dag ene vehe? * NEW | BOOKS Willected: Poems, By | By Jamies Stephers _ James Stephensvis probably the fore- most 6f the new ‘school of Irish writers whichthas sprung up within thp past few years. The-aim of these writefs has been to- revive the ‘style of the old Bards, and to make the works of these men known to the world at large by translating the Gaelic into English. Actually, they have achieved a great deal more than this; for they have created a new and utterly charming’ style, which combines the no- bility and beauty of the old school with _ an individuality and freshness belonging _to the younger writers. In his “Collected Poems,” Mr. Ste- phens exemplifies this delightfully. There is a varjety of subject matter and treat- ment in these works that is quite amazing. éhe whimsicality, for which the author | is noted, is, of course, present; but there is also a great deal of sheer beauty, and serious ‘philosophy, and sadness, which one would hardly expect from having read only his prose. The “Poems” «are divided into six books, the first of’ which is entitled ‘In Green Ways.” As the title would sug- gest, these poems are full of light-heart- ed and joyous delight in nature. The style is delicate and, for the most: part, humorous, admirably suited to the sub- ject; The reader is put into the mood of the book by the opening lines of the first pogm: “’he crooked. paths Go every way ~-“ Upon the hill * *. They wind about Through the heather , In and out Of a quiet Sunninecs.” Lines which start the fancy wander- ing in lazy fashion, through pleasant pastures. vei In the second book the mood changes ; and the “Honeycomb,” which is con- cerned chiefly with men and women, is tinctured slightly with sadness and an amused cynicism. This is followed in the next book, by a return to the spirit in which the, “Poems” start; but “In The Two Lights” is touched by a twilight sadness, whereas “In Green Fields” abounds with the carefree joy of dawn. The fourth book, “Heads and Heels,” is full of the whimsy and humorous philo- sophy for which James Stephens is so popular. . What could be more delightful than “Tomas, in the Pub,” telling of how he saw God? Or MacDhoul, who sat on God’s throne and laughed t6 see all those dull angels, drooping left and right-along the towering throne.” Contrasted to these there is the re- bellious despair of the “Whisper,” and the gruesome fascination of “Where the Demons Grin.” Of all the books the fifth probably approaches nearest to the manner of the old school. It is composed in ‘great part of translations, which, like most early Irish poems, are laments. Although there is nothing more difficult than an attempt to convey in one language the beauty of another, Mr. Stephens has somehow - managed to do it; and these poems are exquisitely lovely and _ poig- nant. In adittion to these transla- tions, moreover, this book contains some delightful poems, some serious or sad, like “The Optimist,” or “A Street,” some humorous like the “Glass of Beer,” be- ginning, “That lanky hank of a she in the inn over there.” The concluding, or sixth book, entitled, “The Golden Bird,” is written in a philo- sophical strain, with exquisite bits. of beauty. ~The whimsical irony, from which Mr. Stephens can never depart for long, is present in such poems as “Be- sides That,” in which he discusses the diffigulties of getting to. Heaven, and in “Trony.”. As a whole, the sixth book serves to develop and.combine the pre- ceding parts. In it are found the light- - hearted joy of the first book, the tender- ness and sadness of the second and third, the delicious humor of the fourth, and the beauty and philosophy of the fifth. It is quite beyond human power to write a review of a book like the “Collected Poems,” but the “Golden Bird,” being poetry, serves the purpose adequately, en as it makes a perfect climax and conclusion of the book itself. ‘E. W. L ‘Le Docteur Invraisemblable, by Ramon | Gomez de la Serna, Simon Kra, Paris. ~~ Se epee ee ee SS ee Doctewr Inoroisemblable de ‘a ‘Serna | ¢|due to hem tance to modern Spain (in fact tashe| kmodern civilized * world) as knight- errantry ‘was to the people of Cefvantes’ time. De la Serna’s objective is medi- cine-and-the €xéellence of~ his book | ‘de- bends’ i in great: measure upon his inti- mate knowledge of this field. He takes the minutest and most .obscuré fatts of this science into his employ, and imper- sonating his materials he makes hi8 work fully as readable as Don Quixote. To the reader of today, a bottle of medicine or a surgeorl’s scalpel is as fit a subject for rhetoric as: Cervantes’ Kaights. Le Docteur : Invraisemblable sis com- posed of a’series of brief spiey character sketches. Each character is a‘ patient either cured or abandoned by the doctor, who is de la Serna himself. His methods are extraordinary—never trusting to the customary procedure of the norma physician in examining his patients—tak- ing a blood test or an x-ray—this doctor, after inquiring what the symptoms dre, and ‘led by intuition alone, prescribes a remedy fantastically psychological. He can tell at a ) Blance whether or not he will be able to