4 t he College ° Vol. XVII, No. 11 WAYNE AND BRYN MAWR, PA, ‘WEDNESDAY,, FEBRUARY 11, 1931 Price: 10 Cents Donald Ogden Stuart to write of Maria M. Coxe. will see in this show. _ to play the piano. "of “The Road to Mars.” The designer Connie Robinson and ‘have been planned accordingly. Class of 1934 Makes Debut (Specially Contributed by B. Ush, 1934) This year the Freshmen are presenting as their. annual show a musical comedy in two acts, more or less, entitled “The “Road to Mars.” The Freshmen being unable to get hold of The music, in the absence of George Gersh- win, was composed by his new rival, Miriam Cornish. Cornish—Bryn Mawr, point with pride! has George beaten . because she dances and teaches others how to dance as you -Another matter of interest as regards music is that the Freshmen have thrown tradition to the winds; they are not having an orchestra, and Miss E. Snyder is going By the way, don’t be disturbed by the make-up or scenery years from now, the place, Mars, queerly enough. had ideas of what such a time and place mean—the stage effects You will find out all the rest of interesting data about this” show on the big night itself, February +4. rad the book, enlisted the services Miss time of the play is a hundred Scenery- Costuine-designet Margery Lee Quartet and Tenor in Concert Monday Strauss and N: Y. String Quar- ___ tet Give Fourth Concert i i Bryn ‘Mawr Series. INTERPRETATION GOOD Tie Mawr-series’ fourth con¢ert the” Bryn “was held on Monday eve- The New York String Quartet and Laurence Strauss, tenor, were the performers, ald as such showed them- selves to be very capable. The work of” ning. ; on 8 of the individual members of an en- semble is distinguishable, paradoxically enough, as contributing to the desired unity of the whole, and this unity com- bined with solidarity, the quartet has certainly achieved. Milton Prinz, the ‘celloist, is especially to be commended, as he has been with the quartet only year, whereas the other members have been together for ten. -Unfortu- nately, however, interpretation is but half the performance, and in this, case the program has kept the latter from realizing the possibilities which the skill.of the performers might lead one to expect. The Dvorak “American” Quartet (F Major) was the most for- tunate selection. Not only is the syn- copated modal lullaby of its second movement very beautiful, but the com- bination of-negro and Bohemian folk- tunes is an interesting one. Concern- ing the “Invocation of the Toreador” by a Mr. Turina, there is little to say, as tHe work seems insignificant as well a Continued, on Page Four = The Cut Commuttee (Specially contribyted by assis Rider, Chairman) The Cut Committee of the Under- graduate Association is composed__of the first junior member of the associa- tion as chairman and four other mem- hers, one elected by each class. The members of the Cut Committee. this vear are: Chairman: Alice Rider; 1931, Elizabeth Doak; 1932, Emma Paxson; 1933, Elsa Bassoe; 1934, Janet Eliza- _ beth Hannan. — The committee has beew authorized by the faculty to regulate all academic cuts. It decides the number of un- excused cuts to be allowed without penalty, and for this purpose has taken into consideration not only the condi- tions here, but also the way similar problems have been met in other col- leges. The cominittee appoints student monitors to take the attendance in all classes, sends out’ to every student at the end of each month a record of the number of cuts she has taken to date, and penalizes overcutting. ~Sifice” the aavaber of week-ends- a ‘Student may take is unlimited, a system limiting cuts- is obviously necessary, but the members of the Cut Committee, as_in. the case of every committee, are representativ es of the student. body “apd always want suggestions with regard -..to-the cut system. . re Value of Conference in » Detroit Seem; Doubtful The two Bryn Mawr undergraduate delegates to the Detroit Conference of the National Federation of Christian --Associations,-Harriet. Moore and.Ruth} # Milliken, ’32, spoke in Chapel, February 10. “The -problem,” “was ‘Tuesday, the development of Christian character in colleges and universities.” As the most important point of this was religious organizations, and the > afternoon debatés were solely on re- quired chapel, this phase was of little interest to Bryn Mawr. The morn- ing discussions proved of greater in- terest. These came from the commis- sions on administrative policy, the edu- cational system, social and organized campus life, morals in a day of rela- tivity, social attitudes and résponsibil- ity, and students’ counsels. Miss Moore found the commission of “Higher Education” very frank in its discussion of the plans in various colleges, and the general problems of eduication.. Among the questions raised was that of grading and promotion, and the consensus of opinion seemed to be in favour of only two marks, passed and failed, with & possible mark for superlative work. Half the students worked on “moti- vation,” and advocated — presenting work in-a more pleasing manner, and getting away-from the formal lecture system, which means something like the Chicago plan where no time limit is set, and the courses are broad. The other half, working on examinations, ‘suggested that they be on a two-fold basis, that is: fact examinations, which should be frequent, and only to test for the facts absorbed; and a report or thesis on one. general phase, to see how a problem of the course could be handled. For the latter, special time, as in examinations, was to be given. This double’form was thought to get away from the present-day evils char- acterizéd in the conundrum: “‘Why is a college professor correcting exami- nations like a dog eating sausage? is devouring his own substance thrown back: at him in mangled form.’ Miss Milliken went to the Commis- sion on “Social Attitudes and Respohy of Social Change.” “It was interest- ing,’ she declared, ‘that of all the inquiries submitted, .only three were on curriculum changes” (this’was Miss Milliken’s topic). This was interpreted not as a sign of satisfaction with the existing curricula, but.rather that stu- dents did not consider this their busi- ness. Se The: results of the inquiries showed the most frequently recurring problems to be: moral difficulties, e. g., cheating, which seems to be a very real problem in an astonishing number of colleges; religious differences, — student- faculty. frictions, racial problems, ‘social life, R. O. T. C., andthe relations of stu- dents to-industry: ‘In discussing these problems, we tried to evaluate the dif- ferent possible methods and* arrive at one method which would be applicable Continued on Page Three — eek heii Lic acl ame lat | Curriculum Committee Miss Moore stated,- He 5 sibilities Centering on the Methods hF ebruary 4. ‘is the platform on wheels brought into Announces Alterations Required Subjects Are Reduced in. Number and Given a Wider Field of Choice. FIFTEEN UNITS: FOR A.B. cree eran a % Required subjects: One unit of com- position—formal instruction in writing with special consideration of ‘the needs of the-various departments’ in the prep- aration of material for and papers. In addition, the student is required to take English diction, reckoned ‘as a half-hour weekly for one year but not included in the total number of units required for the degree. One unit ‘of Laboratory Science: A student majoring in science sub- stitute for the science requirement a unit of Psychology, or Mathematics, or Economics, or Politics, History, History of Art. One unit reports may or or First Year Greek First Year Latin or First Year Eng- lish: A student majoring English must offer for the third unit of required work First Year Latin, or First Year Greek, or Elementary “Greek A student majoring in Latin must offer either First Year English or First Year Greek, or Elementary Greek. A student—majoring—in—Greek— must offer either First Year Latin or First Year English. ° One unit of Philosophy: A student majoring in Philosophy may offer unit of Psychology for the fourth unit of required work. Courses counted as part of ‘the major subject. with allied subjects may not also be counted in fulfilment of the requirement under Required Subjects. Furthermore the number of units re- quired for, the degree will be reduced from 16 to 15. If the unit is taken as the exact equivalent of -a four-hour course the 15 units will correspond to the 120 hours previously required for the degree. This change would permit a student to carry three and a half units instead of four units of work for two years. It would also allow of greater flexibility in the arrangement | of courses where stadents elect half- unit of one-and-a-half unit courses. In calculating the honors credits, the en- tire work of the sixteen units would be of or in a a considered, in the case of those: stu- dents who’ have completed sixteen units. Scenery Must Be Frame Work, Not Background Monsieur. Traces Evolution of French Maricheau - Beaupre Stage Settings. MODERN SETS’ SIMPLE Monsieur Charles Maricheau-Beau- pre spoke on “La Decoration Theatrale Francaise du Dix-septieme Siecle a nos Jours” in the Music Room of Good- hart Hall Wednesday © evening, Although the. emphasis of-the lecture lay upon more modern times, Monsieur Beaupre began by tracing the development of the art of scenery from classical antiquity to the present day. The most primitive of all scenery is the background chosen by the street vendor. He backs up to a building so that he will not be in the middle of the group he is talking to. The next step on the market place with a simple curtain and perhaps a chair to denote an in- terior. Finally a place is set apart for ‘the presentation of plays and the the- atre proper comes into existence. ~ In the theatre, scenery becomes more and- more complicated. It attempts to give an illusion of reality hat will en- hance the words of the actor... It -has Tone et this reason a’ laboratory Curriculum . Questionnaire At the end. of -this week, a printed form will be given to each girl in college: Everyone is urgently requested to co-op- erate with the Curriculum Com- mittee by filling out the blank, giving ‘the approximate time spent on each course during the week beginning Monday, Febru- ary -16,.and ending Sunday, February 22. The Faculty Cur- riculum Committee expects, by means of several. of these sur- veys, to be able to apportion the work of the various departments more equally. This is only pos- sible, however, if the records are carefully kept by a large majority of. the undergraduates. Miss Park Speaks on the Changes in ‘Requireds’ On . Thursday morning, February fifth, Miss Park ‘spoke on the change in, required—subjeets: The required work has now been reduced to four units. : The course in writing, i--e., Fresh- man English has been left unchanged. —fiterature—ha: science requirement has has ourse if” dropped. The is the ...same. dropped while amplified and—kept. Shs then contrasted sysem of education with Eufope. Abroad there” institu- tion which coincides with the Ameri- can ‘College: Phe—-work- which we do in our last ‘two years is also done in foreign Universities but that of our first two. years is done in the Gym- nasium. Therefore when a foreign stu- dent arrives at a University he is ‘two years ahead of the American, student. Because of this American colleges must in their first two years deal with a kind of work which is both in content and attack akin to work done in school. Therefore- our first-courses, requireds, first-year courses. and electives which may be taken without any foundation in the subject, are elementary and gen- eral to a degree. It is only in our last two years that we connect our- selves with professional work. While our University work not genuine research it teaches us the-anethods of research. Education is. the actual seichings of: the. process of thinking. We must be able to guess and gamble: We must learn what a genuine opinion. is and what: correctness in opinion is. Our generation is going into difficult problems and therefore needs .educa- tion. in the power of thinking. - For must be an important part of our curriculum. For this reason the course in Philoso- phy amplified and kept. Psychology was dropped for two rea- been been Psychology Philosophy American thate- of the no is science has been has been for its connection