e =! pressing oneself other . The College News {Founded in 1914) r in anes Met ae #8 and Bryn ‘Published weekly Pe taer « the interest of Bryn Maguire Building, Wayne, Pa. Mawr College. ’ Keitor-in-Chief, KaTHaRine SIMONDS, "27 CENSOR: R. D. RickaBy, '27 % EDITOR wf Cc 8. Ross, "28 ASSISTANT pee : y, MoRBNES. "28 a een 20 H. Linn, °29 Cc. RB. M. SMITH, "28 CONTRIBUTING EDITOR M. S. Viivarp, °27 BUSINESS MANAGER Cc. Bowman, '27 SUBSCRIPTION P, MANAGER W. McELwaln, '28 ASSISTANTS BEB. R. J , 28 J. M. 8. GI ferad 28.UML R. Cross, '29 Subscription, $2.50 Mailing Price, $3.00 ‘Subscription may begin at any time. RTH, 29° Prttrit, ’'28 Entered as second-class matter at the Wayne, Pa., Post Office. . ‘ (Cernelia Rose, ’2 tssue,) ~ 8, in charge of this A CREATIVE COLLEGE Bryn Mawr has rather suddenly ” made the discovery, or suddenly begun to act upon it, that absorption is only half of education, that the|_ process is incomplete without a cor- responding amount of output or creative effort of some kind. Of course one always wrote reports, but. the héart, we fear, was not in it. Besides there are ways of. ex- than by words,, quite as valuable, and quite as important to an education, how- ever. general, which are only just beginning to receive a proper share of attention, But this year all sorts -of forms of expression have been starting up spontaneously, or ac- quifing a new vitality. The art club, founded by student initiative, flour- ‘ishes on sandwiches; and with three separate dramatic organizations pro- ducing five plays, one of thefn written by a member of the college, within two months, we are well on the, way to developing a department like the one conducted by Mr. George Baker at Yale; or the one at the University of Chicago, where the students write, produce; and act their own. plays, designing — the scenery and putting on the perform- ances in an up-to-date theatre—be- longing tothe department. While as to music, although interest began several years ago with the founding of the music department, its impor- tarice is steadily growing, and while it is chiefly appreciative, classes in harmony, and music lessons, pro- claim the creative impulse. Even ‘in the writing line, the publication: of the recent pamphlet shows a néw energy: ‘In fact, all we need now is a department of sculpture and architecture, so that the next gener- ation-may build its own Goodhart |"! : , : jindeed admirable; we can imagine Hall, and carve its own Juno. IL DUCE DICTATES “Know thyself,” said: Socrates. Not too easy a job this in these days of higher education for the female of the human species. One is often: appalled at coming face-to-face with the highly-trained intricacies and super-educated convolutions of the college-bred cerebrum. And now ‘we have an aide in this task. "The great; the only, Mussolini has con- descendeg - No longer need we search ourselves : I} Duce puts us in our place and Jeaves no trailing shreds of illusion. “Women are the agreeable or pleas- ant parentheses of life, and corisid- ered as such they play a very im- portant part in man’s kaa . .» -Women cannot create. - ‘The power behind the throne? ‘No. Woman is not that. No’ gr animals,” “indeed! Il Dtice goes 6n he-men: “Flirtations should. be in- dulged in as frequently as possible up to the age of forty, then a man should settle dowm to more ‘stable amusements, . . . What. more charming, thrilling than the first kiss; what brings a more proféund sigh of ,relief than the last? : Women are inferior to men. But then, of course, they are decorative. Left in their proper relation to man they are all that is delicious, ador- able, sensuous. . Women are to men what men desire them to: be, agreeable parentheses‘ in busy lives.” Thus does the Dictator of all Italy dictate to Woman her trifling place in the sun. It gives us that cozy, feminine feeling of being submeérged in. a Caveman’s personality. ‘Again, for the first time since the” Victori- ans, a Lord and Master has dared to say his say. No longer need we try to live up to the arduous motto set by Socrates.. Now, at last after many years of bondage to the intel- lectual ideal, we can resume the rap- ‘sturous’ role of ivy clinging to the. sturdy oak. And, at least, Il Duce|, deigns .to admit that we are; deco- rative. WHAT TO WEAR? The , Spring Clothes matter