’ she must have a new metaphor instead of comparing every man to Rodin’s “Thinker”, she snapped her fingers and presented the fictiortal “Apollo of Bellac”’ as if she had just thought of it herself. Her extreme stage presence showed through especially well when she forgot a line and dida_little jig around the stage until she had recovered her- self, Another good male character was the clerk, played by Leslie Hartley. His gyrations while ad- miring his shadow, his haughtiness upon announcing that “no one sees the Chairman”, (while people trooped by into his office) and his servility when presenting his su- periors, all contributed to make a very convincing impression. The very fact that there were So many characters gave the play its only impediment. Not only is Skinner not conducive to large casts, but also ten hours of re- hearsals are not enough to polish a scene with a large number of characters, such as the scene with which the play ended. But this section does contain two of the brightest characters and some of the cleverest lines in the comedy, such as “If he were the richest man-in the world I would still tell him he was handsome” and “What you’re trying to say is that your features are ugly, but the way they go together is beautiful.” The two outstanding personages presented here are the president and his wife (Jane Goldman). The president was dressed in a three- piece suit and then, incongruous- ly, a pair of glaring red socks. Therese provided a touch of glam- or in her slinky black dress. The overall effect of the play was smooth and amusing, thanks to well-integrated casting, simple props, and the direction of Lind- say (Clemson, and the management of Anita de Laguna. Scottish Brogue Continued from Page 3, Col. 3 Dowey. Miss Shull also adopted the highland accent which, al- though it caused her a few mo- ments’ discomfort, nicely balanced Miss Rosenberg’s, The various supporting charac- ters, Mrs. Mickleham, Mrs. Haf- ferty, Mrs. Twymley, and Mr. Willings, played by Jo Smith, Cyn- thia Gardner, Madelaine Barker, ~ DUAL FILTER DOES IT! Filters as no single filter can for mild, full flavor! Here’s how the Dual Filter does it: 1. It combines a unique inner filter of ACTIVATED CHARCOAL...defi- nitely make the smoke of a ci nd sm 2. with an efficient pure white outer filter. Together they bring you the real thing in mildness and fine tobacco taste! NEW Low cost transportation — up to 100 mpg. Safe... because its so easy fo tide, Automatic transmission. Go the fun way—jideal for school, outings and errands. See the TOPPER at... PHILA. HARLEY-DAVIDSON CO. 857 N. BROAD STREET PO 9-1100 5813 WOODLAND AVE. SA 9-4747 and Helen von Raits respectively, were more than adequate. The tea party in the first scene was high- ly amusing; one of the characters attempted a cockney acent with creditable results. Perhaps the most serious hind- rance to the play was the frequent drawing of the curtains to show the passage of time. At one point, a part of the audience left their seats thinking the play was over rand, upon discovering there was more to come, hurried back. The net result was a disturbance for audience and actors alike. Unfor- tunately, these pauses lent a kind of discontinuity to an otherwise fine production. BMC Authors Continued from Page 4, Col. 4 able, constantly painful, never quite fatal.” (She said that a poet requires nourishment “as a silk- worm needs an awful lot of mul- berry leaves”, and Bryn Mawr, es- pecially the professors she assoc- iated with it, provided that nour- ishment,. “Writers must have tools, a channel of direction, and a sense _ of the flow of literature . .. there was the pleasure of reading and reading and reading. One became aware of the color of scholarship —not only deep but humane, and there was a-constant exposure to good writing.” Mrs. Case feels she owes the greatest debt to Greek, which was her major. She read Aeschylus and Homer and Sophocles—“They were giants, and I rwas terrified of them in those inevitably tiny Greek classes.” But Greek was conveyed to her in something be- yond scholarship: excitement, which she feels people still get here. digan, $18.50 Cardigan, $32.50 é a Brooks Brothers classic JR SHETLAND SWEATERS knitted exclusively for us in the Shetland Isles, on our models In yellow, light or dark grey, black-grey, white, natural, medium blue, black-green, me- dium or dark brown, blue lovat, dark or bright red. Sizes 34 to 40. Pullover, $16.50; Car- Also same styles in unusually fine 2-ply Scottish cashmere, in yellow, white, light or medium blue, natural, navy, dark grey, me- dium green or red. 34 to 40. 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