ad — Rirvn Mawr Collere Copyright, Trustees of 19h4 PRICE 20 CENTS VOL. 21, NO. 21 ARDMORE and BRYN MAWR, PA., WEDNESDAY, APRIL 20, 1955 __ ‘County Fair’ Theme BMC-Drinceton Chorus Concert Includes: Work Of D. Hindemith especially contributed by Suzanne Jones, °57 Saturday’s choral concert in Goodhart Hall, presented by the Bryn Mawr College Chorus and the Princeton University Chapel Choir, was designed to give visiting par- ents an idea of the work done by the Chorus during the year. The first .part of the program, performed by the Bryn Mawr Chorus under the directionof—Mr. Goodale, included selections famil- iar from Sunday night chapel serv- ices and the recent concert with Lehigh. Notable among these were three excerpts from Katherine D. Fisher’s cantata, “The Lamp on the Stream,” which saw its pre- miere performance here on March 5. Effectively and expressively sung, the group was both repre- sentative of the whole work and satisfying in itself. Church Music The Princeton Choir, under Dr. Carl Weinrich, presented a selec- tion of church music. The numbers were characterized by a wealth of harmonic and dynamic effect, car- ried out with sureness and control. The choruses were combined un- der Mr. Goodale’s direction to con- clude the program with three sec- tions from the requiem “For Those We Love,” Hindemith’s musical ': setting of “When Lilacs Last in the Dooryard Bloom’d,” by Walt Whitman. The poem, written to commemo- rate the death of Abraham Lincoln, is both an elegiac representation of the country’s grief at the loss of its leader and a joyous song of praise for death, the “strong de- liveress.” Paul Hindemith, -who had taken refuge in this country from—the—-Nazi~regime; set the poem to. music in circumstances similar to those under which it was written—after the death of Frank- lin Roosevelt and the end of the Second World War—with the ob- ject of recreating in music the complex feeling of the words. Orchestra Lacking The excerpts as performed Sat- urday lacked the orchestral parts for which, along with those of chorus and soloists, the work was intended, but they were saved from any impression of incompleteness by the skill of Mr. Alwyne at the piano. The piano arrangement, far from being a simple accompani- ‘ment, demanded ‘a display of virtu- osity that would have been an achievement in itself, and Mr. Al- wyne not only overcame its diffi- ‘culties but made it an essential, expressive force in the perform- Continued on Page 6 Col. 3 Originality And Variety Are Found Present In Dance by Anna Kisselgoff, ’58 It was certainly a great pleasure to attend the:concert given by the Dance Club last Friday night. Combining freshness, enthusiasm, and originality, it served to prove that Bryn Mawr’s creative instincts are not as dormant as they seem to be. A well-chosen program was largely responsible for this. The first half consisted of folk dances. The first of these was a Hungarian dance “Verbunkos,” described in the program as a dance which was “used to recruit soldiers into the army”. Accordingly, the members of the Dance Club marched on stage in a well regimented forma- tion, clad in bright colored jackets and helmets, and black leotards} and tights. Leora Luders, costume director, is to be commended for the good use she made of the basic leotards. The “Verbunkos”, with its kicks and stamps, consisted mainly of basic character dance steps, which were performed rather well. The second dance, the Hungar- ian “Ritka Buza”, was. brief but charming. Fortunately, the daxc- ers. made good use of their facial expressions, since it wotid be auite R easy for a traditional dance of this type to become stilted.~~ | The third number, “Of Palestine,” alternated the traditional Palestin- ian dances, “Hora and Mayim,” with the Hora being danced twice, and the Mayim between the two Horas, Re _ Hank Dane, of Haverford, prov- ed an able accompanist on the ban- jo. ny The next dance, “La Jota”, Span- ish peasant dance, was not as well executed.as the previous ones, The line formations seemed to be hard] Club’s Concert to keep, and the “feeling” for the dance did not come out too well. | However, this is a defect found, even among many professional dancers, who, if they are not Span- ish, find that type of dancing ex- tremly hard to do. The last folk dance “Of the U. S.”, was a pleasure to watch. Dressed in straw hats, jeans or | bright skirts, the