has come up on its annual round; the very first sign of it was evinced as long ago as the first of February, when the dogfish brought forth last summer’s demoded frocks and set our minds working on our ward- robe. Far more important than scheduled quizzes ‘or sixty-page re- ports now looms the question of whether blue or green will be the best color for a new suit, if last and shall we have tub silks made at home or buy them on Forty-second street. So we sigh sadly and. philoso- phize: “Life. is just one. worn-out dress after another.” Why bother to buy clothes at all when they will they will really only differ in unes- sential detail. The Paris fashions say that trousers are really coming in; now there is a thought of interest; if we could only contemplate the buying of several pairs of trousers for summer wardrobe, the matter would be worth considering. Can you not see the charming girl graduate with white satin “collegiates” under her academic gown? Or the debutante with slim brocaded legs? How at- tractive the sporting miss would look in pleated plus-fours, and the busines woman in severe blue serge high- water pants! ‘A BETTER IDEA The Idea of a college as outlined in. the recent pamphlet seems to us nothing more soothing than to have a serf stationed behind our own chair in the smoking room to light our cigarettes for us. But there is one serious aspect that she seems to. have: overlooked: what will be the result, ir after-life, of the stu- dent's’ rapid rise from serfdom to aristocragy in four short years? Will she not become so dependent one else to do the dirty to tell us what we are. #hat her husband will have to ‘serf himself? She will have forgotten her own years of servi- tude after having Tamed ‘the delights of independence. Rather we suggest ‘that the ‘last’ the one in which she learns to attend ‘to another’s needs. And who has more needs than the incoming Fresh- man? . Young, inexperienced, in- competent, she is the one who needs an older person to darn her stock- ings, pack “her suitcase, run her woman’s unseen oe vision ar a preieh ie baths. And the effect on the Senior in his soul, “No woman after Performing these petty duties hes es ‘to the soul of a man, |for be of utmost value said to the con- more virile and "throng her life. Whatever hard-|_ ships she has to endure, they will cates, Bee compared. to this. - current opinion now, is that he te is far too supe- or ao his or her hss wily be to advise flirtations for red-blgaded) = .|limerick- forms for us. year’s coat can be made to do ‘ again, | be so soon out of fashion, and when |. year instead of the. first should be} be Let ws then be op and doing per si what one ite The Pillar. - of Salt M. D. Fi OG discovered sina aa The first, the Inverted form, is forcible, and exclama- ‘tory. ‘ oO Dangerous curve— Don’t count on nerve— Stop! if your brake’s good or pot. Fifty have died on this spot. * . Kindly observe. e @ The second is not the usual unrhymed form; study it. yourself and see ‘what a complicated construction it has. — - Lo the poor Indian advances. So does the :Ofal, in sooth. Boast if you will, -.. %°' Mos® people.-fail. « Ho! for majority rule! , ' Our’interest in’ clocks was moré than timely. Now -all--the~—official—-clocks—in Paris have gone and quit. After forty ‘vears of faithful service they just lay idown on the job, and won't run for ‘two -weeks. Of course they explain it by some conttfact, but it looks pretty Sus- Picious to us. After what happened to Taylor, and to .Big Ben? we cannot but think that there is some conspiracy on hand, Or perhaps it can all be attributed, to sun spots. We should hate to think that the clocks are really malicious. Spurred on by the article on the Sat- urday Review Literary contest, two’ of our fost valued contributors have col- laborated to produce this rare literary gem. ; Soliloquy of a High-strung Goldfish. Although “my ,hide is golden bright, My heart is black—as black as night. Forever inthe public eye, I am allowed no privacy. The people passing stare at me Like some strange curiosity. You cannot know, the pangs I ‘feel, When dining on a fish-food meal, Oh, for a steak so juicy brown! How I would smile as it went down! When nibbling on a splintery spar: Oh how I long for caviar! If on my bowl my nose I bump — I give a loud marinal