with, the Continued on Page Three Prof. Dinsmoor Describes Hellenistic Athens Dr. William Bell Dinsmoor, Profes- sor of Architecture at Columbia Uni- versity and lecturer in Classical Archi- tecture at Bryn Mawr. College, spoke on Hellenistic Athens in the Commons Room: of- Goodhart Hall, Friday eve- ning, February 6. Dr. Dinsmoor traced the developfnent —of Athenian architecture in the 4th century B. C., its laterdecline into purely utilitarian art, the coming in of Pergamean types in the 2d century B. C. and the Roman ‘influences from the age. of Augustus} downto the 5th--century A. D. The lecture was illustrated by lantern s—been+-— slides’ showing modern. discoveries. and ‘Princeton Glee Club in Successful Concert Presentation: Shows -in Tone and Shading Marked Improve- ment Over Last Year. ——— DIRECTING IS EXCELLENT The concert. by the -Princeton Glee Club.in Goodhart Auditorium Saturday night, February 7, was a very enjoyable event, and, it may be’ said, a great im- provement over their offering ‘of last year. Despite a certain preliminary neryous- in the Club got off to a good start in Henschel’s Morning FTiymn. The first’ part was marked by. an increasing smoothness of | tone, coupled with finer ‘shading and subtlety, owing in large measure to the excellent conducting and sympathetic in- terpretation of Mr. Knox.’ The musical version Carroll's well-known | ness, evidenced tenors, of Lewis Jabberwocky, in the second part, was re- ceived with great and justifiable enthusi- asm. fine voice, effortless, and of a beautiful qual- The soloist: had an exceptionally ity. It is to be regretted that he never once let us have~ its full votiine— piano duet showed good technique, if no particular feeling, and the octette, last year scored the hit of the perform- measured. up to. their standard, Mr.. James Giddings, Prince- ton, °30, returned to direct The Orange and the Black, and the Step Song, to the great pleasure of the large part of the who ance, previous audience who renjembered his work of old. The program was as follows: Part I 1. Glee Club: (a) ‘Nottingham Hunt Bullard (b) Minstrel Song La Halle (ec) Morning Hymn Henschel 2. Solo Group: Continued on Page Three e : N Miss Ayscough Tells * !.. of Chinese Courts Magnificent T’ang Dynasty and “Its Collapse Illustrated by © Tu Fu’s Poetry.. SLIDES HEIGHTEN EFFECT Court Life in the T’ang Dynasty in China as shown by the Poems of Tu Fu was the subject of a lecture illustrated by lantern slides given by Florence Ayscough. under the auspices of the Chinese Scholarship Committee in Good- hart.Hall_last. Tuesday nightt, February..3.. Miss A'yscough collaborated with Amy Lowell in the book, HKir-Flower Tablets, translating the poems from the Chinese sons. It is more closely akin to science ate and: therefore Hot so necessary. Sec- for Miss Lowell. More recently she has ondly, it is hoped by the faculty that arranged and had published 7u Fu, the it will be. one of the best and most Autobiography of a Chinese Poet. In generally chosen courses in college., this book, in the New Book Room, vos a Sometime it is hoped that it will be be found most: of the material of her allowed as a-science, . The literature | lecture. Tu Fu lived from 712-770 A. D. In 713 A. D. the emperor under whom he |was to live, Ming Huang; came to the throne. It is this period of the T’ang Dynasty With which Miss -Ayscough con- cerned herself. Between the recitation of poems, one in. Chinese, the lecturer told of Tu Fu’s life, of the emperor, and his loves, of the magnificence. of the of its overthrow by a rebel official, the death of Yang-Kuei-fei, the Emperor's last favorite, and the flight of -the em- peror himself. Miss Ayscough told of and_ showed, among others, beautifully colored, old pictures of houses and gar- dens, courtly splendor and quiet hilltops, immortals of poetry and “immortals of the wine cup.” She gave an excellent picture of the wealth, .wit, extravagance, and poetry of the latter half, of Ming Fu, his precocity, his travels, his charm, evolved from simplest background to reproducing 18th century drawings of|his poétry, and his inability to pass Continued on eee ancient-buildings since destroyed. examinations. | ee ee ib # Spuscaunen 1 BFA sere > ; nia ae ‘ ote arate kia) neo oot eeeaebieratees ‘the’ Glee ~ eastern capital, Ch’'ang An, and, finally,~. Huang’s reign as well as of the poet Tu “Phe TERPS a ag - guess at, or assume, the observer’s; but, as an undergraduate, we can speak with feeling. The consensus of opinion we believe to be very page 8 3 3 _ |. Bryn Mawr College at the Maguire Building, Wayne, Pa., and Bryn Mawr College. ‘ strongly against this innovation. _ —old_system ; people who received C + were indignant that it counted no more in the final run than a C—. Doing away with this apparent tnfair=\— pPp—. THE .COLLEGE NEWS : (Founded in 1914) -- Published. weekly during the College Year (excepting ‘during Thanksgiving, Christmas and Easter Holidays, and during examination weeks) in the interest of eee Member ESTAR Cydia 19 Hepa Bes espn ha C opy Editor Editor-in-Chi oestriol ‘Virginia SHryock, ’31 Lucy Sansorn, 32 : Assistant Editors ELIzaBETH JACKSON, 733 LEws, 33 Susan Noste, 32 Betty KinpLesercer, ’33 Editors Rose Hatrietp, 732 DorotHEea PeErKINs, _ Ceveste Pace, ’30 Leta "32 » . "Business. Manager Doromay AsHer, 31 Subscription Manager _ Mary E. FrotnincHam, 731 - Graduate Editor DorotHy BUCHANAN ™ : Assistants * Frances Rosinron, 31 * Yvonne ‘CAMEPON, *32 Mouty Atmore, 732 : ELeANoR YEAKEL, 733 EstHer McCormick, °33 ~ SUBSCRIPTION, $2.50 MAILING PRICE, $3.00 SUPSCRIPTIONS MAY BEGIN AT ANY TIME Entered: as second-class matter at the Wayne, Pa., Post Office ; peers , Pythagoras Misinter preted Our- first experience of numerical avétages which have supplanted the time-honoured system of honour points and their cortesponding marks inevitably demands cgmment of one nattre or another. Although in discussing the point we shall make every effort: to be impartial, we| confess that we are-not without prejudice. Obviously, there are several points of view to’ be considéred: that of the undergraduate body who must bear the brunt of the new marks, that of the faculty who must