dancers execut- ed theatrical variations of basic square dance steps, employing reg- ular square dance formations. This was a fast moving dance where the dancers were visibly enjoying themselves. It was a number mark- ed by lively dancing and lively mu- sic, provided by Hank Dane and Bob Benjamin. With the exception of the last dance which was arranged by Dina Bikerman, all the folk dances were directed by Mrs. Yolanda Brutten. The second part of the program, which was devoted to modern dance, started off quite well with Leora Luders dancing in her own “Indecision”. By ‘synchronizing her body and facial expressions perfectly, Leora demonstrated that she was an excellent mime with a flair for the comic. The next number, “Love Per- haps, or a Baby Bird,” was an in- terpretation of an original poem. by Anne Mazick, performed by Anne, Violet Shaw, and Dina Bik- erman. This was an ambitious work, but because of the reliance upon gestures and voice, it can riot be classed in the strict dance cate- gory. ‘Mary Vorys’ dance, “Scarf,”-per- formed by herself and Wendy Kap- lan, was danced without music. It was a well-thought-out piece of choreography, centered about the Continued on Page 5, Col. 6 Of Soph’s Carnival “County Fair” will be the theme of the Sophomore Carnival, Bobbie | Burrows and Gwen Garland, car- nival co-chairmen, recently an- nounced. Held on the afternoon of Maids and Porters Show, April 23, the carnival will begin at 2:00 near Taylor with the traditional fresh- | man_float parade. Judged by Mrs. Marshall, Professors Sloane, Dud- den, Leblanc and Ferrater ‘Mora, the floats are made by the fresh- men in each hall. Auction, ‘Booths itself will be held on Denbigh Green or in Goodhart, if it rains. The carnival will feature an auc- tion, “with articles-contributed by the faculty, and booths similar to those found at fairs and carnivals. Each hall has..charge of at least one booth. Admission will be by a general admission card, which will be bought at. a central booth and punched at individual booths. The general committee members, all sophomores, include: Ginny | Gavian, Nancy Coyne, Caryl Shar- | low, construction; Joan Brandwein, | Suzanne Knowlton, souvenirs; Mit- zi Wiseman, Betsy Miller, refresh- ments; Margie Milbank, float par- ade; Rabbit MacVeagh, Epsey Cooke, publicity; and Ann Ander- son and Bobby Zwart. Louise Breuer has been nam- ed to head Freshman Week Committee and welcome the Class of ’59 this fall. . CALENDAR Thursday, April 21 8:30 P.M. Panel on Social Work | sponsored by the League. Com- mon Room. Friday, April 22 » 8:18 P.M. Arts Night. Skinner ‘Workshop. “La Nuit En Rose”, masquerade party, Wyndham . Saturday, April 23 | 2:00 P.M. Freshman Float Pa- ' yade, followed by “County Fair”, Sophomore Carnival on Denbigh Green (Goodhart in case of rain). 8:30 P.M. Maids and Porters present “Carousel”, Goodhart. 10:30 to 2:00. Junior Prom, “Picnic”, Gym. Sunday, April 24 7:30 P.M. Dr. Morton Enslin speaks at chapel service. Music Room. 8:30 P.M. Haverford College Friends of Music, Mme. Agi Jam- bor will play works. of. Bach and Beethoven. Monday, April 25 7:15 P.M. Miss Robbins will Events.. Common Room. Thursday, April 28 _ 8:30 P.M. Frederick A. Pottle, editor of Boswell’s London Jour- nal, will give the Ann Elizabeth Sheble Memorial Lecture on “Bos- welt Revalued.” Goodhart Hall. 8:30 P.M. Linus Pauling, Prof. of Chemistry, California Institute of Technolggy, will speak on the “Structure of Proteins”. | sored by Sigma Xi. After the parade, the carnival] , again. Overcome by remorse and ‘afraid of Julie’s anger, Billy stabs Maids & Porters One of the most exciting of this 'weekend’s events will be the pres- entation of Carousel by the maids | and porters. The show, adapted from Ferenc Molnar’s Liliom, has been cut slightly, but all of the plot and most of the details of the ‘original remain. - The story concerns a mill girl, Julie, who falls in love with Billy Bigelow, the barker at a carousel, ‘Although he has recently lost his ‘job, they marry. When he discov- ers that she is going to have a ‘baby, he still has no job. In desperation, Billy accepts the ‘proposition of his evil friend, Jig- ger, to hold up the mill owner while he is on his way to deliver the payroll to a ship captain. The mill owner, however, protects him- self from the two with his gun; Jigger escapes and is never seen himself. Thru Backgate The next scene