grump. _ And when I neck beneath the moon T_am_abashed_ to see that soon A gathering hag gathered round, And I+can hear the merry sound Of saxophone and loud bassoon And all the cacophonic tune - Fills and refills my watery cave : When privacy is all I crave! And if I want to blow my nose My modest heart in misery glows. But they insult me most of all When each to each I hear them call, “Although he boasts a golden hide He has a heart like ours inside!” SopHRONISBA and Mosy Dick. The Balm of. Life. (need we apologize?) — Tell us not in hopeful numbers, Marriage is a pleagant dream. Funny papers spoil our slumbers— Can things be the way they seem? Strife is real, strife is earnest, In these homes of wedded bliss. “Struck, the other cheek thou turnest,”’ ’|° aoe was .elected by the association Was not said of scenes like this. Jeff is long, and Mutt is fleeting, And our hearts have sadly bled. Krazy Kat with bricks is beating Little Ignatz on the head. Father has his nightly. battle, In the bivouac of life. They are like dumb-driven cattle, All — heroes of the strife. Trust no lait. howe’er pleasant ; ‘Rosie’s. ‘Beau is pretty dumb; Harold Teen won’t buy:a sirebent: ‘ Hairbreadth Harry chews his gum. | ‘Lives of these men all remind’ us; Marriage isn’t so sublime— We may leave some dents penied us, On the sia pins of time. . : “ v - oe ie! : & ; ; A ” agccetN PHILADELPHIA ‘ . ‘Theatres. | Broad+-George Jessel in The Jazz Singer. ; i ae ; Adelphi—The Crown ‘Princes Basil ‘Sidney and Mary Ellis. in old _ style romantic tragedye Chestnut—Greenwich Village Follies. Lyric—My Maryland. Tuneful ro- |inance of the Civil War. ; _Shubert—Vagabonid King. -Lots of Adelphi—Pygmalion. Opens April 4. Theatre Guild production. Adelphi—Loose Ankles. 4. Comedy of, the gigolos. Movies. _Aldine—Old Tronsides, _ Beautiful ships in a-dull picture. Stanley—Corinne Griffith in Lady in Ermine. Arcadia—Flesh -and the Devil’ with John Gilbert and Greta Garbo. Palace—Clara Bow.'in It. Victoria—The Third Degree. ‘Stamton—Tell it to the Marines. Chaney in an amusing picture. Fox—John Gilbert in Count of Monte Cristo. Opens April Lon Coming. Stanley—Sorrows of Satan. March 14. Arcadia—John Barrymore Juan with Vitaphone.: Stanton—Wallace Beery in Casey at the Bat. Opens | ; ORCHESTRA PROGRAM The Philadelphia: Orchestra will play the following program on Friday after- noon, March 11, and Saturday evening, March 12, and also on Monday evening, March 44: erry | aa 8 -! Stéenhammar—Midwinter. Peterson-Berger—Symphony No. ° (Lapland). Atterberg—Symphony No. 4, in G ‘minor (composed on Swedish National Melodies). Alfven—Midsommarvaka. . Shall We Support Chapel For Rest of the Year? (Specially contributed by Beatrice Pit- ney, °27:) Attendance at chapel has reached an ebb which even for Bryn Mawr is low. This raises a problem that has been raised several times in-the past few. years.’ “8 | The C. A. Board feels no desire to deal in general platitudes on the subject. Neither does it wish to resort to any artificial methods of boosting chapel: or to the impressement of unwilling students en route from the lib. The board does, however, think that the situation would be improved if a few of the facts of the case were laid before the members of the association. The facts are as follows: (1) The question as to whether Sune) should be abolished or not has been voted on by, the members of C. A. several times in the last few years. Each year an almost unanimous vote has been cast in favor of it continuing it. (2) In accordance with the wishes of the association as expressed in this vote chapel speakers were last summer invited for this year. . ‘ ' (3) The committee which pe the and js therefore representative of the de- sires of the association. (4) The speakers were chosen with the greatest possible thought and care. (5) Only a small proportion of the people who supported chapel in theory are supporting it in practice. They are assuming none of the responsibility which they voted to have the association carry. (6) Whatever the association may de- cide this spring as to the future fate of chapel the fact remains that ministers have ‘already been = an the rest of this semester. . (7) So slight an | sietation at chapel naturally means a gesture of extreme rudeness to the speaker. Posibly, too, the good name of