decide them, and, lastly, that of the unbiased observer, We car only recount the faculty views as they seem to be; we must Complaints were voiced against the ness is, undoubtedly, one of the more favourable features of the new plan. On’ the other hand, the difference between an 84 and an 86 seems to be so slight as to be almost imperceptible, and certainly presents a diffi- culty to the professor. How is it possible, in a college course, to make the fine distinction of one or two points in grading the student’s knowl- edge of the subject? The emphasis is, inevitably, laid more and more on the actual-mark, when a “cum” depends solely on a rigid statistical alignment... We fail'to appreciate the difference of a few points one way or the other, except that it attaches:an entirely new significance to the grade. Having been duly impressed with the fact that marks are not the only thing in college, we are somewhat in the dark as to the motive which prompts a move which must make a fetish of marks. Moreover, there would seem to be little dignity in a number tagged to our name. It is too strongly reminiscent of high school days and college boards, when knowledge of certain facts, and nothing more, was demanded. We had always flattered ourselves that, in college, intelli- gence, a comprehensive grasp of the situation, and various other equally intangible qualities were considered in the final grade. With all due regard to the faculty, we confess that we fail to see how it is possible to ‘ discriminate in such delicate matters to the extent of a point or two. And, - ynfortunately, even one point now counts considerably, in. averaging toward graduation honours. ele Finally, from the undergraduate angle, the psychology of this step is somewhere at fault, unless there is a deliberate intent to foster competi- tion. If we are to be so graded, we will indubitably degenerate into petty bickering and rivalry. One cannot help being elated over beating one’s ~ chosen enemy by a few points; and, in addition, no one cares for the humiliation of a mark in the 30’s. An FF is less painful to one’s pride, for there is always the hope that it wasn’t such a very bad flunk; and at least, all one’s friends won’t be so inclined to discuss, in awed tones,’ the depths to which one has fallen. As to the faculty, since they voted the measure in, presumably they wanted it. But there remains a large degree of inconsistency, at least, of uncertainty. If the old system is to be abolished, then all its attributes _ accompaniments should go too. But,some marks are posted with their merit qualifications in the neighbouring column. Still others have _ appeared without inteftnediate notations, bearing exactly the same conno- tation as the old letters indicated—i. e., 70, 75, 80, etc—thereby defeating their own .ends.. The most conclusive evidence against the faculty’s wholehearted acceptance of the system, however, iS that, though they mark anywhere in the numerical scale, they apparently retain in the backs of their minds a more or less definite conception of marks as resting on a merit basis. This is illustrated by a case in fact; a professor posted a -grade of 58, which, with the present rigidity of the field is not satisfac- tory. It transpires that she meant this to be regarded in the light of a Of old, this difficulty would have been obviated: now, in order to pass the student, a petition must go to the Senate to raise the mark to a 60. Yet, if the mark arithmetically is 58, on what grounds can it. be raised two points? : ; Criticism now becomes as impersonal as the circumstances will per- mit. Numerical marking in college is too rigid, too lacking in scope and comprehension. In the case above cited, if the professor thinks the stu- dent has a sufficient knowledge of the course to be regarded as satisfac- tory, then it should be his or her privilege to designate it, whatever the examination and quiz marks average. It would seem a strangely narrow system which demands, without reservation, a conditioned examination on a mark so very close to the edge. It can not be possible to draw such a fine line between safety'and disaster, with no other considerations. ‘The qualities which we have called intangible should be reckoned with, as well as other factors. Some students know their subject, but they are nervous or hurried, or try to write too’ much, and they fall down in the exami- nation. Or it comes at a bad time, as frequently occuss when three or four others have preceded it in close order. The time comes when one’s quite conceivable that the student who “failed” with 58 will, a week later, remember the whole course pretty thoroughly. The professor is able to |. judge the grade of her intelligence, her grasp of the course, by her gen- eral work previous to the examination. There is, apparently, now no room for. such allowances, and it is felt more bitterly, when others who less general knowledge, but are-more fresh, and have crammed dili- night before, win by a good majority. t : of ee A marks has been an un- | e believe that this fi ia mitigated failure, unless ou ‘| ; . * * en, Stage . i ro wie eg ae f Me. ‘ 3 res eh Ba Sadi e ss a at on s : ahaa i * i ‘ i Ss aes feturp,to. the honour, point system with the plus and minus distinctions | ‘THE COLLEGE NEWS-~/8 |it would appear logical to suspend classes for a few minutes. tment is dropped. Philosophy has been increased: to a full unit, while the -clean”—Strictly Dishonorable is the best mit; when: it>refuses to function clearly... It-is} conception.of the value of college examina- |, tions and final marks has been sadly mistaken. It-is to be hoped that a included will be effected ; its very vagueness had compensations for what- ever disadvantages it may have possessed, and whic! - comparison with the new-difficulties now presented. ~* ** — ‘Required Chapel On Thursday morning, February fifth, the presence of the student body was requested in Chapel in order that the President might discuss certain important changes in the policy toward required subjects. Prob- ably a majority of the students attended. The service lasted for about ten minutes beyond the allotted time, and thus a large number of students