_ Panofsky of the Institute of Ad- “and author. that purpose, as well as to consid- ) ‘bers of this committee - in their major fields far more com- . VOL. L, NO. 21 ARDMORE and BRYN MAWR, PA., WEDNESDAY, APRIL 28, 1954 Copyright, Trustees Bryn Mawr: College, 1084 PRICE 20 CENTS Panofsky to S peak In Honor Of Chew FridayinGoodhart On Friday, April 30, a lecture will be. given by Professor Erwin vanced Studies at Princeton in hon- or of Professor Chew who will re-/ tire this June from the faculty of| Bryn Mawr. Goodhart Hall will be the place/ and “Galileo as a Critic of the Arts” the subject of the lecture by Professor Panofsky- to which all members of the college and the community have been invited, Professor Samuel Claggett Chew, a member of the faculty for 40 years, is a distinguished scholar Professor Panofsky is one of the most celebrated art critics of today and an expert on iconography. After the lecture a reception will be held in the common room for ‘Policy. flew across the room as ‘Chester Bowles took over Dr. ‘Well’s Comparative .U.S. aid should be used to assist ‘help countries build faith in them-. selves.” Professor Chew’s former students. Students Question Bowles About U. S. Far East Position 4 Questions on India, China, and the United States’ Far Eastern Government ‘class on Tuesday to‘answer inquir- ies that had risen as a result of his lecture series and from. the class’s work this term on Russia, tg Colonialism, and India. The correct policy for the United States in the entire Asian area was the topic of most of the ques- tions. Mr. Bowles’s. answers cen- tered around the theme that the the countries and not try to win gratitude or friends. In his words: “The purpose of Unitéd States pol- icy is not to build satellites but to Continued on’ Page 5, Col. 5 Mackey, Brown Head ‘Finian‘s Rainbow’ George Bryan Is Carefree Leprechaun by Harriette Solow ’56 | A rainbow always forecasts good times ahead and for the re- cent production of “Finian’s Rain- bow,” the audience was as lucky as the residents of Rainbow Valley. The play was a-well balanced blend of the dramatic, musical, and com- ic carried out by expertly cast per- formers. Brown. Outstanding Odell Brown, playing Finian, the dramatic lead, was convincing as he switched from a dreamer with a winning scheme to a schemer who succeeds in marrying off his daughter. He was especially good in the scene where the half-drunk Finian convinced the Leprechaun Jane Miller Heads Curric. Committee Have you often wished that you had some way of doing more than merely complaining about the cur-! riculum in the various departments of work there at Bryn Mawr? You can—the Curriculum Committee is an organization which meets for er problems of changing exam rules,. alterations in major work programs, etc, Composed of a _ student from each department, elected by those majoring in that particular sub- ject, the Curriculum Committee meets regularly with the faculty and administration to act as liai- son. between the students and the members of the Faculty Curricu- lum Committee. The elections for the new mem- were ceritly held, and Jane Miller chosen to act as chairman for the |§ 1954-55 school year, The committee irienibers can give ‘advice about certain courses pletely than can the college calen- dar. (What. courses are required for ‘a major subject, what . the ‘course will consist of as to reading ‘and ‘papers, and whether any ex- ceptions will be made in particu- lar cases are all questions] that the ' Aloysiu wan st mping crowd of about thirty, that he was a figment of the imag- ination, * Woody Mahoney was played by Mackey, whose rich bari- tone is perfect-for this type of role as proved by the fact that he has played the romantic lead for the last. six years. The comical Og, the Leprechaun, played by George Bryan, .came close to stealing the show. George has a wonderful sense of timing, essential for a comedian, and his carefree wiggles, winks, and pranc- img around were perfect for the role, Pearl] Bailey in the part of Shar- on Mchonergan, suited the role of a pretty, sweet miss who is prac- tical as well. Her acting was par- ticularly good when she convinced her father that Woody was essen- tial for her happiness. Mable Stinson, as Henrietta, will be remembered for ‘her lively sing- ing of “When the Idle Poor Be- come the Idle Rich” as well as for pie ate on Page 4, Col. 4 ge Sl Bliss, Dee of Sas Graduate school, spoke to- day at the Founder’s Day exer- cises of Coker College, Harts- ville, South Carolina. Her ad- “dress was entitled “Wreathed Trellises”, Stan Rubin's Five - At B.M.C. Sunday On Sunday, April 25, at Apple- bee Barn, the Spring Weekend Jazz Concert took place. At 2:30 in the afternoon, before a cheering, ae Rubin and his Tigertown Five gave out their hot licks for the glory of a new tradition at Bryn Mawr. Although a8 concert was not as. successful as’ was hoped for, those who were ‘there enjoyed it very touch. The- concensus of opinion bof the people who did not attend was that, had they not had so uch of jazz on Saturday night, ‘Curriculum Committee can answer.| hey would have gone. Chester Bowles Urges ‘Unconditional’ Aid For Asia Final Lecture- Advocates Faith and More U. $. Unity To build a policy “Not. out of fear but out-of-faith, not by cynics ibut by idealists”, to capture the glory of the past of our country and to aim for the rebirth of sim- ple moral principles, that is our job in Asia, In the last lecture of six in the Anna Howard Shaw series Chester Bowles discussed the hows and wherefores of a correct United States: Asian policy, one that would fulfill these aims. This talk, “American policy in Asia” took place Tuesday, April 26 in Good- hart and the discussion was con- tinued with a question period in the Common Room. To fulfill these aims in the com- plex world of today is not a sim- ple thing. We wish “while look- ing at all the tanks and guns that they could be built into hospitals instead, but that is not possible”. Therefore we must do our best to make specific, and often stop-gap, policies to do the correct thing. In dealing with Russia herself there are three fronts on which we must be cautious. (We must Few Blood Donors Go To Bloodmobile On Monday, April 26, the Red Cross Bloodmobile visited the Bryn Mawr Gymnasium, to collect blood donations from the college and_vi- cinity. Of the nearly eight hundred stu- dents at Bryn Mawr, approximate- ly six percent signed up for dona- tions, and the total number of blood donors reached about sev- enty, some quarter of which were from the town of Bryn Mawr rath- er than campus. Information concerning the poor showing of students was gathered from the Bloodmobile station and|- various people around campus, who informed us that many poten- tial donors were denied the oppor- tunity to give blood because, being minors, they needed. parental per- mission which, in most cases, was refused. On the whole, however, despite the small:percentage of student donors, the showing at the Blood- {+ mobile this. year exceeded that of last Spring. CALENDAR Wednesday, April 28 8:00 p.m. “A Time for Great- ness,” a film, will be shown in the Common Room. ‘Thursday, April 29 8:30-p.m. Liisa Banti will speak on “The Excavations in Phaistos in Crete,” in the Common Room. 8:30 p.m. “Measures of Think- ing” will be the topic of Mr. Da- vidon at Dalton, — Friday, April 30 net _ 8:30 p.m. In‘honor of Mr. Chew, Erwin Panofsky will discuss “Gal- ilea as a Critic of the Arts” in ‘Goodhart. Saturday,.May 1 Spanish and Italian orals. Sunday, May 2 . Summer Camp picnic. 7:30 p.m. Rabbi J. Agis will speak. at chapel in. the music room. : keep up with the development of new weapons, no matter how odi- ous that may be so that she will not get too far ahead of us. We must be careful not to push her into invasion by our unintentional actions and our great balance of power, And, thirdly, we must not appear so weak and divided among ourselves that the temptation of sure success will lead Russia to invade. In the very touchy area of Asia Mr. Bowles, the former Ambassa- dor to India, suggested his own “Five point program” for United ptates policy. The purpose of all these points, whether they are in the field of economics, political, or internation- al relations is to build up the in- digenous strength of the people. We must stop associating their op- position to communism and. their willingness. to fight it with their. agreement with the United States on all issues, We must try to build up within the country, a pride in their na- tional identity