save the patient, so he never wastes time on those who are fore- doomed, but immediately leaves them to their cold fate. For the rest, however, he prescribes with a gay confidence that is contagious. * “No doubt any part of Le Docteur In- vraisemblable could make the dullest reader split his sides with laughter, but cefttain chapters to be especially recom- mended are those entitled Ma Cousine, La Vieille Paire de Gants, and Cas Cere- braux. The first describes a cousin of the doctor for whom .the diagnosis is that her morbid preoccupation with death- beds is killing her. Her cure is the cause of an ending quarrel of her family with the doctor, In La Vieille Paire de Gants we are told how one gentleman’s malady atises from his persistence in wearing an old pair of gloves. They have to be thrown away individually, one in one street and the other in another, so as to avoid the danger of infecting anyone else. a sympathetic analysis of thé brain cells, punctuated by rhapsodic flights of poetic fancy, to offset the purely technical basis of actuality. These are only three chap- ters, and no doubt each reader will find for himself others that would please him better, for they are many, and. highly varied. M. V. DANGERS OF EDUCATION ~- SHOWN IN HARPERS Can the. College Woman Compete With the Stay-at-Home. An article on the subject of women’s education that is bound to arouse the live- liest discussion has appeared in the De- cember Harper's. It is entitled the Prob- lem of the Educated Woman, and this problem it sets forth decidedly from an angle of parti pris. Its point of view is directly. opposed to a type of criticism we have been hearing a good deal too much of recently, but the author goes to ex- tremes in expressing it, thus making it of small value in the solution of the prob- lem. The writer, R. Leclerc Phillips, takes the stand that the higher edueation of women militates against their getting ‘married aiid consequently against “trans- mitting to the next generation certain valuable qualitiessof mind and character.” No doubt it would be a lafhentable thing that our posterity should not be all that it might, and in this, few would gainsay R. Leclerc Phillips. But the unappetiz- ing picture given of the unmarried col- lege graduate will bring down upon the author’s head the derison that is the inevitable result of exaggeration. If some of the material for the article was gathered at Bryn Mawr, we are inclined to feel that its author may as well give up now all hopes of ever reading human nature aright. We do not: hesitate to second R. Lecerc Phillips in sdeploring the probable loss of our posterity; it is only to be regretted that the point has been spoiled. The text preached is cer- tainly commendable, but the manner of its preaching rather holds the text up to tidicule than gains adherents to the creed, : : M. CAROLA WOERISHOFFER v. -? courses. Economics... and psychology were the subjects on which she -concens.4 |trated, and, although she was never a execielet- moth}. en n t-stntents anes Sid. aceisiat wot aoe bene red in’ 1907, “in 1000, Mise THEGCORLEGES In] Cas Cerebraux the doctor regales us with |. Cw t i Ws-* satirizes a cuilt of just nas great ison’ , Woprishoffer Went to New York to see what she could do. The’ first» thing to. attract her attention was ‘an exhibition | demonstrating the congestion in the city. She Became interested in the problem, and, in addition to doing somé valuable: research, she helped to finance the: under- taking, Having finished this, she next turned her attention to the working women. During the four sum- roblem of mer months, she worked in a laundry with unprotected machines, from early in And at the sanfe time that she :was doing this she wrote a report on the subject. The following year Miss Woerishoffer became interested in girl strikers, who, un- able to’ furnish bail, were being: put in prison: the morning until late at night. She acquired from her mother a large sum of money, and remained in the court room during the entire dura- tion of the strike, bailing out girls who could not provide the money themselves. She never became converted to the strike method, however. And when she died she was working on the New York State Committee on Immigration as a volun- teer to investigate the conditions of the laborers in the southern. part of the State. She was killed im an automobile accident, on her way to work-one morn- ing. 4 In conclusion, Miss Park said, Carola Woerishoffer left-to us the proof of the practicak power of a purpose. And no better demonstration can be brought of the good which a woman possessing a college education can do. One man of importance said that the good which Miss Woerishoffer did for New York could never be estimated. ELECTIONS The Christian Association has elected F. Frenaye, ’30, to the oBard, Pettit, ’28, has been elected to take charge of the Junior rings. M. Fowler, ’28, is Junior Lacrosse captain. oe, — aD, phy, aks am = saiiaaniiis ~— Sena SE oe oe ae a © Vanity Fair ». Every Issue Contains Theatres: Starsin their ascendant, comedy in = glory. 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