were at class at twenty minutes past nine instead of promptly at ten minutes after. In at least two cases, classes had already begun, and those students who had respected the request of the administration and had attended Chapel’lost a fifth of the lecture period. It seems unjust that these students should be expected to make up work missed in attending an official college gathering at which all students should have been present. It.seems equally unjust that the President should be limited to exactly twenty minutes when she is discussing important matters concerning, college policy. respi On the rare occasions when a general student assembly is requested, ‘ ¢ 7 *Requireds’ , This issue of the News contains a statement of the new rulings concerning subjects required for a degree. “The number of thits of required work is reduced from five’t6 four, and the Psychology require- English composition ‘requirement is one unit, and a_unit of laboratory science is still required. We hail, however, the new ruling which allows for a choice between First Year Greek, First Year Latin and First Year English. A certain latitude, moreover, is allowed to the student majoring. in science, who may substitute-for the required science either Psychology, Mathematics, Economics, Politics, History, or History of Art. Students have long been looking forward to this change, and adjust- ments are already being made on the basis of the new rulings. ~~ Editorial Notes oe ag What with our newly-gilded Taylor time-pieces, our Goodhart’s improved acoustics, and our own numerical marks, we may seem to be progressing: Just what does this alarm-clock affair in’ Dalton indicate? A _ Not Responsible Howard and Dudley Digges. -A thought- ~S* Jantary20, 1981: Dear Editor: ‘y Chewing gum in the library, while it may soothe the nerves of the chewer, can be dreadfully annoying to those nearby, especially when. the chewer persists in cracking and smacking the wad every other minute, ' I suggest that you make an appeal to the students who use the library and find comfort in chewing gum while there, either to chew it less audibly or to dis- pense with it entirely. Hopefully yours, One Who Studies in the Lib., 1934. (Ed. Note—Unfortunately the News was not published during the examina- tion period. We hope it is. not too late for this plea.) subtle acting. Europa: Zwei Hersen f, Drei-Viertel Takt, this must be nice, as we havén't heard a word against it. ' Local Movies _, Ardmore: Wednesday. and Thursday, Joe Brown in Going Wild; Friday, Lew: Cody and James Hall in Divorce Among Friends; Saturday, Jeanette MacDonald in Oh, for a Man! In the New Book Room The. Fool of the Family, a novel con- cerning the Sangers, by Margaret Ken- nedy. Lords. of the. Housetops, “thirteen cat tales;” collected.by Carl Van Vechten. The Poetry. of the Age of Shakespeare, an anthology arranged by W. T. Young. Mr. and Mrs. John Quincy Adams, “an adventure in patriotism,” by Dorothie Bobbe. Flights. from Chaos, “a survey of ma- In Philadelphia Broad.:.“Light' comedy which might have been salacious if it hadn’t-been so of its class. Chestnut:. Better Times — Louise Groody and Jack Pearl bring a little prosperity propaganda to town in the form of a lively revue. ye Walnut: Michael and Mary, A. A. Milne’s. tender tale in’ which love con- quers all, one after another; Madge Ken- nedy is particularly gracious at this: sort terial systems from atoms to galaxies,” by Harlow Shapley. Harold Bauer Gives Pleasing Recital in 3d Series Event of thing. Forrest: Street Scene—the brilliant Harold B i ‘tal’ play by Elmer Rice. about arol: auer gave a piano recital on ¥ ieee ort Januzry 14. This was the.third of the Bryn Mawr Series, and, needless to say, was quite up to the standard of its pred- ecessors. Mr. Bauer has been described as the great representative of classicism in the pianistic world. ,At any rate, we 4 thought his rendering of the Beethoven ‘Sonata in E Major, Opus 109, the high spot of the evening, although his legato notes in some of the Chopin Mazurkas | must be almost unsurpassable. tenement life. Garrick: Subway Express—a thystery play in an unique setting. Comirig Attraction Up Pops the Devil with Roger Pryor and Sally Bates, begins February 23 at the Walnut. Phiadelphia Orchestra Friday, February 13, and » Saturday, February 14 RRR aan Symphony in D Major : Chausson~ : Viviane The program offered great variety, as OTS OCCT IS: Ucelli (The Birds) i: — — : vase meio MONROE ccc ee Slavic Duis Oe ee eee encore, Mr. Bauer played one of Bach's loveliest chorale-preludes: Jesu Joy of Man's Desiring. The complete program follows: (a) Air de Ballet, Saens; (d) Les Barricades Mysterieuses, Mr. Gabrilowitsch will conduct. Movies Boyd: Reducing with Marie Dressler and Polly Moran. Fox: The Man Who Came Back with Janet Gaynor and Charles Farrell; not a successful ‘reuhion. Stanton: Criminal Code with Walter Huston. Another tremendously success- ful prison picture. “ne _ Stanley: Cimarron, Edna Ferber’s novel makes an excellent movie. Richard Dix plays Yancey Crayat and is every | inch the man we thought he wasn’t. Arcadia:.We still like Ruth Chatter- ton, but The Right to Love is a poor Vibe: Keith’s: We feel that the present fash- ion for Donald Ogden Stewart is re- sponsible for Finn and Hattie, taken from “Mr. and Mrs. Haddock Abroad.” Toccatta and Fugue in C Minor, Bach Sonata in E Major, Op. 109, Beethoven. ..:(a) Mazurkas; Chopin: Op. 7, -No:-3; -Op. 7, No. 4; Op. 56, No. 3; Op. 41, No. 4; Op. 56, No. 2; Op. 17; No. 3;* (b) Polonaise-Fantasie, Chopin. . |, (ay “Impromptu in G flat, Schubert; (b) Ondine (dedicated to Mr. Bauer), Ravel. ses Vs . Engagement Announced ° The engagement of Silvine Slingluff, ex. '29, of Baltimore, to Charles C.| Savage, Jr., of Chestnut Hill, has been announced recently. vere trivial_ in --provoking—theme; ‘beautiful-photography, - Gluck—Saint- | Couperin; (c) Aria, Leonardo Leo; (d) } 2 ___Northrup. Company, who will FesBruary 11, 1931 The Freshman Class, Wherever-it-is, February 11, 1931. | Mesdemoiselles: I hope-you will pardon my boldness in addressing you, but I feel it only right that a certain matter should be brought to your attention. Dear ladies, you have arrived at a crucial point in your career when you are to choose that which is to be your guide through the years, your star and your playmate, i.