THE COLLEGE NEWS IN PHILADELPHIA (Cont.nued from Page Two) Iturbi will conduct. Program: Mozart....Eine Kleine Nacht Musik Schumann, Symphony No. 3 (Rhenish), E Flat SS enn Ba Mer Granados. Intermezzo from “Goyescas:” De Falla, 8 Dances, “Three Cornered Hat” ‘March 7 and 8-Ballet Russe will give two public performances only. On Wednesday afternoon, March 7, and Thursday evening, March 8. There will not be a performance on Wednesday evening. ‘ -. March 7. John Charles Thomas, i nesday evening at 8.30 P. M. Movies - Aldine: The “alluring,” “world- ly,” “sophisticated,” etc., Anna Sten bursts into our midst in the much pub- licized Nana; It is the story, of a lady of the streets who had pretty much her own way with the male ele- ment after a hard life to begin with. A period production of the Zola novel. Keith’s: James Dunn and Claire Trevor in Hold That’ Girl. type of movie that has made Mr. Dunn loved by so many and loathed by us. Very harmless. ae Earle. Bert Wheeler and Bob Woolsey in their new madhouse mov- ie—Hips; Hips, Hooray. Some peo- ple evidently think these two are a scream as they crack aged puns, and It’s the ’ ] admire the legs of their chorus girls, but why they think so is beyond us. Karlton; May Robson in You Can’t Buy Everything — meaning Happi- ness. She has Lewis Stone to help her in this sentimental animal that reduces one to tears while having a fairly good time watching the life story of a kindly lady. Stanley: A very amusing tale about a runaway heiress and a tough news- paper man on a transcontinental bus, It Happened One Night. Clark Gable and Claudette Colbert play their roles well enough to make this. very good entertainment indeed. Stanton: Joan Blondell in I’ve Got Your Number, the story about the girl - with - the - voice - like-a- smile. Glenda Farrell communicates with departed spirits by tapping the wires.. Not very good. Boyd: The Cat. and the Fiddle, with Ramon Navarro~-and-Jdeanette Macdonald. The musical story of the love and enmity of two musicians. Was better as Jerome Kern’s operetta that was well done on Broadway. Europa: We continue to be sub- jected to a very horrifying war film— Forgotten Men. The films of the coun- tries that participated in the conflict. Local Movies Ardmore: Wed. and Thurs., By Candlelight, with Elissa Landi and Paul Lukas. Fri. and. Sat., Flying Down To Rio, with Dolores del Rio, Fred Astaire and Gene Raymond. Mon. and Tues., Convention City, with Joan Blondell and Adolphe Menjou. Wed. and Thurs., Frederic March, Miriam Hopkins and Gary Cooper in Design For Living. Seville: Wed.,_Joan.__Crawford, Clark Gable. and Franchot Tone in Dancing Lady. Thurs. and Fri., Lone Cowboy, with Jackie Cooper and Lila Lee. Sat., Sleepers East, with Pres- ton Foster and Wynne Gibson. Mon. and Tues., White Woman, with Carol Lombard and Charles-Laughton. Wed. and Thurs., Goodbye; Love, ‘with Charlie Ruggles and Vera Teasdale. Wayne: Wed. and Thurs., Women in His Life; with Otto Kruger. Fri. and Sat., The House on 56th Street, with Kay Francis and Ricardo Cor- tez. Mon.,, Tues.,,.and Wed., Lionel Barrymore and Janet Gaynor in Caro- lina. baritone; will give a concert, Wred- This picture tells better than words the merit of your Lucky Strike. Luckies use only, the center leaves. Not the top leaves, because those are under-devel- oped—not ripe. Not the bottom leaves, because those are inferior in quality— they grow close to the ground and are tough, coarse and always sandy. The center leaves are the mildest leaves, the ONLY THE _ CENTER LEAVES FOR, SES" Always the Finest Tobacco finest in quality. These center leaves are cut into long, even strands and are fully packed into each and every Lucky —giving you a cigarette that is always round, firm, completely filled—no loose ends. Is it any wonder that Luckies are so truly mild and smooth? And in addition, you know, “It’s toasted ”— for throat protection, for finer taste. _--tucky Strike presents the Metropolitan Opera Company Saturday at 1.50 P. M., Eastern Standard Time, ‘over Red and’ Blue Networks of NBC, Lucky Strike will broadcast the Metropolitan Opera Company of New York in the complete Opera, “Lucia di Lammermoor”’ NOT the top leaves—they’re under-developed —they are harsh! Copyright, 1934, The American Tobacco Company. . Cream of the Crop “The mildest, smoothest tobacco” and only the Center Leaves - NOT the bottom leaves—they’re inferior in quality—coarse and always sandy!