and accomplishment and a desire to protect this new won freedom from outside attack. Therefore, though at the beginning they may not seem to agree with us “These nations, as they devél- op, will begin (naturally) to see eye to eye with us”, that is with- out being coerced into it. Naturally we need to adopt some sort of temporary program to deal with the emergency in some parts of Asia today. In countries such as Indo-China we are in immediate danger. of compromise and a possible par- tition. But even in this situation We therefore must think we must remember the third and fourth points in Bowles’ program for policy. The third point is for the United States to adopt the correct policy towads colonialism, an issue that is alive in the minds of Asians and alive even more on the contin- ent of “Africa. We are inviting trouble if we do not take action in Indo-Chinas are likely to develop, as the situation stands now. Therefore the thing we must do is to adopt a policy critical of col- Continued on Page 6, Col. 1 Bowles Underlines Situations In Asia “The explociveness of Southeast- ern Asia stems from the fact that our diplomacy is out of touch with what the people are working for. Instead of understanding their feelings we have forced them to identify themselves with America or pay the consequences of losing our aid.” es Chester Bowles emphasized this point in his address on “American Efforts in Asia” before a captiva- ted audience in Goodhart Hall Mon- day night at 8:30 p. m. In examining American interven- tion in Southeast Asia, Mr. Bowles went on to point out. that we. have cofitinually forced the Asians to commit themselves as pro or con America. Diplomatically they have had no choice but to answer “nei- ther... we are for ourselves, we are trying to build, Can’t you leave Continued on Page 5, on bl by Lois Glantz 56 Skinner, April 23, 8:00 p. m. About the only things missing from Arts Night were an exhibit of soap carvings and a perform- ance on ham-bones. A well pro- portioned program of drama, dance and music combined with' an art exhibit provided a-delightfully im- teresting and enjoyable evening. The best was saved for last, on the program, with the presentation of “Ajax (alias Aias—after Soph- ocles)”, a semi-modern, wholly farcical rendition of the - Greek tragedy. .The dialogue had been previously recorded and the actors did their parts in pantomime. Cast of “Ajax” Charlotte , Busse was a slinky, black-gloved Athena to Liz Gor- don’s voice and Dave -Harper was Odysseus, a la Foreign Intrigue, with the voice of Robert Glatzer. The hero, Ajax, wild and power- ful, was played by Fritz Janschka, who spoke with the sonorous voice of Warner Berthoff. Anne Wyc- koff, with the voice of Jo Case, was an intense and tormented Tec- messa. . ‘The cast also included a suit- ably serious Greek chorus compos- ed of Tam Birchfield, Connie Hicks and a slightly delinquent, very funny Ilse Shapiro. Robert Glatzer played the Messenger. Arts Night Features Grecian Farce! Dancers, Autoharpist Also Highlighted ‘and, to say the least, exotic. It was ‘done by Fritz Janschka, who also directed the play. | There were three dance solos and one dance-play ‘‘Love Perhaps, or a Baby Bird” written and chore- ographed by Anne Mazick. The dancers, Evelyn Boverman, Eliza- beth Klupt and Anne Mazick, also spoke the lines. Dance Solos There were some quite lovely but the lines tended to sound too self-consciously beautiful. The dancing was competent although the variety of its content was ham- pered by the fact that the perform- ers had to make themselves heard. Mary Vorys danced to “Ode. on a Grecian Urn”, by. John Keats. It was spoken by Patricia Moran. This solo was graceful and well- spaced. Much “of the movement seemed to be based on the poses of the figures seen in Grecian art and proved to be highly successful. ° Sitwell Fantasy In contrast to the more serious tone of Keats was the dance solo by Evelyn Boverman, inspired by Edith Sitwell’s fanciful and fan- tastic poem, “Lily O’Grady”. This composition was relaxed and in- ventive, complimented by a bright and startling costume. The ac- companying © music by a The set was both colorful, pF Contnued ‘on si 2, Col. 2 — areas such as Africa wheresnew © moments pf poetry in the dialogue, _ x>