*e., one fur-bearing, or otherwise, bird, beast or fish. Now, my friends, I sug- gest that you resist these charmers, for there is one with still greater power to delight. Yes, it is none other than your own Sister (Cissy). Centipede! As you know, I am a modest little creature; boasting is decidedly painful to me, but there are certain facts which cannot be overlooked...As a class ani- mal, I would be irresistible, for I’ve been told (tee-hee) that even now I have great charm. Of course “I am not a furry beast; “but fam ina class all by myself: I am the proud posessor of no end of shapely legs, with a corresponding number of ankles to match, all delicately turned, and with some dainty feet to boot. Think what opportunities you would have in the field of foot-gear. You could care for me in galoshes, I know, or in Dan- iel Greene comfy slippers. As for the but I am told that I have a piquante little face. I think it would look even quite beautiful on a blue blazer. Concerning.my moral attributes, | find difficulty in enumerating them. Suffice it to say that I look like my father, but I have my mother’s sweet disposition. I do not bite children, and can be patted on the head with a cer- tain amount of safety. trained, and can be led on a leash. Then, too, I am a regular old vacuum cleaner when it comes~to collecting news, luscious bits of gossip, and the like. In addition to all this, I am the very spirit of good, clean, fun. and a comfort-toold- age. _Flesh_and_ fowl may please you in your heyday, but even in the laughing years of Fresh- men and Sophomores, you must look to the future. “Other women cloy the appetites .they feed,” but I am a Cleo- patra. top of me, I am a wee bit wiry I admit, | I am_ house- , One thing more: I am also the toast. ° of the campus, whose every inch I know. I can hold more than one repu- tation in the palms of my hands. So, my friends, when I offer myself to you, ° do not refuse me’ I.am your one hope of immortality. And for: you, I shall ‘become a glorified Cissy; I shall: be yours to have and to hold, and to eat out of your hand. By the way, I wish to be heralded in.the show by a fan- fare of trumpets. Then I shall appear dressed as Titania, maybe. I’ve always wanted satin slippers. Anyway, I ex- pect to hear from you very soon. In the-meantime I remain, , Unsymbolized but glorious, CISSY CENTIPEDE.: Calendar Thursday, February 12—Vachel Lindsay will give readings from his Chants and Poems in Good- hart’ Auditorium at 8:30 under the auspices of the Undergrad- uate Association. ~ Saturday, February 14—The Class -| £ 1934 presents the Road to ars at 8:15 in Goodhart Audi- torium. Monday, February 16 — The Hampton Quartet will give a concert at 8:15 inv‘the Audito- . rium of Goodhart Hall. Thursday, February 19—The Lib- eral. Club presents Mr. Morris Leeds, President of the Leeds- speak on The New Capitalism a 8:15 in the Commons Room: — ' Monday, February 23—The or- chestra of Curtis. Institute will give its program. : Wednesday, February 25—Mary © Wigman will give a dance pro- gram in Goodhart Auditorium. Karlton: Outward Bound, with Leslie PE SI, on » oe | * CELE SAO I ALAR AE AMEE Se PROCS aa racial nit Fepruary 11, 1931 — 4 THE COLLEGE NEWS Pagé* 3. SPORTS . The basketball season opened on Wednesday eveniig with the first class teams playing. 1932, with Cameron starring, defeated 1931, 32-11. Tatnall played a nice game for the Seniors Pettus showed well for the Juniors. 1931 * 1932 “PUPRED Gscsccc. ieee Py Cen a Te Pettus (Macatee) (M. Woods) Tatnall........, ‘ccvtpsian OO EE Cameron PRICE OWEcscrcnsececesass Baal abe aesaer Se Watts UMP EON isecessorcioneds -Cornadsrniteiaad Reinhart (Sanborn) MOOR Gis cicrassosssie ENS CRN” Davison PINGIOM: ic ecsicceovics Ti Mae aaisianen Mueller Score: 1932, 32: Cameron, 221121111- 211122;. Pettus;.22211;-J.-Woods; 21. 1932, :‘l1: Tatnall, 1222112. The Sophomores and Freshinen in- dulged in.a very sloopy game in which 1933 succeeded in making ome more basket than 1934. sketches in the Academy of Music’ on a \ * : be Bryn Mawr as a whole, or even taking anything to the conférence to , justify. going, was. very doubtful. ~ PRINCETON GLEE CLUB CONTINUED FROM PAGE ONE (a) Ich Liebe Dich (b) Die Beiden Grenadiere, j Schumann | 3. Glee Club; (a) The Way of the World....Grieg (b) Love Me ‘or Not...3.......... Seechi (ec) John--Pielsiccccciccnecs Andrews A Peng et Wate iicisiciccs Arensky 5. Glee Club: Landsighting ........... Grieg Part II 1. Glee Club: (a) Shenandoah _............Bartholomew (b) As “Off to the Southward, Bartholomew 2. Glee Club: (a): Goin’ Home 7..3....;..7..:.. Dvorak (b) Londonderry Air, Arr. by Baldwin (c) Jabberwocky Cee DRO UL 3. Octette: : (a) Close -Harmony.................. O'Hara MISS PARK CONTINUED FROM PAGE ONE past for it throws light on a long period of time. We should take it with a sober and serious thought of what lies ahead. ~ cr emRON “THE CAMBRIDGE SCHOOL DOMESTIC ARCHITECTURE LANDSCAPE ARCHITECTURE A Professional School for Women Summer School Monday, June 22 Saturday, August 1, 1931 Summer Travel Course in England, 1931 Date to be Announced The Academic: Year for 1931-32 Opens Monday, September 28, 1931 HENRY ATHERTON ‘FROST, Director 53. Crurcn Str., CamsBrince, Mass. At Harvard Square RO rooster eR HU ee RS nemceRecNkS 4) » American Cleaners and Dyers Wearing Apparel Blankets Laces Curtains Drapery ‘Cleaned. or Dyed 1 Mary Wigman Don't forget Mary Wigman on Wednesday, February. 