is in heaven: Billy has been let in, but only through the back gate. He is told by the friendly starkeeper that he has one chance to atone for his sins by doing something good for someone on earth. Billy comes to earth, where he sees his daughter, Louise, now fif- teen years old. He tries to make her a present of a star, but be- comes angry when she refuses the strange gift, and slaps her, thus ruining one chance to redeem him- self. But his time isn’t up yet; he goes to Louise’s high school grad- uation, where ‘the preacher is speaking on the cruelty ‘of hatred. Give ‘Carousel’. Adaptation of F. Molnar’s ‘Liliom’ (He is referring to Louise, who is shunned by her friends because her father was a robber.) The entrance of Billy, now in- visible, and Julie, who realizes who has offered the star to her daugh- ter, and the closing song, “You'll Never Walk Alone,” end the show on a wistfully happy note. Arts Night Offers = Sartre’s “No Exit” 8:13 p.m. on Friday, April 22, was selected as the most-propitious moment to raise the curtain on Arts Night. The program offers a sampling of Bryn Mawr talent in music, dance, painting and drama, , all for five dimes or the equivalent. It will take place in Skinner Work- shop. An assortment of ballads will be sung by Chris Flint who will ac- company herself on her autoharp. There will be two dance numbers: “Shattered Image” with choreogra- phy and dancing by Dina Bikerman and Violet Shaw and an amusing solo by Leora Luders. Art Exhibit Art in the form of drawings and paintings, can be seen during in- termission. The second half of the program will be a reading from Jean-Paul Sartre’s, No Exit. The play deals with the “hell” which faces a man, a nymphomaniac and a lesbian. Mary Darling will direct the reading. Fritz Janschka will su- pervise the decor, and Ann Brit- tain will arrange the art exhibit. Tam Birchfield and Ann Morris are chairmen of Arts Night. Revisions Of College Election System — Discussed During Legislature Session ~__ At an open college legislature meeting on Wednesday, April 13, students discussed possible altera- tions in the present college election system. Although not presented at this --speak~-on Churchill “at Currént’ Spon-' Park Hall. j|the class, although Patsy noted meeting, a complete petition elec- ‘tion system has been drawn up un- der the leadership of Patsy Fox. ynder which the College News This system would have an election committee (not a nominating com- mittee) as a supervisory board. | This committee would set a date for petitions to be circulated and | would set a minimum time for cir- | culation, perhaps five days. To be’ eligible for an office a_ student would have to secure twenty-five names on her petition.. Either the gir] desiring. to run for office or a friend could start the petition. Signing the petition would mean an endorsement of the candidate. A student could endorse only one candidate for each office. ~The — organization bdéard ~ for which the candidate was running would then make up a list of ques- tions to be presented to her. Her answers, petition and a list of her activities would then be publish- ed, through the hall, the College News, or class meetings. A col- lege assembly, with presidential candidates speaking in their own behalf, could also be held. Narrowing would be done through that the additional work involved in running would mean that fewer and more interested people would run, Voting would be done through’ the halls. Students would not be forced to vote, but could abstain. Potts Presents Idea Nancy Potts suggested a system would be the machine through which the college would learn about the candidates and would vote; The Newg would print a special election issue, publishing the lists of candidates which were previously submitted to the News through the organization boards or whatever method was consider- ed best. It would also print state- ments by the candidates and their pictures. The next week’s issue would in- clude ballots, through which stu- dents would vote for candidates for all offices. The News would either announce these as soon as votes were tabulated, or would print the winners in the next week’s issue. At the meeting the questions of the desirability of complete college elections and of ipso facto mem- bership were also brought up. ‘Miss Robbins will speak on Sir Winston Churchill in Cur- rent Events this Monday. 7:15 Common Room