40 THE BOOK OF THE CLASS OF NINETEEN-ELEVEN This ought to be Freshman Class Supper UT I never wrote anything funny in my life you wail; and yet the cruel editor of the class book who is probably one of the wits of the ‘class and has made funny speeches on every occasion when they could be made and on some when she thought she was being serious,* only smiles blandly, answering, “Oh, mine’s perfectly flat. Just write anything and send it in by—’’ Let’s not mention the date, it’s so long passed before you get the ambition to attempt the impossible. Then after a while you do spoil some potentially pleasant morning being funny, but somehow your own jokes are too feeble and you don’t think a class book article can be constructed like a speech—a collection of old favorites, e. g., ““a woman, generally speaking, is generally speaking,” unified by “that reminds me,” so you throw away your first attempt and wait until the gentle editor writes to you that someone else has designed a beautiful heading for your article on “ Freshman Class Supper,” let us say, and so because you don’t want the artist’s work to go unlabeled, you sit down again to write that article. There are two subjects tabooed by the Harvard English Department (and doubtless by the same department at Johns Hopkins)—‘The Squirrels” and “ Why I hate to write daily themes.”” Of course they ought to be tabooed, but what can you do when you remember nothing about the subject assigned, but, say like Isabelle Miller, “I don’t know that question but Pll answer another about the same length”? At any rate that’s the explanation of this long preface to nothing at all, for as an honest fact that first class supper is as hazy in my mind as the first week of college. I confusedly remember a feeling of expectation and of importance as a class, and the only incidents I can recall are wearing the first dress I ever had without a high neck and singing: “* Nineteen eleven is the Stuff.” * Leila and E., I cannot decide for which of us this is meant, but we are not eager. Take your choice.—Ed. Frances Porter.