25. ... lis- On your radio e ten to Lorna Fantin, famous num:rologist. She’ll tell you how ‘names and dates affect success in business, love or marriage. A real radio thrill. , and entire Columbia network WCAU and entire Columbia network ’ at 9:15 P. M. eastern standard time Every Thursday . Wy. rad PEs wn SH ~ ¥ 1933 1934 (b) Grand Opera in English, STUDENTS’ ACCOUNTS , Verdi-Bottsford- a ©) L D G @) iL D Berkeley........sss0c00 | POR cere ere Per ee Butler : : ieee Sear sree Daniels 4. Glee Club: ” . {« a os White ae Jones | (a) The Orange and the. Black, ) TRONCELLITI, Prop. CIGARETTE \ seessetssssscersee Cortseenrneceensens $ : eer te Ea oe Ulomsiicciek GQun ie eae Jarrett y 814 Lancaster Avenue « R I PR RAM (Leidy) (Mitchell) CD) Steve -SOne ae ....Carter BRYN MAWR 1517 ADIO . Cons! L. Watt. <6 RAG antaanin Bishop (c) Old Nassau... Langlotz |)’ == (Smith) ein “i ' Get Y O W ll Letett@ccicsesnicens De Se Miles W et lour Uwn or We a SPECIAL WINTER RATES--January, February, March a Score: 1933, 14: Berkeley, 22221; College lan Low Buildings ; Candee, 212. eee SES ae peer REMINGTON -,” CORONA >. " 9). Be or umnae anc uests oO tudents: or “\iumnae an suecsts O aculty, ta, 1994, 12: Butler, 122; Daniels, $2.00 per night including use of bathroom : : and Stiidents: PorTABLE 1111111. Breakfast: 60c and 75¢ $2.00 per night- including use of bathroom : pens 75¢ Pak “ pec, ihn ant Mie : » Jinner;...$1.00, $1.25, $1. Tome * MH Co pe se “Any: Me La, Cant: frm Luncheon 8 Bryn Mawr Co-Operative f 8:00 A. ~ to 7:30.P, 3 inner: $1.00 s > & All Meals Served in the Tea Room 5 Supper (Sunday): 75c j Society The Mikado Mary F. McGroarty, Manager Edith: Eyre, Manager # > New Books! Supplies! The _Glee~-Club,.under Margaret Telephone Bryn M:-wr. 386 . Telephone, B. M._ 1739 : EAS en as Shaugnessy, ’31, has begun rehearsals i of the choruses for the Mikado. True | to form, the members voted against the | importation. of men from any of the wall surrounding colleges, and the altos will again assume the masculine role. fick 4 ; , FRA NAR ON a Tan Sin yw on~ Miss Skinner to Read Stee peeerenepee a The College Club of Philadelphia \ WY) Sevier ware a Nera ae pt presents Cornelia Otis Skinner in her YA Te tee ore XG Saya ' Soe 7) S b : ; } p= PE PP (gS DPS ‘ delightful character sketches written| : Sh) MiP . ee bs i S us 2 by herself and acted without the usual ard | 148, eae aids to illusion. Miss Skinner brings Ss e 4 ny ese sométhing new to the theatre. Inten- hing es Cuties ae sive training has fitted her for the NA yf) = oles brilliant career and success which has a Fear i) Vo come so quickly to her. In the space = ES MSC/7 CAS ; ia é of one short year, Cornelia Otis Skin- Sea i" as fl er 8 “ ner stepped from the legitimate thea- SAY | cane tre to become one of the greatest en- nee ‘a de Beer MS Retest a tertainers in America today. Miss Nef < ‘Skinner is also known as the daugh- Sit | AW 4 ter of the popular and talented actor, Sp (> 2 Otis Skinner, | nL ‘ Miss Skinner will give her character rae February 19 at 8:15 P. -M. Tickets f 3 re < b gs 3 ee BS me og i @ can, be secured at the College Club. o TBE: (,) yes es ‘| Le + iy. ” a he, \ DETROIT CONFERENCE Nae g) oie \ ae = cs \ | CONTINUED FROM PAGE ONE aera TLV Vth, * oe 40 0 oe ed rin ° , to the solution of any college problem. ‘+ ou AY) Sst Neos We concluded that the only feasible Be Pit imi) one was by co-operation, i. e., by Stu- Sr * iy Meo ; dent-Faculty Committees, where the a, e Pee students have more than advisory eee tA x foes powers.” = ; > a he. ft . $i On the whole, the problems apply . =e va Raga mainly to very large universities or+to jo ie wm oer F ef rq w < Narid very small colleges; they have no par- aot ey \¥} ) ey ticular interest for us. Miss Milliken ei se Vid yi suits Hie te ge ee 3x al oa Not just “reason” uf the abstract yf Bb could go to the conference; the value Sa ty But a reason for f’ compact “7 } oe would be tremendous, but where there ra D Such as Saint anf Cupid-stanad for We Ree ah only two delegates, the possibility Sy And a maid wold give her bandfor. Ai a of gaining anything which could bene- : : Ayes fenats | There’s sweetness as well as meaning = on ; in the Sampler. Let it be your wo Ear School of Nursing Valentine messenger. *;3 yee e « en > of Yale University For individual tastes, other popular A‘P Sx 7. A-Profession for the Whitman packages can be had with “4 54 College Woman the Valentine touch added. ee F : 8 FEM ° whe ty interested in the modern, scientific ris A agencies of social service we The thirty. months’ course, pro- viding an intensive and varied , experience through the case . mentee nm study methods, leads to the ‘ degree—of : : : : Ch | ; ivy ri BACHELOR OF NURSING AI ae Present ee eee hag oco ates j ‘2) 4 graduates. o eading colleges. ape! , SESS UY olf ? Two or more years of approved mf nd od ws =~! aA \y Yip.» & eoHege- work required for admis- | -« (i Sia « eel) \— eh wr. 4 MZ sion. A few scholarships avail- <— Ss a A a =h “i ~ Ca ee able for students with advanced Be, ¥ Mapai 3 qualifications. © S.F.W. & Son, Inc. OMA OR” a ex i Tg A Fran The educational facilities of x ei I Vike x TITYT My ™ ae Yale University are open to qual- a tlt ! \ pa ified students. ‘ ; For Catalogue and Information WHITMAN’S FAMOUS CANDIES ARE’‘SOLD BY ; ‘ ; Address ‘The DEAN Bryh Mawr College,’ Inn, Powers & Reynolds H.B. Wallace Kindts’ Pharmacy = hee gee of NURSING Bryn Mawr, Pa. _ Bryn Mawr, Pa. . Bryn Mawr, Pa... Bryn Mawr, Pa. * a NIVERSITY eae . « ‘ NEW HAVEN CONNECTICUT Bryn, Mawr College Book Store .. Bryn Mawr Confectionery Moore’s Pharmacy. Seville Candy Shop ° : ; : Bryn.Mawr, Pa. Bryn Mawr, Pa. Bryn Mawr, Pa. Bryn Mawr, Pa. 3, 2 ee : ate t. : ' ce ‘ i * # . _ hounded rendered into scenery. Therefore a set Page 4 a A THE COLLEGE NEWS Fepruary 11, 1931 —N ¥ STRING QUARTET CONTINUED FROM PAGE ONE as * disjointed. Debussv: i Clair . Lune” “is ‘unsatisfactory nt a fo medium. as are most cr although it does not quite sink to the level of the “Liebestod” on a piano, which phenomenon we_ have seen (and unfortunately heard) produced by none other than Ignace Jan Paderew- ski. Of course, in his case, he may feel that he has exhausted the litera- ture of his instrument, but it is doubt- ful whether’the quartet can have done the same in-its field. Such’ chamber music as Beethoven, Mozart and Brahms have left would seem, spir- itually at least, to: defy exhaustion. As encores the quartet gave Albeniz’ | “Tango,” “*Canzonetta” of Mendels- sohn, and Bizet’s ‘“Adagietta,” none of which are very outstanding as music. The last*remark, however, cannot be applied to Mr. Strauss’ program. His first group consisted in four very fa- “mous German songs ‘including “Auf Flugeln des Gesanges,”” and terminated with “Lord Randall” as an encore. This