the college is not meee thereby. The Board’s Conclusions. color. we ‘Walnut—Pickevick. Ouaine and J charming. om Garrick—Lucky, New musical ’gom-]} dy, : Coming. Shubert—Great Temptations, ~ Opens March 2 i Chestnut—Hi it the: . Deck. Opens March 28: Lew. Fields’ musical comedy. Last _ week. |: in Don In this. importai nt matter the board is fs support not to the -— sti % tain desive te: thitik muy —c philosophy of fi fe, or a code “of ethics. The board, of course, recognizes that no sitigle chapel speaker, and ingléed no single person ¢an sum up: all of at But it does feel that most of the ch . speakers can contribute ‘something, at least to those’ who are not entirely sat- isfied to remain static, aid can start them. thinking along, lines ich without such stimulus they would not follow. In other words, chapel is one expres- sion of the kind of thing in which girls - by becoming members of C. A. have ° their. interest. The argument “hat instead of going in Latin, dy in History of Art bviously beside the point since there is no-clear_ reason why that particular hour should | be set aside for study .rather than one earlier, in. the day or week. Ag | have said, the question of the fate of chapel for next year can be voted upon this spring. The board at present merely asks the support of the C. A. members for the rest of the year... Habima Players Here - The Habima Players, the Hebrew the- atrical ensemble, will give a repertoire of plays at the Garden Theatre, Eighth street near Race, for the entire week of March 7. On Monday and Tuesday they © will hd the famous play, “The Dyb- buk;” on Wednesday, “Jacob’s Dream;” on “Thursday, “The Golemy” on Friday, they will repeat “Jacob’s Dream;” on Saturday matinee, “The Golem,” and on Saturday evening, “The Dybbuk.” We reprint the following from The Philadelphia Public Ledger : Recently at the Metropolitan Opera House, in. Philadelphia, the Habima was given: possibly the greatest ovation ever accorded a Jewish theatre company there. The play presented was “The Golem,” by L. Levick. Hundreds were turned away and curtain after curtain call interrupted the action. The Moscow Theatre Habima came into being “during . the early period of* the. revolution of: 1907. Its first per- formance took place on a tiny stage, before an’ audience of one hundred per- sons in a little private house on one of the narrow cross streets of Moscow. Today it is known in all the capitals of Europe. Czarist. persecution became so severe in 1913 that the Habima could not ap- pear in public. The Habima had an- other period of trouble, however, when the Soviets decided that performances given in a language not understood by: the-masses are prejudicial, The greatest intellectuals in Russia sprang in the de- fense of the Habima and overcame this objection. s TWO ARE CHOSEN Dorothea Shipley, ’25, and Agnes Mon- gan, ’27, have been accepted as graduate students to work under the’ direction of Prof. Clarence Kennedy, of Smith Col- lege, in Italy and France next winter. ® |The group will meet in Florence Septem- ber 1 and study art under his personal instruction. December 1 they will go to’ Paris and study there under the best masters at the Louvre and the Sorbonne. ince the group is very small and care- fully selected jt is a great honor for Bryn Mawr to have two representatives. Nine Deans Graduate. The January issue of the Bryn Mawr Bulletin, devoted to the Academic Com- mittee’s report on the Graduate School, is especially interesting. After outlining nad .| to chapel a girl must do Mon ay’s lesson. the history and functions of the school , the report goes on to give data on the members of the school before and after ‘graduation. Ten hundred and eighty- eight students, chiefly foreign, have at- tended it since its foundation. About half of these have’ become teachers after receiving their degrees; nine of them are. now deans. Their average salaries ap- pear to be about $2000 to $2500. *s Dr. Chew Asks Another. © Oe, Mawr. as an artist in settling questions, has transferred his talents to Vanity. Fair. He has sent in, and had accepted, two hundred questions to the “Ask Me Another” Contest. It is said:that a mem- ber of the department of English was ‘able to answer correctly twenty-five of - them. ae sr a at ap 38 see Chew, long recognized in Bryn” Pant s