fourteenth century ballad, with its atmosphere of repressed horror, af- fo-ded splendid opportunity for \the dramatic effect which Mr. Strauss can so well obtain. His voice is not a big one, but is very colorful, and through almost perfect diction he brings about the union-of words and music so. neces sary to the true interpretation of songs. In h’s second group, three songs from Vaughan Prigns “On Wenlock Edge.” he was accompanied by the quartet as well as by Miss Margarét Tilly, and in the first with the startling programmatic effect of “woods in trouble.” These songs of *Mr. Wil- liams,-based on English folk-music, are quaintly philosophical, and not a little humorous, as, for example, ' ‘Oh, When TY was in Love with You,” velopment. which Mr | Strauss repeated. Monday evening’s concert was un doubtedly As a matter of fact, 1t was thoroughly enjoyable. Oui that, it not great composition for. such a success. only regret is was As long as strings cah represent the highest music know, it seems a a fsm of which we shame that we were at least one real masterpiece in solute music, hear th’s realm Of a0 ‘ | Woe Oe PROGRAM I—Quartet in F Major, -Op. 96 (American), Dvorak; the New York String Quartet. II—Auftrage, Schumann; Minnelied, Brahms; Auf Flugeln des Gesanges, Schubert; Zueignung, Strauss, Mr. Strauss. If1I—Invocation of the Toreador, Turina, the New York String Quartet. I1V—Three Songs, from “On Wen- lock Edge,” Vaughan Williams: On Wenlock Edge, From Far, from Eve and Morning, Oh, When I Was in Love with You, Mr. Strauss and the New York String Quartet. . V—Clair de Lune, Debussy; Ori- entale, “Glazounow, the New York String Quartet. . ‘ MARICHEAU-BEAUPRE TALKS * oe . CONTINUED FROM PAGE ONE highly tion. It is now in, the process of. re- turning to simpler forms. Illustrating his points by lantern slides, Monsieur Beaupre followed the dev relopment of scenery from that. used in the Italian operas brought to France by Mazarin in the 17th century. In these operas the dividing line between the stage and the audience was not clearly defined: The dancers came down off the stage into a space sur- by the spectators. This scheme gradually disappeared, until the actors having retreated to the stage were corapletely separated. from their audience. | In the 18th century scenery became stylized and segverted to antique sim- : ’ plicity. ’ Architecttiral sets were, used or the classic plays especially in the ‘Hotel de Bourgogne. The reason for this was the idea that the poetry in the plays was sufficient unto itself: a room could be ever so much more-beautifully described in verse than “tt could be was designed so that it could be changed from an exterior into an in- terior by means of a few curtains and _a-chair. Contrary to current opinion the 18th century was perfectly capable ; of constructing elaborate settings such as were used in other types of plays. for instance Moliere’s* Psyche. The not allowed to| elaborated artistic representa- |, the city-walls on one side and the prows of endfmous vessels on the other. Sorendini, an Italian artist, in- troduced local color into scenery for the. first-time... He made. his sets look like actual places and not just sym- mettically planned triumphal . arches and rows of trees. Costumes underwent a similar de- The conventional hand- and voluminous hoop- kerchief, fan skirts’ required of every lady, were superseded by more authentic repre- sentations, although a Grecian costume worn by an actggss caused much com- ment and APTA ita the critics. With the Empire and Romanticism the art of scenery became very com- plicated. Percier, Fontaine and Isabey are names gonnected with this-develop- hnent. The people went to the-theatre as we now go to the “movies”: exotic, foreign scenery and novelty was what they wanted. But about- 1880-1890 a reactionary movement was started by Antoine in the Theatre Libre, and Paul Fort in the Theatre d’Art, against this overemphasis on elaborateness. ‘They attempted to a scenery artistic and not merely phofographic. These ideas have been continued in the work of Gordon Craig and Stanislavsky, and taken up again in.France by Jacques Roucher in the Theatre des Arts. Scenery, according. to modern theory, must be entirely simple and must be in harmony with the words of the actors. Copeau has even gone so far das to return to the style of the Hotel de Bourgogne: utmost classic simplicity; he tried to impress this idea of scenery upon’ the Theatre Guild “itr 1917-1918 when he was:in New York. _ The last slide was a very amusing representation of how scenery may be used to conform with the action of the play. show by their attitude the reversal in the fortunes of Monsieur Tordei at Monte Carlo: at first trees are -very upright and tidy-looking; but soon they take on a dejected air, while the whole balustrade turns upside down. This set was designed by Louis Jouve for the Theatre des Champs Elysees. In conclusion Monsieur Beaupre said that scenery‘in its harmony with the play, does more than reply to the de- mands of the spectator; it carries him outside himself and perfects the illu- sion attempted in the action. Scenery should be a frame-work rather than a Does a General Banking: Business ‘Allows Interest on Deposits _ background. EIEIO THE . 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Out of Winter «« Into Spring A few hours* away lies the sportsman’s Auto Supp.iies A Pleasant Walk from the College with an Object in View paradise... girdled by fragrant woods _, of long-leafed pines...warmed by the reassuring sun. Perfect, rolling fairways : on 5D: J-Ross “polf-courses (with new grass tees)...tennis courts...riding ..polo...shooting. .-archery: And, at your command, the luxurious 4ccom- modations of the Carolina Hotel. « « « « « For reservations or new illustrated booklet, address General Office, Pinehurst, N.C Special Holiday S ports Program , - OEP EPP PDP PP PP POPP PPP PPE PPE PT PP PPP PP PPPPPDP PP OPD DD —~_—,—- Ro ee a b “MILDER: AND BETTER TASTE we, eee YOUR TASTE fe//s the Truth. = port of Corinth was represented with re ibe ‘AY IGS, Liccert & Myers Topacco Co. Which of these cigarettes is the tallest — but maybe you're on to this one! /